DON’T FORGET THIS APPLIES TO PEOPLE!!!!

The Best Thing About Being Bi

Is that you can sing virtually any love song and not have to change the pronouns. 

#writinganactionscenewhenyousuckatwritingaction

Advice for people who are better at writing dialogue than action

As someone who has always been able to spit out witty quotes but couldn’t write a fight scene to save my life, here are some tips that have helped me that I would like to share.

1.) Go bit by bit.

Let’s get the hard one out of the way first. I’m going to use ‘fight scene’ for this example, but it can apply to just about any action scene. Have a starting point and an ending point, then just start writing. So let’s say two characters threaten each other. Okay. One takes a swing. Alright. What next? Maybe another one swings back. What next? First one kicks. Is it appropriate for character 1 to stab character 2 yet? Probably not. What can I do instead? Just work it out one action at a time. If it doesn’t come out the best on paper, who cares? You have a baseline. This isn’t easy and maybe not the best way to do it, but it’s a method I’ve used and it’s better than just saying “They fought until character 2 was stabbed.”

2.) Mix in Dialogue

Just use what you’re good at, fam’. Direct the action with dialogue. If you’re like me and your characters have an affinity for arguing with each other, sometimes their conversation will give you a better idea of what’s going on anyway. I mean, I essentially have a chase scene where one character gets shot and the conversation goes as follows.

*H shoots D*

C: Ooh, bad shot.

J: that’s what you have to say to that?

That’s not a great example, but this is also from a scene I’ve rewritten like ten times.

I mean, also, what about the “turn around slowly” scenes in horror movies?

I also use this sometimes to informally describe how a rock looks like the middle finger or something because the characters think it’s funny. It helps me, at the very least.

Point being, use your characters’ thoughts to give the reader a deeper idea of what’s going on if it’s hard for you to explain it outright.

3.) Write Dialogue First

First go in and write whatever the characters are discussing before going in and filling in the action. Do what you like and feel comfortable doing first, then perfect it later on. If it’s a fight scene, maybe the characters are sharing insults. Write the insults and then conduct the action to fit the rising tension accompanying the verbal insults. Don’t get writers block over the action; save it for when you have the energy.

4.) Just Keep It Simple

As a perfectionist with anxiety, I try to make my first drafts perfect. Spoiler alert: YOUR FIRST DRAFT WILL NEVER BE PERFECT. Life is too short to get upset over your weak action scenes. Write simple sentences and get the basis down. Who cares? Certainly not me at this point. When you go back and edit, then you can flip them around, add color and flavor, and make them come to life. But in the first draft? It’s perfectly okay if your action scene is “He ran towards her. He hugged her. She hugged him. They went home.” Later, you can go in and add things like “They embraced each other, tears in their eyes, never expecting to let go.” It’s okay if you’re not there. One step at a time, fam’.

If anyone else has any suggestions or tips for people who struggle with dialogue, feel free to add! These are just what has helped me through the years.

“Don't be ashamed to weep; 'tis right to grieve. Tears are only water, and flowers, trees, and fruit cannot grow without water” — Brian Jacques, Taggerung.

I feel like I should just add on to this with a not-really-related fact that someone is going to have to clarify. I read a long time ago(during a time when I had the want to actually do stuff instead of just sleep, blow off online school, almost ignore my homework, eat ice cream and watch tele while saying “fuck you” to the world) that, somewhere not in the states, they stopped treating addiction like a crime and more like something that needed to be helped, like a mental disorder or something. If you had a certain amount, then you would meet with two people, I don’t remember what they were. A social worker and a lawyer, maybe. This is why I need someone to fill in the ever present blanks. The drug rate or whatever dropped astoundingly.

Max: I don’t know really…Ash is just…he’s brilliant, ya know? It’s impossible not to love him. 

Tender Tuesday

This is an ask event specifically for romance writers, or those who have major romance tropes in their stories - therefore the questions sent to each other, has to be about love; think of things like “Who is big spoon/little spoon?”, “What’s the biggest challenge they have to face as a couple?” etc.

P.S.: This is an all inclusive party, all the colours of the rainbow are welcome. It doesn’t matter who your characters love, bring them in and tell us all about it.

