Running Away Masterlist

Describing Voices

Inspired by this old post

Words (and definitions) as text below cut.

Words to Describe a Voice

Adenoidal: pinched and nasal in tone

Alto: a low female voice, or a high male voice

Appealing: evoking interest, desire, or curiosity; attractive

Austere: severe, uncompromising, or strict; sober, or serious

Baritone: an intermediate male voice, between tenor and bass

Booming: a deep, resonant sound; prolonged or echoing

Breathy: audible, or excessive, emission of breath

Coarse: harsh, or grating; vulgar, obscene, or crude

Croaky: low-pitched and hoarse; croaking

Deep: low in pitch; sonorous tone

Ethereal: light, airy, or tenuous; extremely delicate or refined

Falsetto: an unnaturally, or artificially, high-pitched voice

Frail: delicate, weak, or fragile

Grating: irritating, unpleasant, harsh, discordant, or rasping

Gravelly: harsh and grating

Guttural: harsh, or throaty; sounds formed in back of mouth

High-Pitched: high in volume and/or tone

Hoarse: a low, harsh sound; husky; weak intensity and excessive breathiness

Honeyed: pleasantly soft; dulcet, or mellifluous; flattering, or ingratiating

Husky: a somewhat hoarse, semi-whispered vocal tone

Hypnotic: inducing, or tending to induce, sleep; soporific

Lilting: rhythmic; light and tripping

Lofty: elevated; arrogant or condescending

Low: quiet or deep

Luscious: sweet to excess; highly pleasing; satisfying; cloying

Lyrical: enthusiastic; effusive; melodious; musical

Majestic: lofty, imposing, stately, or grand

Mellow: mild and pleasant; relaxed; soft and rich

Melodic: sweet-sounding; musical

Mesmerizing: completely engrossing, captivating, or fascinating

Musical: resembling music; melodious; harmonious

Nasal: sounds, either partly or entirely, form the noise

Orotund: strong, full, rich, or clear; pompous or bombastic

Plaintive: sorrowful; melancholic; mournful

Plummy: rich, or mellowly, resonant

Raspy: harsh, grating, rasping, or irritating

Resonant: deep and full of resonance; reverberating

Rich: full, strong, deep, or vivid

Ringing: clear, resonant; reminiscent of bells

Scratchy: uneven, irritating, or grating

Shrill: high-pitched and piercing

Silvery: having a clear, ringing sound

Small: humble, weak, soft, or of little strength or force

Smoky: hazy, hoarse, husky, or raspy

Soft-Spoken: soft, gentle, or mild; persuasive

Soporific: causing, or tending to cause, sleep

Squeaky: sharp, shrill, high-pitched

Strong: robust; powerful; intense in quality

Sweet: pleasing to the ear; delicate, or agreeable

Tenor: an intermediate male voice between bass and alto

Thick: husky, or hoarse; not distinctly articulated

Thin: lacking fullness or volume; weak, or shrill

Throaty: guttural, husky, or hoarse

Tight: drawn, tense, or taut

Weak: lacking in force; soft, deficient, or quiet

Wheezy: with a whistling sound, and difficulty breathing

Words to Describe Tone of Voice

Affected: false, or feigned; pretending to possess

Arrogant: overbearing, assuming, insolently proud

Authoritative: positive, peremptory, or dictatorial

Bloodcurdling: arousing terror; horrifying

Boisterous: rough and noisy, rowdy, unrestrained; noisily jolly

Breaking: changing, or collapsing, suddenly

Bright: animated, lively, cheerful, clever, or witty

Brittle: fragile, frail, lacking warmth; having a sharp, tense quality

Cacophonous: having a harsh, or discordant sound

Caterwauling: long and wailing; a howl, or screech

Cheery: in good spirits; cheerful, or happy

Delicate: soft, or faint; subtle; tactful, or cautious

Dry: plain, unadorned, indifferent, or matter-of-fact

Dulcet: pleasant to the ear; melodious

Ear-Splitting: extremely harsh and irritating; loud

Enthusiastic: lively, ardent, eager, or passionate

Faint: soft, weak, feeble, or slight; lacking clearness or volume

