Decided to finally watch prospect, but i can only find it on tubi with no subtitles đ
Jon Snow x F!Baratheon!Reader (Slow Burn)
Robb Stark x F!Baratheon!Reader
Pre Series Content and Extras:
Scattered Memories of the Starks
Shadows of their Hatred
The Quiet Wolf's Reminisce
The Stag and The Young Wolf
The Lost Chapters of Jon Snow
A New Life's Darkened Lust
Interlude of Jealous Desires
The Trials of Resurrection
The Injured and the Perverse
NSFW Alphabet (contains spoilers for part 3 and 4)
Woes of a Modern Day Love (a modern!au)
Fresh Heals of Old Pain (a modern!au part 2)
The Aftermath of Envy (a modern!au part 3)
Stoking the Flames (a modern!au part 4)
Then Came the Explosion (a modern!au part 5)
A Family Conflicted (a modern!au part 6)
A Jealousy of Infighting (a modern!au part 7)
A Small Bundles Flash Forward (a modern!au part 6.5)
A Snowy Wolf Pup (a modern!au holiday drabble)
Part 1:
Wolves of the Lone Stag
Mouth of the Lion's Den
An Intrigue Drenched in Blood
Standing Behind a Betrayal
A War of Tragic Beginning
Part 2:
King and Queen in the North
Shadow of a Fiery Stag
Reunion of New Enemies
Pleasure of Conflicted Desire
The Sanctity of Children
What Lies Beyond The Veil
Part 3:
The Cost of Our Sins
Dragged Through the Violence
Only the Cold
Fire for the King's Blood
Part 4:
Ashes of Various Grey
Plans of Pain and Horror
Afraid of a Ravens Flight
Trust in the Gentle Rasps
Visions in Eyes and Flames
A Bastard or The White Wolf
Part 5:
Home of Bloodsoaked Stone
Blazing Fire of Storming Ice
Ghostly Dreams of Old
Sailing Through the Glow
The Last Dragon
The Winter Rose
Part 6:
The Clash of Three Kings
Shrouded Truth in Sickness
Winged Shadow in the Sky
Light in the Darkest Storms
Peeking the Realms Woes
Blood, Roses and All Lies
Broken Love of the Dead
The Souls Tethered in Death
Wolves of the Past and Back
The Crows and The Sight
Part 7:
A Brewing of New Mystery
Great Wolves of White Mists
Darkness Heavy in a World
Past Becomes the Present
The Thing in the Night
Waving Tides of Turmoil
Greenish White Boodraven
Dark Blood of Blinding Light
And Wait for the Snows
Part 8:
Into the Haunted Forest
Fist of the First Men
Through the Frost Fangs
News From the South
Lies Within the Sunlight
Night of Two Distances
Screams of Cracking Ice
The Final Marching Trek
Fear Overtakes a Night
Wolves Teeth and Claws
Part 9:
Forcing Past Our Safety
One Whirlwind to the Next
Court of the North
Glimpse into the Rains
Scattered Pieces of Truth
Reunions and Realizations
Laws of Gods and Men
A Mockingbirds End
The Cold and the Rats
Blood Filled Danger
Memories of a Dead Past
The Winterfell Sept
Young as Stained Red
Conflicting Boundries and Ties
i think the reason a lot of men are screaming, puking, and crying about this is bc it forces them to acknowledge that the reason they canât get women to like them is not actually bc of their physique but bc of their shitty personality
Noir!Jake Lockley x WOC Lounge Singer!Reader
written in collaboration with + header by @mrs-lockley
chapter 1 chapter 2 chapter 3 chapter 4
cross-posted to ao3
tags: late 1940s Noir AU, Reader is WOC coded but with no physical description besides being slightly taller than Jake while wearing heels, no use of Y/N, brief mention of past injury, spanish translation at end (courtesy of @queerponcho, thank you beloved)
wc: 3.4k
fic summary: Of all the gin joints in all the world, Jake Lockley walks into yours. Unfortunately for him, it's not quite the start of a beautiful friendship.
chapter summary: immovable object? the unstoppable force would like a word.
__________
As far as peace offerings go, itâs not the worst.
At least, thatâs what youâve told yourself as you stand outside your neighborâs apartment, your fist failing to close the distance and knock. In one hand you hold a plate of pastries youâd bought earlier. Hopefully itâs enough.
Before you can raise your hand again, the door whips open.Â
Leah Mendoza, ever the force to be reckoned with, stands with arms akimbo and eyebrow raised. âQuit shuffling your feet and come inside, nena.â
You oblige wordlessly. Crossing the threshold, you immediately feel the warmth of her apartment embrace you. Not that sheâs escaped the chill that plagues your building; Leah is an artist, and every flat surface serves as either canvas or easel. Most spaces are covered in surreal portraits and near-magical icons, her handiwork displayed as a gorgeously chaotic gallery. Sunlight streams through gauzy curtains to feed sprawling plants and attempts to warm the richly colored rug beneath your feet.
You leave your shoes at the door and hold out the platter, smiling sheepishly. âHope you still have a sweet tooth.â
âIt's been so long, I'm surprised you remember.â Despite her playfully icy tone, Leahâs expression warms as she peeks at the pan de mallorca you hand over.
â...But I suppose going five blocks out of your way for breakfast makes up for it.â She nudges you with her hip before escorting you to the kitchen.
âLook what the cat dragged in, Caro,â Leah calls out to the seating area as she pours two mugs of coffee. You see your other friendâs smiling eyes light up at the sight of you.
âOhhh, itâs been ages!â she squeals as she rushes to your side, tackling you with an enthusiastic hug.
