Eugene Thacker, "Nine Disputations On Theology And Horror", Collapse: Philosophical Research And Development,

10 Best Books About Writing Fiction

Someone recently asked me for some fiction writing book recommendations, so here they are!

Some fiction writing teachers try to steer their students clear of books about writing. While it’s true that there’s a lot of bad or dubious writing advice out there, my philosophy is that more information is always better. Over the years, I’ve read voraciously about fiction writing–upwards of 50 books about the writing life, plot, fiction craft, dialogue, character development, you name it. While I got a little something from each one, here are the 5 star gems that are worth sharing. Enjoy!

Best Books About the Writing Life

Bird by Bird, Anne Lamott

It’s a classic for a reason. Lamott’s trademark humor makes for an effortless read as she shares her wisdom into the process of writing. Equal parts technical help, encouragement, and brutal honesty balance throughout the book, keeping the reader engaged and in good spirits from start to finish.

From Where You Dream, Robert Olen Butler

Butler’s ideas about the process of writing fiction are not necessarily unique, but I’ve found no other book that discusses the writing “trance” as thoroughly as this one. The exercises in this book teach how you to access the writing “dream state” that good stories often come from. The book can be a little esoteric at times, but it’s worth the patience it takes to understand what Butler is getting at here. Especially recommended for writers who have intrusive inner critics, and those who have strong ideas but find that their writing feels lackluster and flat.

The Writing Life, Annie Dillard

This is a short read, so I’ll just provide a titillating quote and you can go pick it up for yourself: “One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now… Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.” -Annie Dillard

Best Books About Fiction Craft

Self-Editing for Fiction Writers, Rennie Browne and Dave King

Hands down, this is the best craft book on the market. It’s written for beginning writers, but is layered and subtle enough to be useful for advanced writers as well. I’ve read and re-read this book at many different stages of my learning process and taken away something new each time. Unlike the cover suggests, this is not a book about grammar. It shows you how to edit for flow and syntax, to properly tag your dialogue, the basics of show-don’t-tell, as well as providing helpful exercises where you get to try your hand at editing once you’ve learned the techniques.

Stein on Writing, Sol Stein

Make no mistake: Sol Stein is a pompous asshole. But he’s also super, duper smart. I consider this to be an advanced craft book, just because of the level of detail he goes into, but I think a beginner would get a lot out of it as well. Another classic, which means it’s almost always at the library.

Writing Fiction: A Guide to the Narrative Craft, Janet Burroway

Yes, this is a text book. Thick. Heavy. Teeny tiny print. But it’s good. And because it has a million editions, you can get an old version used on the internet for like $.04. Especially nice are the full-length short stories that are supplied as examples in the back of every chapter.

Best Book About Dialogue

Writing Dialogue, Tom Chiarella

Chiarella doesn’t bog the reader down with his own set of hard rules about dialogue, instead he skillfully and humorously persuades the reader about what works and what doesn’t. Busting such myths as “dialogue sounds like real speech,” he gives dozens of creepy-writer-stalker tips like “crowding” and “jotting,” which is basically where you eavesdrop on people and write down what they’re saying. I now carry a notebook on my person at all times specifically for this purpose. I think this book might be out of print (yet 50 Shades of Gray makes millions… is there no justice in this world?), but you can still get it on the internet for a decent price. Do it now before it’s too late!

Best Books About Plot

Plot Whisperer, Martha Alderson

Stupid title, great book. Alderson talks about the idea of the “Universal Story,” which is the process of struggle (conflict) and transformation (climax and resolution) present in most stories. These “energy markers,” she says, are so inherent in our lives, and in the very idea of story itself, that they can be found in almost every plotted novel. She then proceeds to go into insane detail describing these markers and how to incorporate them into your own writing in order to make a plot that resonates with readers. From time to time she also drops some wisdom a la The Artist’s Way (which she calls, I believe, “The Writer’s Way”), helping writers to overcome the hurdles of writing a book. While Alderson is not a writer herself, she has been studying plot and assisting writers with plot struggles for over a decade, and her knowledge and credibility shine in this book. I came away with a much deeper understanding of the purpose of plot and how to wield it, and highly recommend this book.

