I actually did something productive today đđ. I cleaned my room. Itâ[s not much, since I dint make my bed or anything but i swept my room and my bathroom, scrubbed my shower, toilet and sink and mopped the floors. It took a lot longer than I thought it would, since its been a while since Iâve cleaned anything really.Â
It felt good to do something other than watch youtube videos and listen to music. Iâm gonna see if i can keep this going and start on my school work tomorrow, Theres a lot to catch up on before lectures resume, and I actually want to do well this year.Â
I think getting things off my chest has allowed me to start to move on.
We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of âSo, if foodâs not an option, what can I use?â Well, I was just getting to that!
This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions weâve received on this topic.
Pictured above: Black, Brown, Beige, White, Pink.
âShe had brown skin.â
This is a perfectly fine description that, while not providing the most detail, works well and will never become clichĂŠ.
Describing charactersâ skin as simply brown or beige works on its own, though itâs not particularly telling just from the range in brown alone.
These are more rarely used words that actually âmeanâ their color. Some of these have multiple meanings, so youâll want to look into those to determine what other associations a word might have.
Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.
Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.
For example: Golden brown, russet brown, tawny beigeâŚ
As some of these are on the ârareâ side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.
âHe was tall and slim, his skin a russet, reddish-brown.â
Comparisons to familiar colors or visuals are also helpful:
âHis skin was an ochre color, much like the mellow-brown light that bathed the forest.â
Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.
Dark - Deep - Rich - Cool
Warm - Medium - Tan
Fair - Light - Pale
Rich Black, Dark brown, Warm beige, Pale pinkâŚ
If youâre looking to get more specific than âbrown,â modifiers narrow down shade further.
Keep in mind that these modifiers are not exactly colors.
As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.
While best used in combination with a color, I suppose words like âtanâ âfairâ and âlightâ do work alone; just note that tan is less likely to be taken for ânaturally tanâ and much more likely a tanned White person.
Calling someone âdarkâ as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)
Undertones are the colors beneath the skin, seeing as skin isnât just one even color but has more subdued tones within the dominating palette.
pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver.Â
Mentioning the undertones within a characterâs skin is an even more precise way to denote skin tone.
As shown, thereâs a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).
âA dazzling smile revealed the bronze glow at her cheeks.â
âHe always looked as if heâd ran a mile, a constant tinge of pink under his tawny skin.â
Standard Description Passage
âFarahâs skin, always fawn, had burned and freckled under the summerâs sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.â
-From my story âWhere Summer Endsâ featured in Strange Little Girls
Here the state of skin also gives insight on character.
Note my use of âfawnâ in regards to multiple meaning and association. While fawn is a color, itâs also a small, timid deer, which describes this very traumatized character of mine perfectly.
Though I use standard descriptions of skin tone more in my writing, at the same time Iâm no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.
Whether compared to night-cast rivers or dayâs first lightâŚI actually enjoy seeing Characters of Colors dressed in artful detail.
Iâve read loads of descriptions in my day of white characters and their âsmooth rose-tinged ivory skinâ, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.
Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if theyâre not even a secondary character.
Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do whatâs good for your tale.
Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.
Now before you run off to compare your heroineâs skin to the harvest moon or a cliff side, think about the associations to your words.
When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.
So consider your character and what you see fit to compare them to.
Also consider whose perspective youâre describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who canât stand the person.
âHer face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.â
âShe had a sandy complexion, smooth and tawny.â
Even creative descriptions tend to draw help from your standard words.
Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose
It was a bit difficult to find flowers to my liking that didnât have a 20 character name or wasnât called something like âchocolate silkâ so these are the finalists.Â
Youâll definitely want to avoid purple-prose here.
Also be aware of flowers that most mightâve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.
âHe entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?â
Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber
These ones are kinda odd. Perhaps because Iâve never seen these in comparison to skin tone, With the exception of amber.
At least theyâre common enough that most may have an idea what youâre talking about at the mention of âpinecone.âÂ
I suggest reading out your sentences aloud to get a better feel of how itâll sounds.
âAuburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.â
I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.
I donât suggest using a comparison just âcuz you canâ but actually being thoughtful about what youâre comparing your character to and how it applies to your character and/or setting.
Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash
Wood can be an iffy description for skin tone. Not only due to several of them having âfoodyâ terminology within their names, but again, associations.
Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure itâs appropriate to the character if you do use it.
âThe old warlockâs skin was a deep shade of mahogany, his stare serious and firm as it held mine.â
Pictured above: Platinum, Copper, Brass, Gold, Bronze
Copper skin, brass-colored skin, golden skinâŚ
Iâve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.
These also work well with modifiers.
âThe dress of fine white silks popped against the deep bronze of her skin.â
Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum
These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.
If you use these, or any more rare description, consider if it actually âfitsâ the book or scene.
Even if youâre able to get us to picture what ârutileâ looks like, why are you using this description as opposed to something else? Have that answer for yourself.
âHis skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.âÂ
Physical character description can be more than skin tone.
Show us hair, eyes, noses, mouth, handsâŚbody posture, body shape, skin texture⌠though not necessarily all of those nor at once.
Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.
How comprehensive you decide to get is up to you. I wouldnât overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspotsâŚ
Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.