Caroline Ngo, the youngest of your trio, has always brought a much-needed energy to your time together. When she and her parents moved in, you and Leah decided to adopt her into your early morning ritual of coffee and gossip. As her rosy cheeks beam up at you, youâre (a bit selfishly) grateful that sheâs delayed her college applications by a year. Youâre not ready to part with your other baby bird just yet.
Still, you pry yourself from her grasp. âSomething tells me you had an early start on the coffee.â
âMaybe,â she drawls as she saunters away. Leah passes you a steaming mug, prepared just the way you like it.
The three of you sit, sipping and smiling as the room grows brighter with the sunrise. Leah regales you with the results of her latest art show; Caroline badgers you for updates about Mauricio, dimpled cheeks flushed as she speaks. For a few moments, everything feels like it used to.
Leah finishes her pastry and turns to you. âSo, âMs. Songbirdâ. How are you?â
You shrug, dismissive. âOh, you know. The usual.â
âNo, I donât know. You haven't been around for us to see your âusualâ.â Leah's voice is measured, but sheâs clearly frustrated. âCan you tell me the last time we've heard more than a âgood morningâ from you? Or were together for longer than an elevator ride to our floor?â
You chuckle nervously. âGoodness, maybe⊠August? September?â
âJune.â She sips her coffee before setting it down. âAre things really so busy at work that you can't spare a moment for us anymore?â
If only you knew.
âI'm sorry, ladies. Truly. But things have been picking up at the lounge, I've even had to get outside helpââ
âAh yes, the altar boy lawyer.â Leah shakes her head. âI thought you were done with him.â
ââDone with him?â Leah, he's my friend.â
âOh, I recall. So good a friend that he lets you ice his bruises and clean his cuts.â She crosses her arms. âSo good, he's even bringing new friends with the same scrapes to your door.â
âThe other night was an emergencyââ
âHow long are you going to run around with that kind of crowd?â Her voice bites. âBelieve me, I know my share of the nightlife. But every time you bring home some broken man, a load of trouble seems to follow.â
This is not where you saw the morning going. âI thought we were spending time together, not berating the company I keep.â
âPlease don't be upset,â Caroline pleads, taking your hand from her seat on the floor. âWe miss you. You havenât been home in weeks,â she laments. âAt least, not for more than a couple of hours.â
You shift in your seat but give her hand a light squeeze. âI've missed you, too.â
âThen do something about it.â Leah gets up, crossing the room to distract herself with more coffee but then doubles back to look you in the eyes.
âYou know my gut is never wrong, nena. And I wouldn't be a good friend if I didn't speak my mind.â
You brace yourself as she continues. âYou can spend your nights hiding behind your Songbird persona and running the lounge, but don't be surprised if the cage you're building around yourself is locked from the inside.â
With that, she turns on her heel and heads back to the kitchen, leaving you and Caroline in silence.
Slowly, Caroline slides into Leahâs empty seat, her hand still on yours.
â... I always liked your stage name.â
You donât say anything, instead letting your eyes trail through the patterns on the rug.
She scoots closer. âLeahâs just looking out for you. Like always.â
âI know, Caro.â
You feel her head rest on your shoulder. Tough love has always been Leahâs strong suit; as hard as you are on your boys, itâs bush league compared to your friend.
Carolineâs next words are low, whispered just loud enough for you to hear. âI know that man you were helping.â
You look down at her, dumbfounded. âReally? You know Jake?â
She sits up, eyes wide again. âWell, not technically. I never learned his name. But when he was leaving your apartment, I recognized his face.â Her small smile grows as she speaks. âThere were days Iâd stay out late after school, and Iâd catch a ride from him sometimes. Heâs really kind, not like some of the other cab drivers.â
Concern suddenly sweeps across her face. âIs he going to be alright?â
You think back to the morning he left your apartment: his bruises, your stitches, the blood that still stained his coatâŠ
His hand on your hand, your faceâŠ
You donât feel your fingers grazing the apple of your cheek until you hear Caroline giggle. Your hand drops to your lap as your face warms. âHeâll be fine. If he wised up and saw a real doctor, that is.â You shrug, reaching for your coffee.
âYou care about him,â she teases.
âOh, come off it,â you huff, nudging her leg with yours.
âAnd he obviously cares about you!â She squeals, lowering her voice when Leah turns her head toward the noise. âI saw him leave your apartment, but he stood there for ages, staring at your door.â Her grip on your hand grows unbearably tight. âWhat happened that night?â
Youâve been asking yourself the same question from the moment he left you standing in a bloodstained gown, your apartment colder without him. Since then, there hasnât been a moment where youâve been free from the memory of his face.
âI did him a favor. And⊠he may have done one for me, too.â
__________
Jake Lockley is man enough to admit when heâs been beaten.
In this case, he's absolutely won over. Head-over-heels, and at your mercy.
Maybe years from now, society adopts stricter rules for how soon you should call on a lady. Even today, some would advise against showing your hand too early. Some men wouldnât want to seem too eager, too desperate.
But Jake Lockley is not a liar.
If âdesperateâ is the word for the incessant drumming in his chest each time you come to mind; if itâs what has him cutting corners and driving recklessly, ushering customers along at double the pace so his thoughts can return to you; if itâs why his palms sweat and nerves ache at the memory of your face that night, that morning⊠then Jake Lockley is desperate.
Itâs hardly been a day and a half since he left your apartment, cold and injured. The suit stitched him back together in seconds; the only ache that remained was at the thought of you. You, who scooped him off the pavement and took pity on him. Who stained your hands with his blood to make it stop. You, who set his skin on fire with the smallest touch and had him convinced he would burn with or without it.