Feeble: lacking in force, strength, volume, and distinctness

Flat: without modification or variation; without vitality

Forceful: powerful, vigorous, or effective

Frank: direct and unreserved; straightforward; sincere

Gruff: low and harsh; hoarse; rough, brusque, or surly

Hesitant: wavering, irresolute, timid, or unpersuasive

Insincere: lacking sincerity; sarcastic; hypocritical

Irreverent: lacking respect; flippant

Monotone: single tone, without harmony or variation

Patronizing: offensive and condescending

Pedantic: overly concerned with details and rules

Petulant: impatient irritation; annoyed

Piercing: loud, or shrill; sarcastic, or caustic

Pompous: ostentatious display of self-importance

Pontificating: to speak in a pompous or dogmatic manner

Pretentious: making an exaggerated outward show; ostentatious

Raised: increased in volume

Raucous: harsh, strident, or grating; rowdy, or disorderly

Respectful: showing deference; politeness

Rough: harsh to the ear; grating, or jarring

Sarcastic: using harsh or bitter derision or irony

Screeching: harshly shrill

Serious: grave, somber, earnest, or sincere

Singsong: rhythmically monotonous cadence or tone

Smug: contentedly confident in superiority or correctness

Snarky: testy or irritable; having a rudely critical tone

Snobby: condescending, patronizing; snobbish

Soft: low, or subdued; gentle and melodious

Sotto Voce: in a low, soft voice, so as not to be overheard

Stilted: stiffly dignified or formal; pompous

Strangled: choking, or stifled; gradually cut off

Sullen: gloomy, irritated, morose, or malignant

Trembling: shaking, as from fear, excitement, or weakness

Unapologetic: bold, and showing no regret

Upbeat: optimistic, happy, or cheerful

Warbling: with trills, quavers, or melodic embellishments

Wavering: unsteady, shaky, or fluctuating; begin to fail

Whiny: complaining, fretful, or cranky

Whisper: to speak with soft, hushed sounds

Stop making new bands. The only bands that have ever mattered are Big Time Rush and Lemonade Mouth

show, don't tell:

anticipation - bouncing legs - darting eyes - breathing deeply - useless / mindless tasks - eyes on the clock - checking and re-checking

frustration - grumbling - heavy footsteps - hot flush - narrowed eyes - pointing fingers - pacing / stomping

sadness - eyes filling up with tears - blinking quickly - hiccuped breaths - face turned away - red / burning cheeks - short sentences with gulps

happiness - smiling / cheeks hurting - animated - chest hurts from laughing - rapid movements - eye contact - quick speaking

boredom - complaining - sighing - grumbling - pacing - leg bouncing - picking at nails

fear - quick heartbeat - shaking / clammy hands - pinching self - tuck away - closing eyes - clenched hands

disappointment - no eye contact - hard swallow - clenched hands - tears, occasionally - mhm-hmm

tiredness - spacing out - eyes closing - nodding head absently - long sighs - no eye contact - grim smile

confidence - prolonged eye contact - appreciates instead of apologizing - active listening - shoulders back - micro reactions

Masterlist

Why Should I Care - Billy Russo

Part 1

Part 2

Part 3

Part 4

Part 5

Part 6

Part 7

Part 8

Part 9

Part 10

Part 11

Part 12

Part 13

Part 14

Part 15

Part 16

Part 17*

Part 18

Part 19

Part 20*

Part 21

Part 22*

Part 23

Part 24

Part 25

Part 26*

Part 27

Part 28

Part 29

Part 30

Billy Russo One Shots

Billy at Tiffany’s

Not Going as Planned (Sequel to Billy at Tiffany’s)

Crossing Paths - Young Sirius Black

Part 1

Part 2

Part 3

Part 4

Part 5

Part 6

Rekindled Love - Older Sirius Black

Part 1

Part 2

Keeping Secrets - Young Remus Lupin

Part 1

Part 2

EDDIE MUNSON

and the Terrible, Horrible, No Good, Very Bad Day

‎”THROUGH A RAPIST’S EYES” (PLS TAKE TIME TO READ THIS. it may save a life.) Reblog this!

