List Of References

Today's menu: Love, Death and Goddamn Game

The theory of Lesley and Maud (part two.) Horsemen of the Apocalypse (does the series speak metaphorically about modern problems?) Who owns the Crown, Scales and Sword?

It is necessary to read the first part.

Modern problems of the Tigris River: (as well as other great rivers)

1.The Tigris River plays a crucial role in agriculture and providing people with food. But in recent decades, the river has been drying up. This leads to a lot of troubles, including famine of the poor people. The horseman of the apocalypse Famine gets a tool - Scales. In his hands, the Scales are desecrated and become a symbol of unfair measure and restrictions.

2.There are a number of problems between countries that actively use the river. These problems require wise solutions and peace agreements. But unfortunately, the countries continue to exchange mutual accusations about the irrational use of the river. This does not solve the pressing problems, but only exacerbates the conflict. (In S1E2 shows a scene in Africa where War came - this is a real conflict problem concerning the Nile River and the inhabitants of Egypt and Ethiopia.) The Horseman of the Apocalypse War receives a Sword, in her hands the sword symbolizes the weapon of war.

3.Due to the drainage of rivers, there is a shortage of clean fresh water. In addition to drying out, there is the problem of direct pollution from coastal factories, oil refineries and landfills. Citizens have to use polluted water. Thousands of people suffer from poisoning every year. (Lesley visited Africa Nile River), and Des Moines in America (Mississippi River.) The horseman of the apocalypse Pollution gets the Crown. The desecrated crown is a symbol of unholy domination and control.

I write entertainment content, but these problems are real and their scale cannot be overestimated! Great rivers are dying from pollution, drying up and wasteful use!

4.So, after the three horsemen of the apocalypse have been defeated by the three virtues (three children), the divine weapons return to the deliveryman. He will return the items to the owner, but who is the owner and who gave the packages to Lesley? We know that the sword was lost and several persons including God and angels, asked Aziraphale about this sword. So the sword wasn't in heaven.

5.Okay, here's the classic Justice Tarot card:

You can see she has Scales a Sword and a Crown. Scales in its true meaning symbolizes balance and justice. The Sword is a symbol of mind and law, it is able to separate truth from lies. The Сrown is a symbol of recognized divine authority. Is God in GO "Justice"? Or is it another character?

6.I assume Lesley will give these tools to his wife. If his wife really is the prototype of the goddess of justice. A bit of history - Initially, only Scales was associated with the goddess Maat, the goddess of justice. (She was putting a feather on the scales to weigh a human heart at the posthumous trial.) As the centuries passed, she became an independent figure and received a Sword and a blindfold (a symbol of impartiality.) In medieval Europe, she received the throne, and the blindfold was replaced by a Crown.

Here's my theory. Lesley is the spirit or prototype of the Great Divine River (Tiger, Nile, Lethe or all of them) Maud is the prototype of Matelda, the priestesses who keeps knowledge and fulfills holy vows. She is probably a goddess who acting the duties of a fair judge. Lesley and Maud are neutral characters, they don't belong to heaven or hell. I really hope they will appear in the third season. And I also hope to see a court scene in the third season. (it was a long way..)

a funny theory about Leonardo da Vinci paintings

When I was about to publish my theory, I decided to check if there were already similar ones. And I found this post. My respect. He was before mine. Now, with a clear conscience, I will publish my own.

In this painting by Leonardo da Vinci is Saint John the Baptist. He points to the sky. His gesture signifies the coming appearance of Christ. In Leonardo's painting, John has red hair and a tricky face. Crowley also makes a very similar gesture in the scene where he receives the infant Antichrist. this gesture does not correspond to what he is saying. It amuses me to think that this gesture means - yes, the Antichrist appeared today, but another baby also appeared today. I'm talking about the third baby, who was wrapped in a white blanket. Yes, I'm still hoping for a story about the second coming. Crowley must have met Leonardo. To prove this, he has a copy of the Joconda. His painting has an inscription (a whole sentence) and a signature at the bottom.

