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Part 17*
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Billy at Tiffany’s
Not Going as Planned (Sequel to Billy at Tiffany’s)
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Part 6
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Fantasy Guide to Palaces and How they Work
I'm always being asked how palaces work whether its downstairs, upstairs or accommodation wise. It is a really difficult thing to explain since there are so many different versions. I thought up a great analogy for it. Treat a palace like a hotel with a whole town living in it, because that's technically what it is. So that's what we're going to do.
Accommodation can be a difficult thing to sort both as a writer and a steward. You might have a palace of 200+ bedchambers in which you must house a staff of 500-/+, a varying amount of nobles, the royal family (of a varying amount) and their own households. When assigning rooms it is best to think of a Russian nesting doll. Start from the inside and work your way to the outside.
The best rooms go to the monarch, their consort and their children/siblings/parent(s). These chambers would include the bedroom, a drawing room/ common area, a privy, a closet (a small chamber that can be used for prayer or work). They would be furnished with the best cloth, the best candles and whatever furniture brought by the resident since most royal courts travelled from palace to palace. They will also have chambers for their personal servants such as ladies in waiting and grooms.
The second best set of rooms would go to the highest ranking nobles/people in the court. These rooms would be less fancy and a little smaller. These would be given to from titled nobility descending from those of Ducal rank (Dukes/Duchesses) or even members of the council such as Thomas Cromwell in Tudor times.
The next set would be considerably smaller, perhaps minus a closet or a drawing room. Given to lower nobility.
The next level of chambers would be smaller perhaps only the bedroom and a common area given to minor nobles.
The last set of rooms would be small and only hold enough room for a bedroom. Servants would have to sleep on the ground on pallets beside their masters.
Any other guests at court would have to stay at off-site locations around the palace in the city. Some nobles at houses around major palaces just in case they arrived late or were kicked out of court.
Most palace kitchens were in the lower extremities of the building. They would include an area for food preparation, pantries (rooms where they keep the food) and perhaps even a common area for the servants. Food would be cooked in large ovens, rather looking like pizza ovens or on spits over fire pits. The kitchens would turn out food on order of the nobility and royalty which would be brought to the rooms by the noble's own servants. But since royal palaces are so large and microwaves do not exist, the food would likely be cold when it arrived. For larger, more public dinners, the court would gather in the great hall together (for more on this).
If you hoard over a thousand people into a single building, you will have to keep them entertained or else they might start misbehaving, more than usual. Palaces would be well stocked with ways to keep the courtiers occupied.
Every palace would have a stable where the residents' horses would be chillin'. Some palaces have parkland around them for hunting and picnicking.
Most palaces would have common areas where courtiers would meet to play card games or gossip like a game room.
There would be lawns converted for games such as bowling, croquet and tennis.
Some palaces like Versailles would have indoor theatres and stages for traveling players to perform pieces for the court.
Mediaeval castles would have pits for cockfighting or bear baiting usually outside the main castle on the grounds.
We've spent enough time upstairs. Now lets look at the servants portion of the palace.
The local servants (those who serve at the palace all year round) would typically sleep in mass chambers grouped together according to jobs and gender.
The stableboys would likely sleep in the stable's hay lofts.
The unmarried girls of the castle would be locked in to protect their virtue (a precautionary rule though was frequently broken).
The cooks would sleep near the kitchen in order to get to work early as they could or if they had to rise early.
Stewards (the main boss of the servants) would have the best accommodation as would the other heads of the different groups of servants including the housekeeper, the chef, the head gardener.
Servants who came along with the court would be housed either in close quarters to their masters or on the floor by their bed.
The servants have different corridors and staircases to get around the palace without being seen. These would be smaller and plain parts of the palace.
For @innergoldx sorry it took so long
Not sure who needs to here this.
But you can format Google Docs so you don't have to hit the enter button all over again when you go to Ao3. And don't risk giving potential readers a headache because we can't read paragraph blocks.
What you want to do is on desktop go under Format to line and paragraph spacing and then change the number from whatever it is set at (usually 1.15) to Single. (I'm not sure what this changes going over to Ao3 but this was how I taught it).
