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civic duty

Tangles

All homes of sweet things 

must house their dwellers.

a worry

tangles, my honeycomb

tongue tangles—leaves bees instead

of honey. 

They were in my head?

concrete circles ⚪️

10/10 dad joke

Advanced Synonyms for Your Novel

Cold - frigid, icy, chilling

Hot - sweltering, scorching, torrid

Small - minute, diminutive, petite

Big - vast, colossal, gargantuan

Smart - intelligent, astute, savvy

Dumb - obtuse, vacuous, dim-witted

Fast - swift, rapid, fleet

Slow - sluggish, lethargic, dilatory

Old - ancient, decrepit, venerable

Young - youthful, juvenile, fledgling

Good - excellent, superb, stellar

Bad - dreadful, atrocious, abysmal

Strong - robust, sturdy, formidable

Weak - feeble, frail, flimsy

Funny - humorous, witty, comical

i'm AWARE this is a stupid hill to die on, but like. trope vs theme vs cliché vs motif vs archetype MATTERS. it matters to Me and i will die on this hill no matter how much others decide it's pointless. words mean things

I skip and trip down the stairs

tag yourself. do you skitter, scuttle, scurry, or scamper.

A lot of fiction these days reads as if—as I saw Peter Raleigh put it the other day, and as I’ve discussed it before—the author is trying to describe a video playing in their mind. Often there is little or no interiority. Scenes play out in “real time” without summary. First-person POV stories describe things the character can’t see, but a distant camera could. There’s an overemphasis on characters’ outfits and facial expressions, including my personal pet peeve: the “reaction shot round-up” in which we get a description of every character’s reaction to something as if a camera was cutting between sitcom actors.

When I talk with other creative writing professors, we all seem to agree that interiority is disappearing. Even in first-person POV stories, younger writers often skip describing their character’s hopes, dreams, fears, thoughts, memories, or reactions. This trend is hardly limited to young writers though. I was speaking to an editor yesterday who agreed interiority has largely vanished from commercial fiction, and I think you increasingly notice its absence even in works shelved as “literary fiction.” When interiority does appear on the page, it is often brief and redundant with the dialogue and action. All of this is a great shame. Interiority is perhaps the prime example of an advantage prose as a medium holds over other artforms.

fascinated by this article, "Turning Off the TV in Your Mind," about the influences of visual narratives on writing prose narratives. i def notice the two things i excerpted above in fanfic, which i guess makes even more sense as most of the fic i read is for tv and film. i will also be thinking about its discussion of time in prose - i think that's something i often struggle with and i will try to be more conscious of the differences between screen and page next time i'm writing.