Airfleck - Airfleck

I finally finished my Utena re-watch yesterday, binging the last three episodes and Adolescence in one evening, and I am Having Thoughts. Mostly about the story from Akio's perspective, surprisingly.

I don't know if I've ever read anyone's exploration of the story from his pov, so I'm going to brain-vomit about it.

From his pov, he's the one who's trapped. The Rose Bride sealed Dios away from the world, whether for his own good or to keep her brother to herself, or both. The princely part of him, Dios, is trapped, leaving only the human part of him, Akio, out in the world, trying to regain what he's lost and cope without what he sees as his 'real' power. 'The power to revolutionise the world' is, for him, the regaining of his heroic princely aspect that made him something close to a god among mortals, a natural leader, the greatest warrior.

So what is he left with? What does a regular human man have with which to find his place in the world? What is his role, if not a prince? Is he a ladies' man? An intellectual? A fighter? A logical realist who denies the 'miracles' the prince could perform to keep people safe?

It's clear from the Black Rose arc, and from the final scenes, that Akio has repeated the duels in some form many times, assuming that he needs the right sword to open the Rose Gate and access his old power. He holds this 'might makes right' belief that physical strength or a warrior's weapon is the key to power. When Utena, just a girl, succeeds as the winner of the duels, at first he tries to persuade her to stand down, because how could a girl's sword possibly be strong enough to open the Gate? I wondered, during this watch, if this cycle was the first time that any girls had taken part in the duels, and whether that was by design or accidental. In the Black Rose arc, it's 100 boys who are drawn in to find the power or the eternal something. In this latest cycle, it's the student council, a power structure that represents intellectual masculinity: Juri, as a lesbian in a uniform closer to her male counterparts than to the other female students, might possibly have been the first girl to join the duels, an unintentional outcome perhaps inspired by Mikage, who was more easily tempted by a boy than by that boy's older sister. She still represented an aspect of masculinity in her own way, as the logical realist who denies miracles. Likewise, Nanami joins the duels initially to stand in for her brother, and leaves when she is confronted by how damaging the system is to the very people it's supposed to protect.

I wondered if perhaps Utena was never meant to join the duels. If Dios had meant to find Touga and Saionji on that particular day, and stumbled on Utena because they did. If Utena joining and winning the duels was never part of Akio's plan, and that's why he, and all the others, are so perplexed by her and never figure out how to get the better of her. Akio tries to force her into the role of 'Girl' because all he knows is playing the role of 'Man', and what else is a man supposed to do with a girl besides protect her or seduce her?

Utena succeeds because, for all her talk about wanting to be a prince to rescue girls, she gives up that roleplay and acts of of genuine love and compassion. She succeeds in besting the Rose Bride's curse because she doesn't approach it like a man, trying to seduce, fight, or logic her way through, but by loving Anthy and by having the compassion to want to end her pain.

Utena is still very much about smashing the patriarchy (literally in the case of Adolescence), but in its own way it also artfully deconstructs the ways in which patriarchy hurts men too, by limiting the roles available to them. Utena offers an alternative to the masculine roles of warrior, lover, intellectual and cynic, as well as to the feminine role of princess. The student council recognise it in the end, but Akio never does, because he is so utterly stuck in his role. That's why Anthy gets to leave at the end, telling him he's the one that's trapped, because Utena showed her that she, and we, can choose our own roles.

“Awk sure I did feel while bad for the poor wee critter asking her to marry him the wee pet he was while civil :(” –my very Northern Irish mother about Seward proposing to Lucy after my gothic-literature-obsessed dad and I peer pressured her into reading Dracula

Honorable mentions were her calling Dracula’s Brides “those three bitches” and calling Seward “the hospital boy”

Artist: Ramunerica

❥Permission to repost this was given by the artist. Please do not repost without the artist’s permission. If you liked this fanwork, do take the time to rate and bookmark the original work.

Hello. My name is Count D’racula Dementia Vampyr Way. I have long white teeth (that’s how I got my name) and a long white moustache with white streaks that reaches my mid back and red eyes like limpid blood and a lot of people tell me I look like my predecessor Dracula (if you don’t know who he is get da hell out of here!!) I’m not related to Attila but I wish I was cause he’s a major fucking hottie. I’m a vampire and my teeth are long and white. I have pale white skin. I’m also a Count, and I live in a creepy castle in Transylvania where I’ve been for quite some time (I’m an age.) I’m a Goth (in case you couldn’t tell) and the blood of every conqueror ever flows through my veins. I’m also a goth (in case you couldn’t tell) and I wear mostly black. For example today I was wearing a black shirt, black trousers, a black cape, and black mid-thigh boots. I was wearing no makeup. I was walking around inside my castle. It was nighttime which I was very happy about. An English lawyer stared at me. I threw his shaving mirror out the window.

where the sacred twilight meets the revealing dawn

☀️🌜 kofi link in bio if you’re feeling generous 🌛☀️

☆ - ̗̀✨ He's just Ken ✨ ̖́- ☆

You carried me once, friend, and now I'll carry you.

[Prints here]

another gravity falls animation! :3 hope yall enjoy!