I lost my best friend 3 years ago- not lost as in dead but lost as in we only text each other on our birthdays now. Movies and books don't tell you that a friendship dying is like the sinking of a ship, you try to get higher and higher and hold onto the rails and unanswered texts, the captain tries to steer it to safety and salvage pieces of two broken hearts until you're left with memories of what once was. We were friends for a decade and knew each other's diaries by heart, I still remember her phone number and the way she took her coffee. Seeing her in streets is like breathing in a scent you forgot you knew but it immediately takes you back to a summer in '07.
Movies and books also don't tell you that friendships don't just end after one fight or incident, it's like the rusting of a bridge, the slow decay of flesh and bones and secrets. It took weeks, months- until one day I woke up and I realized I hadn't thought of her in a while. And I wrote a poem that day and I titled it 'The dying of a best friend' and I put all my love for her in a tiny box with my half of the matching pendant of a dolphin we had and stored them in a corner of my heart under the heading Grief. Where else can one hide unspent love?
It's been 3 years since I lost my best friend, lost as in I still carry our secrets in a tiny box but we only text each other on our birthdays.
-Ritika Jyala, excerpt from The world is a sphere of ice and our hands are made of fire
Edit: here's the visualizer for this piece
This was George. He was a 9 year old Jack Russell who lived in the small town of Manaia, New Zealand. On April 29, 2007 he jumped into a losing fight with two Pit Bulls to protect two young children. According to witnesses he fought as hard as he could, but he never stood a chance and was severely mauled as the children were pulled to safety. George died from his wounds that afternoon at the vet.
A trip down sensory lane.
More than just a "millennials" trend.
You see, hear, smell, touch, and feel everything through words. You should even feel your balance and inner sensations just by reading a script.
Be it in a script or in the early stages of notes, describe as much as you can. It’s better to have more to work with later, and you can always narrow it down in the process. Personally, I like to draw scenes out to help submerge myself into a piece. Working with your senses you can help others do the same when they’re looking at or even just reading your film and or writing.
Describe it as if you’ve never thought about the idea. Like you’re walking into a completely foreign place, because that’s what everyone else will be doing when they see your work
“The highest and most beautiful things in life are not to be heard about, nor read about, nor seen, but, if one will, are to be lived.”
— Søren Kierkegaard, Either/Or
Either you repeat the same conventional doctrines everybody is saying, or else you say something true, and it will sound like it’s from Neptune.
Noam Chomsky (via headlesssamurai)
Wanderer, there is no way, you make the way as you go... Just a wanderer enjoying the rollercoaster.
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