There Should Be A Sub Genre Of Books That Were Originally Written To Comment On The Evils Of Capitalism

𝑺𝑪𝑬𝑵𝑨𝑹𝑰𝑶  𝑷𝑹𝑶𝑴𝑷𝑻𝑺.

↬   OF  FAIRYTALES,  FOLKLORE  AND  FAEKIND.

scenarios  inspired  by  various  settings,  encounters  &  magic  tucked  between  pages,  fashioned  by  the  author.

+   feel  free  to  change  pronouns  /  roles  !

FAIRYTALES.

‘  let  me  guess,  you  thought  a  true  love’s  kiss  would  help  you.  ’

‘  you  will  always  follow  the  trail  in  the  wood,  and  it  will  guide  you  on  the  same  path,  to  the  same  cottage,  the  same  witch.  it  will  always  be  your  undoing.  ’

‘  i  have  never  seen  a  more  tragic  creature.  how  might  i  help  you  ?  ’

‘  you  must  take  this  knife  and  plunge  it  into  his  /  her  /  their  heart.  ’

‘  forget  yourself.  that  is  how  you  break  your  curse.  ’

‘  remove  this  thorn  from  my  hand,  and  you  will  be  rewarded.  ’

‘  i’m  tired  of  being  a  prince.  i  think  i  would  actually  enjoy  being  a  frog.  ’

‘  tell  me  of  the  beast,  and  i  will  hunt  it  for  you.  ’

‘  mice  are  never  just  mice,  and  pumpkins  are  rarely  just  pumpkins.  ’

‘  i  don’t  think  breaking  a  spell  should  be  this  simple.  ’

‘  i  never  thought  i’d  return  here,  to  the  site  where  it  all  began.  ’

‘  are  you  an  orphan  ?  it’s  just  that  they’re  always  finding  themselves  in  magical  predicaments.  ’

‘  the  mirror  speaks  falsely  in  your  ear.  it  is  your  true  curse.  ’

‘  my  heart  feels  uneasy,  although  i  am  free.  is  it  supposed  to  ?  ’

‘  i’m  sorry,  it’s  just  that  i  thought  this  is  the  part  of  the  quest  where  the  animals  ought  to  start  talking  to  me.  ’

‘  of  course  i  plan  on  going  to  the  ball.  why  wouldn’t  i  ?  ’

‘  jealousy  has  made  more  witches  out  of  women  than  adam’s  rib.  ’

‘  where  has  choosing  goodheartedness  and  having  golden  hair  ever  gotten  you  ?  ’

 ‘  are  you  a  helpful  wizard,  or  the  kind  that  sits  in  a  tower  reading  moldy  books  ?  ’

‘  i’m  dreadfully  bored.  who  knew  waiting  for  a  prince  was  so  strenuous  ?  ’

‘  we  all  have  towers  we  must  leave,  and  magic  that  will  try  to  thwart  us.  ’

‘  i’m  afraid  for  the  clock  to  strike.  the  hour  will  ring  in  the  place  of  my  heartbeat  when  we  must  be  parted.  ’

‘  i  had  no  idea  carpets  could  fly.  or  pigs  for  that  matter.  ’  

‘  what  would  happen  if  the  knight  did  not  arrive  to  the  castle,  and  the  dragon  made  a  den  of  it  and  a  hoard  of  its  people  and  prize  of  its  princess  ?  ’

‘  i  sometimes  think  i  was  switched  out  at  birth,  like  a  lizard  in  a  bird’s  nest.  i  belong  somewhere  else.  ’

‘   in  another  kingdom  exists  a  throne  and  a  crown  that  is  mine  by  right.  ’

‘  if  i  did  not  wake  up  one  day,  i  would  still  be  waiting  on  a spinning  wheel,  dutifully  bored.  ’  

‘  something  in  me  knows  you  are  here  for  my  heart.  ’

FOLKLORE.