   It seems that alot of attackers use some tactic to get away with violence. Not many people know how to take care of themselves when faced with such a situation. Everyone should read this especially each n every girl in this world. THOUGHT THIS WAS GOOD INFO TO PASS ALONG… FYI - Through a rapist’s eyes! A group of rapists and date rapists in prison were interviewed on what they look for in a potential victim and here are some interesting facts: 1] The first thing men look for in a potential victim is hairstyle. They are most likely to go after a woman with a ponytail, bun! , braid, or other hairstyle that can easily be grabbed. They are also likely to go after a woman with long hair. Women with short hair are not common targets. 2] The second thing men look for is clothing. They will look for women who’s clothing is easy to remove quickly. Many of them carry scissors around to cut clothing. 3] They also look for women using their cell phone, searching through their purse or doing other activities while walking because they are off guard and can be easily overpowered. 4] The number one place women are abducted from / attacked at is grocery store parking lots. 5] Number two is office parking lots/garages. 6] Number three is public restrooms. 7] The thing about these men is that they are looking to grab a woman and quickly move her to a second location where they don’t have to worry about getting caught. 8] If you put up any kind of a fight at all, they get discouraged because it only takes a minute or two for them to realize that going after you isn’t worth it because it will be time-consuming. 9] These men said they would not pick on women who have umbrellas,or other similar objects that can be used from a distance, in their hands. 10] Keys are not a deterrent because you have to get really close to the attacker to use them as a weapon. So, the idea is to convince these guys you’re not worth it. ———————————————————————————————————————————- POINTS THAT WE SHOULD REMEMBER: 1] If someone is following behind you on a street or in a garage or with you in an elevator or stairwell, look them in the face and ask them a question, like what time is it, or make general small talk: can’t believe it is so cold out here, we’re in for a bad winter. Now that you’ve seen their faces and could identify them in a line- up, you lose appeal as a target.

  2] If someone is coming toward you, hold out your hands in front of you and yell Stop or Stay back! Most of the rapists this man talked to said they’d leave a woman alone if she yelled or showed that she would  not be afraid to fight back. Again, they are looking for an EASY target. 3] If you carry pepper spray (this instructor was a huge advocate of it and carries it with him wherever he goes,) yelling I HAVE PEPPER SPRAY and holding it out will be a deterrent. 4] If someone grabs you, you can’t beat them with strength but you can do it by outsmarting them. If you are grabbed around the waist from behind, pinch the attacker either under the arm between the elbow and armpit or in the upper inner thigh - HARD. One woman in a class this guy taught told him she used the underarm pinch on a guy who was trying to date rape her and was so upset she broke through the skin and tore out muscle strands the guy needed stitches. Try pinching yourself in those places as hard as you can stand it; it really hurts. 5] After the initial hit, always go for the groin. I know from a particularly unfortunate experience that if you slap a guy’s parts it is extremely painful. You might think that you’ll anger the guy and make him want to hurt you more, but the thing these rapists told our instructor is that they want a woman who will not cause him a lot of trouble. Start causing trouble, and he’s out of there. 6] When the guy puts his hands up to you, grab his first two fingers and bend them back as far as possible with as much pressure pushing down on them as possible. The instructor did it to me without using much pressure, and I ended up on my knees and both knuckles cracked audibly. 7] Of course the things we always hear still apply. Always be aware of your surroundings, take someone with you if you can and if you see any odd behavior, don’t dismiss it, go with your instincts. You may feel little silly at the time, but you’d feel much worse if the guy really was trouble. ——————————————————————————————————————————- FINALLY, PLEASE REMEMBER THESE AS WELL …. I know you are smart enough to know these pointers but there will be some, where you will go “hmm I must remember that” After reading forward it to someone you care about, never hurts to be careful in this crazy world we live in. 1. Tip from Tae Kwon Do: The elbow is the strongest point on your body. If you are close enough to use it, do it. 2. Learned this from a tourist guide to New Orleans : if a robber asks for your wallet and/or purse, DO NOT HAND IT TO HIM. Toss it away from you…. chances are that he is more interested in your wallet and/or purse than you and he will go for the wallet/purse. RUN LIKE MAD IN THE OTHER DIRECTION! 3. If you are ever thrown into the trunk of a car: Kick out the back tail lights and stick your arm out the hole and start waving like crazy. The driver won’t see you but everybody else will. This has saved lives. 4. Women have a tendency to get into their cars after shopping,eating, working, etc., and just sit (doing their checkbook, or making a list, etc. DON’T DO THIS! The predator will be watching you, and this is the perfect opportunity for him to get in on the passenger side,put a gun to your head, and tell you where to go. AS SOON AS YOU CLOSE the DOORS , LEAVE.  

