Yall... I Know Its Nice To Use Gifs On Your Fanfics, But If Youre Not Using The Gif Extension That Is

“ncuti wanted to go it’s not Russell’s fault”

okay, so he wanted to leave and end his run, that’s not the fucking point. the point is instead of giving the first black queer doctor in history a monumental final arc to match the monumental performance you center white characters, white storylines, and blow a kiss to the side of the fandom that didn’t want ncuti in the first place.

you tucked your racist fans into bed with a story about a white boy getting everything he ever wanted and a nice rose colored glass of nostalgia in case they get thirsty. they don’t have to worry, there’s no black man hiding under the bed, he’s gone, they’re finally safe.

so no, it doesn’t matter if ncuti told rtd he was leaving two minutes after they wrapped, he deserved dignity and respect and that was not present.

It's been so long since I've posted on here so, much has changed. Yet I'm still lost. 

I still have no idea what I'm going to do. I have the big things worked out, but I've always struggled filling in the details.

I know I could have it worse after all people are dying but,

it doesn't make life any easier to live, knowing others have it worse.

SEMPER TECUM

Marcus Acacius x F!Reader | AU | Mini Series 🤍

🤍 Semper Tecum = Always With You

When you stumble upon an old necklace hidden among your late grandmother’s belongings, you assume it’s nothing more than a beautiful relic of the past. But your world shifts when you meet Marcus, an enigmatic and handsome Roman antiques dealer who seems to know far more about the necklace—and about you—than he should.

As strange coincidences and vivid dreams begin to blur the line between past and present, you're thrust into a mystery that will rewrite everything you think you know about history, destiny, and a love spanned across the ages.

Pairing: Marcus Acacius x F!Reader/OFC (No physical description, confirmed age, or ethnicity of reader. Reader is described as female, occasionally wears feminine clothing/make-up, she has hair long enough to tuck behind her ear, but is otherwise a blank slate. However I've marked it OFC as well due to these traits, and these are mentioned minimally.)

Word Count: Approx 80k - Novella length

Scoville Smut Rating: 🌶🌶🌶 "You tell me I'm doing well, and then, you try to kill me."

Warnings/Triggers: Angst/unrequited love/soulmates/love across the ages trope/mentions of violence/death/injury/illness/blood/mild gore/a very brief, tiny mention of sexual assault/infidelity/modern and historic timeline shifts/playing fast and loose with Roman artefacts and some made up lore for them/some references to the film Gladiator 2, and actual historical figures, although a little skewed/Marcus is known as General Acacius or Justus Acacius in Ancient Rome and Marcus by Reader in my story, because this is how I'm choosing to ball/this isn't a history lesson, it's a fictional story/this is primarily a story about love, romance and all that goes with it, including smut. Lots of smut, including unprotected PIV (wrap up, folks!), oral M & F, fingering, mild dirty talk etc... See individual parts for full smut warnings, marked with an asterisk *

🤍 PART I. INVENTIO

🤍 PART II. MEMORIAE *

🤍 PART III. VINCULUM

🤍 PART IV. VERITAS *

🤍 PART V. REDITUS*

🤍 PART VI. AETERNUM

-> MARCUS ACACIUS MASTERLIST

-> MAIN MASTERLIST

-> TAG LIST: I no longer have a tag list. Please ensure you're following me and turn on notifications to get updates for when I post the parts so you don't miss them. 🖤

Decided to finally watch prospect, but i can only find it on tubi with no subtitles 😔

Why

I'm trying my best, I really am

why can't you take my word for it?

I know you think I'm a liar, but you were the one who taught me so well.

I'm trying my best, I really am

why do you keep beating me up about it?

I'm hard enough on myself without you adding on to it.

I'm trying my best

but you're not helping, you're just adding more pressure.

it's my life, you're gonna die and leave me alone with it, I know I have to do well, you're not helping.

I try my best

why can't you just be proud of me?

The Pitt | Donnie Donahue Icons

all icons can be seen here on my icons page

please like and reblog if you save

credit is really appreciated

feel free to request icons, wallpapers or banners with a character (or more) and a pride flag or a colour

Bateman Begins, A Nathan Bateman Batman AU

And then there was that time I accidentally started a Nathan Bateman Batman AU These are structured as headcanons Pairing: Nathan Bateman x Reader

Rating: M

Part One Part Two Part Three Part Four Part Five Part Six Part Seven Part Eight Part Nine Part Ten

(More parts beneath the cut!)

