MALICE MIZER

Mana and Kami, capturing precious memories with their adorable photos from years ago such as posing in front of the Statue of Hachiko or in Shibuya in the Hachiko Family Mural.

Enjoy 💜💙

"The song started to take on a different feeling, and the way we approached it also changed.

With the existence of wind, and so on i feel that I am sensing a sense of closeness or maybe i should call it a difficulty in perceiving it in myself."

By the way, with the arena performance now complete and 'Le ciel' being released as a single, the merveilles series is finally coming to an end, right? However, when I think about the final scene expressed at the Yokohama Arena performance and the atmosphere at the ending of this song, I can’t help but wonder… is it really over? There’s a part of me that can’t help but feel doubtful. So, what’s the truth about that?"

Mana: "Who knows? There might be something new starting from here… but it’s not yet the time to talk about that, so I can’t say. Well, it’s certainly true that i can’t say it’s over in an absolute sense."

Interviewer: "Exactly. The way the sound cuts off at the end of the song feels like it has some deep meaning hidden behind it. Why did it end that way?"

Gackt: "Well, why do you think it is? In fact, I’m curious to hear how you felt."

Interviewer: "Hmm… i felt a certain loneliness. It gave me a sense of being left behind, in a way."

Mana: "I see."

Gackt: "To put it another way, that feeling comes from Sugie san’s own sensitivity and past experiences, which made you feel that way. And that’s okay; everyone can feel it in their own way. And in another moment if you listen again, it might leave you with a different impression. On the other hand, what we aim to present is music that creates different stories and landscapes within each listener over time."

"I feel like we're searching for something beyond that."

In the end, it's about the greatest pleasure in this world— the joy, anger, sorrow, and all emotions.

Music itself comes from the flow of religion, right? Religion itself started from human sin, and I think it was built to overcome it and bring it to zero. Regardless of whether one believes in religion or not the desire to overcome sin is something that every human being has, right? What we do isn’t religious activity, but if there are expressions that seem religious, we won’t deliberately deny them. It’s a matter of how different people interpret it.

In live shows and albums, the emotions of joy, anger, sorrow, and pleasure of humans are included. If someone perceives something religious within that, it's a matter of their sensitivity. We don’t deny or affirm it.

Let's change the approach of the question regarding the term "religious." What if Malice Mizer’s fans, in the future, became the type of people who believe only in Malice Mizer, who have no other support but Malice Mizer?

"There are so many people and so much music, so it's hard to imagine a situation where it's only Malice Mizer. I don’t feel that way on stage," said Gackt.

Mana continued: "I rely on the audience more than they rely on me. I live every day in fear, and when I get letters from the fans, I feel saved."

Hmm? "Fearful..."?

"Yes, that's right. I can't say it directly, but there are hints. Please watch my segment in the TV special about Malice Mizer (those who recorded the video) and also look at the various drawings I make; it’s hidden there."

Mana has once again given a mystery, but Közi also agrees: "Like Mana-chan, I find healing in fan letters every day. Since our major debut, the pace of life has become incredibly fast." It seems that all the members get some form of power from fan letters.

Can the passionate feelings of the fans also be felt from the stage?

"On stage, I enter an unrealistic world, so sometimes when I look at the audience, my mood drops, so I don't consciously focus on it," said Kami.

Yu~ki added: "In the end, I feel like we’re searching for something beyond the greatest pleasure or feeling, something that encompasses all emotions— joy, anger, sorrow, and pleasure. It's like we're trying to find it together."

Gackt continued: "I think the meaning of standing on stage is different for each person, but for us, and for those who come to see us, we are mirrors. When we send out waves, they don’t just go one way, they come back. In that way, both sides discover and grow. Looking in the mirror means that I’m looking at myself. Sometimes, I see a better version of myself, someone who can do even more."

They send out waves from the stage, and the audience receives them.

MANA-SAMA.NET

Twelve hours during a part-time job feels so long, especially at night; it’s almost terrifyingly long.

Mana chan kept shouting, “This theme is difficult!” and Kami kun kept asking, “Mana chan, don’t you have anything?” (laughs). It seems these two aren’t very bound by numbers...

Anyway, Mana chan’s part time job era... It’s full of valuable stories!! Hehe ♥

MALICE MIZER

--So, the theme is "The Fear of Numbers."

Mana: Hmm... That's difficult.

Kami: Haven't you ever noticed when the numbers on a clock are all the same? Like when you look at the time and it's 11:11?

