List of “unrequited love but turns out!! it’s actually requited” prompts
“What, did you think I kissed you all these times because I was doing it for the shits and giggles?” “…Let’s be real, you did have a lot of fun shoving your tongue down my throat in public.”
“Oh my God, why are you crying? Does me liking you disgust you that much?” “No, you dumbass, it’s because you like me back but I spent all of this time thinking you’d never like me that way!”
“Look, we can pretend I never confessed if it means you’ll stay—” “What?! No! You can’t just take back your confession! That’s such a coward move and I’ll not allow that! Especially when I feel the same way towards you.”
“I’ll get over you. I promise. These feelings, they’re— they’re only temporary, I swear. I—I’ll get over you. Just please don’t leave me—” “Did you ever think, that maybe, I don’t want you getting over me? What if I don’t want these feelings to be only temporary? That maybe I… Like you, too?”
“I didn’t mean to fall for you.” “And neither did I.” “…Fucking pardon?”
“So according to _____, you’re in love with me, too?” “Oh, that fucking bast— wait, did you just say too?”
“You need to stop kissing me like you mean it; I’m going to read into things wrong and end up breaking my own heart.” “That’s because I do mean it every single time. You’ve just been too dense to realise.”
“Why are you apologising for liking me back?” “Because I don’t want to ruin— wait a second. Pause and rewind, what did you just say?”
“You don’t have to like me back, you know? I just wanted to let you know how I felt, that’s all.” “Well, too bad! Because these feelings are mutual, and now you can’t get rid of me.”
“Why are you lying to me? You can tell me the truth, it’s okay. I’m strong enough for the truth, I swear.” “What? I’m not lying to you! You’d think you’d pick up on the signs that I’ve been in love with you, for fucking forever, but apparently someone’s too obtuse to realise that!”
Being a writer your brain is either
A) STUFFED TO BURSTING with ideas you have no clue what to do with or how to make them make sense
or
B) It's a black hole that devours every inkling of creativity in your cells and you are just hoping it'll consume you too
THERE IS NO IN BETWEEN
Talks over others/interrupts
Always has to one-up others
Can’t take criticism
Always plays the victim
Selfish
Pathological liar
Makes everything about them
Bad at sharing
Guilt trips others
Makes special events about themselves
Their way or no way at all
Makes up excuses for everything
Has a reason why nothing is ever their fault
Not a team player
Does jobs halfway
Makes everything a joke
Can’t take a joke
Can’t let others enjoy anything
Stingy with money
Good morning everyone! It’s my birthday today and because it’s my birthday I thought I’d post today (that’s kind of an obscure reference to Star Wars Guy and his girlfriend lol)!
Conflict and tension in literature help build drama and keep readers engaged through the end of the book. Learning the distinctions between conflict and tension will help elevate your writing and make your storylines more engaging.
Tension in a literary context is the sense that something ominous is right around the corner. Building a large amount of tension as a writer keeps your readers engaged up until the end of the story. Mystery novels are full of tension and foreboding, and they generally feature tense scenes from beginning to end. Working within the genre of mystery writing is a great way to learn how to layer tension into your narrative arc. Good use of tension makes a story worth reading and keeps readers guessing.
Learning to build tension is no easy task. Even the most seasoned professional writers have trouble maintaining tension from beginning to end. Here are a few tips for using tension successfully in your writing:
Foreshadowing: An important part of building tension is using foreshadowing to build dramatic tension and keep readers on the edges of their seats. In Harry Potter, author J.K. Rowling uses flashbacks and backstory to foreshadow the eventual major conflict that will unfold between Harry Potter and the villainous Voldemort.
Inner conflict: Sometimes inner conflict and self-doubt can be layered in through character development and used to build levels of tension. In William Shakespeare’s Hamlet, the main character wants to avenge his father’s death but is beset by self-doubt, paralyzing indecision, and mental strain. As an audience, there is a sense of tension in every scene as we wait to see if Hamlet will act on his inner desire for retribution or remain stuck in a place of indecision.
A time limit: One great way to build tension in your story is to place a time limit on an action your character has to undertake. By adding the element of a ticking clock, you build tension and increase stakes. This is a common technique used in thriller novels and films as well as action and adventure stories.
While tension simmers under the surface, conflict is generally out in the open—it's tension realized. Tension might be present an unspoken rivalry between the protagonist and antagonist or in the audience’s awareness of an impending disaster.