Wired for Story, Lisa Cron

The sensational subtitle (“The Writer’s Guide to Using Brain Science to Hook Readers from the Very First Sentence”) makes it sound like one of those smarmy write-a-novel-in-30-days books, but don’t be fooled. This the best book on plot I’ve read. It’s devoted to the idea of ‘story’–what makes a story, what people are ‘wired’ to look for and want in a story, and how to satisfy those cravings in your fiction. The 'brain science’ part is presented in a very accessible way, and Cron only gives us enough information to make her point, never overloading the reader with jargon. She talks a lot about the brain’s unconscious impulse to track patterns, make connections, and look for cause-and-effect, and how to translate that into good storytelling. Her definition of 'story’ alone is more valuable than 200 pages of most fiction craft books. There are endless gems in this book, and now my copy (that I purchased! with money! that’s saying a lot already) is completely marked up with pencil and sticky notes. I know this is a book I will refer to time and time again. Highly recommended.

Writing Fiction for Dummies, Randy Ingermanson

If you’re looking for advice about craft, the finer points of good prose, or syntax, look elsewhere. But if you want help with your plot and structure, how to organize scenes, when to cut a scene, how to analyze your characters, keeping your story focused, and what order to do it all in, Ingermanson might just blow your mind. His “Snowflake Method” of plotting is loved by thousands, and is discussed in length all over the internet for free. If it resonates with you, you might want to do what I did and buy the book.

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@theliteraryarchitect is a writing advice blog run by me, Bucket Siler, a writer and developmental editor. For more writing help, download my Free Resource Library for Fiction Writers, join my email list, or check out my book The Complete Guide to Self-Editing for Fiction Writers.

How to tell if you are emotionally abusive

I feel we talk about signs of abuse from the victims standpoint but not from the abusers standpoint. In order to stop emotional abuse and recognize when we engage in unhealthy behaviors I made this list.

Do you react to important people in your life by ignoring them completely and not acknowledging their presence? Especially if they do something you don’t like?

Do you feel that your partner/friends/family members are the cause of your bad moods or frustration?

Does your partner/etc “do things the wrong way”?

Do criticize your partner/etc for being unreliable or a bad person?

Do you feel you have to constantly overlook your partners flaws in order to be around them?

Are you frequently accused of being “moody” or “hard to please”?

Do your partners complain that “nothing they do is good enough?

Do your partners appear to avoid you when you are angry or upset rather then comfort you?

Do you negatively comment on their intelligence or appearence? Either in private or in front of others.

Do you blame them when someone goes wrong?

Do you ever use phrases like “I could just hit you right now” or “I”m so mad I could punch something”?

Do you ever punch walls/throw things in front of your partner/etc?

Do you leave during fights and not inform of where you are going and when you will be back?

Do you behave the same alone with your partner that you do if you were in front of your friends or in public?

Have you frequently accused your partner of being too sensitive?

How often is your partner praised and complimented by yourself?

Do you think your partner spends too much time with friends and family?

Do you feel your partners friends and family are trying to drive you apart?

Do you actively comfort your partner when they are upset or angry even if you don’t really understand why they feel the way they do?

If your partner brings up a behavior that bothers them do you respond by discussing how to change it or do you respond defensively?

Do you have difficulty apologizing?

All of these things are abuse tactics. Obviously even the healthiest of us will do these sometimes but if any one becomes a regular habit that’s when the problem starts.

some random redemption arcs that aren’t just ‘zuko, but a little to the left’

I’m evil but all my evil friends betrayed me and I’ve decided that the best revenge is to ruin their evil plans. Yes, this means I’m a “good guy” or whatever. No, I don’t like it any more than you do.

I was evil but all my evil friends betrayed me and now I’m going to latch onto the first person who shows me kindness. If that happens to be the protagonist, I am totally fine with realigning my morality to match theirs.

I never wanted to do what I did, and now the biggest obstacle to me switching sides is convincing me that I’m not a living weapon.

Well as long as you’re imprisoning me in this magic amulet I might as well give you pointers on your technique. I mean come on if you all die I might be stuck here for millennia! It’s not because I like you and don’t want you to die. Nuh uh.