And then after that go back again to Format and line and paragraph spacing. But this time hit add space after paragraph.
And now when you paste it over to Ao3 all you have to worry about is adding a scene break.
There is a way to do it on Word but I'm not sure how.
If there is a way to do this on Mobile IDK.
Follow the cabbage’s order 💧
Inspired by this old post
Words (and definitions) as text below cut.
Words to Describe a Voice
Adenoidal: pinched and nasal in tone
Alto: a low female voice, or a high male voice
Appealing: evoking interest, desire, or curiosity; attractive
Austere: severe, uncompromising, or strict; sober, or serious
Baritone: an intermediate male voice, between tenor and bass
Booming: a deep, resonant sound; prolonged or echoing
Breathy: audible, or excessive, emission of breath
Coarse: harsh, or grating; vulgar, obscene, or crude
Croaky: low-pitched and hoarse; croaking
Deep: low in pitch; sonorous tone
Ethereal: light, airy, or tenuous; extremely delicate or refined
Falsetto: an unnaturally, or artificially, high-pitched voice
Frail: delicate, weak, or fragile
Grating: irritating, unpleasant, harsh, discordant, or rasping
Gravelly: harsh and grating
Guttural: harsh, or throaty; sounds formed in back of mouth
High-Pitched: high in volume and/or tone
Hoarse: a low, harsh sound; husky; weak intensity and excessive breathiness
Honeyed: pleasantly soft; dulcet, or mellifluous; flattering, or ingratiating
Husky: a somewhat hoarse, semi-whispered vocal tone
Hypnotic: inducing, or tending to induce, sleep; soporific
Lilting: rhythmic; light and tripping
Lofty: elevated; arrogant or condescending
Low: quiet or deep
Luscious: sweet to excess; highly pleasing; satisfying; cloying
Lyrical: enthusiastic; effusive; melodious; musical
Majestic: lofty, imposing, stately, or grand
Mellow: mild and pleasant; relaxed; soft and rich
Melodic: sweet-sounding; musical
Mesmerizing: completely engrossing, captivating, or fascinating
Musical: resembling music; melodious; harmonious
Nasal: sounds, either partly or entirely, form the noise
Orotund: strong, full, rich, or clear; pompous or bombastic
Plaintive: sorrowful; melancholic; mournful
Plummy: rich, or mellowly, resonant
Raspy: harsh, grating, rasping, or irritating
Resonant: deep and full of resonance; reverberating
Rich: full, strong, deep, or vivid
Ringing: clear, resonant; reminiscent of bells
Scratchy: uneven, irritating, or grating
Shrill: high-pitched and piercing
Silvery: having a clear, ringing sound
Small: humble, weak, soft, or of little strength or force
Smoky: hazy, hoarse, husky, or raspy
Soft-Spoken: soft, gentle, or mild; persuasive
Soporific: causing, or tending to cause, sleep
Squeaky: sharp, shrill, high-pitched
Strong: robust; powerful; intense in quality
Sweet: pleasing to the ear; delicate, or agreeable
Tenor: an intermediate male voice between bass and alto
Thick: husky, or hoarse; not distinctly articulated
Thin: lacking fullness or volume; weak, or shrill
Throaty: guttural, husky, or hoarse
Tight: drawn, tense, or taut
Weak: lacking in force; soft, deficient, or quiet
Wheezy: with a whistling sound, and difficulty breathing
Words to Describe Tone of Voice
Affected: false, or feigned; pretending to possess
Arrogant: overbearing, assuming, insolently proud
Authoritative: positive, peremptory, or dictatorial
Bloodcurdling: arousing terror; horrifying
Boisterous: rough and noisy, rowdy, unrestrained; noisily jolly
Breaking: changing, or collapsing, suddenly
Bright: animated, lively, cheerful, clever, or witty
Brittle: fragile, frail, lacking warmth; having a sharp, tense quality
Cacophonous: having a harsh, or discordant sound
Caterwauling: long and wailing; a howl, or screech
Cheery: in good spirits; cheerful, or happy