I’m going to send out as many asks as I can. But just in case, this weeks question is:

What made your OC fall in love with their partner(s)?

Feel free to tag me if you answer.

Tag to use: #tender tuesday

Tag list:

@adie-dee, @adventuresofmeghatron, @aelenko​, @alias-levi, @asablehart​, @austrohungarianwriteblr​, @bigboldgold, @candyapplewriting​, ​ @castironbitch​, @clarissablackm, @drowsy-quill​, @drbibliophile, @earths-oeuvre, @elliegraule, @fictional-semantics​, @flashflyingfish, @ghostpicnic-writes, @gwens-fiction​, @happyorogeny, @hell-yeah-fantasy, @imsorry-idontcare​,  @itsmariemccurdy, @jekkiefan @justahufflepuffnerd, @kellymunro, @kryallaorchid, @ladywithalamp​, @lexiklecksi​, @lynnafred​, @lysander-xp, @midnightstarlightwrites, @missbrunettebarbie-writer, @mrs-raven-writes, @nectargrapes​, @nk-writes, @northernrosewritings​, @petrolstationflowers, @pheita, @princessofdarkness12, @raevenlywrites​, @rainbowcoloreddays​, @ravenpuffwriter​, @reininginthefirewriting, @rhiannonleewriting​, @scribbleknots​, @scripturientworld, @six-feet-underneath​, @smgrace3, @solesurvivorpaigeargot​ @sybil-writes​ @thegirlfairytalesforgot, @theswordofpens, @writerwaage, @writingamongthecoloredroses​, @writinginslowmotion​, @writemares​, @writer-in-monochrome

Please, interact with the post if you’d like to be added.

The tag list is here for you to see who you can send an ask for. If you get an ask, please, return it so we can keep this going.

Have fun! Keep the romance going ❤️

After The War: What Happened To Out Favourite Characters?

So I’ve been reading some fics and hanging around the fandom. And I see a lot of things about what our favourite witches and wizards get up to after Hogwarts. I’m going to share some of my thoughts. The epilogue and Cursed Child don’t exist in this. Good that? Continue.  HARRY POTTER        Job: Harry, I think, would fit well as the DADA professor at Hogwarts. A final fûck you to old Voldy, yea? Besides, he would’ve been tired of fighting. Tired of playing the part. He’d fit well as the laid back DADA professor. I like to imagine he’d be sort of like Lupin. One thing I think might happen, but am not sure about, is that he’d go to the Americas. Get away from everything.  Love: I honestly think he wouldn’t get with Ginny. From what I understand of him and would give an educated guess on, he would take that as a reminder of everything that happened. The war. The deaths. He might be with her for a while, try and appease everyone. But he’d just see Fred. He’d start to drift. Become distant.  DRACO MALFOY

Job: While I don’t want this to happen, it might be possible that he’d be kicked out of Wizarding world in Britain. If he wasn’t, he would’ve became a Healer or an Auror(sp?). If he could get a job after the war, he probably would’ve faced prejudice and a bunch of shit. He might’ve left on his own. Obviously not giving up on magic, but just leaving all that shit behind. I think he’d become a Muggle movie star. Playing different roles. Not having to face who he is. Being able to believe, even fleetingly, that he wasn’t Draco Lucius Malfoy former Death Eater. Besides, he’d be good at it. He had to lie all the time. Mask his real feelings. Be someone he wasn’t. Etc. Love: Who knows? I ship Drarry aggressively so I’m inclined to believe that would find its way to work. Though he wouldn’t get with a Greengrass. Or Pansy. Also, he definitely wasn’t straight. 

GINNY WEASLEY 

Job: Chaser. It’s pretty well agreed upon that she’d become a Chaser for some team or another. I don’t really have much more thoughts.  Love: Again, not Harry. I’m not sure how this would go about; she might realise that she was only really attracted to a Harry because he saved her. She might still love Harry but because she’s Ginny fucking Weasley who’s awesome, she’d forgive him. 