Keep reading

Welcome to my Masterlist 💌

hi, i'm murphy. my requests are always open - feel free to send any ideas or thoughts you have - i'll always read them all.

note - all of my fics are reader insert. no use of y/n. i don't write for real people, only characters <3

Last Updated - December 14th

❁ - over 1k notes

✯ - a series

Characters I Write For.

500 Follower Celebration Masterlist. 3k Celebration Masterlist. Valentines Masterlist. 5k Celebration Masterlist.

Moodboard Masterlist. My Ao3.

 ⊹ 　 ✫ 　　 · 　　 ✵  ✵    ·　 ✵ 　　 *  · ✵  　.　 ✦ * 　 ⋆ 　　 .  ✵ 　　　

Top Gun: Maverick

Jake 'Hangman' Seresin

The Orange. ❁

You and Jake share an orange. He's in love with you.

For Eternity. (Part 2 of The Orange.)

You and Jake share an orange. He's never loved you more.

North Star. ❁

It's New Year's Eve. Jake is tired of waiting.

I Know Places.

Jake always joked that he'd kill for you. One fateful day, he does just that.

Jake 'Hangman' Seresin & Bradley 'Rooster' Bradshaw

Why Choose?

A drunken game of spin the bottle gets a little heated. Why choose, when you can have both?

Mickey 'Fanboy' Garcia

Dr Cupid.

Mickey Garcia passes out in hospitals. Luckily, this time there's a pretty nurse there to catch him.

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Marvel

Bucky Barnes

Lessons in Love. ❁

Bucky didn't believe in love at first sight. Then he met you.

Honey Girl. ✯❁

The Universe shows you your soulmate when it feels like you need them most. When you least expect it, you're given yours - Bucky Barnes. Your dad's best friend. You can try to refuse it all you like; but the universe wants what it wants. There's no denying fate.

Trick or Treat.

You love Halloween. Bucky loves you.

Rest Had Seemed The Sweetest Thing.

Bucky's slowly learning that love isn't a finite resource. aka, Bucky's first Christmas.

Stucky

Letters to the Moon.

Steve is gone. The love you and Bucky have for him isn't.

Wishbone.

You meet Bucky and Steve while on the run. The three of you quickly learn that nothing is more violent than love.

Frank Castle

There's Always Tomorrow.

Frank knows you better than you know yourself. It's a blessing and a curse.

Multi Talented. ❁

Frank shows you exactly what you deserve.

✵  ✵    ·　 ✵ 　　 *  · ✵

Criminal Minds

Luke Alvez

Wherever You Are. That's Where Home Is.

Luke might be a mind reader. Only with you, though.

Vice. ❁

Everyone on the team has their vices. It just so happens that yours is sat across the table looking at you.

Spencer Reid

Web of Lies. ✯

Spencer Reid has always been good at keeping secrets. You just never thought he'd keep one from you.

Cowboy!Spencer ✯

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Narcos

Javier Peña

Self Control. ❁

Javi keeps refusing himself what he wants. One night puts everything into perspective.

Yes, Mr President.

There's an endless amount of things you shouldn't do as the President of the United States. Defiling the Oval Office is definitely one of them.

Western Nights. ✯

You don't expect to bump into your dad's best friend Javier in a church basement on the outskirts of town. You also didn't expect to fall in love with him. Life seems to be full of surprises - and Javier was the biggest surprise of all.

Jealousy, Jealousy. ❁

Javier Peña doesn't share.

Two Murphy's and a Peña.

Javier knows Steve's sister is off limits. He's never been one to follow the rules.

After Hours.

You and Javier are stuck in the office in the middle of a heatwave. You're hot in more ways than one.

✵  ✵    ·　 ✵ 　　 *  · ✵

Triple Frontier

Time. ❁

You get shot in Colombia. Frankie, Benny, Santiago and Will each have their own ways of helping you heal.

