Reblog To Have Something Lgbt Happen To You This Summer

a piece of me is still locked in there

the byler fandom is dying!!1! reblog if you are a true bylerer!

These movies made me who I am

[Byler meta / ST theories & meta] posts

 Posting this to save people time looking through my posts.  Other (specifically short) character metas are at the very bottom of this post -past the byler links.last updated 9/30/2022

St theory:  Dissociative Identity disorder theory

*don’t really believe the did theory anymore- but I still believe Will may have created certain d&d creatures with his imagination (because of tra*ma).

Will created the mf & the upsidedown (DID psych/narrative analysis part 1) +  Will’s alters/split personalities  ( DID analysis Part 2). (tw:csa). extra supplemental evidence for part 2 :  here, here, here, here   here, here , here  here, here, here, *here ,*here, *here, here, here, here, here, here,here, *here, *here, here  , here part 3 (just possible proof of the DID theory from outside canon sources : st comics, novels, spotify playlists).supplemental video post for  DID posts : video evidence for mf/upsideown theory  

-crashcourse of evidence that Will created the upsidedown/mf

Lonnie sold m*th theory ( it relates to did theory/s3 stolen fertilizer and the flayed eating chemicals,etc. )

Other psych posts

- vecna, El, kali  (mental health) allegory 

-  vecna’s curse/“running up that hill” mental health allegory

The kids/teens are repeating their parent’s problematic teachings/mistakes

The parentification of Jonathan byers

jonathan Byers is repeating the same romantic mistakes as his mom

Tra*ma responses of Will & jonathan

analyzing the ab*se subtext between Lonnie & jonathan

- vecna  (mental health) allegory /pscyh hospital 

- “running up that hill” mental health allegory

- hargrove/mayfield and Byers family parallels

El & Post-institutional syndrome

El wanting to be “pretty” has nothing to do with crushes

The narrative meaning behind the song ‘should i stay or should i go’

The fathers of ST (narrative analysis) 

Why Mike resented Max

analyzing the phrase  ‘only love makes you that crazy and that damn stupid.” (in relation to steve, joyce, El, hopper, Will,mike, etc) + another ref  I forgot to mention related to the 1st post-here

Other theory/ meta /analyses posts

- Will & henry parallels

-crashcourse of evidence that Will created the upsidedown/mf

- All the psychic boys with bowl cuts : that the duffers reference in the show (cough it’s a lot)

- Analyzing all the door symbolism in st 

-analyzing all the rainbows in st 

-analyzing the food in st  

-Analyzing the religious symbolism in ST

-analyzing the clothes in stranger things (s1-3) + analyzing the clothes in the 004 trailer

-analyzing the flower symbolism in st

-All the references to fire (s1-3)

- The  spying/st#lking elements in ST + phone parallels .

-S3 ST ship disses

- narrative analysis “things” in stranger things 

-analyzing  every name in stranger things (comics, books,and religious symbolism/refs) 

-analyzing Will’s b day 

-Why Will is called a “cleric” & “wizard theory/analysis

-’catcher in the rye’ ref in ST

-clown symbolism (short post).

- ‘never ending story’ ref meaning/ new coke ref

-analyzing karen’s books

-Nancy /nevermore ref other nancy easteregg here

-just a cute parallel between Joyce & El other 

-jonathan & mike parallel here

Gif sets (with parallels)

here, here,here,here, here, here, and here

Byler meta/theories  

-m*leven paralleled to family members (s4)

-byler being paralleled to Robin/vickie (s4)

-m*leven vs byler parallels:Caring, letters, truth and superheroes:s4

- mike & El hiding their feelings at the airport (s4)

-presents/byler  v m*even analysis (s4)

- byler hints in part 1 & 2

- Mike’s s4 clothing =conforming to his parents’ loveless dynamic

-m*leven & ted/karen s4 parallel

- byler painting vs m*leven letter (visual parallel) (s4)

-byler/m*leven hill parallel (s4)

-Mike’s plagarized confession (s4)

-Mike’s confession : conformity k*lling kids (s4) /similar post here

- Byler lying about being “just” friends (s4)

-byler being paralleled to otherships in s4 -here, here, here, here, here

-superman/byler analysis (s4)

-byler s4 movie/show refs + here + here

pre s4…

Why Mike resented Max 

byler s4 theory/ s4 film analyses

- reasons to ship byler (vid) if you’re a byler shipper you should watch - you’ll love it :D. My other byler vids are on here too , on my youtube channel.

