When She Says She Doesn’t Send Nudes

Also consider that Alastair has a very dry/sarcastic/cynic sense of humour and that he tends to be a little bit dramatic. I would not expect Thomas to say that he's dying when he is "only" heavily injured because that just doesn't match his personality, but Alastair?

When, however, did Cassie share the snippet? Could it be something that belonged to another book/trilogy and was cut out?

okay so, do y’all remember that one thing that cassie shared with us, that death scene of one of the members of a shadowhunter chronicles gay couple? i don’t remember it word for word, but it goes something like this:

“funny, all that trouble to convince me that you didn’t love me, and here i am, dying in your arms”

the person that is dying then proceeds to kiss each and every one of the others fingers, their last

here’s my theory: it’s thomastair. thomas lightwood dying specifically

now i’m sorry about this, but it makes sense.

hear me out:

1. thomastair still isn’t completely canon, and alastair is spending an awful lot of time trying to convince thomas he doesn’t love him, because he thinks that’s best for both of them

i know that’s flimsy evidence but keep reading

2. if you check the shadowhunters family tree, we see that the rest of the carstairs family are descendants of alastair. i’ve seen a theory similar to this that says alastair dies, but if he does, that’s the end of the other side of the carstairs line aside from jem, and we all know alastair has to have descendants, because emma exists. it could be baby carstairs, but we don’t know that for sure

3. if you also check the family tree, it shows that thomas doesn’t end up with anyone officially. which means either he stayed single or he’s dead. and considering alastair ended up with someone else, it is more likely that thomas is dead than with someone else.

4. finally, thomas’s name is sort of foreshadowing in itself. he’s named after thomas, the mundane that worked for the london institute during tessa will and jem’s story. our past thomas died, and i think this foreshadowing might hint to our thomas dying

so, yeah just had to get that off my chest because it was causing me major anxiety.

feel free to prove me wrong! actually please prove me wrong i don’t want thomas to die :(

but please reference this post if i’m right

TDA - TLH parallels:

Mark glared. "She [Cristina] is nothing like me."

"You don't have to be like someone to love them," said Emma.

- Lord of Shadows

"I am nothing like you, Thomas," said Alastair.

- Chain of Iron

* the TLH Gang standing around Jesse's coffin *

Alastair: I am going to bury something that reminds me of the person that I used to be, that I don't want to be anymore.

* drags Charles to the coffin *

Let's talk about The Mummy (1999)

Someone was talking at me yesterday about this movie and I was getting riled so I decided to go full rant. Specifically in regards to the feminist podcast that slammed it.

I don't even remember which podcast it was, but I am still rankled and baffled that any "feminism in movies" podcast could jump to anything but "this movie is phenomenal."

First of all, even just discussing the overall quality: sure, it might not have been groundbreaking with its cgi or plot twists. But back in the 90s, that wasn't the standard of measure like it is now (and even now is a shitty standard that needs to die). This movie was light and funny and yet hit all the right beats to maintain the dire stakes needed to make it a compelling action flick.

Its characters are fully realized and entirely distinct from each other. Even those treated with a broader brush, such as the Americans, were charismatic enough that we were fully invested in their fate. The entire cast of characters were real people with real impact and real agency.

The script is quotable and fucking hilarious. There are gems from literally every single character. Rick and Evie have actual chemistry, aided by Rachel Weisz's natural magnetism and Brendan Frasier's career-long knack for acting utterly charmed with his female costars.

Actually, let's talk about Rick O'Connell for a second. This is peak 90s Brendan Frasier. He is absolutely GORGEOUS, suave, and cool, rugged and handsome. He is the epitome of the 1920s adventure hero. Dear god I want to kiss those casting directors. But for all his general peak masculinity? He's feminist as fuck. He is equally dumbstruck by Evie as she is by him, and it's wholly evident that it's more than a "oh no she's hot" thing.

How do we know?

He steals her some tools to dig with. This gift demonstrates that he a) has identified her passion for archaeology, b) has recognized her proficiency in the field, despite it not being explicitly stated on screen, and c) sees a chance to restore her full and active participation in the discovery of Hamunaptra.

There is never a moment where Rick assumes to be the leader of the expedition. He is the weapons expert, the muscle--and he knows it. Better than that, he's totally okay with it. He follows Evie's lead in all things.