Get Creative On Your Own:Â Obviously, I couldnât cover every proper color or comparison in which has been âapprovedâ to use for your charactersâ skin color, so itâs up to you to use discretion when seeking other ways and shades to describe skin tone.
Skin Color May Not Be Enough: Describing skin tone isnât always enough to indicate someoneâs ethnicity. As timeless cases with readers equating brown to âdark whiteâ or something, more indicators of race may be needed.
Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you donât, you risk implying that White is the default human being and PoC are the âOtherâ).
PSA: Donât use âColored.â Based on some asks weâve received using this word, Iâd like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color âcoloredâ please.Â
Not Sure Where to Start? You really canât go wrong using basic colors for your skin descriptions. Itâs actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.
Want some alternatives to âskinâ or âskin colorâ? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.
List of Color Names
The Color Thesaurus
Skin Undertone & Color Matching
Tips and Words on Describing Skin
Photos: Undertones Described (Modifiers included)
Online Thesaurus (try colors, such as âredâ & âbrownâ)
Donât Call me Pastries: Creative Skin Tones w/ pics IÂ
WWCÂ Featured Description Posts
WWC Guide: Words to Describe Hair
Writing with Color: Description & Skin Color Tags
7 Offensive Mistakes Well-intentioned Writers Make
I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasnât been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!
~ Mod Colette
love the final architecture series but i refuse to acknowledge the ending. solace and idris go on to live happily ever after and idris becomes a sleepy princess like me to make up for all the sleep he missed out on in the past
You know what the problem in the fandom is? You know, and you do know already.
It's racism, it's always been about racism.
You'll see white writers ready to die on their hills over certain tropes that cater to the young white masses, but when it's pointed out that the moodboards are mostly thin white women, or that even though it says 'x Reader', you'll find a silky haired, pink cheeked fmc within the writing 9 times out of 10? Crickets. So silent you can hear a pin drop.
If its x Reader, then everyone is supposed to be able to relate, and that doesn't mean blank slate either because that's where the racists can slip in to the role comfortably, blank slate can still be white coded. What does it mean if you come across an 'x Reader' fic that specifically states that reader is BIPOC but you don't read it because you 'can't relate'? You don't have to think too hard about it honestly, because you already know.
So why is it the norm that people think it's okay the other way around? BIPOC readers have had to acclimatize and adapt their way of reading for years in order to be able to absorb themselves in a fic. Accepting it when it states 'readers hair can be put into a messy bun', 'ran his fingers through your hair' 'pink stiffened peaks'. This shouldn't have ever had to happen, but it did and its still happening to this day in the big 2025 when the world is on fire and the governments are dividing people into 'us and them' once again.
This place is supposed to be an escape from all that.
Why can't you relate to an x Reader fic where it clearly states that reader is BIPOC or at least coded as such? Think about it and sit in that discomfort.
Where is the same energy from months ago where people were reblogging anti racism resources and making statements about making their blogs inhospitable to racists? It's gone. You'd rather not upset your white moots and treat your Black and brown moots as disposable, over what? Over fanfiction? Okay then.
It's not 'policing what people can and can't write' that's dismantling the fandom. If you don't like it, don't read it, first and foremost and someone having a differing opinion on a trope isn't censorship or 'bootlicking the patriarchy', by the by.
It's racism, but you already knew that.
I found out my dadâs been cheating on my mom. Apparently itâs been going on for over a year now. I have no idea how much money heâs spent on them, knowing that he canât work cuz heâs sick.
I am disappointed and disgusted in him. Iâm more upset for my mom than anything else though. She canât leave him, he can barely walk by himself, it would be social suicide. I HATE him, and I wish I could tell someone, talk to someone about it but I donât feel comfortable talking to anyone about this.Â
I cant wait till heâs dead. Then maybe my mom can find some sort of peace, or at least be freed from a man who doesnât value her. Because after all weâve been through with his health, surgery, rehabilitation, him relearning how to function like the man he claims to be, he still hasnât stopped. My only solace is that he cant send them money anymore, all the finances go through mom.
We all know what erectile dysfunction is but literally no one is ever taught what vaginismus is and it can cause people to feel extremely lost, broken, and cause people to take their own lives. Raise. Awareness.
Rating: Explicit (COMPLETED)
Summary: Set in a brothel in the late 1800âs in the Wild West, youâve only been working there for a month when Din Djarin shows up. A bounty hunter who makes stops into town between jobs, he is known at the inn for his generous appetite and demanding preferences. Asking for you one night, he is pleased to learn you are well suited for him: your sweet nature soothing to his gruff temperament and surprising him with your ability to handle his rougher tastes. Demanding that you be made available to him every time he is in town, neither one of you is ready for where this request leads.