Look, I legit thought that being evil was going to be my best option to get this important thing done, but, uh, that didn’t pan out. Help?

Pin for survivors

As he stands there, brimming with grief, brimming with life, the woman lies there in silence. The woman dies for him. We watch it happen. We read about it happening. We come to know it well. 

— The Woman Dies, Aoko Matsuda

readings: essays, articles & short stories pt. 2

the winter of civilisation

fruits we'll never taste, languages we'll never hear: the need for needless complexity

emily dickinson and the creative solitude of space

the lost art of looking at nature

the bowl, the ram and the folded map: navigating the complicated world

ada limón on preparing the body for a reopened world

before it was 'bittersweet', nostalgia was seen as a parasite

why alien languages could be far stranger than we imagine

the fig leaf, benjamin shane evans

cat pianos, sound-houses, and other imaginary musical instruments

of shark moves, shell shocks, and trash landings on the moon

as bright as a feather — ostriches, home dyeing, and the global plume trade

getting ahead, jonas karlsson

do these florida dolphins have a language?

the form of a demon and the heart of a person: kitagawa utamaro's prints of yamauba and kintarō (ca. 1800)

who needs ai text-generation when there's erasmus of rotterdam

when memories from fiction become part of who you are

how do transgender people remember their earlier selves?

✅️Vetted by @gazavetters, my number verified on the list is ( #373 )✅️

I hope you'll let me tell you a little bit about my home🇵🇸, Gaza🍉. It's a place where we're living through some very challenging times💔🥹. We're under attack from bombs, explosives, and warplanes, and we've had to endure many nights of sleeplessness. It's a difficult situation💔, but we're trying to stay positive🖤. This war has really taken a toll on us. It's destroyed our bodies, our lives, and our souls. It has been so sad to see our homes destroyed, our belongings taken from us, and our beautiful places ruined. It has also changed our situation for the worse. We were living a pretty good life, you know? Peaceful, loving, and full of life. But then, we found ourselves in a really tough spot. Hunger, fear, and terror have become our new normal. My kids and I, along with my extended family, are struggling to make ends meet. We don't have the basic necessities of life, and our living situation is pretty rough. We're in these old, falling-apart tents. It's so hard to know what to do when winter comes. We'll be soaked in the rain and wind, and I'll be at a loss as to how to keep my family safe, from the bombing and from the winter.🥹

hoping you can help me and my family to live through this awful war.💔🥹

😔🥺https://gofund.me/ed6e9cb6🥹😔

@fancysmudges @brokenbackmountain @just-browsing1222-deactivated20 @mothblossoms @aleciosun @fluoresensitive @khizuo @lesbiandardevil @transmutationisms @schoolhater @timogsilangan @appsa @buttercuparry @sayruq @malcriada @palestinegenocide @sar-soor @akajustmerry @annoyingloudmicrowavecultist @feluka @tortiefrancis @flower-tea-fairies @tsaricides @riding-with-the-wild-hunt @visenyasdragon @belleandsaintsebastian @ear-motif @kordeliiius @brutaliakhoa @raelyn-dreams @troythecatfish @theropoda @tamarrud @4ft10tvlandfangirl @queerstudiesnatural @northgazaupdates2 @skatezophrenic @awetistic-things @camgirlpanopticon @baby-girl-aaron-dessner @nabulsi @sygol @junglejim4322 @heritageposts @chososhairbuns @palistani @dlxxv-vetted-donations @illuminated-runas @imjustheretotrytohelp

Lots of thoughts recently. Everything feels plastic.

I could go on and on about why all that AI "art" is bad. I could mention theft, lack of creativity, it's impact on the work field and environment, but countless people have already said all that. I wanted to touch on something that to me is the most utterly wrong about all of it.

Art is more than just something pretty to look at or listen to. It's therapeutic. It's a form of communication. A tool for human connection. It's a pure, human need.

Support real artists ☀️

all RIGHT:

Why You're Writing Medieval (and Medieval-Coded) Women Wrong: A RANT

(Or, For the Love of God, People, Stop Pretending Victorian Style Gender Roles Applied to All of History)

This is a problem I see alllll over the place - I'll be reading a medieval-coded book and the women will be told they aren't allowed to fight or learn or work, that they are only supposed to get married, keep house and have babies, &c &c.