Tethered. ❁

The lines of friendship blur when you’re this close. Also known as - each of the times you’ve kissed Benny, Frankie, Santiago and Will.

Tranquility.

You're not good at keeping secrets from the boys. Turns out, Will isn't either.

Home Is Where The Heart Is.

They say home is where the heart is. Your heart belongs to the four boys you call your best friends. Also known as - four important times the guys told you they loved you.

Will Miller

Champagne Fuelled Confessions.

You come home drunk, and have something burning you need to tell Will.

Best Friend's Brother.

You've known Benny for years. You've had a crush on his brother Will for years, too.

Frankie Morales

Find You.

A bad date brings Frankie Morales to your door at the perfect time.

Rain Soaked Romantic.

Frankie will run across town in the rain if it means finally telling you how he feels.

Santiago Garcia

This Is The Way It Always Goes.

Santiago always comes crawling back. You convince yourself this is the last time - but you both know that's not true.

Precious Girl.

A chance meeting with your Dad's best friend at 2am.

Benny Miller

Adrenaline.

Ben needs a way to work off his post match energy. You.

✵  ✵    ·　 ✵ 　　 *  · ✵

The Last of Us

Joel Miller

Pretty When You Cry. ❁

Joel realises his morals are fucked. You realise you like it.

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Succession

Stewy Hosseini

Clandestine. ✯

You and Stewy know it's wrong. So why, pray tell, does it feel so right?

Fully Clothed.

Being Stewy's assistant has its perks.

Consequence.

Stewy's actions have unexpected consequences.

Needy.

You've been waiting all day for Stewy to get home. He loves it.

Play Pretend.

The classic fake dating trope, with a twist.

The Place Where It All Began.

You reunite with Stewy at your high school reunion. Turns out, he's been waiting for you, all this time.

Risky.

The thrill of being caught makes it all the more exciting.

Kendall Roy

Me and You.

You quit as Kendall's assistant. He's been waiting for this day.

Illicit Affair.

You're Matssons wife. You're also in love with Kendall Roy.

Forced Proximity.

The classic only one bed trope, this time with your emotionally unavailable boss.

✵  ✵    ·　 ✵ 　　 *  · ✵

The Bear

Carmen Berzatto

The Roommate Collection. ✯❁

A collection of fics based on being roommates with Carmen.

Vienna.✯

Everything is the same. Nothing has changed. Everything has changed. Nothing is the same.

Carmen. ❁

Carmen. Your Carmen.

Denial. ❁

Carmy can’t keep pretending.

Mechanic!Carmen.

Inspired by that picture of JAW in a crop top.

Perfectionist. ❁

Your boyfriend being a professional chef has its perks. Especially when it comes to gingerbread houses.

✵  ✵    ·　 ✵ 　　 *  · ✵

9-1-1

Evan Buckley

Lightning Strike. ❁

The two of you deal with the aftermath of Bucks trauma.

Fire Hazard. ❁

The story of your firehouse nickname - and Buck unable to handle you in a sundress.

That Old Cliche. ❁

You swore you’d never give in to the best man and maid of honour cliche. And then you met Evan Buckley.

Eddie Diaz

Best Seat in the House.

Blame it on the moustache.

Evan Buckley & Eddie Diaz

The Look of Love. ❁

You, Buck and Eddie are absolutely, undeniably, head over heels in love with each other. It seems like everyone can see it except for the three of you.

✵  ✵    ·　 ✵ 　　 *  · ✵

Sons of Anarchy

Jax Teller

Heatwave. ❁

You cut Jax's hair. He can't keep his hands to himself.

Sundress Season. ❁

It’s sundress season. Jax can’t keep his hands to himself (again).

Filip 'Chibs' Telford

Teach Me How to Ride. ❁

Chibs is teaching you how to ride (in more ways than one).

Handled.

You and Chibs have been walking the line for a little too long.

✵  ✵    ·　 ✵ 　　 *  · ✵

Challengers

Two Can Play That Game.

You’re cheating on Patrick. You’re not proud of it, but it just… happened. Patrick’s cheating on you, too. He never meant for it to happen, but it just… did. Imagine the surprise from both of you when you find out that Art Donaldson is caught up right in the middle.