5. A few notes about getting into your car in a parking lot, or parking garage: a. Be aware: look around your car as someone may be hiding at the passenger side , peek into your car, inside the passenger side floor, and in the back seat. ( DO THIS TOO BEFORE RIDING A TAXI CAB) . b. If you are parked next to a big van, enter your car from the passenger door. Most serial killers attack their victims by pulling them into their vans while the women are attempting to get into their cars. c. Look at the car parked on the driver’s side of your vehicle, and the passenger side. If a male is sitting alone in the seat nearest your car, you may want to walk back into the mall, or work, and get a guard/policeman to walk you back out. IT IS ALWAYS BETTER TO BE SAFE THAN SORRY. (And better paranoid than dead.)  

6. ALWAYS take the elevator instead of the stairs. (Stairwells are horrible places to be alone and the perfect crime spot). 7. If the predator has a gun and you are not under his control, ALWAYS RUN! The predator will only hit you (a running target) 4 in 100 times; And even then, it most likely WILL NOT be a vital organ. RUN! 8. As women, we are always trying to be sympathetic: STOP IT! It may get you raped, or killed. Ted Bundy, the serial killer, was a good-looking, well educated man, who ALWAYS played on the sympathies of unsuspecting women. He walked with a cane, or a limp, and often asked “for help” into his vehicle or with his vehicle, which is when he abducted his next victim.   

Send this to any woman you know that may need to be reminded that the world we live in has a lot of crazies in it and it’s better safe than sorry. If u have a heart or compassion reblog this post. ‘Helping hands are better than Praying Lips’ – give us your helping hand.

  REBLOG THIS AND LET EVERY GIRL KNOW ATLEAST PEOPLES WILL KNOW WATS GOIN IN THIS WORLD. So please reblog this….Your one reblog can Help to spread this information. I hope you all will Reblog. Lets See how many of you really care for this.

Things to Consider When Writing About Royalty

How is the throne inherited? How strict are the traditions concerning transfers of power? How is the order of succession determined? Can commoners become royalty?

How are heirs trained?

How much, if at all, are marriages for power/political ties favored over marriages for love? How common are arranged marriages

What are the biggest threats to their position?

How good is there relationship with their subjects? 

What is their preferred method of interacting with their subjects? Do they prefer to interact with them directly or indirectly?

How long has the monarchy been in power? How did it originally gain that power?

What special etiquette is required when dealing with royalty? How strict is it?

How are princes and/or princesses that aren’t first in line for the throne handled? Are they given special responsibilities in the hopes of discouraging resentment?

How do they deal with assassination attempts?

How do they spend their wealth? Why do they prioritize certain aspects of their kingdom’s well being over others?