NEVILLE LONGBOTTOM 

Job: Herbology professor at Hogwarts. I’m firmly seated in this belief.  Love: Not sure. I like to believe he’d get with Luna Lovegood. They just seem to work perfectly with each other.  LUNA LOVEGOOD 

Job: Who knows? I think she’d either become a professor at Hogwarts(unlikely, but if so, she’d be Care Of Magical Creatures) or a writer for The Quibbler.  Love: Again, who the hell knows? It’s Luna. I learned a long time ago not to try and predict what she’ll do or assume anything about her. Nope. Still, I’m inclined to believe she’d get with Neville. 

HERMIONE GRANGER

Job: She’d definitely become the Mistress of Magic(Or Minister of Magic). After that, I’m inclined to believe she’d be the headmistress of Hogwarts. It seems the sort of occupation she’d do. Of course, she’d still be an activist. SPEW would have become a national organisation and succeeded in its mission. Then, of course, she’d move on to other ambitions. Each more noble than the last. No matter how ridiculous they’d sound, how impossible, she’d always achieve them.  Love: Now this is a hard one to answer. I don’t like Romione and personally think it’d never work. Maybe they got married but then got divorced after a year or two. I don’t think she’d do much with love. 

RON WEASLEY 

Job: Auror. I’m certain of this. 100 p% certain.  Love: As I stated before, Hermione but then they broke up/ got a divorce. After that, I’m not sure what. 

My feelings are strong though few. 

This has made me think so much…and not entirely about my characters.

Writing Grief

I’ve heard from many places - and wholeheartedly stand by - the idea that the larger the scope you’re trying to portray, the smaller your focus should be. For example, if you’re writing about a village that’s been destroyed, you don’t focus on the destruction everywhere, you focus on a little child’s doll lying half-scorched in the street. The idea is to channel as much of the emotion as possible into the smallest details. That’s how it’s the most potent.

Grief is one of these big things. Grief rocks your world, and it’s grip doesn’t go away as soon as the next thing comes around. It strikes at odd moments.

The thing with grief is that everyone experiences it differently, and everyone’s got different memories surrounding it. Given this fact, I’m going to describe questions who’s answers you may incorporate into your narrative, but I cannot give you a “this is how to write your character’s grieving.” The questions I’ve listed below are likely going to be most relevant at or just after another character’s died, when things are freshest and at their most raw.

(note: “or” questions do not necessarily mean you have to choose one or the other. You can, but it’s also saying, “is at least one of these the case?”)

How does it feel externally?

Do things feel too rough, or too soft? Too squishy or too unyielding?

Are yoru character’s sleeves damp or wet from wiping away tears? are there balls of tissues held tight in your character’s fists?

Is the air too cold or too warm?

Is the space too tight, or too open?

How does it feel physically internally?

Is your character’s jaw clenched or their muscles tightened?

Do their eyes sting or feel puffy from tears?

Are they dehydrated and/or hungry?

Does their skin feel cold to the touch?

Do they crave physical contact such as hugs, or do they not want to be touched?

How does your character feel emotionally?

Are they angry, scared, sad, or unsure?

Do they feel emotionally empty like there is nothing inside of them (do they feel cold but aren’t physically cold)?

Are their thoughts coherant, or are they scattered?

What do they notice? Colors, shapes, patterns, sounds, movement, tactile sensations, smells?

Is your character craving a sense or normalcy, or a sense of difference that reflects the difference of someone dying?

How does your character physically react?

Do they start crying or showing other intense emotions?

Do they try to hold everything inside and/or not show other people?

Does their movement style change (they’re jerkier, slower, etc)?

Do they not seem to hear anything anyone else is saying?

Do they try to overcompensate and/or pretend that what happened didn’t really matter (showing intense emotions seemingly unrelated to grief)?

Not reply what they were asking, but Turn. Not only is it the Drarry fic, but it’s sort of like that.  https://archiveofourown.org/works/879852/chapters/1692695  I love the narcissistic snake trope. 

your blog really is a godsend! i’m looking for a fic where harry was under a curse (?) and basically it was an alternate universe where neville was the chosen one and he and draco were friends. it was basically harry’s entire life up to having kids and then he woke up from the curse and wasn’t with draco. i’m pretty sure they also went ice skating at some point after harry woke up from the curse. sorry it’s not much! thank you, have a great day :)

I’ve seen this similar theme before? My terrible memory is blank so I hope my lovely followers can help you :)