If you like the word “queer” reblog.
here again now
Warnings: violence/aftermath of torture/recovery
Word Count: 7.9k (gif not mine)
Summary: Natasha is captured, tortured and left with insomnia. (Part 3/4
(pls note that the fic starts below and finishes on ao3 - i know how annoying it is to start on one platform only to have it finish on another)
A/N: Buckle up for a long chapter <3 in which everyone worries, Natasha struggles and Clint tries to help. The outside forces that aim to break Natasha down are revealed and small things are set right.
Not re-read my mistakes are my own <3
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He doesn’t want to say anything as he breathes heavily, the fight not even lasting a minute as she stops as quickly as she started.
Clint watches her as she stares at herself in the mirror.
The slow touch of her hair, the dead stare and then the panic.
It’s starts with her pulling at the whispers of hair that are left, hard enough for them to come out.
A clawing at her skull.
He pulls her back from the mirror and holds her, stopping the harm that’s coming in waves.
She’s crying as she feels him behind her, a stuttering in her words.
“I can’t sleep,” she starts, “I can’. I can’t. I can’t.”
The words come over and over.
Clint doesn’t know what to do.
She’s still covered in vomit, still needs a shower, still needs sleep.
In this state nothing can happen.
She’s not present, not enough to do anything.
So he waits, holds her and hopes it’s enough.
.
Natasha can’t catch her breath. Every time she tries, she seems to only breath in smaller amounts. Even as she feels Clint surround her, it becomes almost a chore to suck it in and remember to push it out.
“Sedate me,” she breathes.
And as she says the words, she feels it’s the only way out.
“Sedate me,” she repeats.
If they drug her, she’ll really know then, when she wakes; if she sees the woman’s face or, if she’s back here.
She can’t breathe anyway.
Even as she’s encouraged by Clint.
Was she not loud enough in her request?
“Sedate me!”
The words louder now, even as they fall on deaf ears.
She struggles against Clint, trying to get a breath, black spots in her vision.
“Se..da..” she moans, pushing against him, running out of air on the words.
Natasha knows he’s talking, saying something to her but she can’t hear him, there’s a piercing white noise that overrides it and she can’t even hear herself, even as she repeats the same words over and over again.
At least, she thinks she is.
In a last ditch effort, she reaches for Clint’s face.
“Help,” she whispers.
He nods, his eyes glassy.
Holding up a syringe, he appears to ask her consent one more time as she nods pitifully back at him.
She can’t hear his words but longs for the black nothingness of drugged sleep.
She doesn’t care what happens to her body.
She just needs to stop thinking, stop moving… stop being.
To be held in the abyss for as long as possible.
Natasha knows she can’t keep going, not like this, not being able to tell the difference between awake and hallucination.
Clint encircles her again, holds her in a body lock as there’s a pinch on her left arm.
She looks over to it, and already the needle has been removed.
Clint holds her tight, rocking her gently and counts, knowing the repetition soothes her.
Only Clint knows that.
She’s home.
There’s no doubt now.
She starts to count with him, the abyss surrounding her.
.
Tony stares at the screen.
The van is parked not far, he sends out two drones to get real-time footage, and then triangulates all cameras from the time it dropped Natasha to follow the Van.
He wants to tell Clint, maybe Bruce too.
Turning his attention, he sees Clint lead Natasha into the bathroom.
He can’t reconcile her shaved head, even as he watches their movement.
Shaking his head, he sets Jarvis to keep an ear if Clint needs help and leaves the room to find Bruce.
He doesn’t go far into the bowels of the tower before Jarvis stops the elevator.
“Sir, they’re fighting.”
He doesn’t need to ask who is, because it’s obvious.
Tony detours back, opens the door to the infirmary and smells vomit and cringes.
He must have missed it whilst he was concentrating on the van. Tony hovers outside the bathroom, hearing a Clint tell Natasha to stop.
He wants to go but his feet don’t move.
Voiced pleas that are inaudible but he can tell what they are by the cadence and fear behind them, the way that the response is nothing.
He hears Natasha’s calls to sedate her, and Clint trying to talk her down as he goes through the options of what’s going happen next.
Tony pushes the door ajar and looks inside.
Neither of the spies notice him, and Natasha’s distress is clear as she struggles against Clint, repeating the words to sedate her.
He closes the door and stares for a moment.
“Sir?”
Jarvis’s voice breaks through his thoughts.
He leaves the room quickly, finding Bruce with a syringe in his hand.
“Jarvis..” Bruce says, by way of explanation.
Tony nods.
“What happened? He said that Natasha needed propafol?”
Tony takes the syringe, offering no explanation and heading back into the room. He knocks on the bathroom this time and opens the door.
Clint looks up at him, he has Natasha in a hold and holds his hand out for the syringe.
Natasha’s eyes open and close.
Her breath stuttering.
“Help,” she whispers, reaching aimlessly for Clint.
Clint holds her head, uncaps the syringe and injects her. He rocks her slightly, counting with her.
Tony feels like a voyeur.
They both watch as her body fights it, then, she goes limp.
Clint looks exhausted, as he stares up at Tony.
None of them have slept, but Tony is used to it.
He also didn’t have to watch Natasha and be vigilant for her.
“What’s the time?” he asks, not moving.
Jarvis responds.
“It’s 6.16am.”
Clint nods.
“She threw up, I don’t know what happened next, but she started to fight me, then seemed to realise something was wrong when I didn’t fight back.”
Clint touches her arms, almost unwrapping himself from the hold position.
“She started pulling at her hair in the mirror,” he says the words monotonously, like telling a story.
“She said she couldn’t sleep, then asked me to sedate her.”