*summation -explaining all the points for why mileven isn’t endgame

*byler vs mileven parallels

funny m*leven & stancy parallel

funny m*leven & l*max parallel

* Kali, El, and Mike parallels (it’s sibling love, not romantic with m*leven)

- Byler is the main pairing of st ( all ship parallels and contrasts to one another). Aka which pairings aren’t endgame (jancy, jopper, Mileven and lumax) - and why.

* Mileven being referred to “romeo and juliet’ isn’t romantic- it’s another diss at their reationship

* Mike and projecting his  romantic feelings for Will on to El 

 -Stobin vs Mileven (parallels/contrasts)

Post s3 spotify songs hint at byler being endgame. -  The duffers choices in music prove byler is endgame (*short part 2 / and part 3 of this). part 4. And 004 song choices of byler-part 5 . part 6 mf and el hint

*script releases of s3 verifying my past anti-mileven interpretations of scenes.

Mileven isn’t “built up”(positively) like people claim 

-El is NOT in love with mike analysis

-Why I no longer think Mike is bi, but gay (deep-dive analysis)

Mike & El didn’t get back together at the end of s3 /  pt 2 /pt 3

- The duffers choices in music prove byler is endgame (*short part 2  / and part 3 of this).

-What Mike meant by “Not my fault you don’t like girls”

-Mike will ‘come out’ to his mother (prediction/theory)

-  d&d symbolism tells us Mike and Will love each other

-Dart & Dustin vs mileven parallels

- 80s movies referenced in the show, hint that Mike is gay

byler break up vs mileven fight

-Dustin knows what’s up…

- Lingerie-store vs sauna ( internalized homophobia analysis)

-  the mileven kisses were supposed to make you uncomfortable (physical intimacy vs being in love- show analysis)

- Byler hints in the background of s1-3

-BYLER MASTERPOST - ( mileven vs Byler parallels, why mileven isn’t endgame, Mike’s queer coding, will and El comparisons, the byler-centric ending interpretation, book/comic ref , extra stuff . Old post).

other Byler meta/ theories (down below)

 Byler in d&d comics

MAGNUM/anti mileven ref

-mileven being paralleled to Hopper/El (aka not romantic)

- mileven paralleled to Jopper and Karen/Billy

-dawson’s creek easter eggs in st- byler evidence (x) (x)

-IT easterggs -byler evidence

Weiterlesen

The Barbie movie really said. Yes you will grow up and childhood wonder will vanish. Yes you will grow up and learn to hate yourself, your body, your awkwardness. Yes you will grow up and lose your confidence and certainty and sense of purpose. Yes you will grow up and the world will seem a bleaker, lonelier place every day, and society will seem bleaker and lonelier every day, and you won’t understand what went wrong in the span of just a few years, what took you from a happy and secure young girl to a sad, uncertain, scared grown woman.

And yet. You will learn to find beauty again. You will find joy in not having a purpose, in building a purpose for yourself. You will find beauty in connection, with the people and the world around you. You will learn to love signs of ageing as proof of a life well lived, of experience and happiness. You will take that little girl by the hand and tell her “I know, this isn’t what you thought it would be, but it’s real. Let me show you how beautiful it can be.”

stuck in space with ur arch nemesis who u make out with sometimes

I never listen to men’s opinions in general but ESPECIALLY when it comes to movies. you’re going to tell, as a man, that the barbie movie was bad? you just can’t possible understand the complexities of the transition between girlhood and womanhood that happens before it should. you have no idea what it’s like to cling so desperately onto your own imagination as an adult after spending your pre-teen/teenage years pretending that playing with dolls and wearing pink was so beneath you. you don’t understand fighting with your mother only to one day realize she is living through you and doing all that she can to make sure you go leap and bounds further than her. men couldn’t possible grasp the impact watching Barbie herself cry and say she wasn’t perfect or pretty anymore, when your whole childhood was built around carrying her in your backpack and knowing that one day you’ll be the president, an astronaut, and a model because she was. because she was yours and you were her! yeah, the movie was silly and funny and self aware and maybe you don’t think it’s “that deep”, but as a woman you just get it. as someone growing up still in your childhood bedroom that no longer has a dream house but the dolls are still above you in the attic because you can’t throw them out, you get it

dear dead boy detective (especially paynland) enjoyers: have you yet heard of the biggest gift bestowed upon the fandom so far, aka jayden's charles playlist? the one he mentioned in interviews? well, he dropped it on twitter at 19th of may. and man, do i have stuff to say about it.