‘  in  all  the  myths  i’ve  heard,  it’s  never  been  worthwhile  to  approach  strange  sights.  it’s  best  to  turn  around  and  pretend  you  never  saw  them.  ’

‘  nothing  is  folklore  until  it  exists  longer  than  consciousness  remembers,  and  lives  in  spite  of  it.  ’

‘  i’ve  heard  your  name  before,  in  songs  and  lengthy  ballads.  ’

‘  whatever  has  led  you  here  to  me,  there  is  destiny  in  its  making.  ’

‘  the  beast  returns  every  century  or  so,  and  tries  to  devour  us.  it  will  come  again  before  long.  ’

‘  a  pretty  face  is  not  nothing.  it  earns  you  a  hearth  and  a  kind  hand,  after  all.  ’

‘  their  lips  are  red  as  blood,  and  their  teeth  carve  ruin  into  throats.  ’

‘  aren’t  dragons  supposed  to  breathe  fire  and  make  a  fuss  about  having  their  treasure  found  ?  ’

‘  someday  you  will  become  a  pilgrim,  a  saint,  or  a  favored  story,  while  i  will  be  a  voice  on  the  wind.  ’

‘  the  stories  say  brides  don’t  live  to  the  light  before  demons  devour  them.  why  should  i  become  one  ?  ’

‘  there  was  another  girl  like  you  once,  in  a  small  town  like  this  one.  i  can’t  remember  if  she  became  the  monster  or  died  trying  to  escape  it.  ’

‘  remember  to  festoon  the  hearth  with  garlic,  or  rosemary,  or  one  of  those  mundane  herbs  that  keep  evil  out.  ’

‘  that  sounds  like  nothing  but  a  tall  tale,  but  i’m  certain  smaller  minds  would  eat  it  up.  ’

‘  to  cross  this  bridge,  you’ll  have  to  pay  a  heavy  toll.  ’

‘  don’t  stray  too  far  from  the  path  set  before  you,  or  something  interesting  might  happen.  ’

‘  i’ve  passed  that  yard  of  crops  a  million  times,  but  the  crow  never  moved  from  its  post  until  this  morning.  ’

‘   it  is  as  though  ancient  fears  are  still  in  us  like  scars  or  stitches.  ’

‘  graveyards  aren’t  where  you  find  ghosts.  look  for  them  in  places  that  feel  like  memories  you  shouldn’t  have.  ’

‘  stories  reap  princes  from  peasants  as  if  their  skins  were  crops  in  the  ground.  ’

‘  what  form  does  your  fear  take  ?  surely  not  that  of  a  bear  or  a  lion.  such  things  are  too  assuring.  ’

‘  i  found  myself  where  everything  was  too  familiar  to  be  real.  ’

‘  in  safe  beds  on  cold  dark  nights,  we  learn  to  face  the  monsters  in  our  own  minds.  ’

FAEKIND.

‘  you’re  not  to  partake  in  a  fairy  feast.  don’t  you  know  it’s  the  food  that  will  devour  you  ?  ’

‘  i’m  sorry  you  did  not  read  the  eyes  of  the  trees  before  finding  yourself  here.  ’

‘  i  wish  to  go  back.  i  want  to  forget  everything.  ’

‘  you  think  that  believing  in  us  is  enough  to  protect  you  ?  that  it  will  kill  us  if  you  forget,  and  we  prey  upon  your  unknowing  ?  ’

‘  step  around  the  ring  three  times,  like  a  backwards  clock.  that’s  how  you  get  to  fairyland.  ’  

‘  i’ve  never  heard  such  sweet  music  before.  ’

‘  where  the  trees  begin  to  twist  and  groan  in  their  roots,  remember  you  must  not  make  a  right  turn.  ’

‘  i  didn’t  feel  like  i’d  stepped  into  another  world,  but  like  it  stepped  into  me.  i  knew  i  was  there  and  forgot  i’d  left  anything  behind.  ’