--Does that give you an eerie feeling?

Kami: No, I'm actually happy (laughs). Also, when I'm talking on the phone at night and I look at the clock, it's always 2:14 AM (laughs). It's the witching hour (laughs). And it happens almost every day.

--Do you have any thoughts, Mana?

Mana: Hmm... (laughs) This theme is tough... Hmm...

Kami: Also, I have an obsession with lining up the number 7. I used to go to pachinko parlors a lot, so getting 7s was a thrill (laughs). Ah, that's not scary at all (laughs).

Mana, do you have anything?

Mana: Hmm... When I was a boy, I was a bicycle enthusiast. I even had a speedometer, and it only went up to about 60 kilometers, I think. I was obsessed with maxing it out.

Kami: That's the fear of speed.

Mana: Yeah, I was pushing the limits of speed. The bike I had wasn't a Roadman, but it was a sports-type with gears and semi-drop handlebars... You don't see them much nowadays.

Kami: They were popular back then. The ones with the light on the side.

Mana: The more gear shifts, the better. Five-speed was common, but with six-speed, it was like, "One more gear!" (laughs).

Kami: Speaking of numbers, I save 500 yen coins (laughs). Last year, a friend gave me a piggy bank that can hold up to 300,000 yen, and I'm close to reaching the goal. How long did it take you to save?

Kami: One year! When I talked about it, a fan once sent me a 500 yen coin in a letter (laughs).

Mana: Really? Well, I’m saving 10,000 yen bills (laughs).

Kami: So I make sure not to spend any 500 yen coins. Even when I shop, I make sure to get change in 500 yen coins, or I exchange five 100 yen coins for a 500 yen coin at the convenience store (laughs). Mana, do you have anything else?

Mana: Hmm...

--Like the fear of having to wake up in the morning?

Mana: Oh, even if I have work early the next morning, I stay up until around 5 AM, so I do get that "Oh no, it's already this late" feeling, but that’s why I always sleep in the car during travel.

Kami: Because we’re so busy, sleeping in the car becomes something to look forward to.

Mana: Yeah, it's really enjoyable (laughs).

Kami: It's almost like that's what keeps me going (laughs).

Mana: Yeah, but during our indie days, I was the one who drove.

Mana: I was the designated driver (laughs). Back then, mornings were terrifying. I had to wake everyone up by phone.

--Did you wake up all the members?

Mana: Yes, I’d call them to wake them up and then go around picking them up in the car. That was really something. It was like hell; I did it while crying (laughs). There were members who wouldn’t wake up no matter how many times I called (I wonder who?). And there were people whose phones wouldn’t even connect (laughs).

Kami: By the way, I’m never late. Unless I’m stuck in traffic or something, I always arrive on time when we have a meeting. Mana, do you have anything else? (laughs)

Mana: Ah! The fear of numbers! I used to work part-time at a rental video store, but when the sales weren’t great, I’d rent out videos myself.

-- Really? Were you in a position of responsibility?

Mana: There were morning and night shifts, and I was the manager for the morning shift, so if the morning sales were bad, it was my responsibility. When no customers came, I would wander around the front of the store, getting anxious (laughs).

-- Well, you can’t exactly solicit customers at a rental video store (laughs).

Mana: Exactly. You can’t just say, "We’ve got good videos here!" So all I could do was wander around (laughs).

Kami: I just thought of something! The fear of numbers! In the band I was in before Malice Mizer, the current drummer and I were born in the same year and on the same day. It was terrifying (laughs).

Mana: I just thought of something else too (laughs). I used to work a part-time job inspecting cups at a factory. That factory had cups endlessly going around 24/7 (laughs). I worked 12-hour shifts there, but since the cups were constantly moving on the conveyor belt, there was no end to it. It was terrifying. Plus, it had a roof but no doors, so in the winter, the cold north wind would blow in while I just watched the cups… (laughs).

--That sounds like a tough job.

Mana: It was tough. It was torture (laughs). Nowadays, even if your hair is dyed, it’s socially accepted, but back then, if you had a part-time job, it was limited to handing out tissues or working in a factory (laughs).

Kami: Yeah, or working for a delivery service.

Mana: "Yeah, like at those places where the packages come down on conveyor belts (laughs). I was once in charge of handling packages going to Tokyo, and while other people only had a few packages coming their way and were taking it easy, I was getting a constant stream of packages (laughs)."