The Beginning
The Kid
The Surprise
Drabble: The Union Suit
The Hill
Drabble: The Henhouse
The Lesson
Drabble: The Rope
The Rope, Part II
The Night Trip
Interlude: US Marshal Marcus Pike
The Camping Trip
The Confession
Drabble: The Worship Service
Interlude: Oil Baron Maxwell Lord
Interlude: Ranch Owner Jack Daniels
The Demand
Interlude: Pioneer Francisco Morales
The Kerchief
The Mark
Drabble: The Exploration
Drabble: The Letter
The Ask
The Hour
The Crest
The End
The Hayloft
The Night
The Bath
Bound
The Morning
Western Din Djarin
The Union Suit
TMTC Din
TMTC Din, II
TMTC Din, III
TMTC Din, IV
TMTC Din, V
Din and The Kid
Din and The Kid, II
Take Me To Church story gifset
Moodboard
Moodboard II
Moodboard III
Moodboard IV
Din and Girl
Din in the bath
Love Letter to TMTC
Gracie
Gracie II
Gracie III
The Ending
TMTC Comic
Drabble Masterlist
#tmtc inspo
#tmtc ask
#tmtc art
#tmtc drabble
bruce wayne x afab!reader
aka the billionaires new friend
warnings: implied that reader is a virgin, age gap (bruce is older than reader), mentions of sex, smut in next part
You twist the stem of the wine glass around between your fingers slowly. Your chin rests atop your knees as you stare vacantly at the tiny puddle left of the drink. You could go refill it, but then youâd have to go back out to the main room and manâŚyou really do not want to do that. So youâll sit here, swiping your tongue across the bumps of the roof of your mouth as if it's a fascinating new discovery.
The creak of hinges has you shooting upright, your back thumping against the stair step behind you. Youâre not immediately sure how to act as though itâs normal that youâre sitting in the stairwell outside the fundraiser rather than in it, fraternizing with old and new money alike. You freeze, trying to relax your posture so it doesnât look like youâre alarmed at the sight of another person, but not so relaxed that you look as bored as you are.
Your neutrality stutters when you glance up to find the host of the fundraiser. The billionaire host of the fundraiser. Bruce Wayne, the billionaire host of the fundraiser. Your posture straightens right back up and your mouth snaps shut as you make eye contact.
Should you stand up?Â
No, heâs rich, not royalty.Â
You are in his house thoughâ
He looks you over contemplatively, âI donât know you,â Itâs not accusatory, rather he says it like itâs something interesting.
You perk up at that, immediately formulating reasons to justify your presence. âOh, uh, noââ the words nearly spill out of your mouth all at once. You clear your throat, âIâm just a plus one for my bossââ
âWhoâs your boss?â he asks, relaxed.Â
âArthur Mullins.â
He looks to the side, squinting, âMullinsâŚheâs the executive at Williamson Industries, yes?â
You nod and he returns the gesture, slower, like heâs processing through something. âIâm Bruce,â he says warmly after a moment, holding his hand out to you.
You nod before you can even think to get any words to come out, âIâyeah, I know,â you accept his hand, shaking it as you tell him your name.
Thereâs a slight glint in his eye when he hears your name, and he repeats it quietly to himself. âA pretty name.â
âOh, itâs justâŚâ Just your name. But rather than fill him in on that fascinating tidbit, you let the sentence die off.
He smiles kindly anyway, âWhat are you doing in here? Partyâs out there, or so they tell me.â
âIâŚIâm hiding in here,â you admit sheepishly.
He leans in towards you slightly, lowering his voice. âIâll let you in on a secretâso am I,â he smiles at you like itâs easy.
Your grin matches his, âItâs your party,â
âThatâs why I need to hide.â He tilts his head, âDoesnât give you much of an excuse though, does it?â
âI donât know anybody here.â
He puckers his bottom lip contemplatively, âYour boss.â
You shake your head, âIâm just his assistant. Iâm pretty sure he just brought me as a precaution in case he needed a designated driver.â
He laughs at that, âBased on the way Iâve seen Mullinsâ attempts to operate, his assistant would have to be a hell of a lot more important than just a designated driver.â
Well, heâs certainly right about that. Your boss doesnât exactly âhave it togetherâ per se. Heâs an unorganized man with little to justify his importance in Gotham, so he tends to insist on taking on more responsibility than he has any business having. Not to mention, heâs a bit of a try-hard and youâre constantly left to sweep up the pieces of his reputation that he shattered himself. Not to say heâs necessarily unprofessional, he just will do anything and everything to prove he belongs in any given space. Itâs honestly a bit exhausting to watch. Itâs more exhausting to try and convince him that the exchange went well afterwards.
You nod slowly, eyes on his shoes. âMr. Mullins hasâŚa unique approach to business. It does usually leave me fairly busy, Iâll give you that.â You take a quick deep breath, plastering on a fake smile. âBut that means I occasionally get to go to fancy parties where I donât know anyone, so..â
âWell then it sounds like youâve got it all worked out,â he ribs, âOr donât you agree?â
You smile coyly, âI would never be so bold.â
âI donât mind boldness. For example, the reason I came in here is because he spotted me.â
You laugh at that, âMr. Wayneââ
âBruce.â
âMr. Wayne,â you suppress your smile as you pause, choosing your words carefully. âI think heâs just networking.â He doesnât have the money to give.
He nods surely, âHeâs definitely just networking.â He really doesnât have the money to give. You allow just the faintest wisp of a smile to adorn your face as you look down again.
You check the time and realize that youâve been hiding away for too long and that if he hasnât already, your boss will notice soon. You sigh quietly to yourself, âI should..â
He turns his head to the closed door where the chatter can be heard from beyond, sighing in defeat as he shakes his head looking back at you. âSo should I.â
You feel a bit insecure as you stand, the gown youâre wearing is pretty but it is very much affordable and youâre sure someone as wealthy as Bruce Wayne would know the difference.
If he does notice he makes no deal of it, motioning you forward gallantly to walk ahead of him.