Unfortunately, it is impossible to make out what is written there. It would be funny if Leonardo painted his Joconda, and then St. John with Crowley. That's why they both have redheads and such sly smiles) And the letter J could mean Joconda or John. Although I prefer my other theory with the letter J.

My theory about Maggie and Nina

The fan community has noticed that Maggie and Nina's relationship parallels that of Aziraphale and Crowley. After a while, many agreed that Maggie mirrors Crowley, and Nina mirrors Azi. I've watched the series a thousand times and made my observations.

First of all, I think Maggie and Nina are the metaphorical souls of Aziraphale and Crowley - anima. The anima is the female part of the soul or psyche, the source of feeling and mood. And a conductor between a man's consciousness and his subconscious. So, I think Maggie is Aziraphale's anima. Here are my arguments. The store where Maggie works is called the "the small back room." It belongs to Aziraphale. There is always a "closed" sign on the door of Azi's store, but someone always comes to him. Maggie's door is always "open", but only Azi comes to her. I'm sure this store is a metaphor for the part of his subconscious where his inner female part lives. She is very kind and gentle, always ready to help and understand. She looks like Crowley in some external attributes, for example, she wears bright clothes, often changes outfits (almost every episode she has a new outfit). The place behind the counter where she spends most of her time looks like an old-fashioned car, like Crowley's (only this is a cute version of it. And this car is not going anywhere. It's like pieces of objects in dreams or in paintings by Salvador Dali). And what unites Aziraphale and Crowley is their love of music. That's why Maggie works in a record store. If you look closely, you can see jewelry on Maggie's neck. It's a heart with an eye inside, a snake biting its tail with a bird inside (a nightingale?) and a ring (an engagement ring?). Maggie is a complex and deep image that unites Aziraphale and Crowley into a single female loving image.

Maggie bluntly tells Aziraphale that she loves Nina. She gives him the record (clue) to finding love. And Azi is in fact making a pilgrimage to the place where the miracle of love happened. After this trip, his behavior towards Crowley changes a little and he becomes more courageous. Unfortunately, well-known events will not allow these things to develop.

Nina. So why is Nina not the prototype of Aziraphale, despite the fact that she is in a difficult relationship. I will say that Crowley is also in a difficult relationship. With Heaven, with Hell and Aziraphale himself. Aziraphale doesn't spare Crowley's feelings.

"We're not friends!"

"I don't even like you!"

"You're a demon - you're lying!"

"Come and help me with a naked archangel, and if you don't like something, you liberty to go!"

"I want to perform on stage - shoot me in the face! You're a demon, so you've shot people a hundred times!"

"I'll take your beauty car, and you look after the archangel you hate!"

I think Crowley has heard enough of this kind of nonsense in the last 6,000 years. Yes, as viewers we don't pay attention to it, because Aziraphale is cute and handsome. And it's served up like a comedy. But something tells me that such words often hurt Crowley. When Crowley talks to Nina alone for the first time, he asks her about Maggie. Nina makes a whole nervous speech about how they're not friends. This is very similar to how Crowley would express all the accumulated offensive words said to him by Aziraphale. Later, Maggie and Nina talk in the rain. Nina says, "Of course I'm not your type." Maggie replies that Nina is wrong, Maggie likes her. Nina looks incredulous - it is clear that she is pleasantly surprised. When Shax tells Aziraphale that he's not Crowley's type, Azi has a sarcastic "Of course" look on his face. He knows for sure Crowley likes him. By the way, in Wikipedia, the name Lindsay is of Scottish origin and means swamp (in very short). In the second private conversation, Nina asks Crowley: what exactly is the relationship between Crowley and Aziraphale? Just because Crowley is stunned doesn't mean he suddenly realized his love. He has known this for a long time. Songs from his repertoire pointed this out to us (such things reveal the inner world and motivations of the characters). I think Crowley is taken aback by how obvious and visible this relationship is from the outside. That you can talk about them so simply and casually. And that they can really be real. Here's my theory about Maggie and Nina. Through them, we were able to learn a lot about our heroes in one way or another.

