OH WOW!! WOW!! WOWWWWW!! (⊙ _ ⊙ )

what 1975 songs do you associate with artrick? i feel like there’s so many that are applicable…. 🎾🏓

I LOVE THIS QUESTION!!!

the first song that popped into my head was

about you because of the whole “do you think i have forgotten about you?” (and the whole song) is literally sooooo artrick coded.

i couldn’t be more in love. “and what about these feelings I've got? we got it wrong and you said you'd had enough. but what about these feelings i got? i couldn’t be more in love.” …yeah 💔

nothing revealed / everything denied. “life feels like a lie, i need something true. is there anybody out there? life feels like there’s something missing, maybe it’s you.” ☹️

anobrain. “and i was thinking ‘bout leaving again. it all depends, are we just friends?” 💔💔

that got very sad very quickly… anyway YEAH!!! THAT’S MY ANSWER!!!

cowboy!art donaldson x farmer’s daughter! reader text AU

a/n: lmk if you guys want me to continue this 💞

can’t believe some ppl only know mike faist from challengers. they don’t even know that max’s mom brought cookie cake for everyone :/

Florence Pugh and Mike Faist on a press tour together FUCK

genuinely, how do you write smut??? i feel so stupid. this is why i stick to fluff and angst. this is hard 😔🙃

if you dont continue the black beauty thing i fear im going to explode

i honestly hated black beauty 😓

but if y’all REALLY want it, i have some ideas for pt. 2…

Hey don’t take that commenter under your Athena post too seriously. They get under everyone’s posts acting purposefully obtuse. We got what you meant!

thank you!! i was worried i came off too strong! 🤍

WHEN DID THIS HAPPEN?

THANK YOU SO MUCH 🤍🤍🤍

IT MEANS THE WORLD TO ME

death with no dignity; patrick zweig

“ amethyst and flowers on the table

is it real or a fable ?

well, i suppose, a friend is a friend

and we all know how this will end ” - sufjan stevens

cw (18+) : mentions of depressive symptoms, masturbation, and heavy yearning.

wc : 1.9 k

When Patrick was eighteen, he killed a doe. 

It was an accident, it truly was, in every sense of the word. 

He had been driving home from Art’s house around 11 PM and had been playing some stupid song on the radio. He’d thrashed his head and slapped his palms against the leather steering wheel to the stupid beat, carefree and unassuming. It had been so dark, and he was distracted, and then suddenly the deer was in the center of the road. Big, black, shiny eyes and pointed ears and a deep brown coat. She was beautiful. For the split moment that he had before the impact, that’s all he could think about. 

He didn’t have enough time to swerve and avoid her because he’d been speeding, and everything afterwards happened in slow-motion. The skidding squeal of his tires against the asphalt. His heart lurching in his ribcage, almost enough to make him feel sick. The harsh jolt of the car and the brutal sound of metal hitting muscle, followed by the animal being sent hurtling a few feet forward and onto her side, accompanied by the painful sting of the seatbelt digging into his chest. When the car finally came to a stop, Patrick froze. His hands stuck to the wheel, shaking, and his eyes were peeled open wide as he stared through the windshield at the lifeless creature he’d just hit with his car. He was practically panting. He didn’t quite recall ever being so scared in his entire life, not even when he’d played his first professional match. Not even when he’d nearly drowned one summer years ago when he and Art were swimming in a lake upstate. 

He’d never killed anything before. Not like that. 

The aftermath was a blur. He almost called the cops to let them know that there was a large, dead animal in the road on so-and-so street, but he didn’t. To this day, he doesn’t really know why. Maybe it was all of the adrenaline. Maybe it was all of the guilt. Regardless, he’d mumbled a soft, “Oh, god, I’m sorry,” and then slowly pulled off and around it. He never told his parents, or anyone for that matter, that he had cried so hard on the rest of the drive home that he felt lightheaded by the time he was in the driveway. 

Mommy and Daddy Zweig offered–no, begged–to get him a new car the next evening (when they got back from Greece) because his hood and bumper were horribly dented, but Patrick had refused. He’d laughed off the incident in front of them, and then waited until they went to bed to slink into their massive garage and pick all of the little tufts of fur out of the vehicle’s grille.

