it’s been a long time since I’ve posted so it makes sense to come back with this drawing.
What books have you been reading?
Thank you for the ask, here are my most recent ones:
1. Bird by Bird - Anne Lamott
2. On Writing - Charles Bukowski
3. Currently reading: Infinite Jest - David Foster Wallace
everything about it goes around like a good story which takes a new room on a new tongue every night. I wish I could do the same but I’m not so good at convincing people to give me their time or their teeth or their mornings.
the idea is that you drop yourself and then recover on waking to find that it all hangs different on the shoulders, is less pink, more amaranth, less the leaves of a turnip flower, more the hollowed chest of a cloud after rain—
go to bed across it, maybe its sheets will muddle into a word, maybe the goose feathers will conspire into a cotton-mouthed dictation, saying ah yes, the breakthrough, the meaning, the good.
or maybe it’s just the time and how it drags through the dark like the cold body of a fish dragging through a mile of river: just about breathing without meaning to and surviving without intending survival until the thing that almost ate you the night before has starved to death, lost its ribs, its music its importance. or it could be
that you forget after you go under and come up, that if it hurts, it will have a place where it can stop hurting, and a REM cycle is just a good way to buck the hours off your nerves, not that it’s particularly curative, just that it knows how to drown minutes
out of their bodies and yours.
- c. essington
some of them have hands that are on knife-hilts all the time, walking Macbeths who keep repeating marriage vows to excuse the stainless steel between their fingers; they cannot tell their wedding bands from the bands of light glinting off blades used forty one times on bread-crust and one time on something else.
- C. Essington
the fire going down until its just loose heat and fruit, the quick lisps of faces caught at its edges, those missed-stitches of expression, the looping sugars of eye-contact swimming softly, breathing glow.
- c. essington
Your blog rocks babe✌
Well thank you so much for your readership, you’re very kind.
Hi! Your writing is amazing and I always love reading it. I've been having writers block and haven't been able to write anything for a very long time. I don't write short stories or anything like that, but I do write songs and sometimes poems. Do you have any advice for writes block? Or any websites or apps that could possibly help? Thank you for your time! (:
Well thank you, and certainly, I am quite often plagued with blocks so I’m familiar with that particular frustration. Here’s how I’ve dealt with it:
1. Read, and read broadly: watch how other writer’s approach scene, character, and plot. Don’t copy or steal, but observe and apply techniques.
2. Engage in small experiences: eat something, go for a walk, stretch, run uphill for as long as you can. These sort of things, when really paid attention to, can get you to words. For example, if you eat a strawberry and really focus, you can often figure out something about its taste and texture that isn’t wholly obvious or stereotypical.
3. Combine experiences: I’ve mentioned before that I don’t think you have to solely “write what you know” because this will often keep you from writing a lot of things. However, I do think you should try and have a gateway for writing an experience. Example: If you want to write about someone falling from the deck of a ship in a storm, you don’t have to have fallen yourself, but maybe do a trust-fall with someone or take a very cold shower. Theses are gates and platforms you can write from without actually having to drown to write a drowning.
4. Get away: Stop trying to write and go somewhere far from pen and laptop. Do something you haven’t done, especially if that something involves another form of art. Museums are great.
Most of these tips are about attention. They revolve around really paying attention to where and what you are and what you’re experiencing. I love to write minutia and try to give it greater significance than its mass. In order to do this, particularly in an age where our attention is so spliced with ads and technology and ridiculous needs to never get bored, you’ve got to get away from thoughts and into feelings. Thoughts are excellent seeds for writing, but it’s very hard to think yourself into caring irrationally, which I believe is required in a lot of writing (to care about fiction,) so at some point, you’ve got to have an undiluted emotion to get ink from.
I hope this helps somewhat and I’m sorry for the length. As a side note, in the next couple of weeks I’m going to be starting a writing prompt column that I’ll be posting links to once it goes up.
Best regards,
C. Essington.
For the game: Leaves of Grass, by Walt Whitman
Food: Zucchini bread someone you care about made but burned a little
Location: An empty lighthouse on a cliffside that’s starting to lean out over the tide.
Thank you.
Send me a book title in an ask and I’ll reply with a food and a place I think fit with the piece.
I work here as an associate for the Kenyon Review and it’s beautiful and I can’t wait to get back to Gambier Ohio.
Our office in the snow this morning.
Not quite a question--I wasn't sure how else to reach out. I just read your story from Hika: Limbo and Other Party Games? Its been on my shelf for ages, I reached for it by happy accident. Desperate to focus on anything but finals, maybe. Usually I'd start a new paragraph here. Tends to be my style. I'm running out of words though, so: I guess I just wanted to thank you. I hope someday I can learn to lose as beautifully as you have. In the meantime, I've pasted it in my notebook. Hope thats ok.
Agh I love hearing from people at Kenyon and I’m honored that you put it in your notebook, that’s amazing. I hope you can gain beautifully! Your reading and caring about it is so appreciated so thank you as well! I hope your finals go well and you get to the other side in a hug of summer that lets you relax.
Queer Writer, Repd by Janklow & Nesbit, 2020 Center for Fiction Fellow, Brooklyn
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