You Carried Me Once, Friend, And Now I'll Carry You.

You Carried Me Once, Friend, And Now I'll Carry You.

You carried me once, friend, and now I'll carry you.

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More Posts from Airfleck and Others

2 years ago

Once you know that Marissa Meyer based The Lunar Chronicles (and specifically Cinder, the first book) on an old Sailor Moon fanfic she wrote, the inspiration can be fairly obvious (most obvious being the missing princess from the moon and the threat of war between Earth and the Moon). That being said, there’s enough of Meyer’s own inspiration/ideas in there to help make it stand out (the futuristic setting, for one thing).

But it did make me think: Bill Ellis (who I mentioned on here before) wrote an essay about Princess Tutu where he said that Cinderella–the fairy tale Cinder retells–is an archetypal precedent to magical girl transformations. Cinderella and Sailor Moon have premises unique to themselves, but then I thought about the basics of both stories: both Cinderella and Usagi start out as girls who are at a low point of their life (Cinderella is mistreated by her stepfamily, while Usagi is chronically late for school and failing tests–one is arguably worse than the other, sure, but the point is, neither of them is doing great in their own way). Then both of them encounter magic (fairy godmother, talking space cat, etc.) that gives them, as Ellis puts it, the skills they need to accomplish whatever they need to do (go to the ball, fight evil). For an added bonus, no one at the ball ever recognizes Cinderella, similar to how no one ever puts it together that Usagi is Sailor Moon, despite her never covering her face (though she did have a mask in the early chapters of the manga). Also, there’s a prince in both stories.

With that in mind, it’s not hard to see how it was easy for Meyer to take inspiration from Sailor Moon in her Cinderella retelling. (Interestingly enough, the original fanfic was a Puss in Boots AU, because as Meyer pointed out, both Puss in Boots and Sailor Moon have talking cats.)

1 year ago
I Love Him Let Him Eat

i love him let him eat


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6 months ago
Their First Glimmer Of Hope In The Nightmare Forest

their first glimmer of hope in the nightmare forest


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1 year ago
We’ll Always Have Yesterday

we’ll always have yesterday

remaster of an old piece. i’ll be at yeticon table L7 this weekend if you want to come say hi :^)


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11 months ago

Harrow: my deepest darkest trauma is that my parents killed a bunch of children in order to make me into a powerful necromancer. they died for me. their blood is on my hands.

Gideon: that sucks dude. anyways I'm going to sacrifice myself to save your life. you'll be an even more powerful necromancer. pretty sick, huh?

Gideon: why are you so upset about this

Gideon: is it because you don't like me


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1 year ago
Usagi The Twitch Streamer!

Usagi the Twitch Streamer!

1 year ago
🌹⚔🌹

🌹⚔🌹


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1 year ago
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The harrowing and heartfelt part 2 to this. Congratulations to the century-old sweethearts. 💖


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4 months ago

i'm sorry i wiggled your skinny boyfriend like a sheet of metal. weeop womp weeoop womp weeeoop womp


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1 year ago

Hi PLEASE go off about how the districts in The Hunger Games work. Thank you. 😘

ahaha OKAY!!

so I think the big issue with other YA dystopia that tried to emulate the hunger games was that it didn't grasp why the districts actually existed, and how the enforcement of their division actually served to benefit the capitol and weaken any resistance. tbh I didn't really think too deeply about this aspect of it until recently when i was watching someone on youtube's deep-dive into the divergent series and was struck by how stupid that series's idea of factions were. they're based primarily on personality traits, and not only that but they have a system where everyone has to be manually sorted into those factions? which is just way too much effort for a system so arbitrary that doesn't actually serve a logical purpose in maintaining a totalitarian regime.

meanwhile the hunger games's districts make complete sense; the capitol never had to corral people or even do much of anything other than draw some borders and then enforce said borders, and they did so logically based on preexisting socio-economic systems. district 12 is a mining district because it's located in appalachia, which is already an industrial mining area. by dividing panem based on available resources, the capitol can very easily maintain its control by forcing each individual district to be dependent on the capitol's allocation of said resources. no other districts can independently trade goods with one another, so if any district wants to receive everything it needs to survive, it has to stay in the capitol's good graces. if district four pisses them off, the capitol can just say "okay, good luck heating your homes this winter" and there's nothing district four can do about it. naturally this leads to certain districts receiving special treatment; district one supplies luxury goods for the capitol and as a result is allowed a level of wealth and comfort not afforded to other districts, which 1) motivates them to maintain the status quo to continue benefiting from it, 2) gives them a sense of pride and superiority to other districts that alienates them from others, and 3) breeds resentment for certain districts among the poorer ones, creating further division with minimal effort on the capitol's part. even if it's in everyone's best interests to unite and fight together, why would district 12 give a shit that district 1 is also suffering under the same regime? their families don't have to worry about putting food on the table.

and then the failed rebellion happens, district 13 is seemingly wiped off the map, and the capitol comes up with the hunger games, which is a pretty genius idea for a punishment that also serves to strengthen its power. "we destroyed district 13 and we have the power to destroy you, too, but all we're demanding of you is two of your children per year, and we're gracious enough to provide them a chance at survival." (i've seen shitty YA dystopias that have similar selection processes for whatever arbitrary system they establish where NO ONE who is selected comes back, which is insane and doesn't work because without that sliver of hope, no one who's being subjugated has anything to lose.)

and while every district is forced to sacrifice at least one child, some districts have a better chance of bringing a child home alive than others, which gives them the "privilege" of seeing selection for the games as something honorable. "yes, you might die, but you've had the resources to train for this your whole life, and if you win you'll bring more glory to our district, just like all the ones who came before you who now live in the victors' village" (and of course the more tributes who win in a certain district, the more aspirational being a tribute becomes, because you have plenty of examples of winners who now live in even more luxury than before; meanwhile district 12's victors' village is technically 'luxurious' but its only occupant is miserable and lonely and his life is hardly any better than the rest of them). and with this sense of competition comes even more division, because why would i see district 2 as my ally when their tribute, who i was forced to watch cave in my child's head with a rock, is now here on their mandatory victory tour celebrating the fact that they did so? sure, they still lost one kid, but they could have lost two like the rest of us.

so tl;dr the districts are a very logical, surprisingly simple aspect of the capitol's totalitarian rule: there's no arbitrary sorting system they have to create, it's based on the control of basic resources humans require to survive, it's relatively easy to enforce both through physical borders and a systemic "divide-and-conquer" approach appealing to human emotion. it's very believable as it merely takes real socio-economic disparity and class conflict to its most extreme.

(also this isn't related to the districts but other YA dystopia tends to portray their protagonists as "special" or "different" and that's why they're capable of taking down the system, but katniss is very explicitly Not Special. she's skilled in a way that makes perfect sense given her upbringing, but she's not overpowered; she wins because the pieces just so happen to fall into place in just the right way that allows her to win. the spark of rebellion she ignites by forcing the capitol to allow both her and peeta to win happens because she's intelligent, sure, but also because these poison berries happen to be available. it's a mundane victory made significant through circumstances where she happens to be the Right Person at the Right Time.)

obligatory "idk if this made any fucking sense lmao" bookend


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