The thought that in season 3 all will end in the garden (of Eden) seems comforting. The voice of God explicitly promised this. But the first season was an independent and complete story. In this film, several Chekhov's guns were suspended, and all of them fired in their turn (as they should in good literature and cinema).
"This story began as it will end in the garden of Eden with an apple," says the voice of God. This apple has caused trouble for people. And they were forced to escape from their comfortable place to the dangerous world outside.
This story ends as a mirror image.
Adam Young is forced to stay in the garden (of his house). But all the interesting is outside. Including a tree with forbidden apples. We can see there are already harvested apples near the bench where he is sitting in the garden. But he is interested in those that have not yet been collected - other people's apples. Of course, apples symbolize knowledge. And this time Adam runs away from his cozy garden of his own free will.
I assume that season 3 will not end in the garden.
So about the blue cup of coffee. I think it is symbolically the opposite of the Apple of Eden. Adam and Eve were innocent, having tasted the apple, they knew the earthly and had to go to Earth. Aziraphale, on the contrary, has lived on Earth for a long time and Metatron gives him (tempts) a "heavenly" drink. Some sources indicate that ambrosia (the drink of paradise or the drink of the gods) was nine times sweeter than honey. Therefore, Metatron deceives Aziraphale by claiming that there is a huge amount of almond syrup in the drink, he means that he gives Aziraphale ambrosia. At the same time, like an apple, this drink carries a particle of deception on the part of the one who gives it; it is given with bad intentions.
If we develop this idea further, then in this situation Aziraphale symbolically represents Eve, Metatron is the tempter snake, Crowley is Adam, and the bookshop is paradise. But this time Adam (Crowley) did not accept the temptation from his Eve. And Eve leaves their paradise alone.
In general, my theory is that a cup of coffee is an apple of Eden, but with the opposite meaning. The apple is sin, disobedience, knowledge of good and evil. And coffee in this case is obedience, giving up free will and following God's plan without thinking about whether it's good or bad.
In the S1, Gabriel is an unpleasant character - he is arrogant and sometimes really cruel. He has no empathy for people and his subordinates. When Gabriel loses his memory in the S2, he becomes completely different. Yes, he behaves like a child, but he is a kind child whose first motives are honesty and a desire to help people. When Aziraphale says that Gabriel was a terrible person, Gabriel asks him - And now? I assume that along with his memories, Gabriel extracted something else that controlled his behavior and influenced his personality. That's what I'm basing my guess on:
There are three scenes when Gabriel remembers something. I should immediately note that there are two types of these memories.
1.The first two memories do not belong to Gabriel, he was not present at these events. One memory from the past (for some reason it seems to me that it is addressed to Aziraphale), and the second memory from the future (for Crowley). When Gabriel speaks, his eyes change color, his consciousness turns off, he experiences physical pain and discomfort.
2.His own memories of events from the present. His eyes don't change color. It is obvious that Gabriel has kept pieces of his memory, his mind and the temperament of a gentle and sympathetic character.
Now learn more about the first and third memories.
1.Crowley asks - What is the very first thing you remember? Gabriel speaks the words of God that he spoke to Job. These lines were about the creation of the Earth. This cannot be Gabriel's first memory, but more on that later.
2.The most important thing is the third memory. Here is the scene and dialogue between Crowley and Gabriel. Crowley accuses Gabriel of involvement in Aziraphale's execution and cruel words. Gabriel replies that it couldn't have been him. After Gabriel's attempt to jump out of the window, Crowley says:
-"Well, if you're really not him, what are you?" (that is, Crowley is ready to believe that this is not the Gabriel he knew.)
-"I don't know, I feel… like, an empty house. A house someone lived for a very long time, but now they're gone (not "he" not "it", not "has gone" - "They") and the house can sort of tell where the things used to be. Like when I remembered how it all begin."
The "house" is Gabriel's brain. Some "they" lived in it. They left traces of memory there, so Gabriel was able to remember how it all begin. So "It" began for Gabriel right then, at the moment of God's conversation with Job. When the events with Job took place, God and Satan had an bet (and obviously had a personal conversation.)
