Hey there, thanks for the question! I speak English as a second language; most English speakers I encounter aren’t native (yes, including fictional people); thus, this is a concern I’ve explored personally when I write.
I think the core principle regarding accent writing is this: it shouldn’t be distracting.
For the same reasons why Stephen King prescribes the basic dialogue tag “said” rather than fancier alternatives like “whispered”, “shouted” or “screeched”, dialogue must be first and foremost easy to read. It must flow like a real conversation – the pace and tone are a lot more important than how specific words are being pronounced by the character.
Focus on what effect the accent has:
Using adjectives to describe their voice in general. Different types of English (American, British, Australian, etc.) will give off a different vibe, also partly dependent on how your character speaks in general:
Lilting: Having a smooth rise and falling quality; sing-song like. Welsh accent is often described as singing.
Posh: from a high social class. This is the term generally used to describe the upper-class British accent.
Nasal: this happens when the sound goes through somebody’s nose when they’re speaking. North American accents are more nasal than, say, British pronunciations.
Brash: harsh, loud, indicative of sounding a little rude.
Slur: speaking indistinctly; words merging into one another.
Using metaphors.
Her voice was cotton and fluffy clouds.
When he spoke, the ‘r’s scratched the insides of his throat.
Mentioning their accent with a brief example(s).
“Would you like to drink some wine?” she said, though her Indian accent gave extra vibration to her ‘w’s and ‘r’s, making the words sound more like ‘vould you like to drrrink some vine’.
“I want some chocolate.” His syllables were choppy and ‘l’s rather flat, saying ‘cho-ko-lit’.
Some Tips:
Don’t phonically spell out everything. Perhaps give a few examples in the beginning, but stick to standard English spellings.
Pay attention to word choice, slang, and colloquialisms.
An Australian person would say “tram”, not “trolley; “runners” instead of “sneakers”
A Canadian may refer to a “fire hall” – what Americans call a firehouse or fire station
If your character comes from a non-Enligsh background:
Use vocabulary from other languages.
“What time was the exam, ah? Two o’clock? Jiayou!” → putting “ah” or “la” at the end of sentences + Jiayou means “break a leg” in Singlish.
“I can’t believe that 4-year-olds have their own SNS accounts now.” → “SNS” is short for “social networking service”, a term used to refer to social media in Korea. This would a subtle difference – even though it isn’t technically Korean at all!
Transpose grammar from different languages.
For example, in French, plural nouns take plural adjectives (whereas in English, you would speak of ‘white cars’, not ‘whites cars’).
─── ・ 。゚☆: *.☽ .* . ───
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Reminder not to edit while you write. You want to finish that story someday? Then stop editing while you write!
Fixing an obvious error/typo in the sentence you just wrote is fine, but we're not talking about that. Do not reread, do not continue searching for errors, do not even spellcheck in case that leads you down the editing rabbithole.
Finish the story. The clock is ticking on that muse and distractions waste precious time!
Being a writer your brain is either
A) STUFFED TO BURSTING with ideas you have no clue what to do with or how to make them make sense
or
B) It's a black hole that devours every inkling of creativity in your cells and you are just hoping it'll consume you too
THERE IS NO IN BETWEEN
Hi everyone and happy Wednesday! Post Two of new series!
This section comes from The Emotional Thesaurus by Ackerman and Puglisi.
Definition: feeling upset or disturbed, a state of unrest
Physical Signs:
reddening of the face
a sheen of sweat on the cheeks, chin, and forehead
hands moving in jerks
rubbing back of the neck
patting pockets or digging in the purse, looking for something lost
clumsiness due to rushing (knocking things over, bumping tables)
a gaze that bounces from place to place
an inability to stay still
jamming or cramming things away without care
abrupt movement (causing a chair to tip or scuff the floor loudly)
flapping hands
becoming accident prone (bashing one's hip on a desk corner)
dragging hands through hair repeatedly
forgetting words, being unable to articulate thoughts
backtracking to try and undo something said in haste
adjusting one's clothing
avoiding eye contact
a wavering voice
not knowing where to look or go
guarding one's personal space
taking too long to answer a question or response
throat clearing
overusing ums, ahs, and other verbal hesitations
turning away from others
a bobbing Adam's apple
pacing
making odd noises in throat
rapid lip movement as one tries to find the right things to say
flinching if touched
minimizing another's compliments
fanning self
unbuttoning a top shirt
tugging at a tie, collar, or scarf
Internal Sensations:
excessive saliva
feeling overheated
stiffening air on the nape of the neck
light-headedness
short, fast breaths
sweating
tingling skin as sweat forms
Mental Responses:
mounting frustration that causes thoughts to blank
compounding mistakes
a tendency to lie to cover up or excuse
anger at oneself for freezing up
trying to pinpoint the source of discomfort
mentally ordering oneself to calm down, relax
Cues of Acute or Long-Term Agitation:
flight response (looking for an escape of fleeing room)
snapping at others, or adopting a defensive tone
scattering papers and files in a frantic search
May Escalate To :
Annoyance
Frustration
Anxiety
Anger
Cues of Suppressed Agitation:
changing the subject
making excuses
joking to lighten the mood
staying busy with tasks to avoid dealing with the source of emotion
shifting attention to others, putting them in the spotlight
This is excellent advice also don't be afraid to scrap something you wrote entirely and rewrite it if you think it's terrible that just means your on draft 2 not that your actually a terrible writer. It's part of the process.
