Never Realized That The First Thing Gideon Does When She’s In Harrows Body, The First Thing She Does

Thats not even on the fandom wiki yet!!!

Edit: it is. It's under breakup/divorce

When I typed "divorce" into the computer at thisisnotawebsitedotcom.com, it showed me this!!! 😭😭😭

TLT Theory: Pyrrha was the Necromancer

No get back here, hear me out. I'm not saying Gideon didn't become one as a Lyctor. But I've been noticing a lot of things adding up weird here...

In Ch6 of HtN, when preparing for the first trip through the River, they call it Pyrrha's trial.

Much later, when Pyrrha is mad at Palamedes for the soul fuckery he and Camilla are doing, she refers to it as one they designed together, but that doesn't negate Mercy calling it Pyrrha's first and foremost. And...

She's worried about Camilla's brain, and okay, sure, they only have Camilla's body. But with Cris and Mercy, it was Cris getting cracked open. With Harrow and Gideon 2, it was always Gideon in danger, not Harrow. And with Gideon 1 and Pyrrha, it was Gideon's skull, Gideon's brain, getting the testing done. No mention of the same kind of testing or Mercy or Pyrrha. The principle of it is the necromancer's consciousness being overlaid onto the cavalier's brain, right?

But okay, maybe Pyrrha just doesn't mention herself, and Gideon's "a control variable" to compare herself to? But there's more.

Pyrrha fights with guns, prefers them. Gideon fought with not just a sword but a whole ass massive spear for an offhand, and has easily more physical prowess than any other necromancer we've ever seen. His stomach is still desiccated in typical necromancer fashion, he's dehydrated and not a scrap of fair fat on him, but he's a wall of muscle and sinew. Yes he looks "like an idiot's construct", probably because John regrew him from an arm when he was still getting the hang of using that level of power, but he's distinctly not built like other necromancers. If he wasn't a necromancer prior to being a Lyctor, his build might make more sense. Moreover, we've seen other cavaliers turned into sort-of-constructs, with both Protesilaus and Kiriona.

I also want you to look at the Saint of Duty and tell me that man isn't the walking essence of what it means to be a Cavalier.

And he rarely uses necromancy. He can travel in the River, and he drains thanergy, but he never really uses theorems or sets up wards. His necromancy is used pretty exclusively in passive ways or to remove obstacles between himself and his weapons. But Pyrrha is extremely knowledgeable about all kinds of necromancy. She tells Harrow fresh thalergy is harder to drain. She sees Ianthe's brilliantly inventive combination of wards creatively mimicking the effect of Mercy's trial and can accurately tell what they're going to do, as well as how to break them. Among other things. She also says she walked the Eightfold. Maybe that means being led willingly as a cav, but what if she was in control of the process?

With Harrow, Gideon was constantly in and out of awareness, watching from Harrow's subconscious, things that Harrow was fully conscious for. Palamedes doesn't have that with Camilla, and both of them being conscious is rare and dangerous, as detailed above. Pal and Pyrrha are frequently compared with their situations. How did Cam and Pal work out how to do the switcheroo, especially while Pal had extremely limited ability to move or perceive? How did they work out a safe time limit before too much irreparable damage was done? Could they have had guidance from someone who's done it? Done it with a necromancer's knowledge, letting him know where he can safely go under in the brain, how to come out at will, what to watch out for?

On a separate note:

Lyctor names are sacred, but the Houses were founded before Lyctorhood was achieved. Anastasia did not become a Lyctor, so her name was not removed from history, and became common in her House. Judith and Marta are part of the Dve Territorials, and while that doesn't prove anything or could even be evidence against, I feel like it would make sense to have named prestigious military groups after the House's "main" Founder, before there were Saints and the decision to erase the Saints' names.

On a more meta level, I think it would be weird to have "their names were meant to be forgotten", history knowing jack shit about the cavaliers of old, and even emphasis on the Lyctors forgetting each others' House names, only to have a cavalier's House name in active use somewhere, if that information wasn't supposed to be serving a narrative purpose. If we weren't meant to question why.

"But they call her his cavalier. She calls him her necromancer."

