Hey Writers! OneLook Thesaurus Lets You Find That Word You Can’t Think Of But Can Describe! Go Check

Substitutes For "Dead Parents"

Okay you guys! I mentioned this in a past post, but when it comes to family, some of ya'll are just... not creative. And don't get me wrong, having deceased parents is deep, dark, and hard, but at this point, a lot of readers simply overlook that because it's just that common. Not to mention, a lot of you guys aren't doing nearly enough with that information! So, for this post, I'll give some new examples relating to "family struggles!"

>> Neglect: Neglectful parents often don't give their child enough attention, time, or care. They don't always hate their kid; quite the opposite, really, they can still love their offspring and are simply unaware that they are being neglectful. This happens for a multitude of reasons: all their attention is focused on a different child, they're busy, or they're just uninterested in their kid's activities.

>> Abuse: Abuse is rather straightforward; it can be physical, mental, or even both. Even if it's only physical abuse, it can heavily damage the child's mental health and make them question their self-worth.

>> Fighting: I think that a lot of us have endured our parents fighting, and I'm fully confident that none of us enjoyed it. It's incredibly difficult for a kid to listen to their parents fight without knowing how to stop it, being stuck in the middle, and even worse, being the center of the argument. As it escalates, the child may even feel neglected, because their parents are only focused on each other.

>> Absence: Like neglect, these parents don't devote nearly enough attention and time to their child. However, this is because they are hardly present in the household to begin with. Normally, it's their career that keeps them away, leaving their kid to raise themselves.

>> Controlling: Oftentimes, controlling parents are found in, believe it or not, more successful households. Kids who have parents that own a successful business or are powerful in general are sometimes raised to follow those footsteps regardless if they want to or not. If they don't want to, as a result, they are kept on a tight leash. Controlling parents can also be found in stricter households.

>> Toxicity: Toxicity, a form of emotional abuse, can come in many forms, gaslighting, demeaning words, constant criticism, comparison, etc. Frequently, the child is unaware that their parents are being toxic until a third party points it out to them. This is because they've only known their parents acting in toxic manners; thus, it becomes their norm. However, it's also entirely possible for the parent to be oblivious to the fact that they're being toxic.

>> Distant: Being distant doesn't always have to be because of some crazy reason; they might've been a very happy and close family once, but as time passes on, they just simply start drifting in their separate ways. It's not the same as neglect or an absence; the child is usually able to adjust to it easier, and it might've even been their choice to be distanced from their parents.

>> Child Responsibility: This is a scenario where the kid acts more like a parental figure--they have to take care of both themselves and their family. In some situations, they also have to work in order to supply their family with enough money to be able to pay for life necessities. This normally happens when a/the parent(s) are out of commission and struggle to provide for their family. If the household is poor, the child might be working alongside their parents in an attempt to make their lives easier.

Did I miss anything? Let me know what you guys think about these substitutes!

Happy writing~

3hks :D

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10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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Words to Use Instead Of...

Beautiful

stunning

gorgeous

breath-taking

lovely

jaw-dropping

pretty

glowing

dazzling

exquisite

angelic

radiant

ravishing

excellent

ideal

sightly

wonderful

elegant

bewitching

captivating

mesmerizing

enthralling

magnetic

impressive

tasteful

charming

desirable

enchanting

Interesting

stricking

unusual

appealing

absorbing

srresting

gripping

riveting

alluring

amusing

exceptional

fascinating

impressive

provocative

prepossessing

exotic

readable

refreshing

entrancing

exceptional

Good

honest

upright

dutiful

enthical

pure

guiltless

lily-white

reputable

righteous

tractable

obedient

incorrupt

respectable

honorable

inculpable

irreprehensible

praiseworthy

well-behaved

uncorrupted

irreproachable

Awesome

wondrous

amazing

out-of-this-world

phenomenal

remarkable

stunning

fascinating

astounding

awe-inspiring

extraordinary

impressive

incredible

mind-blowing

mind-boggling

miraculous

stupendous

Cute

endeaing

adorable

lovable

sweet

lovely

appealing

engaging

delightful

darling charming

enchanting

attractive

bonny

cutesy

adorbs

dear

twee

Shy

modest

sel-effacing

sheepish

timid

way

reserved

unassured

skittish

chary

coy

hesitant

humble

introverted

unsocial

bashful

awkward

apprehensive

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some original character (OC) questions that might pique your interest and spark your creativity:

What is your character's biggest fear, and how does it affect their actions and relationships?