The theory of Lesley and Maud (the first part)

1.Lesley. Is Lesley the prototype or spirit of the Tigris River? The Tigris River is one of the most famous and significant in the world. It flows through several countries in the Middle East. The Tigris and Euphrates are biblical rivers. From the Bible, you can learn that the Garden of Eden was located between the Tigris and Euphrates. The Tigris River (from ancient Sumerian - fast water) had a fast flow, unlike the Euphrates - a smooth flow. For this reason, the Tigris River was of great importance in ancient times in terms of transport and trade. What is not an international means of communication, like the company Lesley works for?

2.Maud. How can the Maud be conceptually related to the Tigris River? Matelda (abbreviated Maud) is a character in Dante's Divine Comedy. Dante meets her when he visits the Garden of Eden. She stands near the Lethe River and collects flowers. Moreover, in some texts it is found that the Tigris and Euphrates rivers flowed inside the Garden of Eden and were respectively the rivers of Lethe and Eunoe. Matelda acts as a mentor, she knows the answers to many questions and encourages Dante to ask her questions. Secondly, she is a priestess, she offers the soul to drink water first from the Lethe and then Eunoe (repentance and healing).

3.Symbols and hints. On the bedside table of the Maud are: -the apple (of Eden) -nightingale (symbol of love) -a glass of water (what Matelda brings to the souls in the garden) -books and glasses (symbol of knowledge) -flowers on the bed linen (like Dante, we first meet her near the Tiger and in flowers) -the painting on the wall (it is poorly visible, but obviously has African or Oriental motifs)

4.Another divine couple. There is a huge mirror opposite the bed, behind which there is darkness and no wall. I assume, Lesley and Maud are the prototypes not only of the Tiger and Matelda, but also of the Nile River and the goddess Maat. The Nile River is consonant with the name Neil Gaiman. Maat is the egyptian goddess of justice and divine law (about this and not only in more detail in the second part). Here I will once again mark the books on the bedside table. The bottom book is blue like a river. And on top there is a red and white book. Maat is often depicted in red and white clothes.

A note on the Institutional problem.

- For one prince of Heaven to be cast into the darkness makes a good story. For it to happen twice, makes it look like there is some kind of institutional problem.

According to Metatron, such disobedience to God happened only for the second time. The first person who doubted God's plans and was thrown into Hell for it was Crowley. So Crowley was a prince of Heaven and held the position of archangel Gabriel. Aziraphale will now take over this position. I'm sure he won't stay there for long either. :) This position is cursed as well as the position of Defense Against the Dark Arts professor (in the "Harry Potter") (: By the way, the institutional problem is a deep contradiction in the existing rules of the (paradise) system. Because the rules are inadequate or outdated. Such a problem leads to a change in the system or to its destruction.

Would it seem like a good story to you, Metatron, if yourself were thrown into darkness? Such an unpleasant character -_-

- Wherever you are, I'll come to you.

Such words, Crowley, are like large-caliber bullets. Leave a little bit of a living place in my heart.

Another theory about Maggie and Nina, plus a theory about coffee and death and a lot of symbolism.

Theory One (Maggie and Nina)

Nina and Maggie can symbolize the two sides of Aziraphale and Crowley's relationship. Maggie (this name means pearl, it is a symbol of hidden treasure and purity) this is the best thing about their relationship. It's their love for each other, for music and for the bookshope. This is confirmed by the jewelry on Maggie's neck (heart, snake and ring). This relationship is timid and it's hidden, like Maggie herself. Nina is the side of the relationship that is visible "on the surface". Nina is a responsible person, but she looks annoyed, a little rude, closed, distrustful. She is disappointed in her past relationships, which were toxic and there was no love in them. I will also note that Nina is active, she wants to sell her goods to people. Maggie's main theme is music, retro and love. For Nina, it seems to me, this is freedom (there are several statues of liberty in her cafe, one of which stands right on the counter). Including freedom of choice.