there's a lot of 80's bangers, for sure, great to get into the mood and character, but some of the choices...

i'm gonna focus on a few of my favourites, songs that made me go insane when i saw them. honorable mentions: - category 1 (so devoted the lines blur): ain't no mountain high enough by marvin gaye and tammi terrell, there is a light that never goes out by the smiths, inkpot gods by the amazing devil - category 2 (family life): family line and summer child by conan gray, seventeen going under by sam fender, matilda by harry styles, father by the front bottoms - category 3 (being queer in the 80s): smalltown boy by bronski beat, boys don't cry by the cure - category 4 (there's no heterosexual explanation for this one): good luck, babe! by chappel roan, yellow by coldplay, fight or flight by conan gray (is this about monty? the cat king? i need answers!), the prophecy by taylor swift, arms tonite by mother mother, sweet by cigarettes after sex, head over heels by tears for fears

this list is by no means complete or comprehensive!

and now, the songs that made me go the craziest: (they're predominantly in charles' pov as it's his playlist)

found heaven by conan gray

the only reason this song made it into the list and not the honorable mentions instead of smalltown boy is that it makes almost the same point, just so much more explicitly. i don't think i have to say much about it, it's a story of a young person griping with their queerness, being forced to leave home, a common theme of the playlist. "you're in love, you found heaven" when he chose edwin over his own afterlife, heavily implied to be heaven, and built his heaven with him on the mortal plane? ouch! (and we see this same notion repeated in another bop from the playlist, heaven is a place on earth by belinda carlisle).

2. like real people do by hozier

"i miss kissing" charles rowland, 202X romantic meaning aside, the verses show a sort of a common understanding the boys have around the manner of their deaths and their lives before it. we already know from the show they don't really talk about it, with edwin not knowing about the severity of the abuse charles suffered. it feels like one of them saying "let the past be past, we're together now, yeah?". but also, jayden: can there ever be a platonic explanation for this? ghosts can't touch, can't feel, so they wish they could just kiss like "real" (alive?) people do?

3. flaws by bastille

not the most romantic song, but i absolutely love how well it fits their dynamic. despite his edwardian brand of repression, edwin truly is the one that's more open about his feelings (recognising of course that in this case, the bar is so low it's in hell. haha, get it). edwin has worn his flaws upon his sleeve, and charles has held them buried - eg. bottling up all of his anger and resentment towards his family and his own death. the song presents a very sweet outlook, in which their flaws are brought up to the surface (for example, charles' outburst against the night nurse in episode 4), but they learn to accept them as they are, an extension of themselves.

4. a pearl by mitski

you know it's gonna get intense if there's a mitski song in the mix.

the song is about a person who finds love in their partner, someone who treats them way better than they've ever been treated - and yet they cannot bring themselves to reciprocate the affection ("it's not that i don't want you, sorry i can't take your touch") despite reciprocating the feelings themselves because of the trauma. charles is known to bottle things up ("you're growing tired of me and all the things i don't talk about"). the person in the song recognises the love the other person holds for them ("you love me so hard and i still can't sleep"), which reminds me of charles' response to edwin's confession. not a "no", but a "maybe, as time passes".

5. fair by the amazing devil

this one made me genuinely gasp when i first delved into the lyrics. it's simply so sweet, such a genuine and domestic portrayal of love. at first i thought it was way too open about being a love song (normal text instead of the subtext i'd be used to) for jayden to choose it with edwin in mind, but... there's no one else it can really be about. it's far too domestic, too "established" to refer to crystal. refers to a relationship that's laster for a longer while.

the narrator in the first verse is a person deeply in love with the other person, someone who loves to make his lover laugh and simply drinks in their presence. the "he" in the song i believe is charles, while the "she" refers to edwin. edwin promises to fight off anyone - or any feelings pulling charles down (we can see this in the first episode: "you ever think... what if death did catch us? she'd force us to go to the afterlife and split up" "i will make sure this never happens."). charles feels left behind by the world (seeing as he clings to crystal at first, refering to her as "someone their age who's still alive") and believes edwin to be so much stronger than he's ever been. i'm not going to break down the song verse by verse, but if you read it yourself while subbing out "he" for charles and "she" for edwin you'll see just how sweet (and... strangely very in character?) the song is.