What is something your character is deeply passionate about, and how does it drive their goals and motivations

Describe a memorable childhood experience that shaped your character's personality or outlook on life

What are your character's quirks or eccentricities that make them stand out from others?

Does your character have any hidden talents or abilities that only a few people know about?

What is your character's preferred way of coping with stress or difficult situations?

How does your character handle failure or setbacks? Are they resilient or easily discouraged?

Describe a significant relationship in your character's life and how it has influenced them.

What is your character's moral compass? What principles or values do they hold dear?

Imagine your character in a challenging moral dilemma. How would they approach it, and what choice would they make?

Is there a specific physical feature or item that holds special significance to your character? Why is it important to them?

How does your character react to change or unexpected situations? Are they adaptable or resistant?

Does your character have any recurring dreams or nightmares? How do these dreams affect them?

What is your character's preferred method of self-expression? Do they have any artistic talents or creative outlets?

Describe a defining moment in your character's life that marked a turning point or significant change in their path.

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masterlist of characters’ deepest fears

ok maybe i shouldn’t call this a masterlist but it’s pretty comprehensive i think hello!! i was having a lot of trouble finding resources for ideas of fears to give to characters so i thought i would compile my own list, then i figured i might as well share it with y’all! 

this list is for those deeper, more intangible, existential type of fears rather than fears such as illness or bugs or clowns (all very valid fears!! just not the kind i needed rn) it might be a little repetitive but i wanted to be thorough/account for nuances and such. hope this is helpful :-)

• Fear of intimacy • Fear of death/dying • Fear of failure • Fear of rejection • Fear of commitment • Fear of being alone/loneliness • Fear of God • Fear of abandonment • Fear of change • Fear of the unknown • Fear of success • Fear of love • Fear of being forgotten/ignored • Fear of getting old/growing up • Fear of the future • Fear of loss • Fear of forgetting/losing memories/amnesia • Fear of becoming their parents • Fear of being a bad person • Fear of being unwanted

Lees verder

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Writing Notes: Stages of Decomposition

The decomposition process occurs in several stages following death:

Pallor mortis

Algor mortis

Rigor mortis

Cadaveric spasm

Lividity

Putrefaction

Decomposition

Skeletonization

PALLOR MORTIS

The first stage of death.

Occurs once blood stops circulating in the body.

The cessation of an oxygenated blood flow to the capillaries beneath the skin causes the deceased to pale in appearance.

In non-Caucasians, the pallor may appear to develop an unusual hue; the skin will lose any natural lustre and appears more waxen.

Occurs quite quickly, within about 10 minutes after death.

ALGOR MORTIS

The cooling of the body after death.

The cooling process will be influenced by many factors, including the deceased’s clothing, or whether they are covered with bed linen such as blankets or duvets.

The body will typically cool to the ambient room temperature, but this alters if there is heating in the room or if there is a constant draught cooling the body.

RIGOR MORTIS

Can occur between 2 and 6 hours after death.

Factors including temperature can greatly affect this.

Caused by the muscles partially contracting, and the lack of aerobic respiration means that the muscles cannot relax from the contraction, leaving them tense, subsequently resulting in the stiffening we associate with rigor mortis.

This stage typically begins in the head, starting with the eyes, mouth, jaw and neck, and progresses right through the body.

The process is concluded approximately 12 hours after death (although, again, certain variables may occur) and lasts between 24 and 72 hours depending on circumstances.

Contrary to popular belief, rigor mortis is not a permanent state and is in fact reversed, with the muscles relaxing in the same order in which they initially stiffened.

The reversing process also takes approximately 12 hours, when the body returns to its un-contracted state.

It is possible to ‘break’ rigor mortis by manipulating and flexing the limbs. This is usually done by undertakers, pathologists or crime scene investigators who are attempting to examine or move a body – or by a murderer trying to hide their victim in the closet or the boot of a car.

