General:
Were you confused at any point of the story?
What genre would you say this book is?
When did you put the story down?
Is the ending satisfying?
If you had to cut 3 scenes what would they be?
When did you feel like the story really began?
What was the last book you read before this story?
Characters:
Do you get any of the characters names confused?
Which character is your favorite?
If you had to remove a character who would you and why? (you don't have to remove the character, just make sure their role is meaningful)
Which character do you relate to the most?
Which character do you relate to the least?
Do the characters feel real?
Are character relationships believable?
Are the goals clear and influence the plot?
Are the characters distinct (voice, motivations, etc)
Setting:
Which setting was clearest to you?
Which setting was the most memorable?
Am including enough/too much detail?
Plot and conflict:
Are the internal and external conflicts well defined for the main characters?
Are the internal conflicts and the external conflicts organic and believable?
Are there enough stakes?
Are the plot twists believable but still unexpected?
The Procgen Mansion Generator produces large three-dee dwellings to toy with your imagination, offering various architectural styles and other options. Each mansion even comes with floorplans:
https://boingboing.net/2019/07/12/random-mansion-generator.html
Ah shit my bowling team has unionized
[Image ID: The Destiel confession meme edited so that Dean answers 'There's a petition to ban conversion therapy in the EU' to Cas' 'I love you'. /End ID]
If you are a citizen in the EU please sign this petition:
Reblog to give an asexual a treat
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Something like this would be so colossally helpful. I'm sick and tired of trying to research specific clothing from any given culture and being met with either racist stereotypical costumes worn by yt people or ai generated garbage nonsense, and trying to be hyper specific with searches yields fuck all. Like I generally just cannot trust the legitimacy of most search results at this point. It's extremely frustrating. If there are good resources for this then they're buried deep under all the other bullshit, and idk where to start looking.
Here’s a list of 20 signs of anger that writers can use to show, rather than tell, a character’s emotions through physical, verbal, and internal reactions:
Clenched jaw or grinding teeth
Narrowed or glaring eyes
Lips pressed into a thin line or curled into a sneer
Fists clenched tightly at their sides
Tense shoulders that rise or square up
Puffing out the chest or stepping closer to confront
Voice lowered to a dangerous, icy tone
Shouting or raising their voice suddenly
Speaking in short, clipped sentences
Heavy, rapid breathing (nostrils flaring)
Sharp inhales and audible exhales
Holding their breath as if trying to stay in control
Slamming fists onto tables or walls
Pacing back and forth restlessly
Pointing a finger or jabbing the air during speech
Shoving objects off a desk or knocking over a glass
Finger tapping or knuckle cracking
Wrapping arms tightly around themselves
Red face, neck, or ears
Visible veins on the neck or forehead
Breaking into a sweat despite the situation
Eyes darting or rolling sharply
Avoiding direct eye contact out of fury
Staring someone down with unblinking intensity
Cursing, insults, or verbal jabs
Sarcasm sharpened to hurt others
Accusations thrown in frustration
Leaning in closer, looming over someone
Pointed steps toward another person to intimidate
Physically turning away to dismiss or avoid conflict
Throwing objects or breaking things in rage
Punching walls, doors, or inanimate objects
Shaking hands or trembling with pent-up anger
Back stiffening and chin lifting defiantly
Shoulders jerking or twitching
Rigid stance as though ready for confrontation
“I could feel the blood boiling in my veins.”
“The room seemed to close in on me.”
“My pulse thundered in my ears.”
Kicking objects on the ground (chairs, trash bins)
Storming off abruptly or slamming doors
Snapping at someone unrelated to the cause of anger
Heat rushing to their face or spreading through their chest
A cold sensation washing over them, signaling restrained anger
Feeling fire “lick” at their insides or their temper “ignite”
A growl or grunt escaping their lips
Baring their teeth as if instinctively defensive
Ripping or tearing something in their grip
Pausing dramatically before responding
Refusing to speak or meet someone’s eyes
The ominous quiet just before they explode
Muscles twitching or vibrating under the skin
Heart pounding visibly at their throat or chest
A bitter taste in their mouth or nausea from anger
Interrupting others to correct or attack
Dismissing concerns with a quick wave of the hand
Throwing out ultimatums like “Don’t push me!”
Hands trembling after the initial outburst
A headache, buzzing ears, or lingering tension
Regret or shame slowly replacing the heat of the anger
These signs can be layered together to create realistic and powerful depictions of anger, whether it’s smoldering beneath the surface or erupting violently.
If you're in the US military or National Guard, and are given an illegal or unconstitutional order, the GI Rights hotline (1-877-447-4487) is there to help give you the support you need to do the right thing by refusing it. It would be good to think about this now before it becomes a live issue for you and it would be smart of you to memorize that number.
Someone recently asked me for some fiction writing book recommendations, so here they are!