Kami: "Even now, when I see the baggage counter at the airport, it reminds me of those days (laughs). Those 12-hour shifts felt so long, especially the night shifts—they were terrifyingly long."

Mana: "Yeah, yeah, and for 12 hours, the cups kept coming endlessly. By the end, I was even seeing hallucinations (laughs)."

The end // From Vicious Magazine

MALICE MIZER

After leaving the audience in suspense, Kami took the microphone and in a surprise twist the members reappeared, intensifying the final moments. In response to the huge cheers the encore saw the five members take the stage in military uniforms, waving a naval ensign. It’s rare to see a band that can pull off such a wide variety of costumes... I couldn’t help but think how much fun they must be having as I was completely overwhelmed by their high energy stage presence and performance.

The following day, on the 11th, they performed on a stage titled The Door of the Blank Moment. The show began explosively, with special effects firing off immediately at the start, and the band, dressed in glossy enamel costumes, launched into an aggressive and high-energy performance, reminiscent of the later half of a set. I was once again stunned, realizing that this was yet another way to kick off a show. I had heard that the two days would be completely different... but I didn’t expect them to be this different.

The second song, ILLUMINATI, began with a shout of "Come at me!" and during the song, Gackt shoved Mana onto a sofa? The sight of Mana and Közi's suspiciously close interactions elicited screams, leaving everyone fixated on their movements.

While Yu~ki didn’t display any flashy movements, his intricate rhythms and occasional melodies shone through. In the fourth song, Le Ciel, he descended from the stage set to perform front and center. Every little movement from them was captivating, and during the middle of the set, each member had their own moment to shine, pulling the audience into their individual worlds.

Just like the previous day, Gackt’s highly charged MC led the show into its second half. Sweet, yet somehow melancholic melodies... these enchanting songs brought color to the latter part of the concert.

The encore that day was especially memorable. The members appeared one by one, dressed as the characters from the video Bel Air, each stepping out in their respective roles. It was a surreal sensation, as if the fictional story in the video and the real-life story unfolding on stage were blending together. The five of them gathered on stage in those costumes and, as a parting gift to the audience, performed the final number, of course, Bel Air.

Their stage was a world filled with countless elements: beautiful things, grotesque things, pure things, mysterious things, frightening things, nostalgic things, new things... an endless variety of wonders. It was a world that transcended conventional concepts and couldn’t be confined within the usual boundaries of a live performance. For those two days, we were able to fully immerse ourselves in their unique world.

MALICE MIZER

“Merveilles” The End and the Return TOUR '98 / 7.22 Yokohama Arena

A dangerous drug that captivates those who see it

Text: Roku Ono

Photo: Miwa Oya

"Starting around 4 PM i t began to drizzle which soon turned into a downpour. Even with umbrellas it was only a slight comfort against the incredible intensity of the rain. In the midst of it, girls, filled with thoughts of Malice Mizer and a desire to get as close to them as possible, gathered while desperately lifting the hems of their dresses and cloaks.

On July 2nd at Yokohama Arena. Fans gathered for the final of Malice Mizer’s concert tour “merveilles" The End and the Return~TOUR '98," forming a long line from Shin Yokohama Station. Commuters completely unaware of what was happening, passed by with looks of sympathy and curiosity at the girls dressed in the most inappropriate outfits for the rain. But they didn’t care about that. Ignoring the rain, the fans gathered..."

I did a little translation of Yu~ki's interview. Feel free to correct me in my mistakes.

Interviewer: This outfit is your personal clothing, right? Is it for a party?

Yu~ki: It’s casual clothing for going out. My pants are showing a bit (laughs), it’s a little too much (laughs).

Interviewer: Are you planning to attend a Christmas party like this?

Yu~ki: Yes, I am.

Interviewer: So, what comes to mind when you think of Christmas?

Yu~ki: Nothing much really. I’m happy because I get to eat cake, that’s about it. ...Though, it’s like, "you can eat cake anytime!" (laughs).

Interviewer: The lights are beautiful, right?

Yu~ki: Yes, they’re definitely beautiful.

Interviewer: Or maybe it’s about getting a lot of presents?

Yu~ki: I guess presents do arrive.

Interviewer: Do you have any positive impressions of Christmas?

Yu~ki: Well, not really. I don’t have any plans for this year either. It’ll probably be over before I even notice (laughs). The cold wind blows, the leaves fall, it’s a lonely season that makes you miss people. And since I look like Dracula in this outfit, maybe I should just go around sucking blood (laughs). But, yeah, it does kind of make you feel excited in a way.