6. work song by hozier

if the previous song made me gasp when i saw the lyrics, this one made me go "NO WAY" out loud when i saw the title. the first one verse is just pure toothrotting sweetness, but the chorus is what i want to draw attention to:

when my time comes around lay me gently in the cold, dark earth no grave can hold my body down i'll crawl home to her

HELLO? charles, who keeps escaping death and afterlife to be able to stay with edwin? charles, as he literally takes his last breath with edwin right there, choosing to be by his side rather than move on? charles, who keeps choosing him despite night nurse's promises and threats? charles, who literally crawled through hell for him?

verse 2, to me, can be interpreted as referring to when charles died. edwin found him at his worst, and he "woke" up with his presence comforting him. he was shivering due to hypothermia and his injuries. edwin didn't ask him about what happened or pushed him, he simply listened. the lines "i didn't care much how long i lived, but I swear, i thought i dreamed her" are pretty self explanatory.

in verse 3 we still see the same attitude of "damn the afterlife, at least we have each other" as charles portrays througout the series. they're free, and heaven and hell are simply words to him.

7. orpheus by vincent lima

i literally have no words for this one. it fits too well. if you want commentary for this one, just... i don't know, rewatch the staircase scene.

8. francesca by hozier

(cracks knuckles) this is the big one. the album francesca is from, unreal unearth, is based on dante alighieri's divine comedy, a fourteenth century poem about a man venturing into hell, purgatory and eventually heaven. the eponymous francesca is one francesca di rimini, a woman who was politically married off to a man older than her, called giovanni malatesta. francesca didn't love him, and eventually fell deep in love with giovanni's younger brother, paolo. the two carried on with the affair for years, before being murdered by giovanni upon his finding out. francesca and paolo are mentioned in canto v of the first book, inferno, as two souls damned in the second circle of hell, lust. their punishment is to be permanently locked in a hurricane, swept away by the winds the moment they manage to get close enough to touch one another.

as opposed to their portrayal in the poem, the song is from the perspective of paolo, explaining that no matter the punishment, he wouldn't change anything about his life because he got to know, and love, francesca.

the first verse brings to mind the scenes in hell, especially on the staircase ("do you think I'd give up? that this might've shook the love from me? or that I was on the brink? how could you think, darlin', i'd scare so easily?" as an echo of charles' "sorry. no version of this where i didn't come get you"). "my life was a storm since i was born, how could i fear any hurricane?" could relate to charles' tumultuous family life, an assurance that nothing he has to deal with while by edwin's side will faze him given the things he's lived through. no, despite everything he's suffered through, charles wouldn't do anything differently - because his (admittedly shitty) life led him to edwin ("i'd tell them, put me back in"). we already know charles would choose him over heaven, willingly sacrificing his own afterlife to stay with a boy he's known for hours, someone kind enough to keep him company as he drew his final breath. all of it - his father's abuse, his schoolmates' bigotry, the pain of his own death, as well as everything he's gone through since - he'd do it all again, for edwin.

"for all that was said of where we'd end up at the end of it" could be taken as an allusion to the fate the boys would meet at "at the end of it", when they're finally caught by death and separated, or as more of a general "if you sin, you will go to hell when you die" (up to you to decide what the sin itself would be - an interpretation that would work with other songs on the playlist is that one such sin would be same sex attraction). then their hearts ceased, they never knew "peace", nor did they want to find it in death. their deaths were too soon, them being ripped away from life, but even though it would break his heart: charles would ask to do it all again.

the outro, i think, beautifully pulls it all together: heaven is not fit to house a love like theirs.

to wrap it all up:

jayden, what were you cooking in there? what do you know??

what if I was slowly dying of internal bleeding and hypothermia and you stayed with me and read to me. Because you know I'm dying and you don't want me to be alone and scared (like you were). And what if I chose You, instead of heaven?

Claim your prize now!