Bruises And Bruising

Maria Hill

Secret Invasion (2022)

Derek Shepherd gif pack for @ NEUR0G0D on Twitter.

Grey's Anatomy 5x18: 'Stand By Me'.

#145 “ VHS TAPE ” by jessource.

an original and free psd. if using please like / reblog and don’t forget to leave credit somewhere visible.

don’t redistribute, steal or claim as your own.

any issues, don’t hesitate to contact me.

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I’m gonna show you something a lot of guys don’t know. I wanna meet this guy who’s the “best sex she ever had”.

#he ain’t wrong.

⠀ ⠀ㅤᕘ ۫𝑐𝑙𝑜𝑢𝑑𝑖𝑒 𝑏𝑖𝑜𝑠 ! ! ᕙ

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ◜don't modify too much, pls ◞

ㅤㅤㅤㅤㅤㅤㅤㅤ

ㅤ ㅤ ִ ۫ ֪ ◜ ͡ 𝃜 ⪩⪨ 𝃜 ͡ ◝ ֪ ۫ ִ

ㅤ ㅤ ㅤ໒ ྀིᵔ ٬ o𝑓 𝃜 ⸝⸝´ ㅤ ㅤ ㅤ ◟𝃜(\ /)𝃜◞

ㅤ ㅤㅤ ㅤ ㅤ ͜ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ֪ ◜︶ ͡ ۫ ˓ 🍥 ˒ ۫ ͡ ︶◝ ֪

ㅤ ㅤ◟ ۫𓈒 ꒰ ᱙ ٬ ࣪s꯭of꯭t 𓈒 ۫◞ ㅤ ㅤ ㅤ ㅤ𓈒 ͜ ͜ ⭒ ͜ ͜ 𓈒 ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤ ㅤㅤㅤ₍ ·♡ ₎

ㅤ ㅤㅤ ݃ ֪֪֪ ͜ ͡ ︶ · 𝑡˓𝑖𝑛𝑦 · 𝆬꒱ ㅤ ㅤ ㅤ₍ᵔ ܸ. ٬ 𝑎 ֦ ͝ ⏝◞ ㅤ ㅤ ㅤㅤ ㅤ ͜ ͜

ㅤㅤㅤㅤ‹ ˓𝒕𝒆𝒙𝒕 𝒉𝒆𝒓𝒆۫ 𝟹 ㅤ ㅤㅤ

ㅤㅤㅤㅤㅤ◟(\ /)◞

ㅤㅤㅤㅤᕘ ۫ 𝑓˓𝑎𝑖𝑟.𝑦 ᕙ ㅤㅤㅤㅤ 𓈒 ͜ ︵۫︵۫ ⭒

ㅤ ㅤㅤ ㅤㅤ ﹀ ㅤ ㅤㅤㅤ ˓ 𝑡̲𝑦̲𝑝̲𝑎̲˒ ̲ ❀ ܓʾ) ㅤㅤㅤ ִ ֢ ᜴ ּ ︎𝄒 𝗳𝗿𝗮𝗴𝗶𝗹𝗲

ㅤㅤㅤ ݃ ֪֪֪ ͜ ͡ ︶ ּ ︎ ͜˓d 𝄒꒱ ㅤㅤㅤ ₍ᵔ ܸ. ، 𝃜⏝◞

ㅤ ㅤㅤㅤ ◜ ͡ ◝ ͡ ◝ ͡ ◜ ͡ ◝ ㅤ ㅤ ݃ ֪֪֪p.♡𝗲𝗺 ٫ · ܸ ꒱ྀི১ ㅤㅤㅤ໒ ྀིᵔ  ٬ ꦿ⏝ ִ ㅤ ㅤㅤㅤ ݃ ֪֪֪ ͜ ͡ ︶ · · ͜の ݃ ) ㅤㅤㅤ◜ ₍ᵔ٬ ‏‏ ‎‏‏ ܓ⏝ ◞ ㅤ ㅤ ㅤㅤㅤㅤ ۫ ֪ ◜ ͝ ◝ ֪ ۫ ㅤㅤ ㅤ ꪆ heart ৎㅤ۫ ㅤㅤㅤ · ͡ ︶ ︶ ͡ ︶·