Conflict, on the other hand, involves an active clash; maybe the protagonist and the antagonist engage in a firefight or a heated debate, or maybe a character fights off a pack of animals or works to prevent climate catastrophe. Even if the conflict is interior—a character battling low self-worth, perhaps—it still involves opposing forces struggling for supremacy.
Conflict can come in many forms. Conflict in a story can be a physical fistfight or a passive-aggressive war of words. All that is required for conflict is a manifestation of disagreement or incompatibility between a character and something else. Characters can be in conflict with other characters, with natural forces, or with society at large.
Another type of conflict is internal conflict. Conflict is one of the fundamental principles of narrative and creative writing. In order to write a story worth reading, you need characters whose point of view is in some way challenged and to whom bad things happen. Without conflict, you won’t have a narrative or any meaningful character arc.
The kind of conflict you use depends on what your plot and subplots are centered around and what your main character wants and needs. New plot points generally introduce conflict or advance existing conflict. Here are some types of conflict to employ in your writing and a few tips about when and how you migh
Person vs. self: An internal conflict is a kind of conflict that only manifests within a character’s head. Though we may see this conflict dramatized through narration or dialogue, or play out in the protagonist’s actions, it is an internal struggle within a character.
Person vs. person: The simplest and most common form of external conflict is when two characters are in conflict with each other. The first stories we are told as kids generally have a clear good guy and bad guy. These stories are early introductions to person vs. person conflict. Person vs. person conflicts are very common, and it’s rare to find a narrative without an interpersonal conflict present at some point in the story.
Person vs. nature: Conflict between a person and forces of nature is a good example of external struggle that can raise the stakes in a story. Some notable stories that included conflict between a person and a natural force include The Old Man and The Sea by Ernest Hemingway and Robinson Crusoe by Daniel Defoe. Consider using person vs. nature conflict if you’re interested in writing a story with one main character and few, if any, supporting characters.
Person vs. society: Conflict between a person and society at large is a type of conflict often found in science fiction. Some notable examples of this type of conflict are found in The Handmaid’s Tale and The Hunger Games series. In The Hunger Games, Katniss Everdeen finds herself contending with a dystopian and oppressive United States government that pits citizen against citizen in order to keep dissent down and quell rebellion. If you’re interested in science fiction or narratives about social justice, you might want to consider exploring conflicts that pit an individual character against society at large.
born to write the beginning and ending, forced to write the middle part.
✦ if you're tired of using the same repetitive words to describe feelings or actions on your writing, here are some aesthetic words that are not frequently used to help you evolve your vocabulary better and also maybe help you with creative titles <3
ABENDROT: the color of the sky while the sun is setting.
ABIENCE: the strong urge to avoid someone or something.
ACHROOUS: colourless.
AEQUOREAL: marine, oceanic.
AESTHETE: someone with deep sensitivity to the beauty of art or nature.
ALIFEROUS: having wings.
AMITY: warmth and heartfelt friendliness in a friendship; mutual understanding and a peaceful relationship.
AMBROSIAL: fragrant, delicious.
ANTHOMANIA: great love for flowers.
AQUAPHILE: someone who is an enthusiast of all things related to the water.
ARENOCOLOUS: living or burrowing in sand.
ASPERSE: change falsely or with malicious intent; attack the good name and reputation of someone.
ASTERISM: agroup of stars; a constellation; a cluster of stars.
ATTAR: essential oil or perfume obtained from flowers.
AUREATE: golden or gilded; brilliant, splendid.
AURICOMUS: with golden or yellow colored foliage.
AVIOTHIC: the strong desire to be up in the air or to fly.
BALTER: to dance artlessly, without particular grace and/or skill but usually with enjoyment.
BATHIC: pertaining to depths, especially of sea.
BELAMOUR: the one who is loved; a beloved person.
BELLICOSTIC: aggressive, belligerent, warlike.
BENEFICENCE: the quality of being kind or helpful or generous.
BERCEUSE: a quiet song intended to lull a child to sleep.
BLÁFAR: indicating the freshness and beauties of youth or health; attractive and possessing charm.
BRONTIDE: the low rumble of a distant thunder.
BURBLE: to speak in an excited manner.
CAELITIS: the divinities who dwell within the celestial planes.
CATHARSIS: the release of emotional tension, especially through kinds of art or music.
CELERITOUS: swift, speedy, fast.
CERAUNOPHILIA: loving thunder and lightning and finding them intensely beautiful.
CHEVELURE: the nebulous tail of a comet.
CINGULOMANIA: a strong desire to hold a person in your arms.
COCCINEOUS: bright red; scarlet.