Screw the three day rule. He has to see you.
Hot under the collar, Jake now sits at the barâ your bar, long before normal business hours. Next to him is Matt, whose face hasnât untwisted from the wry grin heâs had from the moment they met up.
âItâs like a jackhammer,â he chuckles into his glass, dodging Jakeâs backhand swing.
âCan it, Murdock.â Jakeâs hand returns to his own drink. Downing the rest, he raises his glass to the bartender. âTop me off, Mr. Manalo.â
Teddy obliges with shaking hands. He scoops up the bills Jake slides his way before dashing off. The two men had asked for privacy, and heâs determined to stay in their good graces.
Jake knocks back the new drink, swiping the excess from his lip as Mattâs laughter grows louder.
âYou really need to calm down.â
âThatâs what this was for,â Jake retorts, shaking his glass so the ice clinks against the edge. Itâs doing him little good, though; from the moment he snuck in here that stormy night, he knew The Paper Moon as an extension of you. Even with the house lights up and nobody onstage, the lounge makes his heart race as quickly as if you were right beside him.
Matt claps a hand on his shoulder. âYouâll be alright, youâve been through worse.â
âYeah,â Jake snorts. Mattâs quiet for a suspicious amount of time. âWhatâs on your mind, Murdock?â
âWhatâs on yours?â Telltale concern creeps into his voice. âHow are things up there lately?â
Jake smirks, the expression not reaching his eyes. âOh, you know. Loud⊠and quiet, in all the wrong ways.â
âSeems quieter than before.â
âYeah?â Jake cocks an eyebrow. His mind doesnât feel quieter, not the way it should. Khonshuâs been on his ass more often, doubling down when his thoughts dare to drift to anything besides the mission at hand. The god throwing a tantrum has become one of the few guarantees that remain.
âI mean it,â Matt reassures him. âItâs like night and day from when you returned stateside.âÂ
Jake stirs the ice in his glass, tempted to hop the counter and refill it himself. It takes everything in him to repress the memory of âbefore,â to not think of the bloody business in El-Alamein. To forget when the occupancy of his mind dropped from three to two.
âMust be the good old American soil.â His sneer drops as he considers his next words. â... or the fool of a pro bono lawyer I managed to snag.â
âMaybe,â Matt says. âOr it could be the little bird that's caught your ear.â
Before Jake can respond, a pair of footsteps cross onto the stage behind them.
He turns to see you and Mauricio, backs to the house, talking in rushed succession as you survey the stage. Youâre in a blouse and trousers, your movements easy and unrehearsed despite the growing exasperation in your voice.Â
âMaurie, I don't care how Leo feels the lights bounces off his new mustache wax, unless he can't follow my cues he's staying stage left. Andââ
âNo days off for you, are there?â
When you turn you see Jake, hat in hand and standing a few steps from the bar, as if heâd walked toward you but stopped halfway up the aisle. You canât place the look on his face, but you're nevertheless pinned under the gaze of his now-healed eyes shining up at you.
âJAKE!â Mauricio startles you when he shouts, leaping off the stage to clasp hands with the older man.
âHermano,â Jake chuckles, pulling him into a quick hug before letting go. âÂżNo te andas metiendo en problemas, eh?âÂ
âÂżParece que tu eres el que anda causando problemas, ey botero? ÂżDe dĂłnde saliĂł esa cicatriz?" Mauricio leans in, examining the pale line running through Jakeâs eyebrow with awe.    Â
âAh, just a scratch.â Jake shrugs as he brushes past him to approach the stage and offers his hand as you step down. You accept, hoping he doesnât notice the slight tremor in your grasp.
âLeave the man alone, Maurie,â you chide, nodding your thanks and holding back a laugh. As much as Caroline fawns over you, Mauricio seems to do the same to Jake whenever their paths cross. It helps that he plays along.
As the three of you walk back to the bar, you notice Matt dial in to something and smileâ far from his normal reaction.Â
âIâm afraid I canât offer you more than another drink, I have an appointment with Matthew this afternoon.â You cross over to your friend, whose smile only grows as you draw closer. But you brush it off, still focused on Jake.
âActually,â he starts, his hand sliding into his pocket, âI was hoping to cut in on your consult time for a moment. That alright with you, doll?â
Matt clears his throat. âMauricio, can you take me backstage? I should start unpacking this file.â
The drummer perks up. âSure! But the bandâs getting ready to play some poker⊠you feel like teaming up again? We can split the pot like usual.â
âEven better,â Matt grins. âLead on.â
He gathers his portfolio and walking stick to follow. If you didnât know better, youâd swear you could see a moment of panic flicker across Jakeâs face.
Itâs replaced in a flash with his usual smirk. âSure you want to risk your pocket change, Matty?â
âIf all my clients paid like you do, I'd be out of a job.â He collects himself and follows Mauricioâs footsteps, turning to Jake and mouthing âjackhammerâ with a hand to his chest when heâs behind you.
Their footfalls fade and itâs just the two of you at the bar. You take a seat, drumming your fingers on the surface to soothe your nerves. Jake sits beside you.
âYou look better.â You notice the scar Maurie was talking about: his former head wound is free of your haphazard stitches, instead healed into a light dash through his dark brow. âBut I told you that would scar.â
He shakes his head, brushing his fingers past the spot. âI kinda like it. Gives me an edge,â he chuckles. Maybe Khonshu hadnât healed his face the way he normally would as some sort of lesson. Jokeâs on him.