‘  how  amusing.  a  human  !  ’

‘  would  you  be  my  bride  if  i  were  to  take  you  into  the  ground  ?  ’

‘  i  know  of  tunnels  you  might  take,  the  burrows  of  trolls  and  rabbits.  ’

‘  don’t  take  anything  from  this  realm,  none  of  it  is  worth  the  price  of  keeping.  ’

‘  there  are  courts  by  many  titles  in  the  lands  beyond  the  veil,  all  of  them  other.  ’

‘  names  are  not  like  currency  here;  they  are  more  precious  than  diamonds  and  legacies.  ’

‘  did  you  think  all  of  us  looked  like  goblins  ?  ’

‘  getting  here  is  easy,  but  getting  home  is  quite  the  trick.  ’

‘  i  shall  give  you  a  riddle,  and  it  will  puzzle  you  until  you  know  the  answer  but  forget  your  own  soul.  ’

‘  a  bloodline  is  nothing  when  you’ve  outlived  civilizations.  ’

‘  refusing  my  hospitality  is  like  human  sin,  and  it  will  bring  worse  upon  you.  ’

‘  everything  here  is  and  isn’t,  and  things  are  and  aren’t.  ’

‘  on  lonely  nights  i  stare  into  the  trees,  and  a  strange  face  leers  back.  ’

‘  the  thrones  here  are  made  of  bones  and  blood,  and  built  upon  decay.  ’

‘  a  third  time  is  not  a  charm,  but  a  bargain.  it  says  that  you  want  something  enough  to  wager  your  sense.  ’

‘  it  is  dangerous  to  think  that  magical  beings  do  not  have  human  intensities.  ’

Blood & Buttercream

Chapter One - Exposition.

Baker!Reader x Butcher!Simon Riley

CW: None, SFW.

Word Count: 1.2K

You’re sitting in your local Costa, sadly picking at an overpriced, sad sandwich and lukewarm coffee. Chains are never your first option if you can help it, but this small town doesn’t have a local cafe open past 10am.

Another sigh, you could do it so much better, you think, grimacing at a bite of soggy bread. As a baker, you know good bread and this, this is not good bread.

How difficult can it be, really, you sip from your cup; musing.

You could do it, you think, you already have a steady business as an online bakery and a presence at the closest local markets, known for your delicate bakes with pretty decorations.

The savoury side of things though…you know what’d you’d do, sandwiches with homemade focaccia, doorstep thick toast, savoury pastries.

It’d have to be right though. The voice pops up unbidden and you bite your lip, your need for perfection is both a blessing and a curse.

You abandon the remnants of your sandwich and head home thoughts churning.

In your kitchen, you create a focaccia, flaky salt, good olive oil, rosemary and cherry tomatoes.

Once it’s cooked you realise you don’t have the right meats and you drag yourself to the store, you stand in front of the deli meats aisle for longer than you want to admit, until your fingers start to get a little numb and you take home a selection and painstakingly try a little of everything with the bread and nothing's right, nothing works.

You hiss in frustration before cutting a large chunk and wrapping it in wax paper and grabbing your keys.

You know you must look like a crazy person, stomping into the butchers and dropping the bread on the counter in front of the mountain of a man who works there, the bottom half of his face covered by a black mask.

“I need help” you say shortly “I’ve tried the supermarket meats and it’s not right.”

He stares at you, shocked, confused, you can’t tell.

“Look, you're an expert right?” A slow nod. “Good. I’m fed up with having no good cafes so I’m gonna do it myself but I’m a novice at savoury, so taste that.”

You wave a hand irritably at the wax-paper wrapped focaccia “and please tell me what meat is supposed to go in it.”

There’s a beat, two, before callused hands are unwrapping the bread and tearing a chunk off, corner of the mask lifting to accommodate before being lowered.