He follows after you, hands behind his back. âWould it be rude of me to ask you to distract him while I run for the bar?â
Itâs busy, even for a Sunday afternoon, and you have to sidestep past someone nearly every step you take. You stick next to the windows of the line of boutiques down the road, trying to balance window shopping and not bumping into other pedestrians.
You're in a nicer district of Gotham, truthfully an area you don't quite belong in. So far youâve only managed to find a couple shops that werenât several ranges above your budget.Â
A call of your name has you blinking rapidly and turning around as if youâre lost. It doesnât take long for you to pick the six foot two billionaire out of the crowd and itâs only half a second longer before you realize heâs walking towards you. A few people collide shoulders with you as they move past thoughtlessly, no regard for the personal space of the idiot that stopped in the flow of traffic.
You let him approach a couple feet closer before you ask him, âIs there something I can do for you, Mr. Wayne?â The presence of his figure in front of you allows for a break from being bumped into, as he seemingly makes for a far more easily seen and intentionally avoided target.
He sways a bit, âBruce. Iâm not sure yet,â he looks down to the couple of bags youâre holding, extending his hand out. âMay I?â
It takes you just a moment to move past your surprise at the request, allowing him to hold them for you. âAre you in a rush?â
You shake your head quicker than you meant to, âNo, Iânot at all,â he gestures his head forward, allowing you to walk before him.
You traipse ahead in silence for a moment before deciding against biting your tongue, âWhat exactly is it youâre not sure about?â
He raises his voice a bit so you can hear him over the crowd, âWhether or not youâve got plans on the 19th.â
You look back at him, âWhatâs on the 19th?â
He stops with you as you admire a set of jewelry inside a window display, âWeâre hosting a gala for something or something else, hopefully less boring than the fundraiser.â
You blink, âYouâre inviting me?â He nods. âWhy?â
âI could use someone who wants to be there even less than I do.â
He said it so casually it takes you a second to even register his meaning. You blink, face contorting defensively, âThatâs notââ you can barely make out the smile on his face as he continues on walking.
You shake your composure back together and trail after him, rushing to catch up. âI donât think Mr. Mullins would be very happy to hear that Iâm attending a business gala without him.â
He shakes his head as he scans over the crowd, âHe canât fire you for that.â
âHeâll try.â He would. A petty little man, he is.Â
He scans across the rows of clothes leisurely. âWell, then he can speak to me about it. Besides, it wouldnât be for business.â And then he just lets that sentence linger.
It takes you a moment to recover from those words and begin to start processing the world around you again. After a few more feet down the sidewalk he pulls you gently to the side by your lower arm, out of the rush of traffic, and looks at you dead on, âWhat do you think?â
You try not to waver under the weight of the eye contact, âI donâtâŚuh, I donât really haveâŚâ you look down, hoping to get the message across without actually having to say the words.
He glances into the store window next to you and raises his eyebrows, âWell then Iâd say weâre in the right place.â
You canât manage to tell him that this store is definitely far too expensive for you, walking through the door as he opens it for you, albeit apprehensively.
Well. Up close window shopping is more fun anyways.Â
The spotless white of the floors and walls has you intimidated, and just as much so by less by the no doubt designer clothes lining the walls. The saleswomen all look pretty highbrow themselves, hair up in tight buns and uniforms chic.
You only break from gawking at the store to look behind you at Bruce. You note the way his eyes roam around blindly, looking for something and clearly having no means to narrow down where it might be. You take one more glance around, immediately finding the women's section with no such difficulty.Â
âThis way.â You say, nodding your head over to the left. He recovers nicely and lets you lead the way towards the section of dresses. You peer back at him, âYou donât seem like someone that does much of his own shopping.â
Thankfully, he laughs at that. âWell, special occasions.â
You keep your gaze ahead this time, asking as casually as you can, âIs this a special occasion?â
He hums in consideration, âIâd say so.â
You stop upon approaching the dress section, taking in the immediately stunning display of options.Â
âWhat are you doing up here anyways?â you ask, hand brushing across a particularly plush dress.
âAh, I was headed to a meeting.â
âOh,â you frown, looking at him. âDonât you need to go?â
He shakes his head with a puckered lower lip, âNo.â
A few seemingly heiresses roam down the aisle mindlessly, not caring much that youâre in their path.Â
Bruce sees them before you do, knowing well that they were not going to excuse themselves. âSweetheart,â he nudges you gently to the side, closer to him as the group passes. His hand remained open-palmed and flat as he guided you to the side, seemingly very careful not to touch you with uninvited boldness. Though youâre quite shaken by the chivalry of the gesture, a brazen touch wouldnât have been the worst thing in the world.
As your arm brushes against a rack of clothing your gaze follows, met with something rather appealing.
Bruce is quick to notice you admiring the sleek black dress that looks like something youâd see a model wearing on a runway. âYou like that one?â
âItâs nice, yeah,â you murmur, not really thinking. You flip the price tag over and your face drops. âItâs $800.â
He nods thoughtfully, âWe can find a nicer one,â he says, though itâs clear he knows exactly what your problem with the price tag was.
âI canâtââ you restart, âI would never have a reason to wear something this nice again.â
He shakes his head coolly, âThatâs alright.â
Your shoulders drop and your head tilts seriously, âItâs not, though.â
âYou like it?â He looks you in the eyes, his own searching for a truthful answer.
