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'ONE IN A MILLION'
1988. Axl Rose walks off a Greyhound in L.A., gets swarmed by hustlers, tweakers, limp-wristed coastal goblins, gets mugged, gets harassed, (almost) gets raped, gets alienated, and then writes a song about it.
Critics today call it 'problematic', telling you it's the worst GNR track - ranking it below 'My World' or demo-tier leftovers - because it violated their worldview, because Axl used words you're not allowed to say, and these are the same types who hear a slur and think that's where thinking ends. That's the IQ cap of liberal morality: word bad = song bad - that's it, that's the whole review.
But 'One in a Million' isn't about slurs - it's about alienation, it's about being white, poor, rural, broke, pissed-off, and dropped in the middle of a city (Los Angeles) you don't understand - a city that wants to devour you, humiliate you, and then call you a bigot when you rebel. Axl didn't write that song with a PR team and three DEI consultants, he wrote it as a human being thrown into an urban jungle full of predators, parasites, and preachers.
Was it racist? No. It was territorial. Was it homophobic? No. It was paranoid. Was it crude? Fuck yes - and that's why it mattered. People say 'One in a Million' is hard to listen to. Good, it was meant to be. It was a gutpunch from a kid who didn't belong, and all the hand-wringing critics pretending they didn't understand that are just cowards with press passes. Sometimes the world's just a pile of shit, plain and simple - and yes, sometimes, you do feel that gut-punch hate, that panic-in-your-chest fear, and that grease-under-your-nails kind of disgust - that's life, and real art is supposed to show you that mess. That's what rock 'n' roll is, in my opinion.
I don't really care if pitchforks keep ranking it last, or if Rolling Stone is seething because they hate hearing a white dude say 'nigger'. They don't understand Axl, and probably never will - but I hate it when they claim that Axl is a 'racist' or a 'sexist' because he wrote down his own personal experience and saw through the bullshit: the poor, angry, white kid with no college degree, no 'allyship', and no media training. I respect Axl so much for it, and I will never forget this song, no matter how 'outdated' it is considered. It is more relevant for America than ever - thirty years later, and we're still scared of what he said.