ㅤㅤ ㅤ

ㅤㅤㅤ

ㅤㅤ⋅‿︵‿⭒ ¡ 𝑠𝑒𝑝𝑎𝑟𝑎𝑑𝑜𝑟𝑒𝑠 ! ⭒‿︵‿ ⋅

ㅤ ㅤ

ㅤㅤㅤㅤ‿︵ 𝃜 ⪩⪨ 𝃜 ︵ ͜

ㅤ ㅤㅤㅤㅤ⊹ ͝ ִֶָ ͝ ͝ ִֶָ ͝ ིྀ ͝ ִֶָ ͝ ͝ ִֶָ ͝ ⊹

ㅤㅤㅤㅤ´ ͝ ͝ ︶) 𝃜♡𝃜 ( ͝ ︶ ͝ ` ㅤ

ㅤㅤㅤㅤ ིྀ / ͝ ︶ 𝃜 ✿ 𝃜 ︶ ͝ \ ིྀ ㅤ ㅤㅤㅤ𓂃 ִֶָ 𓂃 𝃜 ೀ 𝃜 𓂃 ִֶָ 𓂃 ㅤ ㅤ ㅤ ㅤㅤ. ┈ ͡ ︶ ͡ ◜❀◞ ͡ ︶ ͡┈ . ㅤ ㅤ ㅤ ㅤㅤ ͡⠀ׂ ͡⠀ׂ ͡ ୨୧ ͡⠀ׂ ͡⠀ׂ ͡ ㅤ ㅤ ㅤㅤㅤ𝂆 ͡ ︶⏝ ᕘ⭒ᕙ ⏝︶ ͡ 𝂆 ㅤ ㅤㅤㅤ‿‿ ִֶָ ‿‿ ꪆৎ ‿‿ ִֶָ ‿‿