âI mean, of course, but itââ
He nods affirmatively, âThen weâll get it. Problem solved.â He turns his back to the rack, casually observing the rest of the store goers. âPick your size.â
Apparently not one to argue, you thumb through the row until you find one that should fit.Â
You sigh, realizing that youâre running out of time to mention that you donât have $800 to spend on a dress. âI canâtââ
âYou donât need to,â he says simply as he takes the dress off the rack and drapes it across his arm, making his way towards the salescounter.
You try to stop your mouth from hanging open as you follow, âIt really is okay, I donât needââ
His grin cuts you off, just in time for you to hear him mutter, âSweet girl..â to himself. You stop right in your tracks, feeling very thankful that heâs not looking at you right now because youâre certain the look on your face would give you away.
He still doesnât face you as he calls out, âCome on,â as he continues on.
Obviously youâre not stupid. You know what type of intentions a billionaire playboy must have with a younger girl that he doesnât even really know. However, if said billionaire is offering to buy you a pretty dressâŚno, youâre not sleeping with him because he bought you a dressâof course notâand youâve made absolutely no promises to do so, so whatâs the harm in letting him? Really?
And yeah, maybe itâs a plus that heâs not bad looking, but how is that your fault?
You stand a bit awkwardly next to him as he puts his card in the machine, not even glancing at the outrageous number, and declines the offer for the receipt.
As you exit the store together and stand at the doors as he hands your original two bags back to you along with the new shiny black one that on its own looks like something people would pay for.
âYou will be there?â he asks, eyes more hopeful than you were prepared for.Â
You nod, gesturing the bag up, âWell you just bought me the dress.â
He shrugs that off, âI wouldâve bought you the dress anyways.â
You linger in the midst of the ado wearing a dress that you feel far too overshadowed by, fidgeting with the half empty wine glass in your hand. Unfortunately, this time around you were invited by the host of the event and it would be extra rude to run away and hide. That doesnât stop you from considering it, though.
A hand sliding across your lower back has you momentarily startled, and for reasons you couldnât quite verbalize, youâd naturally assumed it was Bruce. The disappointment rings strong when you turn around to be met with the sight of an even older man, who looks considerably wine drunk.Â
âHello there, Miss.,â The words themselves are polite but the salacious smile on his face and the way his eyes have no trouble roaming your body gives you a solid idea of what this conversation is going to entail.
âHello,â you fake a polite, tight smile and shift your attention to the rest of the room.Â
This does nothing to deter him, as he takes a sizable step back into your line of sight. âHaving a nice time?âÂ
The man is clearly from money, if his attire didnât give it away his attitude sure did. Thereâs an heir of entitlement around him, like heâs inherently deservant of your attentionâa quality you were notably surprised to not have found in Bruce.Â
You give him your faux-smile again, this time tighter but half a second longer for the sake of politeness. A rookie mistake.
âCan I buy you a drink?â He asks, gesturing to the bar.
âIâm okay, thank you,â you say, gesturing your wine glass up.
A momentary flash of irritation crosses his face, but to his credit, he does a better job recovering from it than you would have expected. Though, thatâs not really saying much. âWell, pretty little thing like you shouldnât be all alone here,â
âIâm afraid youâre mistaken,â Both of your heads snap to the side, finding a much more welcome surprise than youâd previously received.Â
Your counterpart's posture straightens immediately, âMr. Wayne,â he fawns, âWhat a lovely event youâve thrown. Iâm sure the Bernsteins will be appreciative.â
Bruce hums, eyes narrowed slightly. âYou areâŚâ
The man startles and rushes to finish off his sentence, âAlexander Watson, senior executive to the accounting department for the research wing of the company.â
He nods slowly, no recognition actually present in his eyes. âAh. The research wing of the company that just blew fifteen million dollars on prototype self-operating cell phones.â
Youâre trying hard to fight the smile creeping up on your face.
âWhat exactly is a self-operating cell phone?â
Watsonâs face drops, hurrying to justify his approval of the proposalâs funding. As he rambles, Bruceâs gaze lowers to where Watson has once again placed his hand on your hip, though heâs not close enough to you for it to rest fully or naturally. You donât know him well but you can say confidently that he doesnât look pleased.Â
He looks back up to Watson, attitude challenging. âSurely youâre not poking around where youâre unwelcome?â
Watson stutters at that, blinking and shaking his head quickly. âNo, no, of course not! I was just hoping to provide the young lady with some company. Thatâs all.â
âAnd so you have.â
âIâ,â about two steps behind in this conversation, Watson finally decides to retreat, âYes, good evening, Mr. Wayne.â He bows his head and shuffles away back into the crowd.
âMr. Wayne,â you smile knowingly, turning to him. âHow are you?â
The hardness of his gaze fades quickly as he takes in your appearance, quite liking how you wear the dress youâd picked out.
âThings are looking up,â he smiles, âYou look lovely.â
 âThank you,â you glance over to where Watson has made his way to the bar, likely about to down an entire glass. âMr., uh, Mr. Watson makes quite the impression.â
His smile turns a bit sullen, âYou know last year he tried to convince the board that battery-powered battery chargers were going to be the next big thing?â
You blink, tilting your head, âThought you didnât know who he was.â
His eyes are fixed on the wall as he tugs the corner of his lip down, knowing heâs been caught but not really caring. âIâm sorry to have been away for so long, it seems everyone needs my attention at these things.â
âAt the gala that you threw? Iâd imagine so.â
He rolls past that smoothly, âYouâre having a good time?â
âI am,â you say with a confirming head bob.