A moan. “I know” you say, slightly smug “so I’m not putting it with mediocre fillings”

The man hums, swallowing, before turning to a leg of something along the back counter and cutting a thin slice, dropping it onto a paper plate before handing it to you.

“Try that” he rasps, you take the plate and try the meat, it’s salty, slightly smoky and so much better than whatever you brought from the supermarket and combinations throw themselves into your head.

You’re unaware of the butcher staring at you.

“How much will I need to make at least ... .four sandwiches?” You half ask, half demand.

“Bout 15 slices” he replies after a moment's thought.

“Great, that then please,” you say sweetly, “and you can keep the rest of the bread.” You add on when you’ve paid and have the wrapped meat in your hand before almost running out of the shop to get home.

Simon stares for a long time, before devouring the rest of the bread.

The next few hours are spent in your kitchen, every surface covered in pans and bowls. The meat he’s given you, you learn, is called Serrano and it’s so good. 

You’re lucky enough to have a garden and a greenhouse and you pull some rocket from the soil dropping it into a colander for later. Back in your kitchen you create a chilli jam, not too spicy with a slight acidity to balance the salt. 

A quick google suggests that manchego is a common pairing but you worry that it will make the finished sandwich too salty and you bite your lip, scouring your fridge. Burrata. You’d brought it to make your own pizzas but…you wouldn’t need all of it. 

You catalogue what you have in your head, salt from the meat and the bread, acid from the jam, fat from the cheese and heat from both the jam and the peppery kick of the rocket. 

You layer the sandwich and wrap it in greaseproof paper, pulling it tight before cutting it in half with a large bread knife. 

You smile at the cross section and take a bite. The flavours explode on your tongue and you grin, victorious. It’s so much better than the sad toastie you started your day with.

You tidy your kitchen, decanting the rest of the chilli jam into sterilised jars and carefully storing the meat and cheese before washing your paraphernalia. 

You’re about to become that poor butcher’s worst nightmare, you think ruefully as you start to compile a list of other things you’d want to stock. 

You feel so guilty in advance that you assemble a peace offering, the other half of the sandwich, a jar of your new chilli jam and a caramel brownie. Is it weird if I bother him again? You shake the thought away, you have questions and your brain needs them answered. Now. 

You pack your offering into a box and head back out, chucking a notebook and pen into your bag as you pass the countertop. 

The man behind the counter looks surprised to see you, if the slight raise of his eyebrow is any indication. 

“Alright?” He asks slowly.

“Yeah,” you chuckle slightly nervously as you introduce yourself, “I think I’m probably about to become your worst nightmare.” 

“Doubt that” he mutters, “‘m Simon.” 

You nod “Simon, it’s nice to meet you.” A smile, you brandish the box containing your peace offering. 

“I need to ask you some questions about, well, everything meat so here’s a…” you stumble over your words. “Gift? In return for the annoyance I’m probably gonna cause you.” 

The man, Simon, takes the box from you and flips open the lid, “this the sandwich you made?” He asks, fishing it out with one large hand, you nod as he unwraps the paper and takes a large bite. 

His eyes close momentarily as he chews and swallows “gonna bring me one of these every time you’ve got a question love?” 

Your brain stutters momentarily over the pet name and you feel your face get warm. 

“Um, yes?” You offer as you will your face to cool down, watching as he takes another bite and groans in appreciation. 

“Best sandwich I’ve ever had.” He tells you and you can’t help but preen at the compliment. 

“Thanks,” you whip out your notebook “so, if I wanted to make a quiche with ham in it but also sandwiches, would I need different styles?” The pen is pushed against your lip as you think “Oh and I know there’s a ratio of fat to meat for everything but if I wanted to do sausage rolls and scotch eggs would they need to be different too?” 

You realise Simon is staring at you and you shuffle your feet, ears going hot, waiting for the inevitable comments about you being ‘weird’ or ‘too much.’ 

They don’t come. 

You force yourself to meet his gaze, steeling yourself for whatever expression you find there. You don’t expect fascination, appraisal. 