Delicate: soft, or faint; subtle; tactful, or cautious
Dry: plain, unadorned, indifferent, or matter-of-fact
Dulcet: pleasant to the ear; melodious
Ear-Splitting: extremely harsh and irritating; loud
Enthusiastic: lively, ardent, eager, or passionate
Faint: soft, weak, feeble, or slight; lacking clearness or volume
Feeble: lacking in force, strength, volume, and distinctness
Flat: without modification or variation; without vitality
Forceful: powerful, vigorous, or effective
Frank: direct and unreserved; straightforward; sincere
Gruff: low and harsh; hoarse; rough, brusque, or surly
Hesitant: wavering, irresolute, timid, or unpersuasive
Insincere: lacking sincerity; sarcastic; hypocritical
Irreverent: lacking respect; flippant
Monotone: single tone, without harmony or variation
Patronizing: offensive and condescending
Pedantic: overly concerned with details and rules
Petulant: impatient irritation; annoyed
Piercing: loud, or shrill; sarcastic, or caustic
Pompous: ostentatious display of self-importance
Pontificating: to speak in a pompous or dogmatic manner
Pretentious: making an exaggerated outward show; ostentatious
Raised: increased in volume
Raucous: harsh, strident, or grating; rowdy, or disorderly
Respectful: showing deference; politeness
Rough: harsh to the ear; grating, or jarring
Sarcastic: using harsh or bitter derision or irony
Screeching: harshly shrill
Serious: grave, somber, earnest, or sincere
Singsong: rhythmically monotonous cadence or tone
Smug: contentedly confident in superiority or correctness
Snarky: testy or irritable; having a rudely critical tone
Snobby: condescending, patronizing; snobbish
Soft: low, or subdued; gentle and melodious
Sotto Voce: in a low, soft voice, so as not to be overheard
Stilted: stiffly dignified or formal; pompous
Strangled: choking, or stifled; gradually cut off
Sullen: gloomy, irritated, morose, or malignant
Trembling: shaking, as from fear, excitement, or weakness
Unapologetic: bold, and showing no regret
Upbeat: optimistic, happy, or cheerful
Warbling: with trills, quavers, or melodic embellishments
Wavering: unsteady, shaky, or fluctuating; begin to fail
Whiny: complaining, fretful, or cranky
Whisper: to speak with soft, hushed sounds
switch up your verbs (part one) ~
walked - hiked - moved - shuffled - toddled - sauntered - ambled - tiptoed - meandered - strolled
laughed - chortled - chuckled - giggled - snorted - guffawed - howled - snickered - shrieked
wanted - ached for - wished - craved - coveted - fancied - pined - aspired
ran - sprinted - galloped - scampered - bolted - trotted - dashed - raced - jogged
jumped - bounced - hopped - leapt - hurtled - vaulted - barged - bounded
I am now officially taking requests for the following characters/ships and am not opposed to dark proposals. I do NOT write smut.
HARRY POTTER
Tom Riddle
Draco Malfoy
Tomione
MARVEL
Steve Rogers
Loki
WWE
Seth Rollins
Roman Reigns
Finn Bálor
Randy Orton
“The Fiend” Bray Wyatt
VAMPIRE DIARIES/THE ORIGINALS/LEGACIES
Niklaus “Klaus” Mikaelson
PEAKY BLINDERS
Thomas “Tommy” Shelby
Arthur Shelby
GOTHAM
Jim Gordon
REVENGE (ABC)
Daniel Grayson
This is glorious and even thought it doesn’t fit in the range of all the paranormal, I MUST share
It works like this: You tell Kitestring that you’re in a dangerous place or situation, and give it a time frame of when to check in on you. If you don’t reply back when it checks your status, it’ll alert your emergency contacts with a custom message you set up.
It doesn’t require you to touch anything (like bSafe) or shake your phone (like Nirbhaya) to send the distress signal. Kitestring is smarter, because it doesn’t need an action to alert people, it needs inaction.
MORE INFORMATION
Pls Daemon’s comment about baby baelon being “Heir for a day” was so out of pocket I literally gasped