He regards the room with a numb expression, âYou know, I think Iâm getting bored with all of this.â
You smile at him, brow furrowed, âItâs only been an hour.â
He looks at you, eyes wide. âItâs only been an hour?â Heâs exaggerating his surprise to make you smile, and it works.
âI think we should go,â he says lower.
You stare at him, bemused. âYou still have a whole room full of guests.âÂ
He shrugs, âTheyâll filter out on their own eventually.âÂ
He clocks your hesitation easily, accurately noting it to be more out of politeness than actually wanting to stay at the party. âWhat, youâre not ready to leave?â
You look around at all the mostly old, posh guests, disinterested small talk evident all across the room. You take a breath, âAlright, yeah. Letâs go.â
He smiles and leads you out a side door and through a corridor thatâs significantly longer than youâd expected.Â
âDo you always ditch your parties this early?â you ask, following closely.
He makes a sharp right at the next doorway, âIf I can manage it.â
You look around at the high wooden ceilings and grand furniture. âArenât some of them friends of yours?â
He shakes his head, âMy friends arenât here.â
You frown at that, âThen why do you throw them at all?â
âWhy did you show up last weekend?â
You nod slowly, understanding. âItâs your job.â
He returns the nod, adding, âOnly difference is, thereâs not a chance in hell you get paid enough for the work you do for Mullins.â
For the sake of maintaining your wishful facade of professionalism, youâre going to not acknowledge that incredibly accurate statement. Instead you smile politely and continue on walking. He seems to get the implication, returning it with an even brighter adornment.
âWell, moneyâs money,â you say wryly.
His smile fades a bit, âYou shouldnât have to worry about things like that.âÂ
You shrug, âA day in the life,â
He looks sullen upon hearing that, with more sympathy than youâd have expected from someone of his stature. Heâs done nothing if not surprise you, though.
âHere,â he says, taking hold of the handle of a glass door. It opens to a garden, lit up beautifully by the moon and outdoor light. A fountain sits in the middle, water rhythmically gushing out of the top and trickling down the sides. The bite of the Gotham night air burns at your cheeks a bit and you find yourself thankful the dress youâd chosen is so long.
Bruce leads the way to an expensive marble bench positioned nicely in front of it, allowing you to sit first before following suit. Your hands find a place in your lap, clasped together awkwardly in an attempt to find warmth through contact.
It takes Bruce less than ten seconds to stand, remove his suit jacket, and drape it over your shoulders before sitting back down. The material is thicker and warmer than you wouldâve expected, surely reminiscent of the perks of being owned by a billionaire.
He doesnât look at you to acknowledge the grateful expression on your face, simply carrying on like it didnât happen. âWas hoping it was warmer,â he murmurs.
Your focus momentarily goes to the icy cold stone of the bench under your thighs, initially finding it uncomfortable before deciding the coolness actually felt quite soothing. You remove your gaze from the gray stone and turn your head to find Bruce already focused on you.
You start to say something, though youâre not sure what it wouldâve been, when he brushes his thumb over your bottom lip, pulling it down.
Well, he certainly knows what heâs doing, doesnât he?
His eyes stay on your lower lip as he murmurs, âYouâre a pretty girl, you know that?âÂ
God, heâs a professional.
You look up at him and refrain from saying anything, waiting to see if he follows it up with something that will make you regret agreeing to coming out here with him.
He doesnât.
You shift, moving your hands off your lap to rest on the stone under you. âYou canât just do thisââ
He smiles and lowers his chin to look you in the eyes, âThen what can I do for you?â
âYouââ you blink rapidly, âStop it.â
His coy beam persists, âStop what?â
You raise your gaze up to him ever so slightly, a pouty expression across your face that youâre trying to sell as serious. âYouâre trying to make me nervous.â
âDo I make you nervous?â He tilts his head down further, a ghost of a smile echoing on his lips, âI donât mean to, sweet girl.â
Your eyes drop to the ground, biting your tongue. âYeah.â
His simper grows, âIâm serious. Iâd hate to scare away a new friend.â
You laugh at that and he perks up a bit at the sound, âWhat? Weâre not friends?â
You cock your head to the side, âYouâre the one who said none of your friends are here.â
He hums, âMaybe I spoke too soon.â
âYou think so?â You should probably stop flirting so much.Â
âYeah,â he leans in a bit closer, âI do.â
âWhyâs that?â
âMaybe I want to be your friend,â his hand finds a place atop yours.Â
Your eyes flicker across his face as he closes in, âWhat if I donât want to be yours?â
His eyes are on your lips, âIâm sure we can work something out.â
You take a slow deep breath, âYour intentions are blurry.â
He smiles lightly, amused. âWeâll have to clear that up then, wonât we?â His lips are inches away and his voice is soft as he says, âIâm going to kiss you now, okay?â
You look up at him eyes wide, barely processing his words as you nod. He gently grasps your jaw in his hand, tilting your head up. His other hand finds the back of your head, holding you in place as he kisses you with intention. Your hands hover in the air for a second before holding onto his forearms.Â
He breaks the kiss only to give you another sweet one right after. Your mouths remain close when itâs over, eyes still shut, trying to catch your breath. You stay like that for a moment until he kisses you once more on your cheekbone before pulling away. His hands drop to rest on your knees, the weight of them gentle.