Interviewer: It feels like we’re making you say that... (laughs). What’s a memorable Christmas for you?

Yu~ki: There was someone whose birthday was close to Christmas, so we had a party with a bunch of close friends. We exchanged gifts but it was all guys.

Interviewer: What about sweet memories with a girl?

Yu~ki: Memories with a girl... I can’t say there aren’t any.

Interviewer: Come on!

Yu~ki: I mean, I do have some, but they’re not sweet at all (laughs). Actually, now that I think about it, there really aren’t any interesting stories (laughs).

Interviewer: Until when did you believe in Santa Claus?

Yu~ki: Probably until I entered elementary school. My parents would always leave presents by my pillow, and maybe I pretended to believe for their sake. I’ve always been the type to look at things realistically from a young age (laughs).

Interviewer: That’s not very cute! So, what’s your ideal way to spend Christmas?

Yu~ki: Cake. ...Well, I don’t really care, to be honest (laughs). As long as it’s fun, that’s good enough, right? But is it normal for people to have plans for Christmas?

Interviewer: Even though your fans usually call out, "Yu~ki ♥," on Christmas...

Yu~ki: I hope everyone listens to a CD and eats cake alone. ...That’s what I’ll be doing! While thinking of my fans!!

Malice Mizer Magazines

(Part 2/6)

All the photo credits to voulerie on tumblr

MALICE MIZER

"Bara no Konrei"

The Promise Made at Midnight

An Exclusive Look at MALICE MIZER’s Debut and First Lead Role in a Movie

TEXT: KIMIKO KKM MASUBUCHI

An exquisite, beautiful, and aesthetic world set in medieval Europe. Anyone who has even once glimpsed the world of Malice Mizer would have sensed that a moment would come when they would make their screen debut. I, too, am one of those people. And finally that moment has arrived and in a spectacular way as both their debut and their first lead role.

The movie, The Promise Made at Midnight: The Wedding of Roses, explores themes captured in its tagline: “The forbidden decadence of pleasure not meant to be seen or touched.” It is a gothic fantasy of humans and vampires, searching for eternal love and beauty. This film is intertwined with the world Malice Mizer has developed over years of musical activity with the soundtrack featuring songs primarily from the album Merveilles. This feature flowing through the entire film is an essential element that gives it a distinctive character. The film’s style reminiscent of films from a bygone era reflects the reverence for their music.

One of the most surprising aspects is the casting. The characters are tailored to each band member’s unique persona so their passionate performances feel natural even to those familiar with Malice Mizer. While musicians appearing in movies do not always add depth to their musical activities this work offers both longtime fans and newcomers a way to see Malice Mizer in a new light as a continuation of their journey.

TEXT: YUKI SUGIE

An endless dream. Endless loneliness, endless sorrow. This is a story of “eternity,” portrayed in deep contrasts between midnight black and blood red beginning in silence and unfolding dramatically.

One of the most striking elements of The Promise Made at Midnight is its use of a talkie-style classical technique and the bold casting of Malice Mizer. Director Takehara captivated by their unique presence and charisma, wrote the screenplay himself. This project, a massive collaborative work between Takehara’s vision and Malice Mizer, a group that has pursued a distinct aesthetic rooted in tragic beauty has produced something truly one of a kind.

Kozi’s presence embodies the conflicts and challenges of reimagining a vampire archetype, capturing the role with precision. Mana, with his enigmatic mannerisms holds a crucial key to the film’s complex storyline. Yu~ki with his remarkable performance as a vampire seems almost born for this role. Whether as actors or actresses, their presence will certainly draw viewers into a surreal, hypnotic world.

This world is one that only Malice Mizer could bring to life. Eventually, the night gives way to dawn, and the story reaches a pivotal moment. What will bring salvation, and what will be the source of tragedy? What was “fate,” and what was inevitable? I hope you find the answers to these questions in your own heart.

YU-KI (B.)

1) August 8

2) Blood Type: A

3) Height: 175 cm, Weight: 58 kg

4) Shoe Size: 26.5 cm

5) Lark (Cigarettes)

6) Basically, can't drink

7) Likes sweets

8) Mushroom Family

9) Prefers people with beautiful hair, fair skin, distinct facial features, and those who are not too gentle

10) Interests: Clothes, etc. Cigarettes, clothes, etc.