If I point this out ppl will be like "yes but there was misogyny back then! women were treated terribly!" and OK. Stop right there.

By & large, what we as a culture think of as misogyny & patriarchy is the expression prevalent in Victorian times - not medieval. (And NO, this is not me blaming Victorians for their theme park version of "medieval history". This is me blaming 21st century people for being ignorant & refusing to do their homework).

Yes, there was misogyny in medieval times, but 1) in many ways it was actually markedly less severe than Victorian misogyny, tyvm - and 2) it was of a quite different type. (Disclaimer: I am speaking specifically of Frankish, Western European medieval women rather than those in other parts of the world. This applies to a lesser extent in Byzantium and I am still learning about women in the medieval Islamic world.)

So, here are the 2 vital things to remember about women when writing medieval or medieval-coded societies

FIRST. Where in Victorian times the primary axes of prejudice were gender and race - so that a male labourer had more rights than a female of the higher classes, and a middle class white man would be treated with more respect than an African or Indian dignitary - In medieval times, the primary axis of prejudice was, overwhelmingly, class. Thus, Frankish crusader knights arguably felt more solidarity with their Muslim opponents of knightly status, than they did their own peasants. Faith and age were also medieval axes of prejudice - children and young people were exploited ruthlessly, sent into war or marriage at 15 (boys) or 12 (girls). Gender was less important.

What this meant was that a medieval woman could expect - indeed demand - to be treated more or less the same way the men of her class were. Where no ancient legal obstacle existed, such as Salic law, a king's daughter could and did expect to rule, even after marriage.

Women of the knightly class could & did arm & fight - something that required a MASSIVE outlay of money, which was obviously at their discretion & disposal. See: Sichelgaita, Isabel de Conches, the unnamed women fighting in armour as knights during the Third Crusade, as recorded by Muslim chroniclers.

Tolkien's Eowyn is a great example of this medieval attitude to class trumping race: complaining that she's being told not to fight, she stresses her class: "I am of the house of Eorl & not a serving woman". She claims her rights, not as a woman, but as a member of the warrior class and the ruling family. Similarly in Renaissance Venice a doge protested the practice which saw 80% of noble women locked into convents for life: if these had been men they would have been "born to command & govern the world". Their class ought to have exempted them from discrimination on the basis of sex.

So, tip #1 for writing medieval women: remember that their class always outweighed their gender. They might be subordinate to the men within their own class, but not to those below.

SECOND. Whereas Victorians saw women's highest calling as marriage & children - the "angel in the house" ennobling & improving their men on a spiritual but rarely practical level - Medievals by contrast prized virginity/celibacy above marriage, seeing it as a way for women to transcend their sex. Often as nuns, saints, mystics; sometimes as warriors, queens, & ladies; always as businesswomen & merchants, women could & did forge their own paths in life

When Elizabeth I claimed to have "the heart & stomach of a king" & adopted the persona of the virgin queen, this was the norm she appealed to. Women could do things; they just had to prove they were Not Like Other Girls. By Elizabeth's time things were already changing: it was the Reformation that switched the ideal to marriage, & the Enlightenment that divorced femininity from reason, aggression & public life.

For more on this topic, read Katherine Hager's article "Endowed With Manly Courage: Medieval Perceptions of Women in Combat" on women who transcended gender to occupy a liminal space as warrior/virgin/saint.

So, tip #2: remember that for medieval women, wife and mother wasn't the ideal, virgin saint was the ideal. By proving yourself "not like other girls" you could gain significant autonomy & freedom.

Finally a bonus tip: if writing about medieval women, be sure to read writing on women's issues from the time so as to understand the terms in which these women spoke about & defended their ambitions. Start with Christine de Pisan.

I learned all this doing the reading for WATCHERS OF OUTREMER, my series of historical fantasy novels set in the medieval crusader states, which were dominated by strong medieval women! Book 5, THE HOUSE OF MOURNING (forthcoming 2023) will focus, to a greater extent than any other novel I've ever yet read or written, on the experience of women during the crusades - as warriors, captives, and political leaders. I can't wait to share it with you all!