ㅤㅤ ㅤ

ㅤ꒰ © all credits to @tokkitheworld, like or r-blog if you use them ꒱

dividers + symbol pack

﹒ʬʬ﹒⪩⪨﹒⟡﹒ᐢ..ᐢ﹒◖﹒⇅﹒○﹒✿﹒⊹﹒∇﹒✸﹒⟢﹒❀﹒ᵔᴗᵔ﹒♡﹒〇﹒ıllı﹒ᶻz﹒⊂⊃﹒␥﹒⿸﹒ꔠ﹒✶﹒◍﹒▿﹒⤸﹒⬚﹒៶៸﹒△﹒→﹒✶﹒（）﹒▥﹒▤﹒▦﹒▧﹒▨﹒▩﹒░﹒▒﹒▓﹒⿴﹒◫﹒⬚﹒▣﹒≧≦﹒ㄑ﹒⎙﹒➜﹒★﹒⨳﹒✿﹒❀﹒✶﹒✸﹕☆﹒◐﹒◉ ﹒◖◗﹒▽﹒ᶻz﹒‹𝟹﹒♡﹒ᐢ..ᐢ﹒﹫﹒⿴﹒→﹒☓﹕ᵔᴗᵔ﹒⺌﹒⪩⪨﹒◎﹒⊹﹒ᶻ﹕→ ．(＞。☆)﹔⇆﹒ꜛ﹒░﹒❥﹒？﹒！﹒◍﹒﹏﹒✦﹒⟡﹒＞＜﹒◌﹒⿴﹒✧﹒𖥔﹒%﹒﹙﹚﹒◜◡◝﹒ꜝꜝ﹒⟡﹒⪩⪨﹒☓﹒⬦﹒✦﹒◈﹒✶﹒⬙﹒⟡﹒⇆﹒♡﹒﹢﹒ᶻ﹒✹﹒﹢﹒✶﹑〇﹐罒﹢♡﹒⇆﹑⬚﹐ᶻ﹒❀﹐✶﹒▹﹒◖﹒✩﹒∇﹒▨﹐◌﹐❀﹒⿴﹒✿﹢﹐░﹒ᶻz﹐☆﹒⊂⊃﹑ⵌ﹒▦﹒✿﹒⺌﹒◂﹒⿴﹒❰❰﹒♡﹒ᶻz﹒❥﹒⩇﹒⊞﹐ʬʬ﹒♢﹐ᐢ..ᐢ﹐✩﹒ᶻz﹒❥﹒⟡﹒✷﹒✕﹐〇﹐✿﹒Ꜣ﹒⟡﹒˃̵ᴗ˂̵﹒♡﹐≋﹒⊂⊃﹒ᐢᗜᐢ﹒❀﹒﹢﹒⇵﹒⪨﹕↺﹐✿﹒Ꜣ﹒✶﹐≋﹒⇆﹐ʬʬ﹒﹗﹐➜﹒⬦﹕ᶻz﹒✦﹒﹢﹒▢﹒░﹒⭔﹒ʬʬ﹒✿﹒☰﹐◖◗﹒？﹒✶﹒﹏﹒ꕀ﹑ᵔᴗᵔ﹒ᗢ﹒✿﹐⊂⊃﹒ᐢᗜᐢ﹒ꕀ﹐リ﹐口﹐ꕀ﹒（｀δ´）﹒口，✿﹐⊂⊃﹒ᐢᗜᐢ﹒░﹒𖦹﹐゛✿﹑（｀δ´）﹒イ。