T: MANA chan has a shortcoming! He never stops at the stop line. He stops right in the middle of the crosswalk (laughs).

Y: My shortcoming is that when I start thinking, I overthink endlessly. I get completely absorbed. My strength is that I’m usually calm and might not be thinking about anything at all (laughs). But I think I’m a pretty calm person. Though it doesn’t really mean anything in particular (laughs).

T: You're not listening, are you? (laughs). When we’re all talking together, I sometimes wonder if you’re seriously listening... I think, "Maybe Yu~ki chan will sum it up," but when I ask, "What do you think, Yu~ki chan?" you respond with "Huh?" like you weren’t listening at all (laughs).

K: My strength is that I don't overthink things. I quickly forget unpleasant things! That might be my strength. My weakness is that I'm lazy.

T: My shortcoming is that I talk too much and am noisy. But sometimes that weakness turns out to be a good thing, so it might be a strength too.

Q: Have there been any incidents around you lately?

T: When we went to Osaka, there was something we called the "Box Riding Incident" (laughs).

Q: Was that with the equipment vehicle? (laughs)

T: No, it was with a Benz.

K: A 560SEL (laughs).

T: And then our support member Yukyo-kun was zooming through the streets of Minami in Osaka, shouting "Yukyo!" (laughs).

K: That was a major incident, right? (laughs).

T: It was seriously a huge incident! We laughed so hard (laughs).

Q: Can you boast about yourself within the group?

T: Among the members, I’m the weakest and only have about two good days a year.

Y: Among the members, I’m the strongest. You can call me the "luggage carrying captain" (laughs).

K: I’m the most twisted among the members. My belly button is crooked and the crooked end is withered (laughs). What am I even saying? (laughs)

M: Well, I’m probably the most knowledgeable about horror videos. I’m a collector (laughs).

K: Yeah, you have tons of videos. Almost as many as a video rental shop (laughs).

Q: What’s next for Malice Mizer?

T: We haven't decided on a drummer yet, but once we do, we’ll let everyone know, especially our fans.

K: Once we have a drummer, we’ll start working hard. This year, we’re aiming to have our own solo concerts!

T: For now, we’ve done about 10 lives in March and April, so from around June, we’ll slow down to about 2-3 lives a month.

K: During that time, we’ll be planning various things.

Q: Any plans for a tour?

T: We’d like to go on tour around summer. We hope to visit Osaka, Nagoya, and if possible, the Tohoku region as well.

Q: Finally, do you have a message for your fans?

M: We’re putting everything into the music, so please listen with your whole body.

Y: Please come to our lives.

T: Listen to the beautiful, sorrowful Malice sound!!

K: Eat Yoshinoya’s Tokumori (extra-large beef bowl)!!

T&K: Très bien!

NOTE: T is for Tetsu and K is for Közi since this interview was back in Malice Mizer Tetsu era. I hope you enjoyed it xxx

Mana:

At the final stage of merveilles i felt like I saw a light within myself. Or rather i sensed it. I thought that might be an easier way to express it. But in reality... You’d think it came across clearly.

Gackt:

When it comes to live performances, ones that are carefully constructed, i sometimes wonder is that really okay? Of course it's not like it’s 100% perfect. Also you're always aware of the camera. I'd like to try using it more intentionally. Definitely.

Back during the live video Voyage, there were parts I just couldn’t be satisfied with. It wasn’t like we were consciously shaping the footage ourselves. You can really tell the difference between when you're aware of the camera and when you're not. Compared to that, this time we had more cameras and various new elements.

Actually, when it comes to balance, that one buffer, how we manage that, really matters. Promotion video technology has come a long way too. But honestly, I think it might be better to break the whole concept a little more. That’s just my personal view.

There's this assumption that everything is going to be captured on camera. But if I were allowed, I'd like to try breaking away from that. I wonder if that would really be okay. Still it’s not that easy.

The current situation with MALICE MIZER makes it even harder. To capture their live performances, we really have to think about where to put the cameras and how many to use. There are people who can’t see MALICE MIZER live. For them, video becomes the only window in.

So as a way to give them that experience, I’d love to just place cameras and film a live. Without overthinking it, maybe even using 200 cameras. But in the end, what we always struggle with is how to shoot the stage without interfering with it. Maybe we didn’t fully utilize some of the camera angles either. Fundamentally, there are things that cameras simply aren’t meant to capture.