Sure. And maybe that's straightforward; this is a theory, I could be wrong. But switching titles after Lyctorhood doesn't sound too out of the question to me. What's a bit of revisionist history in TLT? John knows where memory lives in the brain, and on Pyrrha's end, at least after Lyctorhood Gideon was the necromancer, after all.

"So why can't she do necromancy when she's in control?"

"He took more from me than got taken from you" feels like explanation enough to me. He got her aptitude and more. She's a partial soul. If anything, she could even still has an ounce of it, to retain the body's healing capabilities. If Gideon was fully giddy-gone and the soul that was left had zero aptitude, what would the furnace be burning? But if Gideon's consciousness is dead and what's left of his soul is in the furnace with a (partial) necromancer at the helm, well, that's not far off from Lyctorhood working as intended.

"Why though?"

And there's the part that gets really tricky but interesting. My best guess short answer is, one of them was dying, and it was an act of desperation.

Maybe Pyrrha was dying and so brutalized her body wouldn't have healed right even becoming a Lyctor, but given what they're like and the Cam/Pal parallels, I feel like an even more likely answer was that Gideon was dying. Cris and Alfred had already put Mercy and Augustine in that position, and they took their souls to preserve something, but Pyrrha would have seen how well that worked, assuming the third ascension wasn't immediately after the first two. So perhaps in her own desperation, with endless adoration for the man so willing to burn for what he believed, she said no. You don't get to throw your life away. If you're going to keep throwing yourself on things, I will make sure you can survive it and keep surviving it, even if it kills me instead. And then walked the path in reverse, pinning her own soul to his instead of pulling his into her.

I've seen a post around here pointing out how when Pyrrha tells Nona about her first tantrum, she's laughing with her mouth but not her eyes, and it looks like it reminds her of something her brain doesn't want to bring back, and proposing that Alecto killed Pyrrha. And I do think there's a solid possibility it was Alecto's tantrum that mortally wounded whichever (or maybe even both!) of them and prompted them to ascend. If Pyrrha didn't blame Varun for Gideon recently, I doubt she'd hold it against Alecto either.

Either way, wouldn't something like that more than earn the title of Duty? Wouldn't it be beautiful that they both fit the title if both had in ways been the cavalier? Wouldn't it be fitting to allow the name Dve to stand in the military as a monument to such a woman?

I know this might still be a long shot, but I definitely think there's enough little things sprinkled around to at least to warrant some solid suspicion. And it honestly would explain a lot.

Can you do a poll asking about how many tags are too many tags or too few tags on a fic?

I did the thing @pityfiesta

is someone else going to draw them like this or do i have to....

I love them

The art came out kinda low quality over photo, but so be it

Welcome to

✨ the experience ✨

⬆️ my notes.

ok I'm reading Harrow the Ninth and what the fuck is happening

I understand literally nothing

Hi my name is Harrow'hark Nonagesimus and I have 200 souls trapped in me and short choppy black hair that grows too fast ever since my DIY lobotomy and black eyes like the rest of the Ninth and a lot of people tell me I look like Anastasia (AN: if u don't know who she is get da hell out of here!). I'm not related to the girl in the tomb but I wish I was because she's a major fucking hottie. I'm a space Kiwi but my teeth are straight and white. I have skin that's only described as somewhat lighter than Gideon's and is always covered in greasepaint. I'm also a necromancer, and I live in a castle called Drearburh on Pluto where I'm the Reverend Daughter (I'm seventeen). I'm a goth (in case you couldn't tell) and I wear mostly black. I love the Ninth's dress code and I always adhere to it. For example today I was wearing a ribcage corset, a black shirt, black pants, black boots, and a black cloak. I was wearing skull facepaint, specifically The Chain. I was walking outside Drearburh. It’s on Pluto so there was hardly any sun, which I was very happy about. Gideon Nav stared at me. I put up my middle finger at her.

Here are all the GIFS I made for volume 3 of bf. As always, you can use them as long as you credit me (˶ᵔ ᵕ ᵔ˶)

If you have any suggestions for which panels I could animate, let me know.

I will be working on my 3d projects for now, so there won't be any bf posts for a while.

