The Train Derailment In Ohio

That's amazing!

I’m Honestly Fed Up With All The Bad News, So I Illustrated 40 Of The Best Ones From 2021

We need more positive news to acknowledge that the world is actually getting better little by little. Here are some of the top performing positive news illustrations from 2021.

Housing Discrimination

NO. 1

 Racial exclusion, or segregation had real damage to the black communities persistent in their fight for freedom to own and be included in everything whites were already allowed in; the fight for equality, economic security, for education, and for fair housing was just beginning. Racial exclusion was such a severe enough problem, since in every near northern city, black newcomers crammed into old and run-down housing, mainly in dense central neighborhoods left behind by upwardly mobile whites. White builders, in charge of housing and agencies related could dictate who could own, and William Levitt, of Leviittown where massive developments were made in the suburb, was no exception. 

       These types of houses were ‘affordable for the common man’, and remade America’s landscape after World War II. The iconic images of little ranches and Cape Cods, set in spacious yards on curvilinear streets, stood for everything that America celebrated in the Cold War era. These subdivisions attracted a heterogenous mix of surburnites, blue-collar workers employed by U.S Steel factories, teachers, clerks, and administrators. Levitt celebrated the ‘American-ness’ of these houses, saying ‘’No man who owns his house and lot can be a communist. He has much to do.’’ Don’t really know how owning a house can get in the way of your political ideologies, but alright. And when Levitt was questioned about the racial homogeneity of his planned community, he responded, ‘’We can solve a housing problem or we can try to solve a racial problem, but we cannot combine the two.’’  But the housing and racial problem was connected, as blacks could not get these houses because they were black. One instance of racial exclusion was in metropolitan Philadelphia, where between 1946, only 347 of 120,000 new homes built were open to blacks. Langston Hughes, popular poet described black neighborhoods as the ‘land of rats and roaches, where a nickel cost a dime.

 NO. 2

   Economist Robert Weaver spoke, ‘’among the basic consumer goods, only housing for Negroes are traditionally excluded freely competing in the market.’’ The struggle to open housing was not just a matter of free access to a market excluded to blacks. Racial segregation had high stakes. In post war America, where you lived shaped your educational options, your access to jobs, and your quality of life. The housing markets also provided most Americans with their only substantial financial asset. Real estate was the most important vehicle for the accumulation of wealth. Breaking open the housing market would provide blacks to access to better-funded, higher-quality schools. It would give them the opportunity to live in growing communities–near the shopping malls, office centers, and industrial parks where almost all new job growth happened. And more importantly, it would narrow the wealth-gap between blacks and whites. The battle against housing discrimination in Levingttown, or anywhere else would be the most important in the entire northern freedom struggle.

      NO. 3

 Housing segregation in the north was built on a sturdy foundation of racial restrictions encoded in private regulations and public policy. In the late nineteenth and early twentieth centuries, the Midwest–and especially Indiana and Illinois, were dotted with ‘sundown towns’ places whose residents drove blacks off by force, enacted ordinances to prohibit black occupancy (although such ordinances were struck down by the Supreme Court in 1917), and sometimes posted signs, like that in Wendell Willkie’s Elwood, Indiana, warning blacks of the dire consequences of staying around after sunset. Such crude techniques succeeded in driving blacks out of small towns, but they were less effective in the major northern metropolitan areas that attracted the vast majority of African American migrants beginning in World War I.

Three devices were used to help housing discrimination: first, private but legally enforecable restrictive covenants—attached to nearly every housing development built between 1928 and 1948— forbade the use or sale of a property to anyone other than whites. Second, federal housing policies, enacted during the Depression, mandated racial homogeneity in new developments and created a separate, unequal housing market, underwritten with federal dollars, for blacks and whites. And third, real estate agents staunchly defended the ‘freedom of association and the right of home owners and developers to rent or sell to whom they pleased, steering blacks into racially mixed or all-black neighborhoods. Whites in the North had economic reasons to fear the ‘Negro invasion’ as they called it. Their ability to secure mortgages and loans were at risk. But their motivations were not solely economic. Intertwined concerns about property values were fears of black predation. North and South recoiled at the prospect of miscegenation. In the South, they feared the legal restrictions on intermarriage and racial mixing in public spaces; the North feared the regulation of housing markets.           

I swear to God😂😂😂

THIS IS THE BEST THING I HAVE EVER SEEN

Whenever someone tries to claim that evolution is a lie, I send them a picture of platybelodon.