Red rays descend on Job. Do you expect white or gold rays from God
I assume that at this moment something was implanted into Gabriel's personality, and his eyes turned violet. Gabriel is literally the only character with such eyes. Was it a joint work of God and Satan? The violet miracle is a powerful miracle that occurs when combining the miracles of the red and blue spectrum. (a violet pillar appeared above the bookshop after the joint miracle of azicro.) "This" suppressed Gabriel's personality, but when he fell in love, his personality became more mature and came into conflict with "this". Then Metatron was sent to depose Gabriel and take away "it" from him under the guise of taking away memory.
It follows from all this, if Aziraphale is hired to replace Gabriel, then he will receive this control and obsession. Maybe that's what happens to him in the elevator.
For the sake of objectivity, I will note. This theory is contradicted by the fact that Gabriel's eyes remained violet after gaining memory. Aziraphale's eyes did not turn violet. Although in that case, the solution would be too obvious.
He's so incredibly handsome! At the same time, 100 things are happening in me - I want to stare at him forever without blinking, I want to eat him, I want to be him, I want to become Aziraphale and kiss him. I know this is an unhealthy topic. I hope when I write another 10 or 20 posts with such nonsense, I will be able to heal my heart.
These people have done a unique work. They discovered and deciphered The Hidden Morse Messages.
@theastrophysicistnextdoor
Here's my theory "The Hidden Morse Messages."
1 SHE’S IN MA PHONE (or He's) Ma phone is an outdated name for a magnetophone. During World War 2, german engineers developed a device for recording sound on magnetic tape.
Crowley uses such a device and even gets inside - into it magnetic field. Together with Hastur. And we know that you can get stuck there, just like Hastur got stuck. Who exactly is this "She" or "He" who is in the "ma phone", I do not know yet. Perhaps the "dreadful eternity" itself.
2 HAVE A DREADFUL ETERNITY
- it is said to someone who is stuck in this "dreadful eternity"
- it is said about some eternity that has become dreadful, because it has become closed perhaps. (It's a little difficult, I know).
3 TOMMY’S A LEGEND I think we're talking about Tommy Westphall here. And about Tommy Westphall universe hypothesis.
In short, there is a kind of crossover of all (or many) shows /series in the consciousness of Tommy Westphall. A little more: In a 2003 article published on BBC News Online, St. Elsewhere writer Tom Fontana was quoted as saying "Someone did the math once… and something like 90 percent of all [American] television took place in Tommy Westphall's mind. God love him."[9] (link 2) When directing episodes for the eighth series of the revived Doctor Who in 2014, Ben Wheatley had the art department create a replica of Tommy Westphall's snowglobe, which Wheatley placed in the TARDIS set as a reference to the hypothesis.[11] (link 2)
4 PAUL’S OUR MIXING HERO Re-recording mixer Paul McFadden. He was actively involved in the creation of a huge of TV series. This man literally lives in the universe of a TV show. (Tommy Westphall universe).
He was not only a sound engineer, but also a dialogue editor. I wouldn't be surprised if he is the co-creator of this magic (secret dialogues and hidden hints).
5 HEAVEN LOOKS DOWN ON YOU BECAUSE YOU ARE PATHETIC ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION DO NOT LICK THE WALLS
Here is one of my generalizing theories of Morse messages. We are really stuck in the universe of Good Omens, like a hellish web. This universe is full of references to literature, music, series and movies. In addition, a large of dialogues in the series are written in such a way that you can read between the lines and find new meanings. We literally "lick the walls." That is, we examine every pixel on every damn frame. Heaven (the creators) suggests that we give up all hope of saving our long-suffering souls. But they cheer us up - it's a sweet eternal damnation. Heaven looks down on us because we will never be able to find all the hidden meanings.
In this post: 20% jokes 5% sarcasm 20% pathos 100% love and admiration for the creators of Good Omens 40% hope to find another meaning of these secret messages 15% of the fatigue from Googling.
p.s. I'm going to formulate a more complex theory, good luck to me
-I'd hate to see you getting into any trouble. I would love to help me.
-But one excludes the other, Angel. Can I choose the option with the word "love"?
-But I want both.
-Whatever you say, my Angel.
It is dangerous to ask such a question to a person (or a snake) who looks at you like That. Crowley looks like he's thinking of swallowing Aziraphale whole. And then drink an extraordinary amount of alcohol.