“You this meticulous about ever’thin love?” It’s almost a growl and your mind wanders for a split second before you manage to eek out a “yes.” 

Simon grins, taking a large bite of the brownie “fucking hell, where’ve you been hidin?” 

Dutch longsword fencer Tosca Beuming

Photographed by Martin Philippo and Andress Kools

Hey remember that a boycott if actually MORE effective under capitalism if you profess you would actually end the boycott under certain conditions.

“Nothing this company does can make up for their bad actions, I will never buy from them again!” Okay so they’ve lost you as a customer and have no reason to try and get you back. You can HOPE to drive them into bankruptcy but Chic-Fil-A is evidence of how well that works.

“This company did something bad. I would not consider buying their product again, UNLESS, they publicly apologized and made up for it by … [donating money to a cause, promoting different content, offering better care to their employees, etc.]” This is actually MORE likely to be effective because if enough people say this, the company m sees them as potential customers of a certain demographic, and is willing to make changes to get those customers back and, long term, make money from them.

Words for Skin Tone | How to Describe Skin Color

We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!

This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.

Standard Description

Basic Colors

Pictured above: Black, Brown, Beige, White, Pink.

“She had brown skin.”

This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.

Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.

Complex Colors

These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.

Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.

Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.

For example: Golden brown, russet brown, tawny beige…

As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.

“He was tall and slim, his skin a russet, reddish-brown.”

Comparisons to familiar colors or visuals are also helpful:

“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”

Modifiers

Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.

Dark - Deep - Rich - Cool

Warm - Medium - Tan

Fair - Light - Pale

Rich Black, Dark brown, Warm beige, Pale pink…

If you’re looking to get more specific than “brown,” modifiers narrow down shade further.

Keep in mind that these modifiers are not exactly colors.

As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.

While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.

Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)

Undertones

Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.

pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver. 

Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.

As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).

“A dazzling smile revealed the bronze glow at her cheeks.”

“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”

Standard Description Passage

“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”

-From my story “Where Summer Ends” featured in Strange Little Girls

Here the state of skin also gives insight on character.

Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.

Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.

Creative Description

Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.

I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.

Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.

Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.

Natural Settings - Sky

Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.

Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.

When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.

So consider your character and what you see fit to compare them to.

Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.

“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”

“She had a sandy complexion, smooth and tawny.”

Even creative descriptions tend to draw help from your standard words.

Flowers

Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose

It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists. 

You’ll definitely want to avoid purple-prose here.

Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.

“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”

Assorted Plants & Nature

Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber

These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.

At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone.“ 

I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.

“Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”

I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.

I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.

Wood

Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash

Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.

Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.

“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”

Metals

Pictured above: Platinum, Copper, Brass, Gold, Bronze

Copper skin, brass-colored skin, golden skin…

I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.

These also work well with modifiers.

“The dress of fine white silks popped against the deep bronze of her skin.”

Gemstones - Minerals

Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum

These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.

If you use these, or any more rare description, consider if it actually “fits” the book or scene.

Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.

“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.” 

Physical Description

Physical character description can be more than skin tone.

Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.

Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.

How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…

General Tips

Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.

Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.

Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.

Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).

PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please. 

Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.

Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.

Skin Tone Resources

List of Color Names

The Color Thesaurus

Skin Undertone & Color Matching

Tips and Words on Describing Skin

Photos: Undertones Described (Modifiers included)

Online Thesaurus (try colors, such as “red” & “brown”)

Don’t Call me Pastries: Creative Skin Tones w/ pics I 

Writing & Description Guides

WWC Featured Description Posts

WWC Guide: Words to Describe Hair

Writing with Color: Description & Skin Color Tags

7 Offensive Mistakes Well-intentioned Writers Make

I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!

~ Mod Colette

murder

Magickal Properties of Trees

Acacia: purity, air, and used in initiations, psychic workings, and protection.

Alder: resurrection, rebirth, and fire.

