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Matthew Lillard - Blog Posts
Handle me the same way you handle a knife.
You ever wonder what Doug is up to when he's not ruining people's lives?
Maybe stalking, who knows
He's just my baby, what can I say
👻 ~ Matthew + Matthew ~ 👻 (daregularsauce)
(Credit if you use please!) (ko-fi)
just wanted to share what i made
matthew lillard in sk8 tv (1990) is how i imagine stu when he was like 16
like you’re telling me he planned a whole murder with his boyfriend best friend??
my man can do whatever he want cuz im scared of him
“You wanna go to Harvard. You want a four-point-oh. I'm gonna give ya' a fuckin' four-oh!”
Matthew Lillard and Michael Vartan in The Curve/ Dead Man's Curve (1998)
Matthew Lillard behind the scenes of Spooner with Nora Zehetner, a Drake Doremus movie that premiered at Slamdance 2009. Photographer - Frank Ishman.
Senseless, 1998.
Matthew Lillard, but it's just him standing behind people
Matthew usually makes comments about Skeet being gorgeous etc but I love Skeet turning it around in this little moment and flustering Matthew a bit 😂😭
"He is a piece of ass."
"He is an ass I had a piece of."
does anybody else have this problem
im so sad i dont see chip sutphin
matthew lillard & his legacy <3
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a ray of sunshine and a constant inspiration.
An old drawing from when the FNAF movie first came out
"Oh thank god Blumhouse didn't make the purple guy sexy" fucking dumbass Matthew Lillard is hot, what you mean to say is "Oh thank god Blumhouse made the purple guy look like an actual dad from the 80's instead of an anime soft boy twink straight out of genshin impact or gacha life."
Said this on twitter but how did y'all collectively forget Matthew Lillard played Stu Macher. If he's bringing that Stu energy, he's going to make one fine ass William
matthew lillard being stuilly’s biggest supporter will always have me sobbing my eyes out
Watched The Life of Chuck
Pretty mixed on this. The thematics are significantly relevant to my recent interests, and are well explored, albeit too spelled out. I think the structure really works except for the prolonged final act, and the performances are quite good throughout (Hiddleston's American accent is exceptionally good, and Ejiofor is wonderful). Flanagan of course can tug at heartstrings, and King's more saccharine side suits him well, so there is a good amount of emotional resonance, although again it suffers from being overexplained (especially by the unfortunately really annoying voice over).
I was a little more frustrated than I expected by King's and Flanagan's belief in the everyman, which is so strong here as to prevent them from actually making Chuck into a meaningful individual, and is unquestioningly based in the mythology of that most 'normal' figure, the white American head of household. Just a few too many kinks with how social the opening act is and the lack of conversation about Chuck's particular positionality.
The math speech pissed me off, and I don't quite get how Flanagan was trying to balance seeing mathematics as this insidious force and elaborating the beauty of accounting. As in the everyman issue, there seems to be an anti-materialist current here that just doesn't come together in some places (sort of necessary to the solipsistic conceit but could probably have been handled better).
That said, Hiddleston was shmoovin'.