✵  ✵    ·　 ✵ 　　 *  · ✵

Steve Harrington

Cherry. ✯❁

The lines of friendship get a little blurry, one unassuming Friday night in December.

Someone Borrowed, Someone Blue.

An engagement party, your childhood best friend, one too many glasses of champagne. What could go wrong?

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Rivals

Declan O’Hara

Forbidden Fruit. ❁

That’s the thing about Declan - he always gets what he wants. It might be wrong… but it feels so right.

Shut Up and Drive.

It’s a funny thing, isn’t it? The one person who riles you up the most is also the only person that can calm you down.

Man of The Hour.

The sexiest thing about a man is his moustache morals.

Rupert Campbell Black

February Sky.

The highs are so high, but the lows are so low.

Golden Girl.

After years of keeping your private life private, everybody’s suddenly talking about your new boyfriend. When it rains, it pours.

✵  ✵    ·　 ✵ 　　 *  · ✵

Ok Idk who needs to hear this but Steve Rogers was just *the first* Captain America. He was legitimately never meant to be the only one. Phillips WANTED an army of them. Steve Rogers was not the icon of Cap that the government wanted him to be. They DISOWNED him because of this.

Sam Wilson served as a soldier far longer than Steve Rogers ever did, and not simply because you can't count the time that Steve spent CAST as a dancing monkey (based on his own interpretation).

Steve Rogers is the only Steve Rogers. We called him Nomad, too, since there was a time he WAS NOT Captain America.

The role was recast, by the government, several times.

I don't give a shit about Captain America as a concept. I love Steve Rogers and I love Sam Wilson because of who they are despite what 'America' or Phillips or John Walker or any other forces want.

If you think their title was the important part, you missed the point completely.

psa clint isn’t joel miller and if you’re flattening him into a joel archetype we need to talk about race again

i’m aware they both wear plaid, have a daughter, battle with grief, and are hot covered in blood and enacting violence

this isn’t a callout i just don’t remember where i saw these specific posts about the red handkerchief and clint as a ‘blue collar’ man. but i know i’ve seen plenty of clint = joel posts floating around. 

AND i wasn’t going to say anything bc i thought i was just being gatekeepy bc i didn’t wanna see clint get the dbf treatment which would be my personal problem and i can happily write about him on my own blog how i want etc etc and i know i don’t have to read anyone else’s takes BUT then i thought about it and once again…it’s always about race… re: the post i saw somewhere about someone having a head canon about clint having a red handkerchief as a snot rag - sorry i forgot where i saw it and this isn’t an attack on whoever wrote that, but an fyi to anyone thinking about him the same way… if you’re writing a latino man in 1987 oakland—especially someone working street-level jobs or tied to criminal economies—and you think a red bandana is just a ‘snot rag,’ you’re missing major context

fyi, in 1987, color politics were not optional if you were a man of color in california. even though bloods (red) and crips (blue) originated in LA, their color codes and the larger gang culture around them were already known across the state. in northern california specifically, norteños (tied to the nuestra familia prison gang) wore red. their rivals, sureños (tied to the mexican mafia), wore blue. 

who cares? well, even though oakland wasn’t dominated by bloods and crips the way LA was (in part due to the black panthers), it had its own street crews, plus a heavy norteño/sureño influence by the mid-80s. even outside organized gangs, the association between red and gang affiliation was strong enough that wearing a red bandana could get you profiled, targeted, or attacked—by cops, by other crews, or by random people trying to read your allegiance.

if you were a latino man in oakland in the 80s—like clint—you wouldn’t carry a red bandana by accident. it would be flagging. even if you weren’t affiliated. as a street smart guy, survival would mean being hyper-aware of how you present yourself, especially in neighborhoods policed by gang dynamics and racial profiling. cops would use color displays like a bandana as probable cause for harassment searches or worse during the height of the ‘war on drugs’ and the crack epidemic. 

characters like clint—latino, working-class, street-adjacent—would have understood the consequences of being read wrong. this doesn’t mean no one ever had cloths, handkerchiefs, or functional rags. it means the color and the way you carried it mattered: what pocket, what visibility, how deliberate it looked.