âHow did⊠I mean, you look really good, how did you recover so quickly?â Now that youâre closer, you realize thereâs no sign he was hurt just two days ago. If not for his scar, you could pass that night off as some sort of dream.
âYou told me to see a doctor, didnât you? Looks like Iâve got the best one around.âÂ
You eye him, not sure what to think. â... yeah, alright.â
Your fingers drum the bar again. Maybe that night knocked all of Jakeâs suave confidence from his head: when heâs not speaking (something youâre still not used to), he looks like a child about to lose his lunch. For all his urgency a few minutes ago, heâs taking his sweet time getting to the point.
Finally he sits up straight and takes something out of his pocket. âHere. For you, morena.â
A small black box slides toward you, stopping at your restless fingers. You raise an eyebrow quizzically, a familiar warmth spreading across your cheeks.
âA present? Didnât take you for the âholly-jollyâ type.â You pick up the box, feeling its velvet casing and fighting back a smile.
âNah, not really a Christmas guy myself. But I figured you could use a pick-me-up.â Jake crosses one arm along the bar, propping his chin in his other hand as he watches you open the box.
Inside, you see a delicate gold chain with a charm fastened to its middle: a small bird with its wings spread, intricate designs etched into its surface.
âOh myâŠâ You look back at Jake, who seems to have been holding his breath as you examine your gift.Â
Your slowly unfolding smile is all the reward he could ask for, breathless laughter pushed from his chest with relief. âFor the songbird,â he casually declares, relief mixing with pride at your reaction.
You take the necklace out and hold it to the light. âItâs beautiful,â you sigh. You undo the clasp and try to put it on yourself, but your fingers canât seem to make it fasten.
âAllow me,â he says quickly, standing to move behind you and assist.
You feel his hands take over and drop your own in your lap. His knuckles brush the back of your neck and it takes everything in you not to shiver. The smell of smoke and spice dances on your senses, pulled away all too soon when he moves to stand in front of you.
âThere,â he breathes, eyes going from the pendant draped below your collar to your eyes. âLooks perfect.â
Your fingers grasp the cool metal as you nod. âLooks perfect.âÂ
Silence falls again. Youâve come to hate the sound of nothing when youâre with him.
Jakeâs the first to break it. He sits back down, his next words like a punch to the gut. âYou know, now that Iâm not driving Wesley around⊠I wonât have to take up space at your back table anymore.â
âOh. No, I suppose not.â You toy with the charm around your neck. âSo is this⊠goodbye?â
âThat depends,â he says cautiously. He turns to you, eyes swimming with the same unfamiliar mix of emotions from before. âDo you want it to be?â
Your fingers leave your neck as you meet his gaze. âDon't say you're going all soft on me, cabbie.â
âWhat if I was?â He leans forward, and for the first time you don't back away.
âCards on the table: I haven't stopped thinking about you.â
That makes two of us. You bite your tongue to let him continue.
âMorena⊠would you ever want to get out of here? Just you and me, call it a truce or a⊠a date.â A smile plays on his lips before his brow creases. âI won't badger you after today, just⊠one way or another, put me out of my misery.â
The wings of the charm feel heavier with the weight of his confession. Hand to your heart, you feel the bird again, this time with Leah's warning running through your mind.
âI suppose a truce wouldn't hurt.â
When he smiles, wider than ever, you see the charming gap in his teeth. And you smile, too. You both laugh, the heated stress in your nerves turning to effervescent relief.
You could spend an hour like this. But when you hear shouts of frustration and a bilingual litany of choice words echo from backstage, you know you have to go put out a different fire.
âI should make sure Matthew isn't in trouble,â you sigh, standing to straighten yourself.
âIf I know Matt, he's the one causing the trouble.â Jake stands with you, desperate for this moment not to end but anxious for your next answer. âSo when can weââ
âSunday night,â you cut him off, starting to back away toward the stage. âI'll figure out how to slip away, but meet me under the sign at 9.â
You move to rush toward the stage at another outburst, but Jake's hand catches yours yet again.
âYou can't keep doing that,â you groan, yet with a smile still on your lips as he tugs you back toward him.
âYou're the boss,â he hums, pressing his lips to the back of your handâ the gesture all too routine, but you're ready to admit you've missed it.
He releases your hand and dons his cap, tipping it to you. You laugh again, a rich and easy sound he'd never tire of hearing. You bow slightly and dash backstage, with Jake's voice calling to you as you leave.
âSee you Sunday, Songbird."
__________
âÂżNo te andas metiendo en problemas, eh?â - Not getting yourself into any problems, eh?
âÂżParece que tu eres el que anda causando problemas, ey botero? ÂżDe dĂłnde saliĂł esa cicatriz?" - Seems like youâre the one causing troubles, hey cabbie? Where did that scar come from?
note: in-universe Jake is Guatemalan and Mauricio is Cuban; as a non-spanish speaker, please let me know how i can improve in the future!
A/N: i've missed these two!! this chapter was a doozy but i'm so happy to have gotten back on track. i won't say PPP is on hiatus (we never had a promised release schedule) but after i take a wee break from writing, i'm set on finishing my Moon Knight Bingo prompts before 4/30 + starting on my OI fanzine entries (!!! exciting times). but if inspiration strikes before i finish, i certainly won't complain.
ty for reading!!
tag list: @my-secret-shame-but-fanfiction @mercurysjoy, @importantnightwerewolf, @cupidysm, @queerponcho, @nerdieforpedro, @fandxmslxt69, @shadystarlightgentlemen, @lunar-ghoulie, @casa-boiardi (lmk if you'd like to be added to/removed from this wee tag list)
We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of âSo, if foodâs not an option, what can I use?â Well, I was just getting to that!