Theory two (choice, coffee and death)

So. In symbolism, coffee means awakening, awareness and life force. The torch of the Statue of Liberty means enlightenment, knowledge and optimism about the future. First. Nina offers a choice of coffee or death. In other words, to be alive or to be dead, to wake up or to sleep. Secondly. The hand of death is depicted on the wall, holding out a cup of coffee, like the Statue of Liberty holds out its torch. I can make the assumption that if you choose death, you will still get something. Once again, you make a choice to take a drink from Freedom or from Death. Nina said that no one had ever made such a choice, to which Metatron replied - people are so predictable.

What can death offer? In symbolism, she separates (with her scythe) body and soul, and irrevocable changes occur after her actions.

The third theory (choice without choice or something else)

So. Metatron brings Aziraphale coffee. The coffee was obtained from Nina, who symbolizes the dark side of the relationship between Azi and the Cro, a pinch of almond syrup was added to this cafe - it is what was good in this relationship (Maggie brought the ingredients to the coffee). So this drink is a concentrated version of their relationship. Next, Metatron is lying, claiming that he added a huge amount of almonds to the drink. Almonds in the symbolism of Christianity mean divine favor and hidden truth. Aziraphale asks if he should drink it. Metatron says literally: "Of course, I ingested things in my time, you know". I suppose he also refused something or made a difficult compromise (perhaps for the sake of his high position). Next, a conversation takes place in which Metatron, with the help of manipulation and cunning, compels Aziraphale to accept his offer. Of course, the coffee wasn't literally poisoned. The poison was in his words and intentions. I clarify, Aziraphale still did not make his choice of "coffee or death" when he took a drink from Metatron. And also when he talked to Metatron. At the same time, an equally important conversation takes place between Crowley and the girls. Both Aziraphale and Crowley are confused, events have gained momentum too quickly. There is a climactic conversation at the end of which there is actually (almost) nothing new for them. They always abruptly end the conversation by being rude to each other as soon as the conversation gets a little heated. But this time, fate has put Aziraphale in front of a choice for which there will be no turning back. It is now that Aziraphale is making his choice. Between love and death, he chooses death. When Aziraphale goes up in the elevator, you can see that his face is painfully changing, like his face is cramping up. This effect is highlighted by flashes of light. I explain this by the fact his soul and love remained on Earth (death separated his soul), and he dies - that is, irrevocably changes. Most likely, Maggie also received "death", since we see that she fell asleep in her little back room (of the bookstore).

A couple of miniteories

Staged S2E8 «Until They Get Home»

Michael and David say goodbye for a long time, while taxi is waiting for a David. He has to drive away to work. Michael tries to hold him back and talks about books and love. For a person who is ready to see references everywhere, this is a very fertile material (I hope the word "fertile" is appropriate here).

1 The ending of the book The Crow Road, which Crowley advised to read, is very similar to this scene. The characters come to mutual love at the end of the book, but they need to break up because one of them has to drive away to work. And a taxi is waiting for her. The hero tries to keep his beloved at least for a short time, comes up with something else to say and prolonging the conversation. If it's not a coincidence, it's very sweet.

2 The simplest thing. Michael talks about Ouroboros and how everything starts where it ends. With these words, the series begins, and the desire of many is for everything to end in the garden. Ouroboros is a symbol of eternity and the cyclical alternation of life and death. We can always see it on Crowley's belt.

3 Michael asks David if he has read The Last Question. This is a short fantasy and philosophical-theological story by Isaac Asimov. It starts with two friends drinking and arguing about eternity. One claims that there is enough energy for eternity. The second one says nothing lasts forever >< (because of the damn entropy). Then millions of years pass and each new civilization asks the same question. Is it possible to stop entropy, not to let death take its toll? The book ends with the words: "let there be light! And there was light-"

So I am waiting for a new round of Ouroboros and the birth of a new universe. Like a "LIGHT!Camera!Action!" and the love ending of course.