Some fiction writing teachers try to steer their students clear of books about writing. While it’s true that there’s a lot of bad or dubious writing advice out there, my philosophy is that more information is always better. Over the years, I’ve read voraciously about fiction writing–upwards of 50 books about the writing life, plot, fiction craft, dialogue, character development, you name it. While I got a little something from each one, here are the 5 star gems that are worth sharing. Enjoy!
It’s a classic for a reason. Lamott’s trademark humor makes for an effortless read as she shares her wisdom into the process of writing. Equal parts technical help, encouragement, and brutal honesty balance throughout the book, keeping the reader engaged and in good spirits from start to finish.
Butler’s ideas about the process of writing fiction are not necessarily unique, but I’ve found no other book that discusses the writing “trance” as thoroughly as this one. The exercises in this book teach how you to access the writing “dream state” that good stories often come from. The book can be a little esoteric at times, but it’s worth the patience it takes to understand what Butler is getting at here. Especially recommended for writers who have intrusive inner critics, and those who have strong ideas but find that their writing feels lackluster and flat.
This is a short read, so I’ll just provide a titillating quote and you can go pick it up for yourself: “One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now… Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.” -Annie Dillard
Hands down, this is the best craft book on the market. It’s written for beginning writers, but is layered and subtle enough to be useful for advanced writers as well. I’ve read and re-read this book at many different stages of my learning process and taken away something new each time. Unlike the cover suggests, this is not a book about grammar. It shows you how to edit for flow and syntax, to properly tag your dialogue, the basics of show-don’t-tell, as well as providing helpful exercises where you get to try your hand at editing once you’ve learned the techniques.
Make no mistake: Sol Stein is a pompous asshole. But he’s also super, duper smart. I consider this to be an advanced craft book, just because of the level of detail he goes into, but I think a beginner would get a lot out of it as well. Another classic, which means it’s almost always at the library.
Yes, this is a text book. Thick. Heavy. Teeny tiny print. But it’s good. And because it has a million editions, you can get an old version used on the internet for like $.04. Especially nice are the full-length short stories that are supplied as examples in the back of every chapter.
Chiarella doesn’t bog the reader down with his own set of hard rules about dialogue, instead he skillfully and humorously persuades the reader about what works and what doesn’t. Busting such myths as “dialogue sounds like real speech,” he gives dozens of creepy-writer-stalker tips like “crowding” and “jotting,” which is basically where you eavesdrop on people and write down what they’re saying. I now carry a notebook on my person at all times specifically for this purpose. I think this book might be out of print (yet 50 Shades of Gray makes millions… is there no justice in this world?), but you can still get it on the internet for a decent price. Do it now before it’s too late!
Stupid title, great book. Alderson talks about the idea of the “Universal Story,” which is the process of struggle (conflict) and transformation (climax and resolution) present in most stories. These “energy markers,” she says, are so inherent in our lives, and in the very idea of story itself, that they can be found in almost every plotted novel. She then proceeds to go into insane detail describing these markers and how to incorporate them into your own writing in order to make a plot that resonates with readers. From time to time she also drops some wisdom a la The Artist’s Way (which she calls, I believe, “The Writer’s Way”), helping writers to overcome the hurdles of writing a book. While Alderson is not a writer herself, she has been studying plot and assisting writers with plot struggles for over a decade, and her knowledge and credibility shine in this book. I came away with a much deeper understanding of the purpose of plot and how to wield it, and highly recommend this book.
The sensational subtitle (“The Writer’s Guide to Using Brain Science to Hook Readers from the Very First Sentence”) makes it sound like one of those smarmy write-a-novel-in-30-days books, but don’t be fooled. This the best book on plot I’ve read. It’s devoted to the idea of ‘story’–what makes a story, what people are ‘wired’ to look for and want in a story, and how to satisfy those cravings in your fiction. The 'brain science’ part is presented in a very accessible way, and Cron only gives us enough information to make her point, never overloading the reader with jargon. She talks a lot about the brain’s unconscious impulse to track patterns, make connections, and look for cause-and-effect, and how to translate that into good storytelling. Her definition of 'story’ alone is more valuable than 200 pages of most fiction craft books. There are endless gems in this book, and now my copy (that I purchased! with money! that’s saying a lot already) is completely marked up with pencil and sticky notes. I know this is a book I will refer to time and time again. Highly recommended.
If you’re looking for advice about craft, the finer points of good prose, or syntax, look elsewhere. But if you want help with your plot and structure, how to organize scenes, when to cut a scene, how to analyze your characters, keeping your story focused, and what order to do it all in, Ingermanson might just blow your mind. His “Snowflake Method” of plotting is loved by thousands, and is discussed in length all over the internet for free. If it resonates with you, you might want to do what I did and buy the book.
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@theliteraryarchitect is a writing advice blog run by me, Bucket Siler, a writer and developmental editor. For more writing help, download my Free Resource Library for Fiction Writers, join my email list, or check out my book The Complete Guide to Self-Editing for Fiction Writers.
i am become OR a sonnet for the macbeths
Original Work Primary Blog. Sideblog for fanfics @stickdoodlefriend Come yell at me! | 18+
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