COCKAIGNE: an imaginary land of luxury and idleness.
CONSTELLATE: to eluster; to compel by stellar influence.
COSMOGYRAL: whirling around the universe.
CORDOLIUM: heartache; heartfelt sorrow.
CORUSCATE: to reflect brillantly, to sparkle.
CRAMOISY: of a crimson color.
CREATURELY: a person who is controlled by others and is used to perform unpleasant or dishonest tasks for someone else.
CRYSTALLOMANIA: an obsession with crystals and other crystalline objects.
CHRYSALISM: the amnotic tranquility of being indoors during a thunderstorm.
CLINQUANT: glittering with gold and silver.
CLYSMIC: cleaning, washing.
CUPIDITY: greed for money or possessions.
CYANEOUS: a sky-blue color.
CYNOSURE: guiding star; a object of common interest.
DARKLING: of or related to darkness.
DÉCLASSÉ: having fallen in social status.
DEIFORM: god-like or divine in nature.
DEMERSAL: that lives near the bottom or a body of water.
DESIDERIUM: an ardent longing, as for something lost.
DISPITEOUS: cruel and without mercy.
DOUX: sweet, soft, mild, gentle.
DRACONTINE: belonging to a dragon.
DYSANIA: the state of finding it hard to get out of bed in the morning.
ECCEDENTESIAST: someone who fakes a smile.
EFFLORESCENCE: a period or state of blooming, blossoming.
ELEGY: a poem of serious reflection, typically a lament for the dead.
ELEUTHEROPHILIST: someone who advocates free love.
ELYSIAN: beautiful or creative, divinely inspired; peaceful and perfect.
EMACITY: desire or fondness for buying things.
EMPYREAL: pertaining to the sky; celestial.
EPHIALTES: a nightmare; the demon Incubus that supposedly causes a nightmare.
EPICARICACY: the joy that results from others misfortune.
EREMOPHOBIA: the deep fear of stillness, solitude, or deserted places.
ETHEREAL: extremely delicate, light, not of this world.
EUMOIRIETY: happiness due to state of innocence and purity.
FLORENTIS: abounding in flowers; being in bloom and adorned with plentiful flowers.
FREICEADAN: guard, garrison, watch, sentinal.
FULMINATE: cause to explode violently and with loud noise.
FURCIFEROUS: brat; rascally, scandalous.
GLOAMING: twilight, dusk.
GRAME: anger, wrath, scorn; sorrow, grief, misery.
HALCYON: calm and peaceful; happy, prosperous.
HELLION: a rowdy or mischievous person.
HELIOPHILIA: desire to stay in the sun; love of sunlight.
HEAVENIZE: to render like heaven or fit for heaven, to purify and make a holy place or a person.
HENOTIC: promoting harmony or peace.
HIRAETH: a homesickness for a home you can't return to, or that never was.
HOLILY: belonging to or derived from or associated with a divine power.
HYPNAGOGIC: the state immediately before falling asleep.
IGNICOLIST: a worshiper of fire.
ILLECEBROUS: attractive and alluring.
IMPLUVIOUS: soaked with rain.
INCANDESCENCE: light produced by high temperatures.
INCALESCENCE: the property of being warming.
INCENDIARY: designed for the purpose of causing a fire, likely to cause anger or violence.
INEFFABLE: too great or extreme to be expressed or described in words.
INSOUCIANT: free from worry, concern or anxiety.
IRENIC: aiming or aimed at peace, promoting peace.
IRIDESCENT: producing a display of rainbow-like colors.
INVIDIARE: to envy.
ISOLOPHILIA: a strong preference and affection for solitude.
KALOPSIA: the delusion of things being more beautiful than they really are.
KALON: beauty that is more than skin deep.
LACONIC: expressing much in a few words.
LACUNA: a blank space; a missing part.
LATIBULE: a hiding place, a place of safety and comfort.
LAMBENT: to glow or flicker softly. Luminous, light or brilliant.
LIMERENCE: the state of being infatuated with another person.
LONGANIMITY: still suffering while planning revenge.
LOUCHE: disreputable; morally dubious.
LUCIFORM: resembling light in appearance; having, in some respects; the nature of qualities of light.
LUMINESCENCE: light produced by chemical, electrical or physiological means.
MALTALENT: the negative emotions of wanting injury or harm to befall someone; a hostile behavior or attitude towards someone considered an enemy.
MARMORIS: the shining surface of the ocean.
MAZARINE: a dark blue color; rich blue or reddish-blue color.