This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions weâve received on this topic.
Pictured above: Black, Brown, Beige, White, Pink.
âShe had brown skin.â
This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.
Describing charactersâ skin as simply brown or beige works on its own, though itâs not particularly telling just from the range in brown alone.
These are more rarely used words that actually âmeanâ their color. Some of these have multiple meanings, so youâll want to look into those to determine what other associations a word might have.
Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.
Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.
For example: Golden brown, russet brown, tawny beigeâŠ
As some of these are on the ârareâ side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.
âHe was tall and slim, his skin a russet, reddish-brown.â
Comparisons to familiar colors or visuals are also helpful:
âHis skin was an ochre color, much like the mellow-brown light that bathed the forest.â
Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.
Dark - Deep - Rich - Cool
Warm - Medium - Tan
Fair - Light - Pale
Rich Black, Dark brown, Warm beige, Pale pinkâŠ
If youâre looking to get more specific than âbrown,â modifiers narrow down shade further.
Keep in mind that these modifiers are not exactly colors.
As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.
While best used in combination with a color, I suppose words like âtanâ âfairâ and âlightâ do work alone; just note that tan is less likely to be taken for ânaturally tanâ and much more likely a tanned White person.
Calling someone âdarkâ as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)
Undertones are the colors beneath the skin, seeing as skin isnât just one even color but has more subdued tones within the dominating palette.
pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver.Â
Mentioning the undertones within a characterâs skin is an even more precise way to denote skin tone.
As shown, thereâs a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).
âA dazzling smile revealed the bronze glow at her cheeks.â
âHe always looked as if heâd ran a mile, a constant tinge of pink under his tawny skin.â
Standard Description Passage
âFarahâs skin, always fawn, had burned and freckled under the summerâs sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.â
-From my story âWhere Summer Endsâ featured in Strange Little Girls
Here the state of skin also gives insight on character.
Note my use of âfawnâ in regards to multiple meaning and association. While fawn is a color, itâs also a small, timid deer, which describes this very traumatized character of mine perfectly.
Though I use standard descriptions of skin tone more in my writing, at the same time Iâm no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.
Whether compared to night-cast rivers or dayâs first lightâŠI actually enjoy seeing Characters of Colors dressed in artful detail.
Iâve read loads of descriptions in my day of white characters and their âsmooth rose-tinged ivory skinâ, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.
Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if theyâre not even a secondary character.
Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do whatâs good for your tale.
Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.
Now before you run off to compare your heroineâs skin to the harvest moon or a cliff side, think about the associations to your words.
When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.
So consider your character and what you see fit to compare them to.
Also consider whose perspective youâre describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who canât stand the person.
âHer face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.â
âShe had a sandy complexion, smooth and tawny.â
Even creative descriptions tend to draw help from your standard words.
Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose
It was a bit difficult to find flowers to my liking that didnât have a 20 character name or wasnât called something like âchocolate silkâ so these are the finalists.Â
Youâll definitely want to avoid purple-prose here.
Also be aware of flowers that most mightâve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.
âHe entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?â
Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber
These ones are kinda odd. Perhaps because Iâve never seen these in comparison to skin tone, With the exception of amber.
At least theyâre common enough that most may have an idea what youâre talking about at the mention of âpinecone.âÂ
I suggest reading out your sentences aloud to get a better feel of how itâll sounds.
âAuburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.â
I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.
I donât suggest using a comparison just âcuz you canâ but actually being thoughtful about what youâre comparing your character to and how it applies to your character and/or setting.
Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash
Wood can be an iffy description for skin tone. Not only due to several of them having âfoodyâ terminology within their names, but again, associations.
Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure itâs appropriate to the character if you do use it.
âThe old warlockâs skin was a deep shade of mahogany, his stare serious and firm as it held mine.â
Pictured above: Platinum, Copper, Brass, Gold, Bronze
Copper skin, brass-colored skin, golden skinâŠ
Iâve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.
These also work well with modifiers.
âThe dress of fine white silks popped against the deep bronze of her skin.â
Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum
These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.
If you use these, or any more rare description, consider if it actually âfitsâ the book or scene.
Even if youâre able to get us to picture what ârutileâ looks like, why are you using this description as opposed to something else? Have that answer for yourself.
âHis skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.âÂ
Physical character description can be more than skin tone.
Show us hair, eyes, noses, mouth, handsâŠbody posture, body shape, skin texture⊠though not necessarily all of those nor at once.
Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.
How comprehensive you decide to get is up to you. I wouldnât overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspotsâŠ
Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.
Get Creative On Your Own:Â Obviously, I couldnât cover every proper color or comparison in which has been âapprovedâ to use for your charactersâ skin color, so itâs up to you to use discretion when seeking other ways and shades to describe skin tone.
Skin Color May Not Be Enough: Describing skin tone isnât always enough to indicate someoneâs ethnicity. As timeless cases with readers equating brown to âdark whiteâ or something, more indicators of race may be needed.
Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you donât, you risk implying that White is the default human being and PoC are the âOtherâ).
PSA: Donât use âColored.â Based on some asks weâve received using this word, Iâd like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color âcoloredâ please.Â
Not Sure Where to Start? You really canât go wrong using basic colors for your skin descriptions. Itâs actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.
Want some alternatives to âskinâ or âskin colorâ? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.