CADAVERIC SPASM

A phenomenon that can be misinterpreted as rigor mortis.

The instantaneous stiffening of the body (most commonly the hands) following a traumatic death.

Unlike rigor mortis, the stiffening of the affected limb is permanent and is not reversed, causing the deceased to maintain the rigidity until such time as putrefaction causes breakdown of the particular muscle group.

Examples:

The deceased following an air crash were later discovered still clutching their seatbelts or arm rests in a final, desperate act of survival.

In a drowning case, the victim was discovered with grass from the riverbank still grasped in their hand.

Perhaps the most famous case of cadaveric spasm involves the rock band Nirvana’s lead singer, Kurt Cobain. Cobain reportedly committed suicide in April 1994. His body was discovered a few days after his death with a shotgun wound to the head, and tests revealed he had large traces of heroin in his system. He was reportedly discovered still clutching the gun in his left hand, due to cadaveric spasm. However, a great deal of controversy surrounds the veracity of this latter assumption, and indeed the cause of his death, with many people insisting and attempting to prove that he died as the result of foul play rather than suicide.

LIVIDITY

Also known as livor mortis, hypostasis, or suggillation.

Once blood can no longer circulate, it will gravitate towards the lowest point of the body.

Example: A supine body will display pinkish/purple patches of discoloration where the blood has settled in the back and along the thighs.

Occurs about 30 minutes after death, but will not necessarily be noticeable until at least 2 hours afterwards as the pooling process intensifies and becomes visible, finally peaking up to between 8 and 12 hours later.

Once it is complete, the lividity process cannot be reversed.

Therefore a body discovered lying on its side, but with staining evident in the back and shoulders, must have been moved at some point from what would have been a supine position at the time of death.

It is worth noting that if the body has had contact with the floor, a wall or other solid surface, lividity would not occur at the points of contact as the pressure would not allow the blood to seep through the capillaries and pool. The specific area of pressure will be the same colour as the rest of the body and a pattern of contact may well be evident.

PUTREFACTION

Derives from the Latin putrefacere, meaning ‘to make rotten’.

The body becomes rotten through the process known as autolysis, which is the liquefaction of bodily tissue and organs and the breakdown of proteins within the body due to the increased presence of bacteria.

The first visible sign is the discoloration of the skin in the area of the abdomen.

Bacteria released from the intestine cause the body to become bloated with a mixture of gases; over time these will leak out, and the smell will intensify to unbearable proportions.

Typically, this will attract flies that will lay eggs, which develop into maggots.

Bloating is most evident in the stomach area, genitals and face, which can become unrecognizable as the tongue and eyes are forced to protrude due to the pressure of the build-up of gases in the body.

At this stage, the body will also begin to lose hair.

The organs typically decompose in a particular order: starting with the stomach, followed by the intestines, heart, liver, brain, lungs, kidney, bladder and uterus/prostate.

Once all the gases have escaped the skin begins to turn black: this stage is called ‘black putrefaction’.

As with all the other stages of death so far, the rate of putrefaction depends on temperature and location. A body exposed to the air above ground will decompose more quickly than a body left in water or buried below ground.

During putrefaction, blistering of the skin and fermentation can also occur:

Fermentation - a type of mould that will grow on the surface of the body. This mould appears white, and is slimy or furry in texture. It also releases a very strong, unpleasant, cheesy smell.

As the putrefaction process comes to an end, fly and maggot activity will become less, which leads to the next stage.

DECOMPOSITION

The body is an organic substance comprising organisms that can be broken down by chemical decomposition.

If the body is outside, any remains that have not been scavenged or consumed by maggots will liquefy and seep into the surrounding soil.

Thus when the body decomposes it is effectively recycled and returned to nature.

SKELETONIZATION

The final stage of death is known as ‘dry decay’, when the cadaver has all but dried out: the soft tissue has all gone and only the skeleton remains.

If the cadaver is outside, not only is it exposed to the elements but it also becomes food for scavengers such as rats, crows or foxes.

As the remains are scavenged, the body parts become dispersed so it is not unusual to find skeletal remains some distance from where the body lay at the point of death.

The way in which skeletal remains are scattered in such cases is of interest to archaeologists, and is referred to as taphonomy.