Almond: divination, clairvoyance, wisdom, money, loans, business.

Apple: healing, prosperity, love, peace, happiness and perpetual youth.

Apricot: love

Ash: healing, protection and sea magic

Aspen: Used for phyllomancy (divination by leaf rustling) and for protection.

Birch: new beginnings and births, protection, fertility, purifications and blessings.

Cedar: purification, prosperity, and longevity, spirituality, self control.

Coconut: purity, chastity, healing

Cypress: easing losses, healing, past life workings, and protection. Represents earth.

Elder: healing, love, protection, and prosperity.

Elm: female powers, protection.

Eucalyptus: healing

Fig: fertility, strength, energy, health

Fir: youth, vitality, prosperity magic.

Hawthorn: female sexuality, cleansing, marriage, love and protection.

Hazel: fertility, divination, marriage, protection, reconciliation.

Holly: protection

Juniper: protection, cleansing

Lemon: divination, healing, chastity, neutrality

Linden: Used for prophesies and protection.

Maple: Used for love and divination.

Oak: Used for healing, strength, protection, masculinity and for fertility magic. Represents fire.

Mulberry: knowledge, divination, wisdom, the will

Olive: peace, fruitfulness, security, money, marriage, fidelity

Orange: love, marriage

Palm: Used for male fertility, strength, and virility.

Pine: Symbolizes immortality and represents earth. Pine cones represent fertility. Used for purification, health, fortune, fertility, and prosperity.

Rowan: Used for protection, healing, and strength. Represents fire.

Willow: Represents water. Used in moon, wishing magic, healing, protection, enchantments, and easy delivery of babies.

Tip Jar

reminder that now more than ever, participating in small scale acts of community aid and activism is extremely important. there is a lot you can still do despite shifts in government figures. people feel defeated when certain laws and bills are passed, and certain politicians shuffle in and out of office. it's okay to feel this way, but there is so much we can still do to help each other that isn't illegal and/or you will not be stopped or killed for

participating in food distributions is vital. check to see how your local food bank/s distribute food and how you can help. many churches have food and resource distributions, as well as libraries. libraries in general have amazing resources on top of the books they provide and i highly recommend volunteering at a library when and where possible. it's vital for helping people get resources and apply for government aid when and where possible

see if you can get involved with local groups like Food Not Bombs who distribute free, generally vegan or vegetarian, hot meals to anyone who shows up who is not a cop. preparing meals is easy when a lot of people are participating. you don't have to be able to donate food in order to help with distributing it

check to see if there are safe injection sites in your area. check to see if there are any programs to help homeless substance users get clean needles and sharps disposals. check to see if there are harm reduction events and other outreach programs that provide narcan and other important life saving medications and information

contact your local homeless shelters and see what you can do to get involved with homeless outreach programs for all kinds of people, especially those that fall through the cracks of common programs. see if you can provide or run crowdfunding events for heaters, blankets, food, socks, jackets, hygiene products and other necessities to homeless people in your area.

check to see if there are lgbt spaces in your area and if they need volunteers or anyone to help them. you may be able to help run groups for specific queer groups or attend them and help boost numbers to get those programs more funding. see if you can help give information to queer folk in your community who need resources including but not limited to trans friendly primary care providers, OBGYN services, HRT, surgery, hair removal procedures, and so on. see if it's possible to arrange programs for queer people who need safe transportation

there are a lot more options but if you're feeling down about how things are currently, there are a lot of ways you can help your community with minimal effort much of the time. it doesn't take much at all to help your local community. you'll get help in return by gaining exposure to new resources you weren't familiar with previously. there's a lot we can do for each other

the most insane double casting i’ve heard of is ophelia and horatio being played by the same actress. the implications of that drive me crazy

Unsolicited Witch Tip 24

Catching a falling leaf before it hits the ground is supposed to be good luck. Add it to your altar for good luck, protection, and abundance throughout the autumn season.