He’d traced his fingertips along the indentations and the scratches in the paint and blinked away the wetness clouding his vision. Tried to mentally retrace his steps that night, too. What if he hadn’t been listening to that stupid song? What if he hadn’t left his best friend’s place so late? What if he’d been quicker? Smarter? Luckier? 

Could things be different? Could he have spared a life? 

Could he have spared the victim, and himself, the pain?

Patrick’s twenty-one now, and he does a lot of retracing his steps these days.

Tennis is his priority; he’s always on the court, or in a car or a bus that’s traveling to a court of some kind. Forehands, backhands, volleying, serving, smashes–it’s all he lives and breathes. And, of course, it’s easier now to focus on tennis when he no longer has friends. 

Art and him haven't talked in many months (has it really been years?), not since Tashi’s knee had gotten injured during that match at Stanford. 

Fuck that fucking match. And fuck them. 

He didn’t need them, he was doing just fine on his own. 

If his best friend of over a decade wanted to kick him to the curb like he was nothing more than a dog that had bitten him a smidge-too-hard to be loved, then whatever. If his grotesquely-talented girlfriend wanted to break up with him because he didn’t want to be treated like a lesser athlete nor sit in her shadow, then fine. He’d enjoy his tennis career and roll freely in the expendable income he was sure to continue collecting.

But that’s not really who Patrick is. 

And so he can’t help but lie awake at night, trying to pin-point where things went wrong–what he could have done to prevent this outcome–and tracing the indentations and scratches in his relationships that surely were only indicative of his faults. Compulsively picking at the tufts nestled in the wreckage. Eyeing the bloody brutalization, punishing himself by reliving the sting.

Sometimes he drags his fingertips over some of his old, banged-up rackets that he can't bear to get rid of, and he thinks about all of it. Tennis academy days with the shy, funny blonde kid that he became close with from day one. Learning and teaching and discussing with him all of the typical adolescent lessons that gave way to life outside of the bubble. Doubles matches–so many doubles matches. So many wins. First beers, first girlfriends, first cigarettes, first kisses. They shared everything with one another and they (almost neurotically) timed their experiences to happen around the same time so that they'd be able to talk to each other about them afterwards. As they got a bit older though, Patrick began to realize that he was feeling things for Art that he probably wasn’t supposed to tell him about. And he usually told Art everything.

That was his first mistake, he thinks, like when he hadn’t heeded the speed limit that night. Or, maybe, that was like playing the stupid song on the radio and going home late. It was the start of their untimely end. 

When he’s in one of his usual depressive spirals, the kind in which he can’t seem to find his appetite and he forgets to shower and he ignores his manager’s texts, he argues with himself about what exactly could be considered the “impact”. Was it when he had cheekily served like Art during that one casual training session, ball to the neck of the racket, confirming that he had slept with Tashi and thus beginning the festering of that awful jealousy in his friend? Or was it when he praised her in front of Art before her match in the singles tournament that fateful afternoon, igniting his friend's interest? Patrick remembers the look that glossed over Art’s eyes when he first caught sight of her; he had looked at her and suddenly Patrick felt like he’d been forgotten–like he’d melted into those bleachers and disappeared. He can’t really blame him, Tashi was talented and beautiful and ambitious and confident and mature–she was everything that Art steadfastly admired in a person. She was twice the person that Patrick had been back then.

Usually though, he comes to the painful conclusion that the impact was certainly the day of the Stanford match. More specifically, it was when Art had yelled at him for the first time in the entirety of their friendship. 

“Patrick, get the fuck out!” 

Those four words ring through his head on the worst of days.

He knew he’d fucked up by not pushing aside his pride and going to support Tashi after their fight, so he could pretty easily swallow down the discomfort that came with being yelled at by her. They yelled at each other pretty often when they got into their little spats, it was relatively normal. But god.. It was so much different when it was him. Patrick's muscles had locked up; he was shaking and breathing hard like he’d just run a marathon, able to see nothing but that pair of angry, familiar eyes. The vitriol that came spurting from the blonde’s mouth was like the worst toxin he’d ever known. It paralyzed him and began to rot his insides from that very moment on. And then all of the suffocating memories came flooding back as he turned and walked out of that campus health center. 