Would they rather inspire love or fear in their subjects?

switch up your verbs (part one) ~

walked - hiked - moved - shuffled - toddled - sauntered - ambled - tiptoed - meandered - strolled

laughed - chortled - chuckled - giggled - snorted - guffawed - howled - snickered - shrieked

wanted - ached for - wished - craved - coveted - fancied - pined - aspired

ran - sprinted - galloped - scampered - bolted - trotted - dashed - raced - jogged

jumped - bounced - hopped - leapt - hurtled - vaulted - barged - bounded

Fantasy Guide to Palaces and How they Work

I'm always being asked how palaces work whether its downstairs, upstairs or accommodation wise. It is a really difficult thing to explain since there are so many different versions. I thought up a great analogy for it. Treat a palace like a hotel with a whole town living in it, because that's technically what it is. So that's what we're going to do.

Accommodation

Accommodation can be a difficult thing to sort both as a writer and a steward. You might have a palace of 200+ bedchambers in which you must house a staff of 500-/+, a varying amount of nobles, the royal family (of a varying amount) and their own households. When assigning rooms it is best to think of a Russian nesting doll. Start from the inside and work your way to the outside.

The best rooms go to the monarch, their consort and their children/siblings/parent(s). These chambers would include the bedroom, a drawing room/ common area, a privy, a closet (a small chamber that can be used for prayer or work). They would be furnished with the best cloth, the best candles and whatever furniture brought by the resident since most royal courts travelled from palace to palace. They will also have chambers for their personal servants such as ladies in waiting and grooms.

The second best set of rooms would go to the highest ranking nobles/people in the court. These rooms would be less fancy and a little smaller. These would be given to from titled nobility descending from those of Ducal rank (Dukes/Duchesses) or even members of the council such as Thomas Cromwell in Tudor times.

The next set would be considerably smaller, perhaps minus a closet or a drawing room. Given to lower nobility.

The next level of chambers would be smaller perhaps only the bedroom and a common area given to minor nobles.

The last set of rooms would be small and only hold enough room for a bedroom. Servants would have to sleep on the ground on pallets beside their masters.

Any other guests at court would have to stay at off-site locations around the palace in the city. Some nobles at houses around major palaces just in case they arrived late or were kicked out of court.

Room Service

Most palace kitchens were in the lower extremities of the building. They would include an area for food preparation, pantries (rooms where they keep the food) and perhaps even a common area for the servants. Food would be cooked in large ovens, rather looking like pizza ovens or on spits over fire pits. The kitchens would turn out food on order of the nobility and royalty which would be brought to the rooms by the noble's own servants. But since royal palaces are so large and microwaves do not exist, the food would likely be cold when it arrived. For larger, more public dinners, the court would gather in the great hall together (for more on this).

Entertainment

If you hoard over a thousand people into a single building, you will have to keep them entertained or else they might start misbehaving, more than usual. Palaces would be well stocked with ways to keep the courtiers occupied.

Every palace would have a stable where the residents' horses would be chillin'. Some palaces have parkland around them for hunting and picnicking.

Most palaces would have common areas where courtiers would meet to play card games or gossip like a game room.

There would be lawns converted for games such as bowling, croquet and tennis.

Some palaces like Versailles would have indoor theatres and stages for traveling players to perform pieces for the court.

Mediaeval castles would have pits for cockfighting or bear baiting usually outside the main castle on the grounds.

Services

We've spent enough time upstairs. Now lets look at the servants portion of the palace.

The local servants (those who serve at the palace all year round) would typically sleep in mass chambers grouped together according to jobs and gender.

The stableboys would likely sleep in the stable's hay lofts.

The unmarried girls of the castle would be locked in to protect their virtue (a precautionary rule though was frequently broken).

The cooks would sleep near the kitchen in order to get to work early as they could or if they had to rise early.

Stewards (the main boss of the servants) would have the best accommodation as would the other heads of the different groups of servants including the housekeeper, the chef, the head gardener.

Servants who came along with the court would be housed either in close quarters to their masters or on the floor by their bed.

The servants have different corridors and staircases to get around the palace without being seen. These would be smaller and plain parts of the palace.

For @innergoldx sorry it took so long