He hums lowly, âSweet thing..â
Being under the heaviness of his gaze leaves you feeling vulnerable. Itâs starting to get you concerned with the potential levity and implications of kissing him. The expectations.
âYouâŚâ you stare down at where his hands meet your skin, not quite sure that you actually meant to start that sentence.Â
âWhat?â he frowns, brow pinched. Your chin lowers further as your mouth forms a tight line. He shakes his head, âNo, itâs alright. What is it?â he asks gently.
It takes a surge of willpower for you to get the sentence out, âYou just want to sleep with me..â
He frowns harder at that, pulling back a bit. âNo. IâmâŚâ he sighs, âIâm not trying to lure you in just to toss you out right after.â
That makes you look up again. His voice has a sincerity to it that you werenât prepared for.Â
He continues, âI would like to, yes. Yeah. Youâre beautiful, of course I would, but..â he looks down at his hands before looking back up at you, âNo, thatâs not the most important thing to me.â
You break eye contact again, thinking over his words. If thatâs not the most important thing to him, what is? You canât think of what else he could possibly want from you, a billionaire who could have anything he wants..the only thing you could have to offer in his eyes is sex.Â
Right?
He exhales, âIf you want to leave, Iâll call you a car. No hard feelings.â He nudges your chin up gently so youâll look at him, but he gives you the freedom to fight against it if you wanted to.
You let him move you.
âI donât want to leave,â you tell him, looking into his eyes. âWhat do you want?â
âWhatever you want,â he says it like itâs automatic. You physically canât help but roll your eyes at the corniness of it. He doubles down, though, âSeriously. Anything.â
You smile in disbelief, shaking your head.
âAlright,â he returns your smile, straightening, âHereâs what weâre going to do. Do you need a ride home?â
You blink at him, âIâm going home?â
âYou are,â he nods softly, âDo you need a ride?â
âNo.â
He nods again, more like heâs working through something in his head. âOkay. Youâre going to go home and think through what you want. If you decide you want to, come back here next Saturday.â he stands up, extending his hand out to you, âThen you can let me know what else you want and we can get to work on that too.â
You start to shake your head, âI canââÂ
He drops his chin seriously, âThink on it.â
You relent easily, taking his hand and coming to a stand.
âAlright?â Again, his question is genuine. He does really want to know if youâre on board with this plan.Â
Already going against his request, you agree without a thought, âOkay.â
He starts to lead you back over to the garden door with a head nod and a kind smile.
It ultimately was not a decision you had to think very hard on.
Youâd considered every scenario of how this could play out and none of them ended with regret as far as you could guess.
Youâll still admit though, there was one scenario you had missed, apparently, which is why you were immeasurably confused when you showed up and he invited you to play chess.
Heâs not wearing a fancy three piece suit this time, but his clothes are still very nice. With the sunlight peeking through the windows, youâre able to see the manor more clearly than you had been the other night. It really is a beautiful home, clearly very old and charmed, but thereâs a lot of little details of character and history scattered around. Thereâs portraits and photographs of his parents from when he was young and furniture decorated with trinkets all throughout, kept absolutely spotless and dust free. Everything is neat and tidy but thereâs still traces of the house being lived in with the patched throw pillows and worn carpets. Still, itâs very, very placid.
Youâve met new money plenty of times over the course of dealing with countless businessmen for Mr. Mullins but old money is something entirely different. You donât really have a frame of reference here. New money is almost always brash and demanding, they like things done quickly and correctly the first time around. Theyâre usually not very interested in hearing what you have to say (even if it would save them a lot of trouble) and prefer it when the assistants women keep their mouths shut. Bruce has proven to be very different from these standards already and youâre not sure where to begin with placing new ones.
Youâre about halfway through a second game, and while youâre not awful at chess, you get the impression that heâs easing up on you considerably.
You sit on the floor in front of a short coffee table, the game having no clear lead so far.
âI think this is stressing me,â you mumble, no actual weight behind your words.
âItâs just chess,â he says, not looking up from the board.
You watch him move his knight forward as you ask, âAnd thatâs all weâre doing?â
âAs it stands, yes,â he looks up at you, though you donât return his gaze.
âYeah,â you sigh, sliding your rook, âBut later?â
âLater?â
âWell, you said...â you meet his eyes, âYou said you wanted to sleep with me.â
He nods slowly, âI do. Is that alright?â
You consider it for a moment. You already knew that, if you really werenât okay with it you wouldnât have come here. And yeah, the idea makes you a little shaky, but in a good way.
âYes,â you tell him, moving your queen forward two spaces.
âAre you sure?â he presses, moving to sit on the side of the table rather than behind it.
You do the same, sitting on your knees. âYeah, I just..â you shift your weight, eyes wandering. âIâm notâŚoverly experienced.â
He just smiles at that, like itâs endearing. Your words didnât quite convey your meaning but your tone did. In any case, he understands the implication. âThatâs alright, sweetheart. Iâm not going to throw you in the deep end.â
You nod, looking down again.
âYouâre nervous,â he comments.
âNo, IâmâI mean, maybe,â your voice is barely a murmur by the end of the sentence.