List of Color Names
The Color Thesaurus
Skin Undertone & Color Matching
Tips and Words on Describing Skin
Photos: Undertones Described (Modifiers included)
Online Thesaurus (try colors, such as âredâ & âbrownâ)
Donât Call me Pastries: Creative Skin Tones w/ pics IÂ
WWCÂ Featured Description Posts
WWC Guide: Words to Describe Hair
Writing with Color: Description & Skin Color Tags
7 Offensive Mistakes Well-intentioned Writers Make
I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasnât been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!
~ Mod Colette
to misquote kendrick "he deserves it all"
Let him have respect.
Let him have care and love, consistency and companionship.
Let him have it all.
blink and miss it but someone pointed out buckyâs shamelessly checking samâs ass out here
Dr Abbot keeping in shape đȘđȘ
Just wanted to draw Abbot in some casual/sporty outfit
Rating: Explicit (COMPLETED)
Summary: Set in a brothel in the late 1800âs in the Wild West, youâve only been working there for a month when Din Djarin shows up. A bounty hunter who makes stops into town between jobs, he is known at the inn for his generous appetite and demanding preferences. Asking for you one night, he is pleased to learn you are well suited for him: your sweet nature soothing to his gruff temperament and surprising him with your ability to handle his rougher tastes. Demanding that you be made available to him every time he is in town, neither one of you is ready for where this request leads.
The Beginning
The Kid
The Surprise
Drabble: The Union Suit
The Hill
Drabble: The Henhouse
The Lesson
Drabble: The Rope
The Rope, Part II
The Night Trip
Interlude: US Marshal Marcus Pike
The Camping Trip
The Confession
Drabble: The Worship Service
Interlude: Oil Baron Maxwell Lord
Interlude: Ranch Owner Jack Daniels
The Demand
Interlude: Pioneer Francisco Morales
The Kerchief
The Mark
Drabble: The Exploration
Drabble: The Letter
The Ask
The Hour
The Crest
The End
The Hayloft
The Night
The Bath
Bound
The Morning
Western Din Djarin
The Union Suit
TMTC Din
TMTC Din, II
TMTC Din, III
TMTC Din, IV
TMTC Din, V
Din and The Kid
Din and The Kid, II
Take Me To Church story gifset
Moodboard
Moodboard II
Moodboard III
Moodboard IV
Din and Girl
Din in the bath
Love Letter to TMTC
Gracie
Gracie II
Gracie III
The Ending
TMTC Comic
Drabble Masterlist
#tmtc inspo
#tmtc ask
#tmtc art
#tmtc drabble
I could use some đȘ luck
Marcus Acacius X lady reader (no descriptions, you're a virgin though)
Summary: Your freedom had a price and Marcus Acacius was willing to pay for it... but you also had to do something for him.
Chapter 1 of 10: Warming Up Next Chapter
Rating: EXPLICIT -- Shameless smut with a little plot
a/n: NO SPOILERS to the new movie. This is cross-posted from my AO3 account
WARNINGS: dubious consent, ownership, loss of virginity, mutual mast., exhibitionism, voyeurism. Mentions of being a whore.
You had lived in a brothel before this. Had to share a bed with a woman you did not like. You didnât even get to have sex in that brothel because you were a virgin and no one could afford it. Just your hands and mouth. Your company if they couldnât afford your pleasure. The General could afford you though and the second you told him you were a virgin you left the brothel with him.
General Marcus Acacius still hasnât had sex with you. He just wants you to look at him. You roll your eyes at the thought. Just watch. He didnât even let you touch. It had been two long months and you had seen him only a dozen times. More in the beginning and now less and less. Strange. Paid all this money and won't even touch you or let you touch him.Â
âYour day?â His voice is deep and smooth and itâs almost like it ruminates in your chest for a moment after he is done speaking. You try to hide your giddy excitement as he comes from the doorway that leads to the balcony youâve been sitting on.
âFine.â Itâs short and curt and you act like you are tired of being alone with only your handmaids to talk to. He sighs from behind you. This is what happens every time and youâre over it. âWould you like to just get it over with?â You stand from your seat and heâs wearing a white and gold tunic. Youâve never seen him in it before and his bronzed thighs contrast against it so well. You do not let his beautiful skin distract you as you slip past him into the room. You unclasp the shoulder straps of your dress and let it fall to your waist. You buzz with excitement.Â
Youâre exposed from the waist up when you turn to look back at him. His strong hand is already wrapped around himself underneath the tunic. He walks to you, his fist never leaves or stops stroking himself as he makes his way to his chair. Itâs already got the small glass bottle of oil sitting on the table beside it. Waiting. You use it sometimes to rub into his muscular shoulders after he has a long day.
