Thunderbolts* 2025 | Dir. Jake Schreier

cherry blossoms in central park

From my bedroom window As if This is a dream Polaroid

“Much has been made of the fact that Bucky Barnes is one of the few people to recognize the greatness in Steve Rogers before his transformation into Captain America. Much has also been made of the fact that, in The First Avenger, Bucky demonstrably feels conflicted about that transformation. Less noted, however, is how Bucky’s sense of conflict and resentment—and the way he dealt with those feelings—reveals the kind of person he truly is. The narrative motif of the man who can recognize greatness in another but not attain it himself, and who is therefore corrupted by his resentment, is a classic trope. It appears in such literary masterpieces as Dumas’ The Count of Monte Cristo, Melville’s Billy Budd, and Schaefer’s Amadeus. However, the story of Bucky Barnes is one of a man who recognizes a greatness he cannot himself achieve and is not corrupted by that recognition. Unlike the villains of the above-mentioned tales, Bucky Barnes comes to terms with the situation, choosing friendship over envy—and heroism over villainy—something that suggests a greatness within Bucky Barnes that Bucky himself is not aware of. But Steve Rogers, of course, is. Just as Bucky is one of the few people to recognize Steve’s greatness; Steve is one of the few people to recognize Bucky’s. Both of them know each other better than they know themselves, and it is that parallel knowledge that ultimately saves them both.”

— Sara Reads: Pain, Personhood, and Parity: The Depiction of Bucky Barnes in the Marvel Cinematic Universe  (via sergeantjerkbarnes)

Antiques at Home, 1989

Rue De Paris, Jour De Pluie (1877) by Gustave Caillebotte

Carpe diem - Esa Riippa , 2024.

Finnish , b. 1947 -

Etching/aquatint on paper , 33 x 22.5 cm.

"The Sunny March" by Nikolai Gluschenko (1970s)

M*A*S*H "Dreams" dir. alan alda + "greece on the ruins of missolonghi" - eugène delacroix (1826) / "painting (head of a smoker)" - joan miró (1925) / "herding horses" - han gan (8th c.) / "artist's studio - the dance" - roy lichtenstein (1974) / untitled - helen frankenthaler (?) [rotated] / "study of a head" - francis bacon (1952) / "nitro-67" - oleksandr aksinin (1967) [rotated]