throwing a red bandana in your pocket wasn’t neutral. it wasn’t folksy. it wasn’t just blue-collar roughness. it was a risk, and survival was about reading the street, not walking through it like color codes didn’t apply to you.

clint wouldn’t casually rock a red bandana like a cowboy. latino men have never had the privilege of being casual about how they're read in public, especially not in a city like oakland, especially not in the 1980s.

re: clint as a ‘blue collar’ character there’s a difference between being ‘blue collar’ and being trapped in criminalized labor. wearing a plaid shirt and working with your hands doesn’t automatically make someone a blue-collar worker in the traditional sense. 

blue collar historically refers to wage labor—construction, manufacturing, trade work—where the worker is paid (poorly) but still operating within the boundaries of legal employment. union jobs. often unionized labor, tied to systems that, at least in theory, protected workers through collective bargaining, benefits, and job security. those protections were never equally available, especially to workers of color, but they existed as part of the larger working-class structure. 

clint’s labor isn’t protected. it isn’t recognized. it’s criminalized. he’s not just a man doing rough work for low pay—he’s disposable labor, surviving in a system that sees him as expendable from the start. calling him ‘blue collar’ erases the fact that he’s not inside the working class safety net. he’s on the outside, paying off debt with violence he didn’t choose.

it carries a specific context of class exploitation, yes, but it’s still different from the kind of criminal coercion characters like clint are caught in.

clint is not a proud working man making an honest living. his entire arc in freaky tales is about being forced into violent labor to pay off inherited debt he had no choice in. he is not rough and gritty because he chose a rugged life. 

he is rough because he was born into a system designed to keep him indebted, desperate, and expendable. he’s not working a blue collar job—he’s surviving in a criminal economy that feeds off people like him, using violence he doesn’t even want to enact just to stay afloat.

flattening clint into a vague ‘marlboro man’ archetype (joel coded)—rough clothes, kind heart, good intentions—it strips away everything sharp and painful about his actual story. it whitewashes the complexity of being a latino man criminalized by birth and survival, not by choice. it reframes his struggle as a generic americana fantasy about working-class virtue, when what’s actually at stake is how structural violence forces people into roles they never asked for.

especially when it’s a latino character, this flattening isn’t neutral. it erases the realities of racialized labor, racialized criminalization, and survival. clint’s tragedy isn’t that he’s a gruff tough guy with a soft interior. his tragedy is that he was forced to become violent in order to pay off a life he was never allowed to own, and he carries that weight without any guarantee of getting free.

you can’t understand clint if you don’t understand that. and if you’re not willing to sit with that discomfort, what you’re writing isn’t really him—it’s just a projection of a character he was never allowed to be.

clint and joel might overlap in aesthetics, being single girl dads, and physical strength—but reducing clint to a copy of joel misses everything that actually defines who he is, and why his story matters.

joel miller is a texas man—a man shaped by frontier mythology, southern survivalism, deep mistrust, and violent individualism. he is, by his own admission, a man whose grief and guilt hollowed him out so badly that even his brother was scared of him. he’s not just traumatized; he’s actively dangerous, closed off, and isolated. his story is about losing his humanity and clawing parts of it back, maybe too late.

clint is not that. clint is an oakland man—east bay, west coast, working-class and criminalized, not because he chose violence but because he was born into debt he could never pay off. he’s an underdog, not an antihero. 

he’s soft with his woman, he lights up under her attention. he’s goofy in the video store with the clerk. he’s not some hardened loner who scares everyone around him. he’s just a man trying to survive a system that was designed to use him up.

when you flatten clint into joel, you’re misreading two characters with different emotional cores and fetishizing the aesthetics of pain and ruggedness while ignoring race, class, place, and survival context.

clint isn't a texas cowboy. he’s not steeped in frontier violence or manifest destiny myths. he’s a west coast underdog who knows every step he takes could get him crushed, and he still tries to protect the people he loves without letting it rot him from the inside out.

the tragedy of joel is that the world took everything from him and he let it turn him into something colder, crueler.

the tragedy of clint is that the world gave him no choice- he says he was born into breaking bones to pay off his father’s debt, and he still tries to hold onto his softness anyway.

if you can’t tell the difference, you’re not seeing clint, you’re just projecting a fetishized joel trope onto another character…