The fan community has noticed that Maggie and Nina's relationship parallels that of Aziraphale and Crowley. After a while, many agreed that Maggie mirrors Crowley, and Nina mirrors Azi. I've watched the series a thousand times and made my observations.
First of all, I think Maggie and Nina are the metaphorical souls of Aziraphale and Crowley - anima. The anima is the female part of the soul or psyche, the source of feeling and mood. And a conductor between a man's consciousness and his subconscious. So, I think Maggie is Aziraphale's anima. Here are my arguments. The store where Maggie works is called the "the small back room." It belongs to Aziraphale. There is always a "closed" sign on the door of Azi's store, but someone always comes to him. Maggie's door is always "open", but only Azi comes to her. I'm sure this store is a metaphor for the part of his subconscious where his inner female part lives. She is very kind and gentle, always ready to help and understand. She looks like Crowley in some external attributes, for example, she wears bright clothes, often changes outfits (almost every episode she has a new outfit). The place behind the counter where she spends most of her time looks like an old-fashioned car, like Crowley's (only this is a cute version of it. And this car is not going anywhere. It's like pieces of objects in dreams or in paintings by Salvador Dali). And what unites Aziraphale and Crowley is their love of music. That's why Maggie works in a record store. If you look closely, you can see jewelry on Maggie's neck. It's a heart with an eye inside, a snake biting its tail with a bird inside (a nightingale?) and a ring (an engagement ring?). Maggie is a complex and deep image that unites Aziraphale and Crowley into a single female loving image.
Maggie bluntly tells Aziraphale that she loves Nina. She gives him the record (clue) to finding love. And Azi is in fact making a pilgrimage to the place where the miracle of love happened. After this trip, his behavior towards Crowley changes a little and he becomes more courageous. Unfortunately, well-known events will not allow these things to develop.
Nina. So why is Nina not the prototype of Aziraphale, despite the fact that she is in a difficult relationship. I will say that Crowley is also in a difficult relationship. With Heaven, with Hell and Aziraphale himself. Aziraphale doesn't spare Crowley's feelings.
"We're not friends!"
"I don't even like you!"
"You're a demon - you're lying!"
"Come and help me with a naked archangel, and if you don't like something, you liberty to go!"
"I want to perform on stage - shoot me in the face! You're a demon, so you've shot people a hundred times!"
"I'll take your beauty car, and you look after the archangel you hate!"
I think Crowley has heard enough of this kind of nonsense in the last 6,000 years. Yes, as viewers we don't pay attention to it, because Aziraphale is cute and handsome. And it's served up like a comedy. But something tells me that such words often hurt Crowley. When Crowley talks to Nina alone for the first time, he asks her about Maggie. Nina makes a whole nervous speech about how they're not friends. This is very similar to how Crowley would express all the accumulated offensive words said to him by Aziraphale. Later, Maggie and Nina talk in the rain. Nina says, "Of course I'm not your type." Maggie replies that Nina is wrong, Maggie likes her. Nina looks incredulous - it is clear that she is pleasantly surprised. When Shax tells Aziraphale that he's not Crowley's type, Azi has a sarcastic "Of course" look on his face. He knows for sure Crowley likes him. By the way, in Wikipedia, the name Lindsay is of Scottish origin and means swamp (in very short). In the second private conversation, Nina asks Crowley: what exactly is the relationship between Crowley and Aziraphale? Just because Crowley is stunned doesn't mean he suddenly realized his love. He has known this for a long time. Songs from his repertoire pointed this out to us (such things reveal the inner world and motivations of the characters). I think Crowley is taken aback by how obvious and visible this relationship is from the outside. That you can talk about them so simply and casually. And that they can really be real. Here's my theory about Maggie and Nina. Through them, we were able to learn a lot about our heroes in one way or another.
There are a lot of red and blue colors in the film. Often these two colors mark opposites and/or couples in one way or another. Crowley and Aziraphale, Sergeant Shadwell and Madame Tracy, Adam and Pepper, Maggie and Nina's shops, and so on. A cup of coffee and an apple of Eden. My interpretation of these colors. I assume that the color symbolism is taken from the Christian religion of the Renaissance.