ꕀ﹑リ﹐⊂⊃﹒ꔠ﹒口﹐･ᴗ･﹒░﹑リ﹒◐﹐、﹕✧﹒✶﹔？﹐ʬʬ﹒▹﹒❀﹒⭔﹒▿﹒⺡﹒✿﹒﹢﹒░﹑⬦﹒૪ ﹒〹﹒罒﹒ᶻz﹒◎﹐ꕀ﹒◖◗﹒⺌﹒〣﹒ᗢ﹒⺌﹒⿸﹑ꔠ﹒❀﹒➜﹒▦﹒◐﹒✷﹒◉﹒⿴﹒⿻﹒✦﹒★﹒☆﹒ıllı﹢☆﹒❀﹕▧﹒⟡﹒★﹕ıllı﹒▒﹒◎﹐☆﹒ꕀ﹐➜﹒⪩﹒〇﹐➜﹒★﹕◐﹒％﹕▧﹒⊂⊃﹒♡﹒ꕀ﹒ᶻz﹒₊ˎ✧﹒⪩﹒˃ᴗ˂﹕˃ᗜ˂﹕⿴﹒ᶻz﹒☆﹔⿴﹒✶﹒ᵔᴗᵔ﹒➜﹒⭔﹕⪩⪨﹢◒﹒◎﹒✿﹒⊂⊃﹔♡﹒◍﹒✦﹒⪩⪨﹒▧﹒⟡﹕➜﹐▦﹐✦﹒✶﹐﹢﹒ㄑ﹕ꕀ﹒＞＜﹐ꔠ﹐✿﹐×﹐丶﹐＞︿﹒リ﹕﹢﹐﹔★﹒ᶻz﹒⿴﹒⭔﹒✿﹒⊹﹒⭔﹒⨯﹒➜﹒★﹒◞﹒◟◝﹒◜﹒﹪﹒→﹐ıllı﹒★﹒✦﹒⌕﹒⌗﹒✿﹒⊹﹒✸﹒❍﹒⭓﹒◒﹒﹏﹒₊﹒▹﹒ᶻz﹒％﹒◖﹒░﹒ʬʬ﹒⿴﹒⫘﹒◎﹒⨳﹒⌕﹕★﹒☆﹒⌗﹐﹪﹐⌯﹐﹟﹐◐﹒▒﹒◎﹒⇆﹒☆﹒❀﹒☆﹒ıllı﹒↺﹒◍﹒✶﹒ᵔᴗᵔ﹒░﹒⇵﹒▧﹒◍﹒♡﹕❀﹑⿸﹕▞﹒✿﹒╰﹒░﹐◎﹒♡﹒◜ᴗ◝﹒˃ᴗ˂ ♡﹐﹅﹒✿﹒⊞﹒ıllı﹒♡﹒⊞﹕▞﹒✿﹒❀﹒⌕﹒⿸﹒✶﹒❀﹒✷﹒✸﹒▒﹒ᶻz﹒✿﹐♡﹐❀﹒░﹒⇵﹒▨﹕◍﹒♡﹒⌕﹒˃̵ᴗ˂̵﹑♡﹒✿﹒◍﹒⊞﹒∇﹒✶﹒ᵔᴗᵔ﹒◎﹒⇆﹒☆﹒@﹒˘ᗜ˘﹒☆﹔⿴﹒⪩﹐ᶻz﹒➜﹒⪩﹔◖﹐❀﹕⿸﹔﹢﹑ᐢᗜᐢ﹒⊂⊃﹑✿﹒◎﹒イ﹐ꕀ﹒˃̵ᴗ˂̵﹒✶﹒ꕀ﹒▦﹐⊂⊃﹒⇆﹒☆﹒⬚﹒❀﹕➜﹒⪩﹒ᗢ﹒◍﹒⊞﹒∇﹒✶﹒ᵔᴗᵔ﹒◎﹒ᶻz﹒⪨﹒✶﹑✹﹒⪩。