Masterlist

hello. Don't know if this feels weird..

Based on the post you reblogged about villains, would you expand on Dino Golzine from banana fish? Where does all the actions of his come from?

Hello! Thanks for such a great question!!

I've actually been intending to write an essay about Dino Golzine for YEARS, so thank you for giving me the excuse to get to it. <3

Because you referenced the post about villains, I figure I'll take each of that OP's observations point by point and apply my thoughts about Dino. Bear with me, because this might be long. Also, it should be emphasized that I DON'T, IN ANY WAY, SUPPORT DINO. This essay might sound sympathetic in places, but it is not. I'm just trying to look at things from his point of view.

"They Should Believe They're the Hero of Their Own Story"

Dino Golzine may not believe he's a hero in a traditional way--he knows he's committing crimes, but I don't think he necessarily thinks that he's wrong. What do I mean? Think about any real-life mob boss. They're the head of a business organization. A family business, at that. He doesn't have family in the traditional sense, but he's got everyone calling him "Papa," so I'm sure he imagines that his staff are some kind of found family where he's the patriarch. It's a warm feeling, knowing that people look up to you, that they rely on you for their livelihoods.

Sure, his business is on the wrong side of the law, but that's just semantics--what are laws but rules set in place by other men? If Golzine's work is an asset to the community--he provides people with things they want (drugs and sex) and undoubtedly funds plenty of political campaigns and public works. Sure, his sex business is a bit niche, but there's clearly demand, right? He's making cash hand-over-fist, so he's filling what would otherwise be a void in the market. If he didn't sell cocaine and boys, someone else surely would, so it's not like these boys would have a better life if he obeyed the law.

Hero or not is debatable, but the fact is, Dino is successful. He's strong. He's respected. These are the only heroic qualities that interest him.

"Give Them a Personal Code of Ethics (Even if Twisted)"

Yeah, Dino's code is absolutely twisted, but you can see that he has one. First of all, it's clear that he values decorum. He doesn't like it when Ash is dirty or rowdy or uses bad language. He doesn't like it when things happen that make him look bad (like when the head of the Corsican group decides to replace him because Ash has made a fool out of him). These aren't quite ethics, but they are a standard of conduct. Golzine has a reputation to uphold, after all.

Until he gets angry, Dino tends to be respectful with his peers (the senators, Foxx, Blanca) and even those he thinks are a bit beneath him (Dr Mannerheim). You might ask about the boys at Club Cod, about Ash himself. How his that ethical. Frankly, I'm not sure he considers those boys as human beings. It's like what Ash said, he treated him like a doll, that it never occurred to him that he had feelings.

I think that changes over time, in regards to Ash. Once Ash is his assassin, he develops some level of respect for him--at least enough to see him as a human being. Dino's respect for strength and skill is obvious. I suspect it was Ash's determination not to break at Club Cod (as well as his beautiful face) that inspired Golzine to pull him out, to keep him as his own. And even when Ash became willful and unmanageable, Golzine never killed him (though he threatened a lot), instead giving him an expensive education.

He doesn't let Ash get dosed with banana fish in the mental health facility. He also doesn't let Foxx kill him. We can argue motivation for those actions, but it seems his sense of ethics are a bit warped around Ash. Whether he's protecting him or he wants to destroy Ash himself (I honestly think it's the former), there seems to be line there that he won't let anyone cross.

Also, he fulfills his obligations to Yut Lung. They made a deal and Golzine stands by his end of it, killing his brothers for him. As a businessman, Golzine can honor a contract.

So, while this isn't quite an ethical compass, it's that same kind of structure. Golzine rewards the traits he values, and he probably really thought he was elevating Ash into someone respectable.

"Their Motivation Should be Relatable (Even if Their Actions Aren't)"

Okay, so here's where Dino fails for me. I simply can't relate to the smooth running of a criminal empire, and I doubt most of the readers can, either. I guess it's understandable that he'd want to develop banana fish for the pure profit of it. Still, his motivation being almost 100% financial is a bit gross.

