day 4
palestinian sunbird!
hey guys! so, evidently i've been gone for a while. it was kind of a bad time for me to start this account. a bunch of shit happened and everything sucked and it made me get art block đ oops. but now what's going on is too important to just sit there and have art block about. i'm using my, albiet small, platform to spread the palestinian cause during this global strike week called on by bisan. the palestinian sunbird is a symbol of freedom for the palestinian people. it flies across borders and checkpoints in defiance of israeli occupation. i hope that someday soon the palestinian people can be as free as their national bird â¤ď¸đ¤đ¤đ
đđ- p0nyplanet
(Thank 'anons' for your messages. Iâll try to respond to you through this text: )
A key moment in Caitlynâs character narrative is her âI knowââboth its content and delivery.
The content: When Caitlyn says, âI know,â it doesnât just mean âYouâre right.â It means, âIâve taken the time to think about this.â And thinking is what Caitlyn does best. Her âI knowâ conveys that she has already had this conversation with herself, over and over in her head. Sheâs thought about it constantly, sheâs already told herself these things, and sheâs already blamed herself for them.
The delivery: She screams it with violence, and we can see this represented by the boat falling apart. Itâs not just that she has thought about it; itâs tormenting her. Her âI knowâ is incredibly powerful because itâs filled with suffering.
To me, this is as valid as an apology because asking for forgiveness is outward-facingâfocused on the other person. "Asking for forgiveness" says, âWhether Iâve forgiven myself or not, whether I feel guilty or not, itâs on you to decide to forgive me.â
But here, Caitlynâs âI knowâ is inward-facing. It means, âIâm not asking you to forgive me because I canât even forgive myself.â
She knows everything youâre saying, and it torments her.
This is followed by:
"I didnât even have time to think before they hauled her off."
This line is so telling. Everything about Caitlyn is tied to thinking and reflection.
Being a sniper means aiming and shooting. Aiming is the equivalent of thinking, and shooting is the equivalent of speaking. Everything Caitlyn does is deliberate and thought through.
This is why some people dislike her: as Iâve said before, unlike other characters, Caitlynâs actions canât be forgiven easily because she doesnât do anything by accident.
Then we get to:
"We canât erase our mistakes. None of us."
Caitlyn speak in âwe.â
In the prison scene with Jinx:
"No amount of good deeds can undo our crimes."
This scene mirrors the rage she felt when she threw the boat. In this moment, sheâs speaking to Jinx, but also to herself.
Caitlyn and Jinx are paralleled so many times throughout the show. Caitlyn quickly realized that, in some ways, she had become like Jinx. And so, in order to forgive Jinx, she would first have to forgive herself.
At this point in the episode, the person Caitlyn hates the most is herself.
But she no longer has the "energy" to hate, neither Jinx nor herself.
Energy comes from fuel. What she perceives as a lack of strength to keep fighting is simply the fact that the fuel that powered her hatred has disappeared. And when you stop feeding a fire, it eventually dies out. She has no energy left; she has no fuel to sustain her hatred.
It's a particular way of saying, I donât hate you anymore, and I donât want to hate myself anymore either, because in the end, that hatred corrupts us/everything .
In her own unique way, Jinx also says, I didnât know your mother was there, even if it wouldnât have changed anything. And this too is a strange way of taking a step toward the other.
We have two brilliant and intelligent women who express their emotions in unconventional ways. ----------
Thereâs also a whole analysis that could be done about her concept of justice and rules, "but I donât have the energy" to dive into that here. Still, it would only lead back to the fact that Caitlyn doesnât see herself as the right person to free Jinx (and therefore to forgive her) because she believes she herself is beyond forgiveness.
to boop people, just go to either the home/explore page and scroll until you find someone with a boop button next to their name like this â
just click that and u booped someone!!
(some people opted out so not everyone has that option)
(also, it doesn't matter if the person is following you, your moot, etc,, u can just boop a random stranger!)
you can also boop yourself by going to your own blog and click the boop button on top of a post that you made/reblogged !