ꕀ﹒✿﹒リ﹒⊞﹒⟡﹒⿴﹒☓﹐⊂⊃﹒➜﹒⟡﹒⪩⪨﹒･ᴗ･﹒ꕀ﹒ᶻz﹒✿﹒◎﹒☓﹒☆﹔リ﹒˃̵ᴗ˂̵﹒✶﹑ꕀ﹒▦﹒リ﹐⇆﹒☆﹒⬚﹒❀﹕➜﹒⪩﹒〇﹒◍﹒⊞﹒∇﹒✶﹒ᵔᴗᵔ﹒◎﹒ᶻz﹒⪨﹒✶﹑✹﹒⪩﹒ꕀ﹒✿﹔➜﹐﹏﹐★☆﹒┆︎﹒⩇﹒✿﹔✸﹕♡﹐◌﹒❥﹐％﹑〹．ʬʬ﹕੭﹐♢﹒口﹒⇣⇡﹒☆﹔⌗﹒⪩﹐ᶻ﹒➜﹒⪩﹔◖﹐❀﹕⿸﹑ᐢᗜᐢ﹒⊂⊃﹑✿﹒！﹒◎﹒リ﹐ꔠ﹐✿﹑∇﹒イ﹐ꕀ﹒˃̵ᴗ˂̵﹒✶﹑﹒ꕀ﹒▦﹒⊂⊃﹒⇆﹒☆﹒⬚﹒❀﹕➜﹒⪩﹒⩇﹕✿﹒ʬʬ﹕口﹐〇﹒◍﹒⊞﹒∇﹒✶﹒ᵔᴗᵔ﹒◎﹒ᶻz﹒⪨﹒✶﹑✹﹒⪩﹐ꕀ﹒✿﹒⊞﹒⟡﹒⿸﹑␥﹒♡﹕リ﹒☓﹐⊂⊃﹒➜﹒⟡﹒⪩⪨﹒･ᴗ･﹒ꕀ﹒ᶻz﹒✿﹒☓﹒✩﹒⊞﹕❀﹑◌﹒⊞﹒✸﹕⌗﹕★﹒ᶻz﹒✦﹒★☆﹒ıllı﹢☆﹕❀﹒▧﹒⟡﹒★﹕ıllı﹐▒﹒◎﹐☆﹒ꕀ﹔➜﹒⪩﹒〇﹐➜﹒★﹕◐﹒％﹐⊂⊃﹒♡﹒ꕀ﹒ᶻz﹒✧﹒˃̵ᴗ˂̵﹕˃ᗜ˂﹒ꕀ﹒ᶻz﹒☆﹔⿴﹒✶﹒ᵔᴗᵔ﹒➜﹒⭔﹕⪩⪨﹐﹢﹐◒﹒⊂⊃﹔♡﹒◍﹒✦﹒⪩⪨﹒▧﹒⟡﹕➜﹐▦﹒✦﹒✶﹐ㄑ﹕ꕀ﹒＞＜﹐ꔠ﹑ꕤ﹒░﹒◖﹒⟡﹒❀﹒→﹒⿴﹒⿻﹒⊞﹒♡﹒ᵔᴗᵔ﹒︴﹒✶﹒⭔﹐𓆩♡𓆪﹒リ﹒Ꮺ﹒キ﹒ꗃ﹒⿶﹒⌓﹒〹﹒⧅﹒◆﹒▽﹒ᐢ..ᐢ﹒⬙﹒⎙﹒◈﹒▣﹒ᶻz﹒⟢﹒ʬʬ﹒⊹﹒✷﹒◉﹒⿸﹒✶﹒❀﹒✷﹒⿻﹒⌇﹒ᵔᴗᵔ﹒◍﹒▿﹒⤸﹒○﹒░﹒⇵﹒☆﹒@﹒˘ᗜ˘﹒⬚﹒✸﹒▧﹒◎﹒♡﹒◜ᴗ◝﹒✸﹒ᵔᴗᵔ﹒✿﹑⟡﹒❀﹒★﹒➔﹒％﹒ᗜ﹔﹒⌗﹒﹪﹒﹒⟢﹒ᵔᴗᵔ﹒✮﹒^..^﹒✵﹒

