Let Me Get This Straight Barnaby. This Is A Man Who Was Being Blackmailed For Taking Advantage Of One

Let me get this straight Barnaby. This is a man who was being blackmailed for taking advantage of one of the troubled girls he took in. He admits that he paid the blackmailer. He admits that he was worried about what people would think. He admits that he was going to go meet the blackmailer and accuser.

But he is innocent and she made it up because she's a bad seed (even when she says "don't tell me what John Waverley deserves").

Say, if it was true why would she have told you given you threw her into jail for 84 hours all up, told her John Waverley deserved better and told her he was a good man and you don't ever want to see her again?

We're supposed to ignore all of that and believe he is innocent and take in the moral of the story about how false accusations ruin people's lives on the grounds of *check's notes* John Barnaby likes and respects him. Cool cool cool cool.

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2 months ago
Happy Birthday, Women!! 🎉🎉🎉

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1 month ago

It will forever be my Roman Empire that the Sons of Feanor went from widely beloved princes of Valinor to the most despised and wished to be forgotten figures in history. To go from growing up and living in royal luxury, to war torn conditions, starvation, grief, and violence.

Imagine Finwe learning what happened to his beloved grandchildren. He led his people to the blessed to keep them safe, to save them from Morgoth's darkness only for them all to fall.


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1 week ago

I don’t know how we’re letting trump get away with all this shit when I truly believe that if you threw a blanket over his head he would think it was nighttime and go to sleep like a bird

8 months ago
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That was the moment when my heart broke into pieces, seriously no, Jones’ face, just no *crying* 


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1 year ago

I'm torn between a desperate want for the Pevensies to have lived out their lives in Narnia air fad, and the absolute beauty people come up with when writing about their return to earth. This is brilliant. Everything I love!

thoughts on the Pevensies returning home

Peter Pevensie was a strange boy. His mind is too old for his body, too quick, too sharp for a boy. He walks with a presence expected of a king or a royal, with blue eyes that darken like storms. He holds anger and a distance seen in veterans, his hand moving to his hip for a scabbard that isn't there - knuckles white. He moves like a warless soldier, an unexplained limp throwing his balance. He writes in an intricate scrawl unseen before the war, his letters curving in a foreign way untaught in his education. Peter returned a stranger from the war, silent, removed, an island onto himself with a burden too heavy for a child to bear.

Only in the aftermath of a fight do his eyes shine; nose burst, blood dripping, smudged across his cheek, knuckles bruised, and hands shaking; he's alive. He rises from the floor, knighted, his eyes searching for his sisters in the crowd. His brother doesn't leave his side. They move as one, the Pevensies, in a way their peers can't comprehend as they watch all four fall naturally in line.

But Peter is quiet, studious, and knowledgeable, seen only by his teachers as they read pages and pages of analytical political study and wonderful fictional tales. "The Pevensie boy will go far," they say, not knowing he already has.

His mother doesn't recognize him after the war. She watches distrustfully from a corner. She sobs at night, listening to her son's screams, knowing nothing she can do will ease their pain. Helen ran on the first night, throwing Peter's door open to find her children by his bedside - her eldest thrashing uncontrollably off the mattress with a sheen of sweat across his skin. Susan sings a mellow tune in a language Helen doesn't know, a hymn, that brings Peter back to them. He looks to Edmund for something and finds comfort in his eyes, a shared knowing. Her sons, who couldn't agree on the simplest of discussions, fall in line. But Peter sleeps with a knife under his cushion. She found out the hard way, reaching for him during one of his nightmares only to find herself pinned against the wall - a wild look in Peter's eye before he staggered back and dropped the knife.

Edmund throws himself into books, taking Lucy with him. They sit for hours in the library in harmony, not saying a word. His balance is thrown too, his mind searching for a limp that he doesn't have, missing the weight of his scabbard at his side. He joins the fencing club and takes Peter with him. They fence like no one else; without a worthy adversary, the boys take to each other with a wildness in their grins and a skillset unforeseen in beginner fencers. Their rapiers are an exertion of their bodies, as natural as shaking hands, and for the briefest time, they seem at peace. He shrinks away from the snow when it comes, thrust into the darkest places of his mind, unwilling to leave the house. He sits by the chessboard for hours, enveloped in his studies until stirred.

Susan turns silent, her mind somewhere far as she holds her book. Her hands twitch too, a wince when the door slams, her hand flying to her back where her quiver isn't. She hums a sad melody that no one can place, mourning something no one can find. She takes up archery again when she can bear a bow in her hands without crying, her callous-less palms unfamiliar to her, her mind trapped behind the wall of adolescence. She loses her friends to girlishness and youth, unable to go back to what she was. Eventually, she loses Narnia too. It's easier, she tells herself, to grow up and move on and return to what is. But her mourning doesn't leave her; she just forgets.