1. It’s an excellent example of transitional evolution.

2. It’s a mess who would intentionally do this and why

3. It makes them piss themselves a little.

“Evolution is just a theory-”

This genocide is not just Netanyahu’s creation. This genocide is a state-funded terrorist machine propping up American imperialism and Israeli ethnosupremacy saturated by religious imperialism.

Who created the manuscript?

     NO. 1

  Ever since the rise of modernism, it feels like people have only looked to see such medieval manuscripts in museums or hear about them in lecturers. The beginning of medieval, or illuminated manuscripts were beautiful but so very old and have to be handled with great care. Archaeologists and anthropologists have discovered and studied such manuscripts as a testament to keeping record of humanity’s past forms of writing. But would we ever get to such technological advancements, in forgetting our past, without it? This report explains the creation of how medieval manuscripts came to pass.

     NO. 2

From the met museum, ‘Unlike the mass-produced books of our time, an illuminated manuscript is unique, handmade object. In its structure, layout, script, and decoration, every manuscript bears the signs of the unique set of processes and circumstances involved in its production, as it moved successively through the hands of the parchment maker, the scribe, and one or more decorators or illuminators.’’ Illuminated manuscripts began in Ireland after the fall of the western Roman empire. Christianity came to Ireland around 431 A.D, introduced by Palladius and reinforced by the ministry of a Roman Briton named Patricius, or St. Patrick as he’s called today. He was kidnapped at the age of sixteen, and spent six years in captivity before escaping back to Britain. Upon returning, he was met with ‘distrustful druids’, and ‘murderous bandits’, and by bribing tribal kings did he made it out alive.

 NO. 3

   Eventually, he came back to Ireland in the 5th century. The island became lidded with monasteries in the 6th, and in the 7th the scribes of these centers of religious life were experimenting with new forms of decoration and bookmaking, the better to reflect God’s glory in the written word.

          The first illustrated book to be found by archaeologists was the Egyptian ‘Book of the Dead’, a guidebook for the afterlife in which those in question would come to face-to-face with the jackal headed god Anubis, where he would balance their heart against a feather to determine what would become of them. A fortunate soul would either be in the Elysian paradise, the ‘Field of Peace’, or travel the night sky with Ra in his sun-boat, or rule the underworld with Osiris; those less fortunate would be eaten by the chimera looking god Ammit the soul-eater, for her body was part crocodile, lion and hippo. From Keith Houston’s, The Book, ‘’One of the main reasons the Book of the Dead is so well studied is because so many copies have survived, their colorful illustrations intact for Egyptologists to pore over endlessly. And though their subject matter may have been a little monotonous, it is clear that the ancient Egyptians were past masters at the art of illustrating books.’’

NO. 4

Under Charlemagne’s the Great Holy Roman Empire, politics, religion and art flourished. Monks filled their libraries with tens to thousands of volumes, where they borrowed and copied books to expand their holdings and occasionally to sell to laypeople, and those who wrote and collected realized the importance of illustration was towards a society of illiterate people. The monks who were in charge of the survival of Europe’s history were very vocal about physical maladies and working conditions. The dismal chambers were called ‘scriptoria’ or the writing rooms, which was the most important features of a medieval monastery, other than the Church itself. But society within the empire was transformed. Skilled peasants were leaving their rural homes for towns and cities, while the cities themselves, such as Johannes Gutenberg’s hometown of Mainz fought to eke out some measure of independence from the old feudal aristocracy.  Money was assuming a progressively larger role, and it spoke louder than an inherited title. Always a reflection of the societies that had made them, books were changing in response. Gutenberg’s printing press, which churned out books too rapidly for them to be illustrated by hand, is often blamed for killing off the illuminated manuscript.

🥲

Honorable mentions:

The last SAMURAI- white.

Prince of PERSIA- white.

Just shut up.

You want to know why Inigo Montoya remains such an iconic and beloved character even 35 years after the Princess Bride came out?

It’s because he’s one of the few characters in fiction who has a story where he has dedicated his life to revenge, his whole motivation is about getting revenge….and he gets it! and then he isn’t empty or despairing! he doesn’t regret it! he’s totally satisfied!

because so many stories about revenge or rage are about characters “seeing the futility of their actions” or learning “their desire for revenge has only made them the monsters they hated” FUCK THAT.

Inigo Montoya kills the man who kills his father, is allowed to live in the narrative after and be happy about it and it is so satisfying. it’s fantastic. it’s iconic.

let more characters rage against the world, bring it down with bloodied hands, and let them be FUCKING RIGHT about it. Let them celebrate their success with sharp grins, and let them live happy, full lives where they always remain proud/fulfilled for what they’ve done