Where a body has lain undiscovered at home for a period of time it has also been known for family pets, typically dogs, to feed on the body. The natural instinct of a pet is to attempt to arouse the deceased by licking them, but once it gets hungry, its survival instinct will take over and it will consider the body as little more than carrion: it will act with the same natural instinct as a scavenger in the wild, which will feed on any corpse, be it animal or human, if it is starving.

Obviously the number of pets, the body mass of the deceased and the time lapse before the body is discovered will influence to what extent it has been devoured.

For further research on the stages of decomposition and the factors that affect it, look up body farms. These are medical facilities where bodies are donated for research purposes so scientists can specifically observe the decomposition process. However, be aware that some of the images are quite graphic.

Source ⚜ More: References ⚜ Autopsy ⚜ Pain & Violence ⚜ Injuries Bereavement ⚜ Death & Sacrifice ⚜ Cheating Death ⚜ Death Conceptions

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Character Traits & Quirks (For Writers)

Peace and blessings upon everyone!

I hope life's treating you well. I’m Esmeray and I welcome you to this post on my blog Dear Esmeray.

Ever wondered what makes your OC truly unforgettable? I believe it is the character traits. Character traits are what bring a character to life, or else you just have a flat, one-dimensional everyman as your OC. So today I'll be sharing with you a list of character traits that I compiled to help you develop better OCs.

Positive Traits:

Agreeable

Brave

Caring

Cheerful

Confident

Cooperative

Creative

Dedicated

Devotion

Diligent

Disciplined

Dutiful

Easygoing

Efficient

Fairness

Forgiveness

Friendly

Funny

Generous

Hard-Working

Honest

Honorable

Humble

Kind

Leadership

Love of learning

Loyal

Passionate

Persuasive

Prudent

Principled

Punctual

Reasonable

Reliable

Respectful

Responsible

Self-regulation

Social Intelligence

Supportive

Trust-worthy

Well-mannered

Witty

Wise

Neutral Traits & Quirks:

Raises Eyebrows

Blinks rapidly

Avoids eye contact

Maintains eye contact

Blinks rapidly

Slouches

Stares off into the distance

Shrugs often

Touches their scars or wounds often

Chews lips

Paces around

Smiles a lot

Rarely smiles

Gestures with hands while speaking

Often is distracted

Hums

Negative Traits:

Absentminded

Abusive

Acts superior

Alcoholic

Aggressive

Always plays the victim

Aimless

Apathetic

Arrogant

Argumentive

Avoids their problems

Bossy

Blunt

Boring

Careless

Can't take criticism

Can't take a joke

Clumsy

Conceited

Controlling

Cunning

Childish

Cruel

Deceptive

Defiant

Demanding

Disloyal

Dishonest

Dramatic

Dependent

Disorganized

Disrespectful

Distracted easy

Extravagant

Envious

Forgetful

Greedy

Holds grudges

Makes up excuses for everything

Has a reason for why nothing is ever their fault

No accountability

Hostile

Hypopocrite

Immature

Impatient

Impractical

Impressionable

Impulsive

Insensitive

Irresponsible

Not a team player

Incompetent

Irritable

Inconsiderate

Indulgent

Insecure

Jealous

Know-It-All

Lazy

Liar

Loud

Manipulative

Makes everything about them

Makes everything a joke

Their way or the highway

Mean

Meddlesome

Messy

Naive

Nosy

Obnoxious

Obbssesive

Offended easily

Overdramatic

Overreacts

Patronizing

Power-hungry

Pretentious

Rebellious

Reckless

Rude

Sarcastic

Selfish

Sensitive

Stingy

Sexist

Spoiled

Stubborn

Superstitious

Talks over others/interrupts

Too loyal

Too forgiving

Undependable

Unreliable

Unsympathetic

Unorganized

Unreasonable

Violent

Weak

Remember, there are no one-dimensional characters in real life, and there shouldn't be in your stories either. The possibilities for your characters are endless – so get creative and have fun writing!

With Love, Esmeray ♡

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30 Questions for your Dark Urge

These questions can be used as an Ask Game or just answering them all for fun character development!

