Sometimes The Art Process Takes Me Nowhere Near My Own Personal Look On Art. 

Sometimes The Art Process Takes Me Nowhere Near My Own Personal Look On Art. 

Sometimes the art process takes me nowhere near my own personal look on art. 

This particular image started out with me painting a red circle, and continued without my own will. This is how it goes:  There is a direct instruction in my head to paint a certain color in a certain shape in a certain place. After I do that, I get the second instruction that may appear very clearly or sometimes rather blurry. 

Step by step I follow out this out of nowhere input, and I don’t judge whatever it may be doing. It is as though of I am not creating the image myself, but recreating an already existing image. 

When I finish, I am unsure whether I actually like what comes out, since I never included my own taste and interest in it anyway. But I still pay it much respect since it comes from the other side with a reason.

More Posts from Edniz and Others

10 years ago
I Have This Image In My Head For Over 2 Years Now. I'm Glad I Could Finally Find The Courage To Paint

I have this image in my head for over 2 years now. I'm glad I could finally find the courage to paint it. 


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10 years ago
edniz - Art of Edniz
4 years ago
Back In 2009, I Was A 13 Year Old Mad For Avatar. I Made Several Series In Which I Designed Outfits For
Back In 2009, I Was A 13 Year Old Mad For Avatar. I Made Several Series In Which I Designed Outfits For
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Back In 2009, I Was A 13 Year Old Mad For Avatar. I Made Several Series In Which I Designed Outfits For
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Back in 2009, I was a 13 year old mad for Avatar. I made several series in which I designed outfits for the Gaang and proudly captured them bending.  11 years later, I returned to this same ambition with my current approaches. It is extremely satisfying to have them next to my old work. Not so much because they are technically more advanced, but rather because they show how I am still the same girl, in a little bit of a different way. 


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5 years ago

At last, I have gotten into my own zone of creativity after a long long way being lost.

It is no surprise but I am nevertheless delighted to understand that each person has their own path in art, which they do not get to choose for themselves. Appearently mine is in painting detailed and pretty pictures of imaginary places and imaginary people. So I discover different worlds and I paint images from those worlds.

Even though there are all sorts of things I enjoy looking at, I came to understand that something which exist only in its own right in a frame doesn’t grab my interest enough to engage in its creation. I am only motivated to make art when I have a story in mind. I mean characters and places, not a whole plot. But it is a story, and one that only I know of. So such a painting I make is never solely its content as it is, but has its totality in me. It is a whole other world which I seem to somehow connect to.

I am not interested in things of this world, as in the common world that is shared by the whole collective. A lot of artworks only speak to you through a filter of culture. Unfortunately the modern artists did a horrible job in this sense. They were interested in art itself (mostly in how it could express ambigious ideas through shifts of perception) and produced for art’s sake. This meant that they stayed in the boundaries of this world with mere inventions to rediscover it in different ways. All the play with the form was mostly due to a need to pierce through the rigidity of cultural conditioning. The production of an art piece was done (consciously or unconsciously) in consideration to the knowledge of existing forms, hence the cultural relevence. You play in the same ground that you are trying to destroy, only on the other side of it.

I don’t and will never see art as a concept inside the context of collective life. I believe that art is something so personal, so geniune, so naive that there can be no intelligable, sensible reason for making art. Art doesn’t care about common standarts of beauty or properness, but neighter favours unconventionality. It doesn’t care about originality, expression, inovation, or anything that has any sort of meaning in social terms. Art doesn’t care about what some audience will percieve of of it. Art doesn’t consider the situations of an outside world that a human may find relevant. Art doesn’t even care about the earthly wishes and worries of its own producer. It commands you in ways that you may not wish it had.

Art doesn’t care about anything but its own source of springing that we do not understand by any means. That is what Jung called the (collective) unconscious. I was foolish to think that such manifestation could only happen in a sort of psychic manner, almost without my consent. It appears that my personality with all of its earthliness has artistic quality instead, and it alone can do this. It is an incredible discovery that my simple inspirations that appear absolutely personal to me are actually springing from an impersonal “spiritual” source. So essentially my understanding of the so called spiritual was heavily lacking. So was my understanding of art and crafts of course. (Yes, I think that crafts are such an important part of this whole thing as well but I am running out of energy to write more)

I honestly had such a hard time without this singlemost activity of mine that has always been so essential to me. It surely never could have been thought of as a coincidence that the first thing I started to do as a toddler was to draw vigorously. And during all the other times of my life as well. But I also have a quite philosophical mind, so I can never do something without also thinking about its meaning. I have to consciously put it in its right place in my system. Finding out about and enjoying new aspects of art, as well as making the huge discovery of the psychic realms, I was entirely confused as to what art was is in the past 3 years. And of course there is the part about starting to see myself as an adult who has to take some part in society, hence the problem of submitting to its rules. My mind came to be stronger than my will and I lost my connection to the source of my artistic inspiration. When I was left without it, I never felt safe and at home.

Now I understand better and appreciate its gift more. I no longer try to be an artist, because I know I am one. I don’t judge what I produce but I make sure I am enjoying myself. There are still all sorts of causes of frustration, but they too shall pass.

If anybody has actually read this, have a nice day!

3 years ago
From The Deeps He Comes. From The Darkness He Teaches The Secret Of Love. Those Who Desire Light Know

From the deeps he comes. From the darkness he teaches the secret of love. Those who desire light know him not.


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3 years ago
Still Life Study Of A Flower From A Dying Bouquet, Under The Window Light.

Still life study of a flower from a dying bouquet, under the window light.


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8 years ago
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edniz - Art of Edniz
Art of Edniz

Artist and wanderer

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