I have been struggling with the motivation to start writing my story. I feel as if I’m a terrible writer, and have no idea where to start or how to get better.
Any ideas?
Hi! Thank you for submitting your questions!
Let me start it by saying that’s okay! It’s totally normal to struggle in motivating yourself to write; we all do, especially me!
Second of all, you’re not a terrible writer. Throw that thought out if the window. Throw it out! We do not see ourselves as anything other than aspiring and learning writers here on this blog.
You’re not terrible, no such thing. Don’t see yourself as a terrible writer but as one who still has to learn. We aren’t born with the skill, it’s one that must be built upon and refined.
The only way to become a better writer is to practice, practice and practice and read, read and read!
That’s the only way to do it; simple as that. You can go to school and get a degree for it but ultimately they will teach you the same thing, practicing and reading excellent samples of writing (I’m not saying don’t go to school for it, lol, but the principles are the same).
(3). If you want to become a better writer and find motivation I’d say start of by writing what interests YOU and what YOU’RE passionate about. That’s the best way to do it.
Fanfic writing is often the place people start off as it’s the easiest to indulge yourself in something you love and feel you’re knowledgeable about. Start there.
Or maybe not fanfic per say, but maybe write about a topic that interests you. Maybe the civil war, or jellyfish, or whatever that may be, write about it.
Some practice books with various topics are also a great way to get the brain going. I have a few writing prompt boos and those help out a tone to get that creativity flowing!
I’ll attach a link to a few.
(4). Don’t over think when you write, just type or write whatever springs to your mind and go with the flow. I know that’s hard as I have a tendency to double, triple check everything I write. In other words DO NOT EDIT as you write. I know that’s hard but it takes practice.
(5). You are your own greatest enemy; so go easier on yourself and remember you’re still learning.
I hope this somewhat helps!
I think one of the most profound forms of love is "I'll try that, for you. I may not like it, but I'll try it."
It's a confused middle-aged man in a pottery class, whose daughter is helping him with his clay's plasticity. It's a kid scrunching up their brow while listening to their mom's favorite music, trying to figure out why she likes it. It's a girlfriend who says "Yes, I'll go with you" and her girlfriend cheering and buying a second ticket for a con. It's a friend half dragging another friend through an aquarium, the one being dragged laughing and calling out "Wait, wait, I know we're here for the exhibit, but I haven't been here! Slow down!"
It's being willing to spend some of your time trying something new because it makes someone you love happy.
Dragon Age Inquisition Tarot, full set: 1/4
Happiness:
Smiling genuinely, with crinkles around the eyes.
Open body posture, with relaxed arms and shoulders.
Leaning forward slightly towards the person or object of interest.
Making eye contact with a warm and engaged expression.
Anger:
Tightened jaw and clenched fists.
Furrowed brows and narrowed eyes.
Standing or sitting with a rigid and tense posture.
Pointing fingers or aggressive gestures.
Raised voice or speaking through gritted teeth.
Sadness:
Downcast eyes and a drooping posture.
Slumped shoulders and shallow breathing.
Avoiding eye contact and withdrawing from social interaction.
Sighing or a subdued tone of voice.
Tearfulness, with watery or red eyes.
Fear:
Widened eyes with dilated pupils.
Raised eyebrows and a tense facial expression.
Frozen or rigid body posture.
Backing away or seeking physical distance from the perceived threat.
Trembling or shaking, especially in the hands or legs.
Surprise:
Raised eyebrows and widened eyes.
Mouth slightly agape or forming an "O" shape.
Leaning forward or recoiling backward in response to the surprise.
Quick inhalation or gasp of breath.
Rapid blinking or blinking more than usual.
Disgust:
Curling the upper lip or wrinkling the nose.
Narrowing the eyes and raising the upper eyelids.
Turning the head away or physically distancing oneself from the source of disgust.
Covering the mouth or nose with the hand or a tissue.
Expressing verbal disgust through phrases like "ew" or "yuck."
These are just some examples, and individuals may display variations in their body language based on their personality, cultural background, and the specific context of the situation.
if you’re white and wanna write a poc character and feel awkward about it i implore you to ignore any twitblr stuff treating it as a massive ethical burden and instead come in more with the same mindset you’d have if you wanted to write about idk firefighters but didn’t know anything about firefighters so you do... research. Like fuck off with the weird kinda creepy calls for spiritual introspection you’re not writing about god damn space aliens you’re writing about humans and if you think you need more perspective of different life experiences just read?