Heâs quiet for a moment, observing the way you fiddle with your rings. âWhat if we get you something pretty to wear? Something that makes you feel pretty. Whatever you want.â
He fishes his wallet out of his pocket, opening and pulling out a lump of cash without even looking. He holds the money out to you wordlessly and you can see from the bill on the outside that itâs at least a couple hundred dollars.
You shake your head instantly, âI canât take that.â
He doesnât put the money down but his eyes turn to begging. âPlease. I just want you to feel good.â
âBruceââ
He wavers a bit at that but itâs more of a falter than youâve seen from him before so itâs easy to take notice of. âWhat?â
He shrugs barely, âI like when you say my name.â
Your eye contact holds for a moment and your resolve starts to shake almost instantly.
You exhale, âIâm not taking more than a hundred.â
âTwo hundred.â
âBruce.â
He smiles and picks out some of the cash and pockets it, handing you the rest. You donât comment on the fact that itâs a hundred and fifty more than youâd agreed on.
You look down at the money in your hand like itâs a foreign object, shaking your head. âI donât even know what to get.â
His thumbs start to rub reassuring circles by the bend of your knees, âAnything you want,â he tells you. âWhat do you like? Silk, lace, cotton, anything.â
You look up, tilting your head at him with a furrowed brow. âIt doesnât matter what I like, thââ
âIt only matters what you like,â He says seriously, lowering himself to meet your gaze. âIâll love it, no matter what you pick. Donât worry about that.â
You lean forward a bit instinctually, âOkay.â
His eyes scan across your face in something that you can only recognize as awe.
âWhy are you looking at me like that?â you whisper.
âI want to kiss you again,â he says, voice even quieter.
Your eyes go to his mouth and you can only manage a nod, lips already parted.
He moves forward not a second later, kissing you with more fire than youâd gotten to see the other night. His hands grab at your waist, squeezing lightly as you hook one hand around the back of his neck, pulling him closer.
You hear the clatter of chess pieces falling over as he moves nearer to you, large frame leaning over you. You push up on your knees, meeting his lips up at his level. His hands caress around your hips as the kiss gets deeper.
You just start to fumble with the hem of his shirt when he takes your hands in his, pulling them away before breaking the kiss.
âEasy, sweet girl,â he smiles, nudging you back with little force.
You groan, âWhy?â
He barks out a laugh at that, stroking your hips again. âIâm not fucking you for the first time on the floor.â
âThen let's go somewhere else,â you nod up towards the stairs.
He shakes his head, that soft smile still playing on his lips. âNot tonight.â
You sit back on your heels again, frowning.
He brushes your hair back, murmuring, âNo. But for now, I'll kiss you âtil you canât think if thatâs what you want.â
You really hope you didnât perk up at that as much as you think you did.
part two
đžđ˝ i heard a rumor that if you like without reblogging your crops will be cursed but hey what do i know đžđ˝
I'm actually tearing upđđđ i'm so happy for her. excellent ending 10/10
Character(s): dark!Bucky, dark!Steve, too
Masterlist
Warnings: this is a dark!fic, it contains non/dubious-consent elements. Some violence as well at the beginning. It goes without (and with) that this is 18+.
Summary: The end. Thatâs itâŚ
Notes:Â So this is the epilogue (itâs pretty short). I feel it leaves the window open but with a little closure for our reader. Thank you to everyone and this is the final goodbye to Witness and this version of Bucky and Steve. Thank you all. I really canât put into words how special you made this fic for me. I love you!
Before you left New York, you drained your bank account and texted your mom her instructions from your drafts folder. Your old phone was tossed in a city dumpster and you hid your hair under a ballcap. You drove for Chicago first. There, you traded your car for a VIN-less one and pocketed the money from that. You left in the direction of the West Coast before turning back towards the east, heading to Detroit where your mother waited for you.
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Decided to finally watch prospect, but i can only find it on tubi with no subtitles đ
As Google has worked to overtake the internet, its search algorithm has not just gotten worse. It has been designed to prioritize advertisers and popular pages often times excluding pages and content that better matches your search termsÂ
As a writer in need of information for my stories, I find this unacceptable. As a proponent of availability of information so the populace can actually educate itself, it is unforgivable.
Below is a concise list of useful research sites compiled by Edward Clark over on Facebook. I was familiar with some, but not all of these.
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Google is so powerful that it âhidesâ other search systems from us. We just donât know the existence of most of them. Meanwhile, there are still a huge number of excellent searchers in the world who specialize in books, science, other smart information. Keep a list of sites you never heard of.
www.refseek.com - Academic Resource Search. More than a billion sources: encyclopedia, monographies, magazines.
www.worldcat.org - a search for the contents of 20 thousand worldwide libraries. Find out where lies the nearest rare book you need.
https://link.springer.com - access to more than 10 million scientific documents: books, articles, research protocols.
www.bioline.org.br is a library of scientific bioscience journals published in developing countries.
http://repec.org - volunteers from 102 countries have collected almost 4 million publications on economics and related science.
www.science.gov is an American state search engine on 2200+ scientific sites. More than 200 million articles are indexed.
www.pdfdrive.com is the largest website for free download of books in PDF format. Claiming over 225 million names.
www.base-search.net is one of the most powerful researches on academic studies texts. More than 100 million scientific documents, 70% of them are free