Giggling under blankets with a flashlight, reading comics until the sun started to come up. Practicing for hours on the courts at the academy, sometimes until they both got sunburns and heatstroke. Sleeping in the same bed on summer nights at Patrick’s house–tiredly watching the way Art’s chest rose and fell with each of his breaths and trying not to look at his lips. Holding each other when Art’s parents got divorced and he cried so hard that he got a nosebleed. Bandaging each other’s blisters. Wearing each other’s clothes. Having each other's back.

He doesn’t understand what he did to truly deserve being treated like that in the end by Art.

He’d been a good decent friend, hadn’t he? 

How could Art’s infatuation with her be enough to snuff out everything that they built together? It was supposed to be the two of them for the rest of their lives. Sure, they could each get married, pursue a career, have kids, but at the end of the day it was always meant to be them, wasn't it? Fire and Ice? Did he get that part wrong?

He habitually questions how much he really meant to him.

When Patrick does muster up the strength to drag himself to the shower, he generally stays in there for at least an hour. “Waste of water” be damned. He closes his eyes and lets the warmth run over his hair and his naked body. He presses his back to the cold shower wall and rubs his eyes until he sees white flashes dancing in the darkness. It’s not uncommon for his mind to wander back to you-know-who. In fact, that’s who’s usually on his mind whenever he’s not trying harder to forget. And it’s easy for Patrick to fixate on those blurry white flashes and suddenly see yellow curls, bright blue irises, deep smile lines, flushed cheeks. Breath smelling of that peppermint gum he always chewed. The sound of his nervous laughter and joyous cheers. Patrick would know him even if all of his senses were somehow dulled or taken from him. He would know Art by the feel of his soul breathing life into his own. He would know him, surely.

And maybe it’s an act of pure filth and desperation, or one of flesh-tearing grief, but many times Patrick winds up touching himself. Slow, steady, tender–the way he assumes Art touches Tashi. The way he had always wanted to touch Art, though he never even gathered the courage to try to hold his hand. He thumbs his weeping slit and keens as he feels the sadness and arousal roiling in his gut. He chokes on little moans that sound like sobs that sound like screams. He’s starved. How is it possible to miss someone when they’re everywhere? He thinks it’s funny that he’s forgotten what Art’s speaking voice sounds like but also refuses to watch any of his latest interviews on TV. He doesn’t want to see if there’s a ring on his finger, and he certainly doesn’t want to think about all of the ways Tashi gets to keep him as her own. He was mine, he unfairly thinks as he strokes himself under the scalding water, he was mine and I loved him and you lured him in and then he was gone.

The orgasm usually comes quick, spurred on by the near-lethal dose of petulant thought. He feels his thighs tremble and then his hand starts to lose its rhythm and then he’s crying out as he comes hard over his curled fingers. Sticky, clotted, putrid evidence of his lack of control. When he finally opens his eyes again, salt spills down his ruddy skin from wet lashes. He gets dizzy from the heat and the steam, he feels like he’s choking on all of it. He brings his dirtied hand under the showerhead and watches as his mess is rinsed away, down the drain in a gurgling spiral. It takes everything in him not to collapse.

“Oh, god, I’m sorry,” he whispers, before he forces himself out of the bathroom and collapses in a wet heap over his bed. His skin sticks to the sheets and makes him feel like some sort of dirty, beastly thing that crawls out of swamps and swallows up all of the good it can touch. He figures that the feeling is not far off from the truth.

When Patrick was eighteen, he killed a doe. 

And that doe followed him for the rest of his life.

note : to anyone who's ever had a childhood crush on their best friend. to anyone struggling with the grief.

This was intentionally written to be a bit "all over the place"; I wanted to show how scattered Patrick's thoughts can be. Also I love, love, love Tashi, I just think Patrick maybe sometimes (early on, before they reconnected) blamed her for his and Art's split for unjust reasons.

tags : @venusaurusrexx @tashism @grimsonandclover @diyasgarden @weirdfishesthoughts @gibsongirrl @newrochellechallenger2019 @jordiemeow @artstennisracket @cha11engers ♡