I Work Here As An Associate For The Kenyon Review And It’s Beautiful And I Can’t Wait To Get Back

today the air is dim, oyster-shell dim cut through with sheens of rain, coming from far off, nearly off-screen, with cold signed at the bottom of every cloud-bank.

the sky is longer than the word it takes up or the words it takes down when snow happens in front of the billboards, the ads, going white.

                              - C. Essington

today the air is dim, oyster-shell dim cut through with sheens of rain, coming from far off, nearly off-screen, with cold signed at the bottom of every cloud-bank.

the sky is longer than the word it takes up or the words it takes down when snow happens in front of the billboards, the ads, going white.

                              - C. Essington

I am in love with your writing x

AH thank you that’s very kind and greatly appreciated. May your Monday be really good in a really weird way. 

What's your favorite place in the world? Where would you most like to travel to?

I don’t think I have a particularly favorite place just yet. I’d really love to go to Ireland or Scotland. I went to London once to visit my uncle, and I have to say that was very beautiful. 

For the writing thingy! Lighter, lipstick, Lucky penny, marker, camera. :D

Certainly, thank you.

Inventory:1. Lighter2. Lipstick3. Lucky penny4. Marker5. Camera

Clive roved the blue lipstick over his mouth before leaving, two splinters of periwinkle smirking above his teeth. He’d been letting his hair roar down until it dangled near the same piece of body where his ribs ended. The frays of blonde started getting caught on barbs of his life, one of which was a flick of orange in his sister’s hands that she’d held up too high. His trailing strands got smeared with burning before he smothered the flame and confiscated the lighter. After that, his ribs were abandoned by the black-licked blonde and his hair flew up to perch above his shoulders. 

So he went out, lips blue, hair burnt up to his neck, and his pockets lined with change. The metal discs clinked together, pressing up clouds of lint that gathered like cholesterol under his nails. He’d run his fingertips over the currencies, wearing his thumb down to redness on the edge of a penny and calling the soreness good fortune. When he didn’t have pennies to get his hands blushed on, he’d take out a red crayola marker and draw his own sort of luck across his knuckles. 

Clive kept his lips blue and his hands red and his body out of burning the best he could manage. He’d take a photo of it all in a restaurant bathroom, his eyes lowered into the grain the mirror’s reflection, trying to find the place where his colors met his breath. 

                - C. Essington.

Thank you, this was an interesting list. 

If you want to play this writing game, send me a theoretical inventory of five items in an ask and I’ll try to write a person for it. 

The Splinters Float

the pine-needle tea that she made before you  woke up and remembered the world flexes with green lines on its way to your lips.

the fire is low, orange, and smoking like your uncle used to.

you have brought candied orange slices cut so thin that they look like warped photographs of fruit rather than actual sugar.

you toss a rind into the fire the orange crinkles the orange and makes it go brown.

The citrus collapses in like an airless chest or a star that’s done being a star.

you take your tea up again, the tea that existed before you started the morning or believed in the sun for the seven-thousand-four-hundred-and-second time. that tea.

you woke up the same way you always have: mid-person, with human humming over your every bone, and a name that slips past your freckles and sinks, like an unskippable stone, into your rivered grey matter.

and then you had tea. and then you had tea.

                         - C. Essington 

in a bite of lamplight, he stands up to say I love you. he says it slow so he can feel it in his mouth, rolling like a marble with no glass to put its body in. no one is there to take it, but it is still true. It is snow falling, looking for concrete. 

              - c. essington

- c. essington

I work for Meggie Royer and this is so cool that this is happening again. In all ways, it’s totally worth the time and effort I’ve put in to be able to be a little part of this beautiful/ important thing. 

Issue 2 of my literary magazine is now officially live! Thank you to my beautiful, empowering staff for making a second issue possible - we did it. Twice.

To all the abuse survivors whose work is featured in this issue, and all the survivors who will read this issue, and all the survivors in the world - you are the dreamers and the magicians, the dancers and the risen. You are not the left-behind. You are the still-here.

Thank you for allowing me to be a part of your healing. <3

Is there one particular experience that you draw on in your writing?

There’s no one singular experience, no. It’s usually a mash of a lot of things and they vary a lot depending on what I’m trying to say. Like a potato, a mashed potato of feelings and thoughts. With butter. I write potatoes, end transcript. 

Please feel free to send in any more college/ kenyon/ writing/ publishing questions! I have a lot of time today.