Another favorite moment of mine is when they're facing off with the American team on Day 1, and Evie realizes there's a chamber underneath Anubis they could use to excavate the statue. She puts her hand on Rick's arm, looks him in the eye, and says very deliberately "there are other places to dig." And he yields, instantly.

By comparison, see the way the Americans treat their workers and guide.

Does he groan about his work being made exponentially harder as a result? Nope. And that's a recurring theme in his behavior the entire goddamn movie. The only time he is in charge is when a situation is in his wheelhouse-- namely, combat and rescue. And it deserves mentioning that the majority of the time that he's in charge, Evie is not present.

Meanwhile, Evie-- her adventurer's spirit chafing in an academia that dismisses her for her gender-- is an absolute marvel. She is visually coded as being very feminine (she's in dresses and long hair most of the film), but that fact in no way detracts from her competence and agency.

She is consistently protrayed as a fully capable expert in egyptology and there is never a single moment where she waffles on what to do. Even when she's the damsel in distress, she actively makes the choice to be so because she weighs the potential outcomes and decides doing so provides their best chance of success.

Evie is never the passive victim. She is constantly brash, constantly scheming, and saves the lives of her would-be rescuers mid-abduction. And when her brother (who is the failure of the family, against type) needs help with translation, she correctly translates for him while being throttled by a mummified priestess.

When I first saw this film, I was too young to realize how novel it was. Back then, all I knew was that it was just a good time. But now as an adult-- an adult acutely aware of the treatment female characters have gotten in the twenty years since-- I marvel at the respect with which the writers and directors treated Evie.

I marvel at how tender Rick was allowed to be, despite his rugged adventurer archetype.

The Mummy (1999) is peak storytelling. It doesn't try to outsmart the audience, but rather lays out a consistent, coherent narrative that gives the characters and viewers room to breathe. It invests the audience enough to care whether the characters succeed in their goals.

The Mummy (1999) does it right. It's the reason that any talk of the Tom Cruise version gets an immediate eyeroll from me, because whatever modern grimdark grit they shove into a story about a mummy cannot compare to the reliable and timeless entertainment of the 1999 adaptation.

All modern media should aspire to be the kind of film that The Mummy (1999) is.

On another note, do you think it would be possible for Jem to perform a marriage ceremony for Thomastair (maybe semi-offical/secret if the law doesn't permit same-sex marriage)?

I think the marriage runes should work for them regardless of the state of the law.

Basically, Alastair asking Thomas to move in is the equivalent of a marriage proposal (at this point I'm not sure about gay marriage in the Edwardian shadowhunter community, but I assume it was not yet a possibility).

Also, only Alastair could make such a proposal and then need thorough convincing that Tom wants the same, which is really heartbreaking.

Anyway, I need that full scene ASAP

Robert is such an underrated character

y'all are sleeping on Lady Audley's Secret. this is some peak Victorian Gay Shit™.

Do you think CC will rewrite the CP2 epilogue after TLH finishes given that some things after Chog already don't match up? Like Barbara being present

She might change some things for when they order a new reprint. Different editions already have different people appearing in the epilogue. My best friend’s version doesn’t have Lucie in it but mine does, for example...

// Illya Kuryakin’s smiles //      —for @koimizu

Maybe they really just went with the whole Easter vibe??

everyone hold my hand. NEOW. if bobby was actually dead why would be via man made rat disease. why would they not just let it leak, but post a fake script making light of the whole situation. why is oliver making light of bobby dying in his comments. why is tim saying ‘no bobby’s dead fr’ in his liar who lies voice. why is peter on set for 8x17. why would they kill him in a seemingly random episode instead of the end of the season. why was angela saying she doesn’t see an end of 911 where bobby and athena aren’t together. and also. this would just be shockingly bleak for the nobody dies show. if he’s dead fr i’ll eat my words but i swear i think bobby is literally fine.

NCCU Princes

So according to google Ben Lamb (The Christmas Prince) is 1,88m tall. Josh Whitehouse (The Knight Before Christmas) and Sam Palladio (The Princess Switch) are 1,88m tall as well! This leads me to the conclusion that a new prince in a new installment of the nccu must be 1,88m tall as well. Who could that be? Shawn Mendes (1,88m). In this essay I will....