Writing Resources: WORDS ARE HARD

Hello 👋🌸,

I hope this message finds you well.

Mohamed’s family is in desperate need of assistance due to the ongoing violence. Their story is both heartbreaking and urgent. Please take a moment to read the full details and consider supporting the "Donate to Secure a Future for Mohamed's Family" campaign. Your support, even by sharing, can make a world of difference.

Link:

https://gofund.me/ac84f225

Thank you from the bottom of our hearts for any help you can provide 💖.

With deep gratitude,

Eng. Mohamed Danaf 🌹

✅ Verified By 90-ghost

.

Sneak Peek

She knew how the protocol dictated and it only gave her three minutes at most. If she didn't remove all traces of her hacking into the victim's computer, they would label her a suspect. She was a cyber vigilante, not a murderer, thank you very much. Criminals are very sensitive about the crimes they commit, and the least you could do is to accuse her accurately.

She began severing each connection, leaving behind no trace, but before she could finish, Detective Alvarez zeroed his eyes on the hidden camera and pulled out a notepad from his jacket. Then, he strode across the Persian rug, and bent low until he was right in front of the camera. He unfolded the paper and held it up. On it was one message.

How long have you been watching, Oblivion?

The screen blacked out. All connections severed from the camera.

As he stands there, brimming with grief, brimming with life, the woman lies there in silence. The woman dies for him. We watch it happen. We read about it happening. We come to know it well. 

— The Woman Dies, Aoko Matsuda

The noble Tumblr community, always eager to help, Thank you from the bottom of my heart ❤️.

This is a message of appreciation 🙏 to all of you for standing by us.

As the announcement of the ceasefire in Gaza approaches 🕊️, the first thing I do is write these words to express my gratitude and thanks 🌟 for being part of our survival.

This post is a message of gratitude and appreciation ✨. I hope it will be shared and spread widely—just reblog 🔄.

Post link

.

in 2025 let’s bring back being enthusiastic on ao3. leave a comment on every chapter. leave kudos and, if necessary, leave “double kudos” in the comments. tags and notes on bookmarks. the whole nine yards. let’s show fanfic authors how much we love them.

Buddie Countdown to Season 8b:

8 days.

10 Best Books About Writing Fiction

Someone recently asked me for some fiction writing book recommendations, so here they are!

Some fiction writing teachers try to steer their students clear of books about writing. While it’s true that there’s a lot of bad or dubious writing advice out there, my philosophy is that more information is always better. Over the years, I’ve read voraciously about fiction writing–upwards of 50 books about the writing life, plot, fiction craft, dialogue, character development, you name it. While I got a little something from each one, here are the 5 star gems that are worth sharing. Enjoy!

Best Books About the Writing Life

Bird by Bird, Anne Lamott

It’s a classic for a reason. Lamott’s trademark humor makes for an effortless read as she shares her wisdom into the process of writing. Equal parts technical help, encouragement, and brutal honesty balance throughout the book, keeping the reader engaged and in good spirits from start to finish.

From Where You Dream, Robert Olen Butler

Butler’s ideas about the process of writing fiction are not necessarily unique, but I’ve found no other book that discusses the writing “trance” as thoroughly as this one. The exercises in this book teach how you to access the writing “dream state” that good stories often come from. The book can be a little esoteric at times, but it’s worth the patience it takes to understand what Butler is getting at here. Especially recommended for writers who have intrusive inner critics, and those who have strong ideas but find that their writing feels lackluster and flat.

The Writing Life, Annie Dillard

This is a short read, so I’ll just provide a titillating quote and you can go pick it up for yourself: “One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now… Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.” -Annie Dillard

Best Books About Fiction Craft

Self-Editing for Fiction Writers, Rennie Browne and Dave King

Hands down, this is the best craft book on the market. It’s written for beginning writers, but is layered and subtle enough to be useful for advanced writers as well. I’ve read and re-read this book at many different stages of my learning process and taken away something new each time. Unlike the cover suggests, this is not a book about grammar. It shows you how to edit for flow and syntax, to properly tag your dialogue, the basics of show-don’t-tell, as well as providing helpful exercises where you get to try your hand at editing once you’ve learned the techniques.