In this case, the Red color means everything earthly, sensual, full of life, sexual, chaotic. Sometimes it's something aggressive (Anathema saw the red aura of an angry villager). But aggression can also be righteous bravery like Pepper, who stood up to the War. The color red does not appear symbolically in Hell and does not directly mean evil. The Blue color means everything unearthly, reasonable, calm. This is order, discipline, loyalty and stability. The blue color also does not symbolize Heaven and does not directly mean good.
I would add here the fact about two Christian saints - St. George and St. Andrew. Saint Andrew is the patron saint of the Scottish flag. The flag of Scotland has a white oblique cross on a blue background. And St. George the Victorious (the man who defeated the snake /dragon) patronizes the flag of England (this flag has a red cross on a white background. Saint George and Saint Andrew are also opposites of each other - one is a warrior (red), the other is a martyr (blue), respectively. I think it would be interesting to see these characters in the second coming?
One more color thought. Here is a screenshot. (S1E3 [54:24])
This is an image of a monitor in an office at a nuclear reactor. At the moment, there is no fuel in the nuclear reactor, there is a yellow candy that Adam placed there. The monitor shows that this yellow candy gives energy by splitting into blue and red colors. Yellow (gold) color in Christianity is a Divine color, the color of divine energy and grace. People who see it say "it's impossible". They witnessed a miracle. I associate this episode with another one.
(all subtitles are original) In this scene our angel and demon exchanged bodies and Death itself says that it is "ineffable". Death stated that it was a miracle.
I will also mention White color in my color reflections. He appears in the series four times (something I noticed.) White in this theory means purity, innocence and/or sacrifice.
1.The third baby in the S1E1. He was wrapped in a white blanket. He was a victim of circumstances. I haven't read the book, but fish were mentioned in the movie in the context of the baby. These few little facts lead me to think that this child may appear in the third season. And he will play a direct role in the second coming, as the new incarnate Christ (the fish is a symbol of Christ and also the white color his symbol too.)
2. In the theater with a red interior (1941), Aziraphale takes out a white handkerchief and theatrically waves it. I think it reflects the purity of his intentions to help his demon. And also the fact that he is the only one in this "vicious" place (where illegal alcohol is sold and people stare at half-naked girls) is a pure immaculate soul.
3. Gabriel wears a white fur coat when he goes out to the demons in the second season. He obviously intended to sacrifice himself for the sake of saving people.
4. Muriel - everything is obvious here. She's a blank slate. I really hope she doesn't fall victim to any dramatic circumstances in S3. I love Muriel).
There is also a Violet color. I have already talked about him a lot in my other posts, for example in the post about Gabriel's eyes or about the joint miracle of Azikro. I'll just mention a funny little fact here. When Aziraphale gets inside Madame Tracy, her sleeves turn violet (because she herself is marked in red, and the angel is blue, respectively.)
Violet color appears once more at the end of S2E6. When we see that Shax and Furfur are up to something together, they unite. And we see them disappearing into a violet haze. I think we need to find out exactly what this couple is up to in S3.
I assume that the violet color here means unification, union, expansion, reaching a new level.
When I was about to publish my theory, I decided to check if there were already similar ones. And I found this post. My respect. He was before mine. Now, with a clear conscience, I will publish my own.
In this painting by Leonardo da Vinci is Saint John the Baptist. He points to the sky. His gesture signifies the coming appearance of Christ. In Leonardo's painting, John has red hair and a tricky face. Crowley also makes a very similar gesture in the scene where he receives the infant Antichrist. this gesture does not correspond to what he is saying. It amuses me to think that this gesture means - yes, the Antichrist appeared today, but another baby also appeared today. I'm talking about the third baby, who was wrapped in a white blanket. Yes, I'm still hoping for a story about the second coming. Crowley must have met Leonardo. To prove this, he has a copy of the Joconda. His painting has an inscription (a whole sentence) and a signature at the bottom.
Unfortunately, it is impossible to make out what is written there. It would be funny if Leonardo painted his Joconda, and then St. John with Crowley. That's why they both have redheads and such sly smiles) And the letter J could mean Joconda or John. Although I prefer my other theory with the letter J.
"Of all the gin joints in all the towns in all the world, she walks into mine"
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