Lucy remains bright, carrying a happier song than her sister. She dances endlessly, her bare feet in the grass, and sings the most beautiful songs that make the flowers grow and the sun glisten. Though she has grown too, shed her childhood with the end of the war. She stands around the table with her sister, watching, brow furrowed as her brothers play chess. She comments and predicts, and makes suggestions that they take. She reads, curled into Edmund's side as his high voice lulls her to sleep with tales of Arthurian legends. She swims, her form wild and graceful as she vanishes into the water. They can't figure out how she does it - a girl so small holding her breath for so long. She cries into her sister, weeping at the loss of her friends, her too-small hands too clumsy for her will.

"I don't know our children anymore," Helen writes to her husband, overcome by grief as she realizes her children haven't grown up but away into a place she cannot follow.


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2 months ago
Sam By Maia O. Tolkien's "chief Hero", A Gardener. The One Who Grows, Tends, Nurtures. It's Too Perfect

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8 months ago
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2 months ago
LIKE TO CHARGE REBLOG TO CAST LET'S GET THIS FUCKER EXPLODEDED

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2 months ago
amonrawya - Amon Rawya
H Of H Playbook | Anne Carson (insp, Insp, And Insp)
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6 months ago

lucy talks to rabadash before aslan judges him.

she never knew him well—she's never been very interested in any of her sister's suitors, not unless she's certain she'll need to step in, and he seemed reasonable enough, if smug and rather small in personality when he visited cair paravel. she didn't understand why susan wanted to go to calormen, but she'd never stop her sister from something that might make her happy, and edmund was going with her, so it's not like anything could go wrong. and anyway, someone needed to stay at cair paravel while peter went to the north. lucy would rather have gone with peter, but she'd also rather susan not be alone in the south. susan's alone all too often while the rest of them venture out across narnia. it's only fair she gets to spread her own wings a little.

they never thought anything could go wrong, no matter what the reputation of the tisroc. but then suddenly the splendour hyaline is spotted at the mouth of the harbor, and the raven is bringing her news both joyous and grievous in turn of her siblings' northern flight, and now there's a stag come to tell her that rabadash and a company two hundred strong have come to lay siege to anvard. lucy has an idea what he's crawled out of calormen for, and it's nothing to do with archenland. judging by the sick look on her sister's pale face, susan can guess well enough herself.

it's that look that has lucy mounting up beside edmund and riding out to anvard at double time. there is very little she wouldn't do for her family, and the lion help anyone who is the cause of her sister's distress. in the end, it's probably better it was edmund who fought rabadash in battle, because lucy's not so sure she'd have spared him.

the morning before he is to be judged, she escorts herself to the chambers where he is confined, a knife in each hand, and locks the door behind her. he is unbound, but the look in her eye keeps him seated in the chair where she finds him.

"i should like you to know," she tells him, not bothering with proper greetings—he does not deserve them, after all—as she leans against the arm of the chair opposite his, "that your cowardly plan would never have succeeded, even without the warning."

rabadash sneers at her, and not for the first time, lucy wonders how he ever conducted himself to be anything more than the ass that he is.

"narnia's high king is a fool and a craven," he scoffs. "he never would have attacked the great land of calormen and my father, the tisroc, may he live forever, over something so trifling as a mere sister."

this is not his first mistake, but he is lucky that it isn't his last. lucy's face goes very still and very stern, and rabadash glimpses for one terrifying moment why the narnians all call her valiant. why she is named for the sea, the harsh and changeable mistress, and the flowers that grow back first after wildfires.

"i wasn't actually talking about peter," she says, her voice chillingly light, all pretense and formality dropped, "though if you think he wouldn't have marched on tashbaan to save our sister, you're a much bigger fool than i thought."

her tone makes it perfectly clear just how much of him she thought, and it certainly wasn't very highly at all.

she strides forward to stand before him, which would be a very foolish thing to do in a company of an unbound and dangerous prisoner if that prisoner were braver than rabadash and lucy were anyone else, and leans down to meet his eye. she's not very tall, queen lucy, and yet to him she seems like a giant—terrible and beautiful in an entirely different way than her sister. she's so close he can see a long white scar on her neck, can smell horse and leather and chainmail and clean sweat, can see how her hair is bound back for convenience and not beauty, and her hands are rough and capable.

he is aware, suddenly, that he is afraid. that perhaps he has been since she entered the room.

"know this, son of tashbaan," says queen lucy the valiant, and the smile on her lips does not at all match her eyes. "if you had laid even the tip of one finger on my sister, the queen, i would have skinned you alive."

she leans back just enough for him to breathe, and he gasps with it.

"and do you know what?" she asks cheerfully.

he doesn't want to know. she tells him anyway.

"i really don't think peter would have stopped me."


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amonrawya - Amon Rawya
Amon Rawya

"Namárië! Nai hiruvalyë Valimar!" // "...seanchas anns a’ Ghàidhlig, s’ i a’ chainnt nas mìlse leinn; an cànan thug ar màthair dhuinn nuair a bha sinn òg nar cloinn’..."

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