Mostly itâs poured into his palm like heâs doing right now. When he leans back in his chair, his throbbing erection is already pushing the lower half of his tunic up, exposing himself to you. He is thick, already red with excitement and almost intimidatingly big. He could fit both fists on it. You watched him do it once with your bottom lip bitten between your teeth. He coats his cock in the oil, massaging it into his already smooth skin. You know he is smooth. You can see how smooth he is from here. Bronzed and smooth and strong. Itâs evident as you watch him spread his legs wider so you can see his balls. One hand cups them gently, massaging them.Â
âShit.â Marcus hisses as he squeezes his cock at the base gently as he starts to stroke. You watch, your gaze dancing between his eyes and mouth, down to his hand thrusting up and down on himself. He twists his hand around the shaft while he does it. It makes somewhere deep inside you ache. You long to go over and climb into his lap. Sink yourself down into his lap until you are flush with him.Â
âDoes it feel good?â You ask mindlessly, watching as the tip of him begins drooling precum from his seam. You lick your bottom lip because you want to know what he tastes like. You want to show him what you can do.Â
âYes.â He moans softly and when you look back up to his face heâs staring at you. You reach up and pinch one of your nipples between your thumb and forefinger and twist it gently. Then you tug. You let out a breathless moan and he drops his eyes to your hand. He bucks his hips forward and sighs. âGorgeous.â He breathes it to you as he strokes his cock slowly. Youâve never really spoken to each other during so you keep going, to see what happens.Â
âDo you want to see my cunt?â You whisper and bat your eyelashes up in him with false innocence. His breath catches in his throat when you say it. It makes you smirk. He nods silently as his eyes fall to your middle. You pull the lower half of your dress up and pool it at your waist and now you have a bunch of fabric all pulled up around your middle. Marcusâ eyes dart between your pussy and your tits that you're still teasing and pulling at with your fingers.Â
His staggered breath is rising and falling in his chest and his fist is moving with more speed.Â
âFuck.â Marcus groans quietly. The head of his cock is almost purple and his precum is now leaking down the tip of him. You lick your lips again because he does look very handsome there, stroking himself. Little beads of sweat forming on his brow as he starts to pant softly. You run your hand down the length of your body for him, you never do this. Usually you just stand there because the first time you tried to touch him and he said no. Gave you no further instruction so you stood here after that. That white tunic and this soft bronze skin over those thighs⊠you dunno. Very handsome. Itâs making you drenchedÂ
âYou could come touch me right here.â You purr to him quietly.
The muscles in his thighs flex when you slip two fingers into your folds. You donât even rub, you just show him that you can in fact be touched and will not combust into flames. Marcus could do more than just look at you while he touches himself. You do let your mouth part and your jaw drop down slightly in feign pleasureâ letting him know what you look like when you feel good. Marcusâ eyes flash between your face and the fingers pushed into your velvet.Â
âGods.â He sighs as his calloused and battle-scarred hand moves up and down on himself quickly.Â
âImagine yourself buried inside me. For the first time.â You coo to him as your fingers start to encircle your bundle of nerves that sit nestled at the top of your slit. âThe first man to ever me inside me⊠the first man to ever fill me with hisââ
âFuuck. My G-Gods.â Marcus moans loudly as he brings himself to climax. He finishes all over the front of his nice, white and gold tunic. Splatters it with white ropes of his sticky seed. Several thick ropes of it.Â
Your hand drops from between your legs and you snap your dress back up over your shoulders. You sit back in your chair on the balcony and sip your wine like you are bored. Marcus can leave now. He doesnât do anything else for you other than this thrilling encounter every couple days. Thrilling while it happens but then he leaves.Â
He clears his throat from the doorway. You ignore him. Does he think you are one of his soldiers? No. You are a woman and women deserve more than just being stared at. You should be ravaged and you havenât been so youâre frustrated. Only able to give yourself pleasure after he leaves. To ease the monotony of it all youâve started pleasuring yourself out here on the balcony where anyone could see if they just looked up.Â
You do not tell him this.Â
Marcus clears his throat again.
âWhat?â You have obvious annoyance in your tone. âIf youâd like to speak to me you can come out here. I am done doing things for you today. Including getting off this chair again.â You snap angrily.Â
Marcus approaches from behind you and now heâs sitting beside you on a chair that looks exactly the same as the one you are in. He is in a different tunic now. A plain brown one and now he looks terrible and horrible to you again. Barely attractive. Maybe heâs still a little handsome.Â
âDid you enjoy yourself this time?â Marcus sounds curious.Â
âSure.â You mutter. You donât catch his eyes that are obviously staring at you.Â
âI thought you were warming up this evening. Then you do this?â He sounds slightly disappointed. You roll your eyes and huff softly.Â
âYou keep me up here. Only let me go out early in the mornings when not one or very few people are outââ You like this but you wonât let him know that. âYou donât come see me everyday like you said you would. You do not touch me. Just want to watch, which is so weird! I thought you took me from that brothel so that you could deflower me. Do the thing that everyone loves to do so much. No, you just want to tease me with your beautiful cock every four to seven days.â You cross your arms over your chest and huff one more time for good measure.Â
Marcus chuckles at you, still staring. You can see him boring holes into the side of your head out of the corner of your eye. He is smiling but still staring.Â
âWhy is that funny?â You snap, finally turning to look at him now. Marcus Acacius is quite handsome with his messy mop of dark, loose curls. Thick dark eyebrows and facial hair to match. Only on his cheeks is it lighter, graying. Strong features. The weight he held, he carried it nicely. Filled his cheeks out softly and thigh muscles for days. Strong arms and shoulders.Â
âI paid because you are beautiful. Iâll deflower you. Soon. When youâre ready.â His voice is quite nice too. He leans forward and presses his lips against yours gently. Heâs never kissed you before. Itâs so nice and he smells like the scented oil he spread around his cock earlier. Before you can really react to the kiss he pulls away slightly and hovers above you. âIâll deflower you when you really like me. Not just because I paid.â Then he pecks your lips again. You're in awe! What does that mean!? You stand and try to follow him. He is too fast. He slips out of the door and locks it behind him.Â
You hmph and stomp your foot angrily.Â
Like him? How could you everâ Oh. Â
There is the nicest most beautiful bouquet of flowers on the table that had not been there before you did your little tease for him. They are gorgeous. All different shades of white and pink and reds. Itâs the biggest bouquet of flowers you have ever seen. Alongside itâ a fresh unopened jug of wine. And a note.Â
Save the wine for us.