꒷꒥꒷‧₊˚︶꒷꒥꒷ ‧₊˚ ꒰ฅ˘ω˘ฅ꒱ ˚₊ ‧ ꒷︶꒷꒥꒷˚‧₊꒷꒥꒷

⊹ ✿・・───・・✦・・───・・✿ ⊹

⊹ ₊︶꒦︶ ୨୧ ︶꒦꒷\🌺ɞ

⊹˚₊꒷ʚ๑✦˚₊ ‧୨꒥꒷﹕ʚ꒰ᕱ⑅ᕱ꒱ɞ﹕꒷꒥୧‧₊˚✦๑ɞ꒷₊˚⊹

୨ɞ꒷︶꒷꒥꒷✦ ‧₊˚﹕ଘ𖣠ଓ﹕ ˚₊ ‧ ✦꒷︶꒷꒥꒷ʚ୧*

꒷︶꒦︶ ୨୧ ︶꒦꒷

୨ɞ꒷︶꒷꒥꒷✦ ‧₊˚﹕ଘ𖣠ଓ﹕ ˚₊ ‧ ✦꒷︶꒷꒥꒷ʚ୧

・❝๑꒦꒷꒰꒱₊ʚ\🍵ɞ₊꒰꒱꒷꒦๑❞・

‧₊˚๑ɞᕬ﹙୨\👒ଓ꒥꒷︰✦︰꒷꒥୨\🌻ଓ﹚ᕬʚ๑˚₊ ‧

˚₊ ‧ᕱ୨✦．꒰꒷꒦₊ꐑꐑɞ  \🐸  ʚꐑꐑ₊ ꒷꒦꒱✦ଓᕱ‧₊˚

⊹˚₊꒷ʚ๑✦˚₊ ‧୨꒥꒷﹕ʚ꒰ᕱ⑅ᕱ꒱ɞ﹕꒷꒥୧‧₊˚✦๑ɞ꒷₊˚⊹

・・ɞ˚₊‧❝꒦꒷꒰꒱ʚ✦ɞ꒰꒱꒷꒦❞‧₊˚ʚ・・

₊꒷⊹. ❛﹢ɞ꒰𖥻꒱ʚ﹢❜ .⊹꒷₊

﹕╯ʚ✦꒷₊꒰ʚ⊹ ⋯・\🍄・⋯ ⊹ɞ꒱₊꒷✦ɞ╰﹕

꒷₊˚\🥛╰╮꒷꒦ ₊˚ʚ﹕\🐰﹕ɞ˚₊  ꒷꒦╭╯\🥛˚₊꒷

୨\🍯・✦ʚꐑꐑ꒷꒦₊꒰﹕\🍪﹕꒱₊꒦꒷ꐑꐑɞ✦\🍯ଓ

┈୨ʚ꒰・\🌸❜ ᕬ︰✦︰ᕬ ❛\🌸・꒱ɞ୧┈

﹕✦꒷₊˚ฅ・\🥛・ฅ˚₊꒷✦﹕

⠀⠀⠀⠀

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀𝑵𝑶 𝑯𝑨𝒀 𝑭̲𝑼̲𝑻̲𝑼̲𝑹̲𝑶̲.

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀𓂂 𝖥𝗎𝗇𝗍𝗂𝗆𝖾, 𝖨𝗇𝖼.

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀◟𝑚𝑜𝑛𝑜𝑟𝑜𝑙. ◝

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀

⠀⠀⠀⠀⠀⠀⠀𝐏𝐀𝐑𝐓𝐄 𝐈.

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀

⠀⠀⠀⠀⠀Tras la caída de SHIELD, Tony Stark había sido expuesto al mundo como un fugitivo. Despedido como líder de los Vengadores y director de un ahora difunto S.H.I.E.L.D, Norman Osborn subió al poder reemplazando a Stark. Estando SHIELD, Tony Stark y su subordinada, Maria Hill fuera, Osborn fundaría la conocida H.A.M.M.E.R., y a partir de ahí, Osborn proclamó a Stark y a Hill como fugitivos.

⠀⠀⠀⠀⠀

⠀⠀⠀⠀⠀Mientras tanto, Tony Stark eliminó su base de datos, y se refugió en las instalaciones de Funtime Inc, donde contactó con Maria Hill. El moreno ofreció a su subordinada, y aún leal, una unidad de flash que la dirigió a otra entidad secreta de Stark Industries llamada FuturePharm.

⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀

⠀⠀⠀⠀—— Suerte la tuya, María. Te vas a Texas.

⠀⠀⠀⠀—— ¿Por qué? ¿Dónde en Texas?

⠀⠀⠀⠀—— Austin. Hogar de una subsidiaria Stark llamada FuturePharm. Dejé algo ahí y necesito que me lo traigas. Un disco duro, uno de… Oh, quince mil que estarán en el lugar. Llega, entra, encuentra una terminal, pon este disco, y te diré a dónde ir y cual tomar.

⠀⠀⠀⠀—— No sé si captaste la pequeña entrevista de prensa de hace rato, pero tú y yo somos los Bonnie y Clyde personales de Osborn. ¿Será buena idea que nos separemos y nos aloquemos?

⠀⠀⠀⠀—— Creo que alocarnos es completamente imperativo. Desengánchame, hay más.

⠀⠀⠀⠀

⠀⠀⠀⠀

⠀⠀⠀⠀⠀Maria no estaba del todo a favor de la misión que le había encomendado Stark. Sabía que tenía un ejército de subordinados de Osborn tras ellos para arrestarlos, y hacerles cualquier cosa para mantenerlos callados. Aún así, la lealtad de Maria era más grande que cualquier otra cosa, así que sabía que aceptaría.

⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀

⠀⠀⠀⠀—— Este disco, cuando lo tengas, necesito que se lo entregues a alguien.

⠀⠀⠀⠀—— ¿Qué soy, tu mensajera?

⠀⠀⠀⠀—— Escucha, esto es importante. Toma el disco, encuentra al Capitán América y dáselo.

⠀⠀⠀⠀—— ¿Eso es todo? Solo encontrar al Capitán América. ¿Qué diablos hay en este disco duro, Tony?