Stein on Writing, Sol Stein

Make no mistake: Sol Stein is a pompous asshole. But he’s also super, duper smart. I consider this to be an advanced craft book, just because of the level of detail he goes into, but I think a beginner would get a lot out of it as well. Another classic, which means it’s almost always at the library.

Writing Fiction: A Guide to the Narrative Craft, Janet Burroway

Yes, this is a text book. Thick. Heavy. Teeny tiny print. But it’s good. And because it has a million editions, you can get an old version used on the internet for like $.04. Especially nice are the full-length short stories that are supplied as examples in the back of every chapter.

Best Book About Dialogue

Writing Dialogue, Tom Chiarella

Chiarella doesn’t bog the reader down with his own set of hard rules about dialogue, instead he skillfully and humorously persuades the reader about what works and what doesn’t. Busting such myths as “dialogue sounds like real speech,” he gives dozens of creepy-writer-stalker tips like “crowding” and “jotting,” which is basically where you eavesdrop on people and write down what they’re saying. I now carry a notebook on my person at all times specifically for this purpose. I think this book might be out of print (yet 50 Shades of Gray makes millions… is there no justice in this world?), but you can still get it on the internet for a decent price. Do it now before it’s too late!

Best Books About Plot

Plot Whisperer, Martha Alderson

Stupid title, great book. Alderson talks about the idea of the “Universal Story,” which is the process of struggle (conflict) and transformation (climax and resolution) present in most stories. These “energy markers,” she says, are so inherent in our lives, and in the very idea of story itself, that they can be found in almost every plotted novel. She then proceeds to go into insane detail describing these markers and how to incorporate them into your own writing in order to make a plot that resonates with readers. From time to time she also drops some wisdom a la The Artist’s Way (which she calls, I believe, “The Writer’s Way”), helping writers to overcome the hurdles of writing a book. While Alderson is not a writer herself, she has been studying plot and assisting writers with plot struggles for over a decade, and her knowledge and credibility shine in this book. I came away with a much deeper understanding of the purpose of plot and how to wield it, and highly recommend this book.

Wired for Story, Lisa Cron

The sensational subtitle (“The Writer’s Guide to Using Brain Science to Hook Readers from the Very First Sentence”) makes it sound like one of those smarmy write-a-novel-in-30-days books, but don’t be fooled. This the best book on plot I’ve read. It’s devoted to the idea of ‘story’–what makes a story, what people are ‘wired’ to look for and want in a story, and how to satisfy those cravings in your fiction. The 'brain science’ part is presented in a very accessible way, and Cron only gives us enough information to make her point, never overloading the reader with jargon. She talks a lot about the brain’s unconscious impulse to track patterns, make connections, and look for cause-and-effect, and how to translate that into good storytelling. Her definition of 'story’ alone is more valuable than 200 pages of most fiction craft books. There are endless gems in this book, and now my copy (that I purchased! with money! that’s saying a lot already) is completely marked up with pencil and sticky notes. I know this is a book I will refer to time and time again. Highly recommended.

Writing Fiction for Dummies, Randy Ingermanson

If you’re looking for advice about craft, the finer points of good prose, or syntax, look elsewhere. But if you want help with your plot and structure, how to organize scenes, when to cut a scene, how to analyze your characters, keeping your story focused, and what order to do it all in, Ingermanson might just blow your mind. His “Snowflake Method” of plotting is loved by thousands, and is discussed in length all over the internet for free. If it resonates with you, you might want to do what I did and buy the book.

/ / / / /

@theliteraryarchitect is a writing advice blog run by me, Bucket Siler, a writer and developmental editor. For more writing help, download my Free Resource Library for Fiction Writers, join my email list, or check out my book The Complete Guide to Self-Editing for Fiction Writers.

If any of y’all didn’t know, there’s a free online library, aka

https://openlibrary.org/

and I found like, twelve ebooks I’ve been wanting to read on there, and blasted through like three of them during the course of a boring-ass shift.

I like talking to small children because they are comfortable ending a conversation. Adults hate “awkward silence” and will often continue to talk after the most enjoyable part of a conversation has ended. A child will be like “yeah. Anyway bye” and go back to what they were doing two feet away.