Us? Does he expect you to leave this jug of delicious wine unopened until you see him again? In four to seven days? You love wine. Itâs the only thing that brings you joy. Seeing his cock has been pretty joyful lately. Makes you smile when he comes. You normally hate when men come.Â
 Ugh. Doesnât fuck you. Gives you wine but tells you not to drink it. You drop the note on the table and turn⊠on the bed is a new dress. A nice one. White and gold like his tunic before he mucked it with his release. You smirk at the memory from less than ten minutes ago.Â
What is he up to? He is not an unkind man, very polite and respectful. One of the reasons you havenât tried to escape. He is very sweet to you. Looking at you very fondly. Youâre just a brat because you thought youâd no longer be a virgin at this point. You sigh heavily and sit on the soft bed next to the dress and run your fingers along the gold embellishments.Â
You want to get fucked wearing this tunic.Â
Hours go by. It is late into the evening. You might be wearing your new dress, sitting on the balcony drinking the jug of wine you already had. Not the new one. You might have tried to open the new one but you could not remove the Gods forsaken cork. Your head is buzzing in the best way. The streets are alive with people and in your slightly intoxicated state you imagine yourself down there with them. You are glad youâre not down there. You grew up in the countryside, the large city of Rome scares you.Â
You lie to Marcus Acacius and say you are locked away and would like to go down there. No. You do not wish for that. You feel safe up here on your balcony with your books and wine and food. New dresses now too, apparently.Â
âDo you like your gifts?â Marcusâ voice drifts through the air. He sounds happy to be here. Like he might have a smile on his face.
âI did. Thank you.â You are not short or cold. You turn your head and smile at him over your shoulder. He is already smiling softly back at youâ his gaze floats down your face and neck and across your new dress. He then leans against the door frame. âAdmittedly I wasnât going to wait for you to drink the wine⊠I just could not get it open.â You smirk now and look up at him through your lashes.Â
âI tightened it.â Marcus smirks back at you. He pushes himself off the door frame, turns and grabs the jug of wine. When he sits down, he slides his chair closer to yours and pops the cork right out of the jug. You tried several times over the hours after he left. You roll your eyes as he pours you a fresh goblet and then he pours one for himself.Â
The General never shares wine with you on the balcony.Â
âHow do you ever expect me to grow to like you when you are never around? Youâve never even done this with me before.â Your eyes scan his handsome face curiously. His tongue flicks out across his bottom lip quickly before he speaks.Â
âI wanted someone untouched.â He shrugs. Not an uncommon wish for men. âYou seemed eager to want to come with me.â He leans back in his chair and sets his elbows on the armrests. âThen you donât speak. You do not participate when I want you to watch. Just drop your dress and let me look.â Marcus relaxes, every part of him does and it happens visibly in front of you.Â
âYou paid. What does that matter?â You squint your eyes at him with suspicion growing heavy in your buzzing brain. Marcus laughs heartily and smiles down at the goblet of wine in his hand.Â
âI never wanted to touch you unless you wanted me to. Not just because you were a purchase.â His eyes flick up to yours as he waits for your response.
âMoney for sex is so common. There are houses and buildings solely for that purpose! That is where we met!â You are confused, had a little too much wine and are kind of horny. âI came with you willingly.â You're blinking at Marcus. He is smirking at you like you are bringing him some kind of entertainment. âWhy are you so hesitant?âÂ
âDo you not care that it may hurt? Or that is considered special to some?â He sounds curious now as to why you would just give it away so freely.Â
âI do not care about pain. I hear that it feels very good after some slight discomfort.â You look at him down your nose and huff. âTreating me like I am fragile and will break.â Another huff and you look away from him. You make Marcus laugh again.Â
âSo eager to get fucked. Youâve really never been with a man or woman?â Now he sounds like he doesnât believe you.Â
âNo. I have not, but that shouldnât change anything.â You snap at him. General Marcus Acacius smiles at you when you snap at him.Â
âWould you bed men and women with me once I deflower you?â He tilts his head to the side. âI like to take multiple people to bed sometimes.â He seems curious to know your answer, he leans forwards in his chair.Â
âI have heard of orgies, yes. I donât see why notââ He cuts you off.
âNot an orgy.â He says it firmly âIâd share you with another man. Watch as he fucks you. Us men, would fuck you together. Youâll watch me fuck him. We could share him. Let him enter you while I enter him. Would you like that? Or do you want to lick cunt while I fuck you?â He speaks so casually. So calmly like youâre not vibrating in your chair. âWatch me fuck her, while she licks your beautiful slit?â He leans back in his chair as if he is going to give you a moment to think about it. What is he asking of you? To be his paid and cared for personal whore?Â
âI would.â You lean back in your chair and cross one leg over the other while you look at him. âIâd do more, too.â You donât even really know what you are talking about. He brings up the most extremes and the most you have done is suck a couple of cocks at the same time. Big deal.Â
âLike?â Marcusâ eyebrows dance up once and then fall back down quickly. Okay dammit, you donât know.Â
âYou could tie me up.â You mimic his little eyebrow dance he did and shrug one shoulder at him. Like you're so seasoned in that. You just saw it happen to someone else once! The General likes this though.
âI have my own restraints. And a whip if you want to be bad.â He smiles and sips from his wine goblet. You might be a little over your head but you do not care because you want this man to take your stupid flower so bad. Whether he paid for it or not. He can have it. âWhat?â His eyes are so dark. So intense as he asks you this.
âWhat?â You snap at him. âWhat do you mean, what?â You snap again. He snickers under his breath and drops his gaze to his lap.Â
âYou were staring at me, little Dove.â
Next Chapter