(Tav edition here)

What circumstances led to your Dark Urge becoming their Class/Subclass?

Did your Dark Urge have any romantic and/or sexual relationships prior to their illithid adventure? If yes, who was it with and what was it like? If no, how did they feel about being single?

What would your Dark Urge consider to be their greatest skill? Is this accurate?

What would your Dark Urge consider to be their greatest flaw? Is this accurate?

What opinion does your Dark Urge have about the Gods?

How does your Dark Urge react to waking up with memory loss?

Did your Dark Urge recall any childhood memories? If yes, how do they feel about the revelations? If no, was it by choice or lack of options?

How does your Dark Urge feel about the wilderness?

How does your Dark Urge feel about the city?

What motivates your Dark Urge to either embrace or resist the tadpole?

What motivates your Dark Urge to either embrace or resist the Urge?

How does your Dark Urge feel about being a bhaalspawn?

How does your Dark Urge feel about killing?

How good of a liar is your Dark Urge? How do they feel about lying?

What is your Dark Urge’s greatest fear?

What is your Dark Urge’s greatest desire?

What is your Dark Urge’s greatest regret?

How does your Dark Urge feel about love?

Has your Dark Urge become particularly close to anyone romantically and/or platonically in their journey? If so, who, and what is the relationship like? If no, why not?

Is your Dark Urge open about their Urge or do they try to hide it? Why?

What are 2-3 songs that your Dark Urge would relate to?

What first impression does your Dark Urge give off to strangers?

How does your Dark Urge feel about what others think of them?

Does your Dark Urge have a treasured item with them? If yes, what is it and why is it special? If no, how do they feel about item sentimentality in general?

How does your Dark Urge feel about Sceleritas Fel?

How does your Dark Urge feel about Bhaal?

How does your Dark Urge feel about giving and receiving orders?

How well does your Dark Urge function under pressure?

What advice would you give to your Dark Urge?

What are your Dark Urge’s intentions/goals after the end of the game?

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Monster of the Week: A Writer’s Guide to Vampires!

The Basics: Vampires From Around the World 

Almost every culture has its vampires, and they go way beyond Dracula and Nosferatu. 

There are obviously too many to include in one post, so here are a few especially unique vamps to get you inspired and interested in learning more! 

The Penanggalan, Malaysia - Literally meaning ‘to detach,’ the Penanggalan is an exclusively (apparently) female creature. 

By day, she masquerades as a normal woman (and let’s be real, don’t we all.)  But by night, her head detaches from her body and floats around, entrails hanging like tentacles – which they nightmarishly use to entangle their victims – and preys on pregnant woman and babies.  Lovely. 

Creepily, the Penanggalan gravitates towards day jobs such as midwifery, so she can get closer to her prospective prey. 

The Manananggal, Philippines - Much like the Penanggalan, the Manananggal has an unfortunate habit of detaching parts of her body to fly around.  Described as an “ugly, hideous woman” (mood), the Manananggal can detatch her whole-ass torso to fly around like a bat. 

Like the Penanggalan, she preys on pregnant woman and unborn babies, with, creepily, her incredibly long tongue.  Some, however, prefer to seduce and prey on men – preferable, to be honest – in which case they appear young and beautiful.

The Upir, Eastern Europe - Ukrainian, Belarusian, Russian, Romanian, and Czech cultures all have mythos around this abnormally bloodthirsty vampire.  Not only do upirs drink the blood of their victims, but they bath and sleep in it.  They eat the flesh of their victims as well, and are especially partial to the heart.  In a uniquely sadistic detail, the Upir is thought to consume the children of a family and then the parents. 

The Alukah, Judaism - Literally meaning “horse-leach,” the Alukah is one of the earliest vampires, originating in the Bible.  

A fixture of Jewish folklore, and sometimes described as a demon or witch, the Alukah is unique in the fact that she is not undead but a living, shapeshifting being (according to the description in Sefer Hasidim.)

She can fly by unfurling her long hair, making her one of the most fabulous vampires in any canon. 

The Brahmaparusha, India - This nightmarishly extra vampire will drink the drained blood of its victims from a skull (which it carries around at all times), before noshing on their brains and wearing their intestines as necklaces and crowns.  Worst of all, this vampire has an unusually ravenous appetite, and consumes several victims per night.  

