Old rough designs of characters from my comic “Phoenix Quest”.
Chaos
Aeden
Emma
Also, I’m pleased to announce my film will be featured in New York’s African Film Festival in Staten Island in their “Outdoor Summer Series” on August 3rd and in Harlem New York’s “The People’s Film Festival” on June 3rd
Hi everyone! I want to share a TV Interview I did for the South African Broadcasting Corporation (SABC News) for their “Trendz” section, which aired March 24, 2016 in South Africa and on the 25th in Nigeria. It was fun discussing my background and artwork. It features a peek of an upcoming project I’m working on as well. Thanks for your time! -Abdul
Project:Chimera WIP (swipe) #scifi #afrofuturism #fantasy #cyberpunk #wip #comics #animation #illustration #digitalart #artistsoninstagram (at New York, New York) https://www.instagram.com/p/BnE3heWFpFo/?utm_source=ig_tumblr_share&igshid=7k1qfnrfnjlt
PART 5- I took the original concept of “The Lady, Or the Tiger?” by Frank R. Stockton and decided to create my own version with original characters and dialogue. Here are the storyboards. (Please see other parts for the whole story) WIP
Hey guys! I'm heading to Boston this sunday (1/25/2015) to the Glovebox Film Festival where they'll be playing my film along with a lot of really awesome ones! So if you're in the Boston Area come check it out gonna be a fun night... Here's the link to the Line up! (mine is the last one in Animation Block II)
http://glvbx.com/festival-line-up/
A few Wizard of Oz character designs I did for my 3rd year animation class at SVA*... Start of a comic I'll be working on called Spirits of Oz (working title) based on African folklore take on the classic tale by Lyman Frank Baum.
*This prompt by my animation instructor Mario Menjiver was the genisis of my thesis film Orisha's Journey
PART 3- I took the original concept of “The Lady, Or the Tiger?” by Frank R. Stockton and decided to create my own version with original characters and dialogue. Here are the storyboards. (Please see other parts for the whole story) WIP
A live-action feature doc called "STICKMAN: The Roosevelt Wilkerson Story" that I had the pleasure of working on will have its NYC Premiere at the Cinema Village in New York City on Friday, March 16th at 9:30pm as part of the Socially Relevant Film Festival. Please join us for this special screening and a Q&A with Director/Producer Margaret Galbraith and Animators Ryan Frost and Abdul Ndadi #film #filmfestival #animation #documentary #cinemavillage #sociallyrelevantfilmfestival #filmmaking #blackartist #stickman (at New York, New York)
PART 10- I took the original concept of “The Lady, Or the Tiger?” by Frank R. Stockton and decided to create my own version with original characters and dialogue. Here are the storyboards. (Please see other parts for the whole story) WIP
Hi all! Afrokanist Magazine wrote an article about me and my short. I’m really honored they did that and its already gotten over 5K shares! Also, my film was selected to play later this year at Detroit’s big event called Meccacon (Midwest Ethnic Convention for Comics and Arts) Please feel free to check it out:)
IMDB http://www.imdb.com/name/nm6853630/
FILM YOUTUBE https://www.youtube.com/watch?v=uoqdX8Z7uUY
FILM VIMEO https://vimeo.com/149355438
DEMO REEL https://vimeo.com/94230565
Abdul Ndadi is an animator from Ghana and a graduate from the School of Visual Arts, NY class of 2013. He’s created an animation film entitled Orisha’s Journey (2014) which will be shown at the Hiroshima International Animation Festival in Japan (21st August 2014 - 25th August 2014).
Orisha’s Journey is a fantasy tale of a girl’s journey through the spirit world (‘Orisha’ denotes a spirit in Nigerian Yoruba cosmology), who must learn about the importance of remembering one’s roots. The film, set in a mysterious walking forest, explores the power of a child’s imagination and the deep meanings and manifestations of Africa.
The film is based on African folklore. I want to show another side to Africa besides safaris, so I explore different aspects of different countries around Africa in order to give the viewer a pan-African experience. It’s important to me that Africans feel that no matter where they’re from, they’re part of my film. In the West, there is not a lot of exposure to real Africans — most people only go as far as The Lion King. I want to take people farther, to create a deeper meaning. There is a word in Ghanaian: “Sankofa” – it means to return that which was lost. It is a symbol for not forgetting your roots and learning from the past. It is said that a tree without roots cannot stand. - Abdul Ndadi