However, if you bear in mind that this manga was written in the 1980s, when "Greed is Good" was a literal bumper sticker slogan, that might be enough to fulfil this particular rule. The '80s were a very different time, ideologically. Being a cutthroat businessman wasn't really considered a character flaw yet.

Also, as far as motivations go, it's understandable that he'd want Ash to take over for him, as he has no heir (and I suspect he'd be grossed out trying to get one the traditional way) and the whole point of this sort of organization is to keep it in the family. I honestly believe that, if he put all the "good" he did for Ash (luxuries, food, nice clothes, a well-rounded education, "rescuing" him from Club Cod) on one end of a scale and the bad stuff (rapey things, mostly, because I'm sure he felt that making Ash into a killer was a good thing) on the other side, Dino probably thought that Ash should've been grateful. I know, it's horribly disgusting, but seriously, that's the only read I can get on him.

"Make Them Competent (Nothing's Scarier Than a Villain Who Actually Wins)"

I don't think this one takes much thought. Dino is scary as fuck. In the beginning of the series, Ash is cocky as fuck around him. He's rude and disrespectful and it's beautiful. But I think that's all for show, like the way a teenager might push his dad, but that doesn't mean he really thinks he could take him. Golzine scares the shit out of Ash. All those years, and Ash never left New York? He could get on a bus and make a new life in Chicago or California, but he doesn't. I assume this is because he knows how Golzine would react. He doesn't spend the whole series trying to break free from a guy like this if it wasn't hard as hell to actually do it.

Golzine orchestrates so much truly heinous shit, like the whole situation surrounding Shorter's death. He's quick to punish Ash for rebelling, like when he lets him think he's going to let Mannerheim dose him with banana fish, and when Ash consistently gets the better of him, he uses his resources to hire someone who really can punish him (Blanca and then Foxx). He's relentless, and that's terrifying.

"Don't Forget Their Human Side--What Do They Love? What Are They Afraid Of?"

Dino doesn't seem to be afraid of much, but he's afraid of failure. When Corsica tried to have him replaced, he floundered for a minute. He rallied, of course, and got his position back (partly by murdering the guy who was sent in to replace him), but it was touch-and-go for a minute there. His impotent rage was rather humanizing.

What does he love? I'm going to start with the less-controversial things--he loves order, and luxury. He loves power. He has cats--not an easy pet for people who need obedience, so I assume he has a soft spot for them, too. He loves to hob-nob with powerful men.

Now, for the more controversial. I honestly think he loves Ash. Not in any way that is normal or healthy or even recognizable to most people, but I do think it's love, in the only way Dino knows how to love. He treasures Ash as something he's created, something he owns. It's narcissistic and gross, but I think that Ash is the only person on earth that Golzine wants near him. He reiterates over and over that he owns Ash, even goes as far as saying he'll make a "good wife" out of him. Dino wants Ash in his life forever. Ash is literally his favorite thing.

Before I get attacked for this--OBVIOUSLY Ash deserves more than that. It's insulting and disgusting and horrible to think that any person should be forced to live the way Ash has lived with Golzine, especially under the guise of "love." But Ash is the only humanizing influence on Dino, even if all we see is negative emotions. Ash is able to push Dino's buttons, making him alternately blind with rage and furious with envy. But imagine how soft he might get if Ash tried, even for a second, to be nice to him. I think Ash could have Golzine eating out of his hand, if he wanted. (But obviously, Ash is far too traumatized and terrified of this man to even see this as an option, which is ultimately better for Ash, because such a path would undoubtably corrupt him).

Dino Golzine works because he's larger than life. Not only does he wield an enormous amount of power, he has power over Ash. Ash is a god in this manga--he's the prettiest, smartest, most talented, most capable boy who ever lived--and yet, Dino Golzine has made him desperate enough that he's willing to climb on top of a badly-veering truck for a chance to finally kill him. That's a terrible plan and he knows it, but at that moment, it's all he has, so he goes for it. Dino is a classic, well-constructed villain who gets the work done basically every time he's on the page.

Think about why the fandom hates Foxx--nothing about that man feels real and he adds no depth at all to the story. Compare that to Dino Golzine--we hate him because he feels real.

bitchin’ camaro 1985

from the 1985 punk album respectively