The Callicantzaros, Greece - In Greece, children born between Christmas and Twelfth Night were thought to be bad luck (?) and susceptible to vampirism.  The Callicantzaros was considered to be egregiously unpleasant, equipped with devilish talons with which to tear victims to shreds.  Their first victims, post-transformation, were supposed to be their own siblings.

Unfortunately, this led to a degree of mistreatment and hostility towards children born during this period, as parents watched for signs of their progeny’s prospective vampirism.  In order to ensure that they didn’t become Callicantzaros, the children’s feet were dangled above a fire, like a reverse Achilles.

Vampire weaknesses: 

Garlic - This one’s not just particular to Western mythos.  Southeast and far Eastern vamps like the Manananggal are also vulnerable to garlic. 

Salt - The Manananggal is vulnerable to salt, as are vampires from most cultures in which salt is considered holy or purifying. 

Silver - A holy metal.  The origin of the “vampires can’t see themselves in mirrors” myth is because it used to be a component in mirror-making. 

Vinegar - Again with the Manananggal. 

Daggers/stakes/sharp objects - Especially through the vampire’s heart.  In many cultures, burning the heart is also advisable.  Be careful, though: sometimes, staking an upir will only bring them back to life stronger. 

Dismemberment and fire - Most vamps are susceptible to this, including the Penanggalan.  The only sure way to kill an upir is to decapitate them and burn the remains. 

Counting - Much like the Count of Sesame Street, vamps can’t resist counting things.  If you scatter some small, countable objects on the ground, the vampire will have to stop and count each one. 

The tails of stingrays - in the case of the Manananggal. 

Sunlight - Obviously.  Though not universal, this pops up in vampire mythology around the world, including the Manananggal. 

Detachment - when the Penanggalan and Manananggal detach their heads and torsos, their discarded torsos and lower bodies are vulnerable.  In the case of the Manananggal, sprinkling the discarded legs with garlic and salt.  The Mananggal will not be able to return to its lower body, and will perish with the rising sun. 

Starvation - The Alukah can be starved if she’s prevented from eating for long enough. 

Stupidity - In the case of the Penanggalan.  If you turn the Penanggalan’s body upside down, she’ll re-attach backwards.  I’m not sure what the purpose of this is, except the exhilaration of punking a vampire and making them walk around on their hands all day like a jackass.

Protection: 

Thorns around windows - Thorns will keep the Penanggalan from harassing you or your unborn children. 

Strings of garlic - Just make sure SOME IDIOT doesn’t take them down (RIP Lucy from Dracula.)

Pots of uncooked rice, ash, or salt - Repellent to the Manananggal.

Running away and hiding - Basically the only method of recourse against the Brahmaparasha.

Eating bread infused with an upir’s blood - Sounds kinky, to be honest. 

Stay on sacred ground - I.e. graveyards and churches.  Just be sure you’re not trying to avoid the kind of vampire that dwells in graveyards if you go for the latter.

Holy water, crucifixes, silver, et cetera - Anything sacred or holy.  Varies based on culture.

Imbibing the ash of a supposed vampire’s burnt heart - I’m not even going to joke about this one, since people actually did this during the vampire scare of New England (my homeland.)  I learned about it from a book about local vampire encounters at the Newport Public Library at age twelve, and it scarred me.

Dangle your baby above a fire - Actually, no, PLEASE don’t do that.  But that’s what seventeenth century Greeks did to prevent their kids from turning into Callicantzaros. 

Age of consent laws - Specifically for Edward from Twilight.

Don’t get a welcoming mat - Counts as inviting them in.  Duh.

Ways to Become A Vampire:*

*Ask your doctor if becoming a vampire is right for you.

Biting - Obviously.  Though if you read Dracula and early accounts of vampirism, it was more of a slowly progressing illness than a sudden transformation.

Reject Christianity - In the case of upirs.  More specifically, the church buried non-believers outside of graveyards, leading them to rise as servants of the Devil.  Honestly, I feel like the church kind of brought that on themselves. 

Be born between Christmas and Twelfth Night - At least if you’re in seventeenth century Greece.  

