One of the best writing advice I have gotten in all the months I have been writing is "if you can't go anywhere from a sentence, the problem isn't in you, it's in the last sentence." and I'm mad because it works so well and barely anyone talks about it. If you're stuck at a line, go back. Backspace those last two lines and write it from another angle or take it to some other route. You're stuck because you thought up to that exact sentence and nothing after that. Well, delete that sentence, make your brain think because the dead end is gone. It has worked wonders for me for so long it's unreal
Here’s a list of 20 signs of anger that writers can use to show, rather than tell, a character’s emotions through physical, verbal, and internal reactions:
Clenched jaw or grinding teeth
Narrowed or glaring eyes
Lips pressed into a thin line or curled into a sneer
Fists clenched tightly at their sides
Tense shoulders that rise or square up
Puffing out the chest or stepping closer to confront
Voice lowered to a dangerous, icy tone
Shouting or raising their voice suddenly
Speaking in short, clipped sentences
Heavy, rapid breathing (nostrils flaring)
Sharp inhales and audible exhales
Holding their breath as if trying to stay in control
Slamming fists onto tables or walls
Pacing back and forth restlessly
Pointing a finger or jabbing the air during speech
Shoving objects off a desk or knocking over a glass
Finger tapping or knuckle cracking
Wrapping arms tightly around themselves
Red face, neck, or ears
Visible veins on the neck or forehead
Breaking into a sweat despite the situation
Eyes darting or rolling sharply
Avoiding direct eye contact out of fury
Staring someone down with unblinking intensity
Cursing, insults, or verbal jabs
Sarcasm sharpened to hurt others
Accusations thrown in frustration
Leaning in closer, looming over someone
Pointed steps toward another person to intimidate
Physically turning away to dismiss or avoid conflict
Throwing objects or breaking things in rage
Punching walls, doors, or inanimate objects
Shaking hands or trembling with pent-up anger
Back stiffening and chin lifting defiantly
Shoulders jerking or twitching
Rigid stance as though ready for confrontation
“I could feel the blood boiling in my veins.”
“The room seemed to close in on me.”
“My pulse thundered in my ears.”
Kicking objects on the ground (chairs, trash bins)
Storming off abruptly or slamming doors
Snapping at someone unrelated to the cause of anger
Heat rushing to their face or spreading through their chest
A cold sensation washing over them, signaling restrained anger
Feeling fire “lick” at their insides or their temper “ignite”
A growl or grunt escaping their lips
Baring their teeth as if instinctively defensive
Ripping or tearing something in their grip
Pausing dramatically before responding
Refusing to speak or meet someone’s eyes
The ominous quiet just before they explode
Muscles twitching or vibrating under the skin
Heart pounding visibly at their throat or chest
A bitter taste in their mouth or nausea from anger
Interrupting others to correct or attack
Dismissing concerns with a quick wave of the hand
Throwing out ultimatums like “Don’t push me!”
Hands trembling after the initial outburst
A headache, buzzing ears, or lingering tension
Regret or shame slowly replacing the heat of the anger
These signs can be layered together to create realistic and powerful depictions of anger, whether it’s smoldering beneath the surface or erupting violently.
Morally gray antagonists and heroes can bring up many interesting questions about your story's theme and plot. Yes, your hero does want to save the world, but resorts to cruel ways of bringing peace?
Being morally gray can also mean that the character is highly goal- oriented and values efficiency and success over anything.
As is true in real life, a person's intentions aren't always obvious. A character, their title, background or really just how they look might at first indicate they're the hero type but surprise - they're not.
By hiding ulterior motives behind more apparent ones, you can add depth to your morally gray characters. Appearances can be deceiving, and that makes for a juicy read.
Morally gray characters and villains are not strictly one and the same. Yes, there is overlap-they can be villains-but the distinctions are there nonetheless.
I don't think having a dark past to provide motivations for morally gray characters is too effective. They do intend to harm others, and sometimes, that's just the way they are.
Your morally gray character should recognize that their choices can cause harm, intentionally or otherwise.