⠀⠀⠀⠀—— Hill, eres muy ingeniosa. Estoy seguro de que podrás hacerlo. Bastante seguro de todos modos.

⠀⠀⠀⠀

⠀⠀⠀⠀

⠀⠀⠀⠀⠀La pelinegra ya era consciente de todo lo que tenía que hacer, y no podía andarse con rodeos. Ambos comenzaron a apagar las luces de Funtime, Inc., mientras caminaban por un oscuro pasillo.

⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀

⠀⠀⠀⠀—— Este es más o menos el escenario final, Hill. Vamos, tiempo de irnos.

⠀⠀⠀⠀—— Para toda tu habladuría acerca de cuán costoso es el Iron Man, ¿cuántos has logrado construir en estos años? ¿Cuántas armas de destrucción masiva has descubierto alrededor del mundo?

⠀⠀⠀⠀—— Unas cuántas.

⠀⠀⠀⠀

⠀⠀⠀⠀

⠀⠀⠀⠀⠀La agente Hill no sabía a cuántas se refería, ni podía llegar a imaginarse todas las armaduras que podría haber creado, así que cuando abrió la armería, sorprendida vio las miles de armaduras de Iron Man que fueron creadas por Tony Stark durante todos estos años.

⠀⠀⠀⠀

⠀⠀⠀⠀

⠀⠀⠀⠀—— Las armerías no pueden caer en manos de Osborn.

⠀⠀⠀⠀—— Entiendo.

⠀⠀⠀⠀—— Lo arruiné, Hill.

⠀⠀⠀⠀—— Está bien.

⠀⠀⠀⠀—— No, no está bien. Hice un terrible desastre. Yo nunca… Estoy disculpándome, Hill. Yo…

Different Ways to Describe Brown Eyes

-> feel free to edit and adjust pronouns as you see fit.

They had eyes like mud, perfectly matched with the frown that permanently stained their face.

Her eyes were as bright as the raging sun and the color of dancing flames.

They wore blue eyeshadow to contrast their dark brown eyes.

Her eyes were as beautiful as the leaves of trees in autumn.

His eyes were nearly black, like a void that held a lifetime of secrets.

Dirt. She had eyes like dirt. They were almost as dirty as her personality.

Their eyes reminded her of old brick libraries and vintage books.

She had the kind of eyes that made thieves wonder why they bothered to steal pieces of art.

His eyes made her think of the sandcastles she used to build as a kid.

Her eyes were the color of honey, irises swirling like the sweet nectar.

His eyes—the color of an intoxicating champagne—beckoned her over with nothing more than a wink and a smile.

Their eyes were the same color as the old oak tree their great-great-grandfather planted in the backyard.

His eyes were the same color as the bottle of liquor in his hand.

They had a smile like spring, but their eyes were autumn with a hint of passing summer.

Her dark eyes were flaked with gold.

His brown eyes had tragedy weaved behind his irises.

Brown, copper eyes that paired with the dry blood stuck to their face watched him as he stalked across the tiled floor.

* [  PROMPT LIST ] :  nearly a kiss.

below, i’ve compiled a collection of [ 45 ] action and dialogue prompts for the kisses that nearly happened. inspired by every time those two characters in your favourite tv series inch closer and closer to each other only for there to be a usually annoying reason for the kiss to never happen. 

[  DIALOGUE PROMPTS  ]

[  ONE  ] :  “ we didn’t break up. ”

[  TWO  ] :  “ i can’t do this. ”

[  THREE  ] : “ you… you have something on your face. ”

[  FOUR  ] :  “ you should go. ”

[  FIVE  ] :  “ you owe me nothing. ”

[  SIX  ] :  “ did you really think i’d kiss you ? ”

[  SEVEN  ] : “ what about [ name ] ? ” 

[  EIGHT  ] :  “ are you sure about this ? ”

[  NINE  ] :  “ did you think it was going to be that easy ? ” 

[  TEN  ] :  “ i should really be going. ”

[  ELEVEN  ] :  “ we can’t do this again. ”