(also gives you this pop-up lol)
you can also view someone's blog and then boop them with this button !
last but not least we have the super boop !!
find any boop button, hover over it for a few seconds, then it should do a spinning animation; then click it and if it gives u this pop-up that means it worked :3
im gonna try super booping everyone who interacts with this lol
ok im also gonna attempt to super boop your other accounts too
I CANT KEEP UP HELPP đ (also its almost midnight for me now..)
if you're ok with an incessant amount of boops reblog this so I can get those other 2 badges <3
âUnfinished Paintingâ â Keith Haring
This painting was left intentionally incomplete. Haring began it when he was dying due to complications from AIDS, and knew he didnât have much time left. The piece represents the incomplete lives of him and many others, lost to AIDS during the crisis.
âAIDS Memorial Quiltâ â Multiple
This quilt is over 50 tons heavy, and one of, if not the, largest pieces of community folk art. Many people who died of AIDS did not receive funerals, due to social stigma and many funeral homes refusing to handle the deceasedâs remains, so this was one of the only ways their lives could be celebrated. Each panel was created in recognition of someone who died due to AIDS, typically by that personâs loved ones.
âUntitledâ (Portrait of Ross in L.A.) â Felix Gonzalez-Torres
This pile of candy weighs the same amount as Gonzalez-Torresâ partner, Ross Laycock, did. Ross Laycock had died due to AIDS-related complications earlier that same year. Visitors who see this piece are encouraged to take some of the candy. As they do so, the pile of candy weighs less and less, like how AIDS had deteriorated the body of Ross Laycock.
The SF Gay Men's Chorus
This photo was taken in 1993. The men in white are the surviving original members. Every man in black is standing in for an original member who lost their lives to AIDS.
âElectric Fan (Feel it Motherfuckers); Only Unclaimed Item from the Stephen Earabino Estate, 1997â â John Boskovich
After the death of his lover, Stephen Earabino, from AIDS, Boskovich discovered that his family had completely cleared his room, including Boskovichâs own possessions, save for this fan. An entire person, existence and relationship had been erased, just like so many lives during the AIDS crisis. Boskovich encased the fan in Plexiglass, but added cutouts so that its air may be felt by the viewer, almost like an exhalation. In a sense, restoring Earabinoâs breath.
âBlueâ â Derek Jarman
This was Jarmanâs final feature film, released four months before his death from AIDS-related complications. These complications had left him visually impaired, able to only see in shades of blue. This film consists of a single shot of a saturated blue color, as the soundtrack to the film described Jarmanâs life through narration, intercut with the adventures of Blue, a humanization of the color blue. The film's final moments consist of a set of repeated names: âJohn. Daniel. Howard. Graham. Terry. Paul". These are the names of former lovers and friends of Jarman who had died due to AIDS.
âUntitledâ (Perfect Lovers) â Felix Gonzalez-Torres
Created by the same man who created the previous untitled piece, this piece was also inspired by his loverâs deterioration and death due to AIDS. This piece consists of two perfectly alike clocks. Over the course of time, one of the clocks will fall out of sync with the other.
In a letter written to his lover about the piece, before his loverâs passing, Gonzalez-Tourres wrote, âDon't be afraid of the clocks, they are our time, the time has been so generous to us. We imprinted time with the sweet taste of victory. We conquered fate by meeting at a certain time in a certain space. We are a product of the time, therefore we give back credit were it is due: time. We are synchronized, now forever. I love you.â
Please feel free to reblog with more additions
Just a reminder that Free Palestine doesn't end with a ceasefire.
Gaza is in rubble and will have to be rebuilt. Gaza would still be a concentration camp where there's a lack of clean water and food allowed in. The west bank would still be filled with settlers and settler based violence.
Gaza had the mean age of 18 before this attack. People lost their everything, you don't just recover from that.
A Free Palestine ends once there is a true ceasefire. One the apartheid "state" of israel is no more.
Once Palestinians can go from the Jordan River to the Mediterranean Sea, Palestine will truly be free. Edit: Here are some learning sources
Daily click:
Free documentary about Gaza's Fight For Freedom:
can we not let booping the mutuals let us forget how shitty tumblr has been to trans people especially transfems thaaaanks
good morning lesbians!!!