Although he's willing to risk the chance in his pursuit of knowledge, he does actively recognize that his actions can result in negative consequences. He sometimes acknowledges this before he does something, and sometimes only in hindsight.
They must understand and experience remorse. When the consequences of their actions wreck and story world and kills people around her, she would certainly have regrets and even struggle to undo what she did.
The point here is, she won't regret until she has already caused the wreckage.
Finally, when even they feel things have gone too far, your morally gray character must seek redemption however that manifests itself in your story.
For all their logic and reasoning, they are not without feeling. They can grow to care for other characters and go out of their way to help them at times, even save their life.
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Gets into: A Fight ⚜ ...Another Fight ⚜ ...Yet Another Fight
Hates Someone ⚜ Kisses Someone ⚜ Falls in Love
Calls Someone they Love ⚜ Dies / Cheats Death ⚜ Drowns
is...
A Child ⚜ Interacting with a Baby/Child ⚜ A Genius ⚜ A Lawyer
Beautiful ⚜ Dangerous ⚜ Drunk ⚜ Injured ⚜ Shy
needs...
A Magical Item ⚜ An Aphrodisiac ⚜ A Fictional Poison
To be Killed Off ⚜ To Become Likable ⚜ To Clean a Wound
To Find the Right Word, but Can't ⚜ To Say No ⚜ A Drink
loves...
Astronomy ⚜ Baking ⚜ Cooking ⚜ Cocktails ⚜ Food ⚜ Oils
Dancing ⚜ Fashion ⚜ Gems ⚜ Mythology ⚜ Numbers
Roses ⚜ Sweets ⚜ To Fight ⚜ Wine ⚜ Wine-Tasting ⚜ Yoga
has/experiences...
Allergies ⚜ Amnesia ⚜ Bereavement ⚜ Bites & Stings ⚜ Bruises
Caffeine ⚜ CO Poisoning ⚜ Color Blindness ⚜ Food Poisoning
Injuries ⚜ Jet Lag ⚜ Mutism ⚜ Pain ⚜ Poisoning
More Pain & Violence ⚜ Viruses ⚜ Wounds
[these are just quick references. more research may be needed to write your story...]
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No character is going to live unscathed.
We writers seem to be an expert at getting our darlings bashed up, beaten and abused (sometimes to the point of insanity). That' great, and let's make sure we are doing it right.
The area will immediately begin to swell up.
Blood rushes to accelerate the healing process, and that makes the skin around the wound look red and swollen, and it will feel warm (though not hot).
Most wounds wouldn't bleed too much, unless it's a head injury.
Try to give indications of how severe the wound is.
How wide is the injury? How far does it stretch across the character's body? Can bone be seen? Is blood seeping into their clothes or pooling underneath them?
Is it a clean slice, or is it torn open? Have parts of the flesh been pulled away?
How much does the wound frighten the injured character?
When the injury is first sustained, it will look swollen and red.
Over time, the bruise will darken to a shade of blue, purple, or black.
After that, it will gradually turn yellow or green. Then it will turn brown and eventually fade away.
The word choice matters!
Describing a bruise as a "contusion" creates a violent connotation, while "blemish" doesn't sound so harsh.
Describing bruises as "discolored" or "shadows" comes with a more melancholy connotation.
An injury from blunt trauma, such as a bruise, is going to feel dull, and like it's throbbing.
It will feel stiff and firm from the swelling, and it may sting if touched.
As the bruise ages, it may feel tender and sore, but only when pressure is applied or the area is moved.
A wound from a sharp object, however, is likely to feel hot, tingly, or numb.
The pain may be delayed, but after the initial rush of adrenaline wears off, the pain from this type of injury will be fairly constant.
Scrapes tend to feel hot and itchy, and the scab from a nasty scrape can cover a wide area. It will also get itchier as it heals, motivating the character to pick at it and delay healing.
The time it takes an injury to heal is going to depend on the severity of the injury.
As a general rule, however:
Bruises take about 2 weeks Scrapes take about 1 week
Minor cuts take about 2 weeks
Surgical incisions and sutured wounds take about 4-6 weeks
A bad wound that doesn't get stitches could take up to 3 months
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