MELIORISM: the belief that the world gets better; the belief that humans can improve the world.
MÉLOMANIE: an excessive and abnormal love and deep attraction to music and melody.
MERCURIAL: subject to sudden or unpredictable changes.
MESMERIC: appealing; drawing attention.
MORDACIOUS: biting or given to biting; biting or sharp in manner; caustic; capable of wounding.
MORPHEAN: of or relating to Morpheus, to dreams, or to sleep.
MOXIE: courage, nerve, determination.
NEBULOCHAOTIC: a state of being hazy and confused.
NEFARIOUS: wicked, villainous, despicable.
NEMESISM: frustration, anger or aggression directed inward, toward oneself and one's way of living.
NERITIC: pertaining to shallow coastal waters.
NOETIC: of or associated with or requiring the use of mind.
NOIRCEUR: the state of being pitch black in color; a state of lacking illumination.
NUBIVAGANT: wandering in the air, moving through the air.
NUMINOUS: spiritual or supernatural; surpassing comprehension or understanding; mysterious.
ONEIRODYNIA: restless, disturbed sleep, characterized by nightmares and sleepwalking.
OPHIOMORMOUS: snake-like.
ORPHIC: mysterious and entrancing, beyond ordinary understanding.
PETRICHOR: the scent of rain on dry earth.
POIESIS: creation; creative power or ability.
PORPHYROUS: purple; of purple hue.
PRATE: to talk excessively and pointlessly.
PROCELLOUS: tempestuous, stormy.
QUIDDITY: the essence of something.
QUIXOTIC: extravagantly chivalrous or romantic; visionary, impractical or impracticable.
RANTIPOLE: a wild, reckless young person; to be wild and reckless.
REDAMANCY: the act of loving the one who loves you; a love returned in full.
REDOLENT: having a strong distinctive fragrance; serving to bring to mind.
REMEANT: coming back, returning.
RESPLENDENT: having brilliant or glowing appearance; dazzling and impressive in appearance through being richly colorful or sumptuous.
REVERIE: a state of being pleasantly lost in one's thoughts; a daydream.
RODOMEL: juice of roses mixed with honey.
ROSEATE: rose-like; overly optimistic.
RUTILANT: glowing or glittering with red or gold light.
SANGUINEOUS: accompanied by bloodshed.
SASHAY: to strut or move about in an ostentatious or conspicuous manner.
SCIAMACHY: a battle against imaginary enemies; fighting your shadow.
SEQUACIOUS: lacking independence of originality of thought.
SERAPHIC: beautiful and pure; having a sweet nature befitting an angel or a cherub; of or relating to an angel of the first order.
SERENDIPITY: finding something good without looking for it.
SKINT: having little or no money avaliable.
SOLIVAGANT: someone who wanders or travels the world alone; a solitary adventurer.
SOMNIATE: to dream, to make sleepy.
SORTIGER: delivering prophecies of the future; having the qualities of being oracular.
STELLIFEROUS: having or abonding with stars.
STELLIFY: to transform from an earthly body into a celestial body; to place in the sky as such.
SUCCIDUOUS: ready to fall, falling.
SPUME: a white mass of bubbles or froth on the top of a wave.
SYNODIC: relating to or involving the conjunction of stars, planets or other celestial objects.
TARANTISM: the uncontrollable urge to dance.
TEMENOS: a sacred circle where no one can be oneself without fear.
THANATOPHOBIA: fear of death.
TYYNEYS: the state of peacefulness; absent of worry or fear, being composed and at ease.
ULTRAMARINE: beyond the sea; greenish-blue color.
VELLEITY: a wish or inclination not strong enough to lead to action.
VENERATION: a profound emotion inspired by a deity.
VESPERTINE: in or of the evening; setting at the same time as, or just after, the sun.
VERDANT: with plants and flowers in abundance.
VERMEIL: a liquid composition applied to a gilded surface to give luster to the gold.
VERTICORDIOUS: to turn the heart from evil.
VIOLESCENT: tending toward violet color.
VORFREUDE: the joyful anticipation that comes from imagining future pleasures.
WANDERLUST: a strong desire to travel and explore the world.
WHIST: to hush or silence; to still, to become still.
cerezzzita©, 2022 · all rights reserved
the fact that none of the night at the museum movies were rated over 50% by critics is a reminder that some ppl don’t know how to have fun. the first two movies were flawless. a night watch guard has to babysit museum displays that come to life, complete w old school villains and endless historical crossovers? incredible concept, incredible execution