[  TWELVE  ] :  “ you’re- you’re steaming up my glasses. ”

[  THIRTEEN  ] :  “ you have no idea how much i want to kiss you. ”

[  FOURTEEN  ] : “ i got back together with [ name ]. ”

[  FIFTEEN  ] :  “ we shouldn’t do this…. ”

[  SIXTEEN  ] :  “ this isn’t how i want this to happen. ”

[  SEVENTEEN  ] :  “ i want our first kiss to be perfect. ”

[  EIGHTEEN  ] :  “ i think this means something else to you then it does to me. ”

[  NINETEEN  ] :  “  i can’t do this to you. ”

[  TWENTY  ] :  “ i don’t want to jeopardise our friendship. ”

[  TWENTY-ONE  ] :  “ let’s just call this what it is… just really close talking. ”

[  TWENTY-TWO  ] :  “ this is a bad idea. ”

[  TWENTY-THREE  ] :  “ i didn’t ask for this… to feel this way. ”

[  TWENTY-FOUR  ] :  “ no. ”

[  TWENTY-FIVE  ] :  “ the lead-up is the best part anyway… right? ”

[  TWENTY-SIX ] :  “ i think you get the point. ”

[  TWENTY-SEVEN  ] :  “ this is just a game of pretend to you. ” 

[  TWENTY-EIGHT  ] :  “ maybe next time… ”

[  ACTION PROMPTS  ] + reverse

[  GOODBYE  ] :  sender and receiver are parting ways, they might not see each other for a while. they embrace, a hug so tight it could shatter bones. their lips linger above each other’s, their eyes closed….

[  REUNITED  ] :  sender and receiver are reunited at after some time apart. jumping into the other’s arms in a warm embrace, the idea of a kiss is there but does it come to fruition ? 

[  REJECTED  ] :  sender leans in to kiss receiver, but receiver pulls away. 

[  INTERRUPTED  ] :  as sender and receiver lean in to kiss they are interrupted by a third party. 

[  STUNG  ] :  as sender and receiver are about to kiss a bee stings receiver, the moment cut short. 

[  FORT  ] :  sender and receiver are chilling in a pillow fort they spent a good part of the day building, in an intimate moment they both lean in for a kiss, only for the ill-built fort to collapse on them. 

[  RAIN  ] :  as sender leans in to kiss receiver a sudden downpour catches them off guard and they choose to run for cover. 

[  TAUNT  ] :  sender is taunting receiver, slowly moving in closer to their lips with no intention of kissing them, to see how far they’re willing to go. 

[  DRUNK  ] :  sender is drunk and while under the influence looks into receiver’s eyes, beginning to lean in to kiss them… only for them to have the sudden urge to vomit. 

[  DANCE  ] :  sender and receiver have been pulled into a slow dance together. as they sway to the music they find themselves leaning in for a kiss just as the song ends and the moment is cut short. 

[  GUILT  ] :  receiver leans in to kiss sender, but sender pulls away because they feel guilt for doing this for the wrong reasons. 

[  CHEEK  ] :  sender and receiver are leaning in to kiss each other, but at the last moment sender dodges their lips and kisses their cheek instead. 

[  PHONE  ] : sender and receiver are about to kiss when a cell phone goes off and makes them pause. + extra points if the call is from an ex/rival love interest.

[  FACE  ] :  receiver won’t stop talking. in an attempt to get them to stop, sender grabs their face, underestimating the intensity of the act. 

[  FOREHEAD  ] :  sender and receiver lean to kiss each other, misjudging the destination they bump foreheads instead of meeting lips. 

[  CHIME  ] :  as sender and receiver are about to kiss, a clock chimes interrupting the almost kiss and reminding them of the time.  

[  STRAND  ] :  receiver stands still as sender leans closer to their face, expecting a kiss but is surprised when receiver just tucks a strand of their hair behind their ear. 

[ FALL  ] :  sender somehow ends up accidentally on top of receiver, their faces are close to each other but at the last minute sender pulls away.