Be influenced by the Devil while dying - Another version of the Upir origin.

Be a demon possessing a corpse - One prospective explanation for the Brahmaparusha.

Making a pact to obtain eternal youth and beauty that involves not eating meat for 40 days and then breaking it like some kind of an IDIOT - One version of the Penanggalan origin myth.  I shouldn’t judge, my self-control isn’t great either.

Get startled by a man while meditating in a bath and jerk your head so hard that it flies off and at the interloper in fury - Another prospective version of the Pennangalan origin. Relatable, honestly. 

Be so bitter and jealous of couples that you go on an insane killing spree of pregnant woman and get publicly executed by being ripped in two - The Pennangalan, again.  She makes the Kardashians look tame. 

Chanting an incantation, anointing yourself with oil, and purchasing a black chick - In the case of the Manananggal.  The black chick reportedly lives inside the Manananggal, eating its innards while also acting as its life source.  Honestly, after all the drama of the Penanggalan’s origins, this seems reasonable.

Other Sources

Video Essays: 

The Power of the Vampire Myth - A superb sociological dive into the cultural significance of vampires. From the post WWI antisemitism of Nosferatu to their ability to subvert the Hays Code, vampires tend to reflect the shadows of every society. 

Dracula: A Brief History of Eternity 

CREEPIEST Vampire Legends from Around the World 

Vampires: Folklore, Fantasy, and Fact

How did Dracula become the world’s most famous vampire?

Vlad the Impaler: The Real Life Dracula

Influential Vampire Fiction:*

*That I’ve read/seen so far.

Dracula - Duh.  The greatest adaptation of which is, obviously, Dracula: Dead and Loving it.  

Nosferatu - It’s good to be aware of its antisemetic overtones, but it’s still revolutionary at evoking dread.

Varney the Vampire - A penny dreadful series that helped popularize vampires in Victorian England.  It gets bonus points for sounding like a children’s show. 

Camilla - The ORIGINAL lesbian vampire, predating Dracula by decades.  Became an adorable webseries and movie, which I recommend even more than the original novel.

‘Salem’s Lot - Serves as a study of what makes vampires scary in the modern era.   

Underworld - Aside from serving as a badass alternative in the Twilight era, it merits inclusion exclusively for causing my Sapphic awakening at age twelve.

What We Do In the Shadows - Has a unique understanding of the cultural significance of vampires, and why they appeal to societal misfits.  Also has vampire “children” who eat p*dophiles. 

Vampires in the Lemon Grove - The titular story is one of the most unique interpretations of vampires that I’ve seen in the modern era.  Beautiful language that evokes a powerful emotional response.

Twilight - Exclusively because it gave us Rosemary clocking shop in a wedding gown.  And the baseball scene.

Nonfiction:

The Encyclopedia of Vampires, Werewolves, and Other Monsters

From Demons to Dracula: The Creation of the Modern Vampire Myth

Vampires and Vampirism: Legends from Around the World

New Orleans Vampires: History and Legend

Mummies, Cannibals, and Vampires: The History of Corpse Medicine

A History of Vampires in New England 

Happy Halloween, and happy writing, everybody! 

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Character Movements #1

1. Sighing: The character releases a deep breath, conveying frustration, relief, weariness, or resignation.

2. Shivering: The character's body trembles involuntarily, often indicating fear, coldness, or a strong emotional response.

3. Trembling hands: The character's hands shake noticeably, suggesting nervousness, anxiety, or fear.

4. Clenching fists: The character tightens their hands into fists, expressing anger, determination, or frustration.

5. Biting nails: The character nibbles or bites their nails, indicating nervousness, anxiety, or anticipation.

6. Tapping fingers: The character rhythmically taps their fingers on a surface, suggesting impatience, irritation, or deep thought.

7. Pacing: The character walks back and forth in a small area, indicating restlessness, anxiety, or contemplation.

8. Slumping shoulders: The character's shoulders droop or sag, conveying defeat, sadness, or exhaustion.

9. Tilting head: The character inclines their head to the side, expressing curiosity, attentiveness, or confusion.

10. Rubbing temples: The character massages their temples with their fingertips, suggesting stress, tiredness, or a headache.

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