He seems to come to the realisation that he’s injected her with a drug that he doesn’t know.
“Propofol,” Bruce supplies, seeing Clint’s confusion.
Tony doesn’t even know when Bruce came up behind him.
If Clint is also surprised, he doesn’t show it.
He just nods slowly.
“How long do you think we have?” He asks, lifting Natasha.
Bruce shrugs.
“She shouldn’t have been given it in an injection like that. Jarvis just said it was an emergency and I didn’t think we wanted a reoccurring incident like last August; so it was this or nothing.. Someone will need to stay with her, just to monitor her breathing…”
Tony looks up and Jarvis responds in kind.
“I am monitoring her vitals,” the AI tells them, “she is stable.”
Bruce nods.
“How long do you want her drugged for?”
Clint carries her to the large arm chair, the one that reclines back and places her gently on it.
“As long as possible,” he says.
“We need to find out what’s happened, and then maybe we have a chance at helping her get over whatever this fear is.”
Bruce nods and leaves, Tony presumes to get more drugs, or maybe a way of sedating her further.
“She needs a shower, or to get her changed. I don’t know!”
His voice escalates.
Tony feels he’s never been in a situation where he’s had to be the one to make decisions for another. Perhaps another reason why he doesn’t want children, the responsibility weighs heavily of taking care of his friends.
“Okay,” he says, raising his hands.
“Let’s get her changed, we’ll do it together. Bruce will get her sleeping for a bit longer and you’re going to go to bed. I’m going to follow the leads of the van and we will work this out.”
Clint stares at him.
Tony feels he’s said too much.
“Go have a quick shower, and get the supplies for changing her, get her clothes and maybe some wipes.”
Clint still stares.
“Now.”
Tony says it as gently as he can, but the urgency in his voice makes his friend move.
Clint takes one last look at Natasha and leaves her with Tony.
.
Continued…
WEEK OF CHRISTMAS 2024 (2/7) —🎅🎄🎁🦌— THE MUPPET CHRISTMAS CAROL 1992 — dir. Brian Henson
Masterlist of fic
(Warnings at the start of every chapter, please be kind to yourself. Gif not mine; I do not possess that kind of power. This will be updated with links as we go and when placed on ao3 will be updated with the link. A lot of these can be read as one shots (I’ll try and mark the ones that can be read as such with a *) but together make a whole story; the story of how Clint and Natasha got married.)
2011 - Kashmir (how many fingers am I holding up) *
1984 - Russia (I’ll call out your name but you won’t call back) *
1984 - Iowa (make it stop) *
2012 - New York (shock)
2012 - New York (it’s broken)
1999 - Iowa (made to watch)*
2013 - New York / Wichita Falls (radio silence)
2013 - New York (it’s all for nothing)
1994 - Ohio (Polaroid) *
2014 - Budapest (you said you’d never leave)
2014 - Singapore (Captivity)
2014 - Singapore / Malaysia (Red) <now with amazing art by @oceanspirit9 >
2009 - New York (I don’t feel so good) *
2010 - Okinawa (just hold on)*
2010 - Okinawa (I’m fine) *
2014 - Rome (don’t go where I can’t follow)
2007 - Russia/France (leave me alone)*
2014 - New York (I tend to deflect when…)
2011 - Iowa (floral bouquet)*
2013 - New York (found family)*
2014 - New York (vows)
2012 - New York (watch out)*
2014 - New York (Shadows)
2014 - New York (I thought they were with you)
2014 - New York (buried alive)
2014 - New York (you look awful)
2014 - New York (scars)
2014 - Berlin (aftermath of failure)
2014 - New York (what happened to me)
2014 - New York (borrowed clothing)
2014 - New York (take it easy)
Elevation - Charles Baudelaire
Above the lakes, above the vales,
The mountains and the woods, the clouds, the seas,
Beyond the sun, beyond the ether,
Beyond the confines of the starry spheres,
My soul, you move with ease,
And like a strong swimmer in rapture in the wave
You wing your way blithely through boundless space
With virile joy unspeakable.
Fly far, far away from this baneful miasma
And purify yourself in the celestial air,
Drink the ethereal fire of those limpid regions
As you would the purest of heavenly nectars.
Beyond the vast sorrows and all the vexations
That weigh upon our lives and obscure our vision,
Happy is he who can with his vigorous wing
Soar up towards those fields luminous and serene.
He whose thoughts, like skylarks,
Toward the morning sky take flight
- Who hovers over life and understands with ease
The language of flowers and silent things
Translated by - William Aggeler
reblog if you would give cheeses to these meeces
Your ex-husband was just a phase but you don’t see us banning straight marriage SHARON!
“what if kids identify with something and it ends up just being a phase-?” good. stop teaching and expecting kids (and adults honestly) to formulate permanent traits and ideas of themselves. everything in life is a phase. that doesn’t make it any less legitimate while you experience it. let people explore themselves and know it’s okay if what you think about yourself changes.
One thing that's likely not visible to all younger queers is that little kids shows have gotten radically queerer in the last 10 years.
I'm not just talking about Owl House, Kippo etc, much as I love them.
I mean like stuff for kindergardners.
Characters in Strawberry Shortcake and Superhero Girls and more have gay parents just unremarkably in the background. That was unthinkable 15 years ago.
But the thing that shocks me utterly is the casual inclusion of nonbinary characters.
Dee and Friends in Oz, Polly Pocket, Craig of the Creek...it seems like half the shows my daughter watches have nonbinary characters just seamlessly included. Not even a Very Special Episode. Just...here's the scarecrow in charge of scarecrow village who uses they/them pronouns that everyone just uses without comment.
I was almost 30 before I found the word nonbinary. For my kid to just grow up with this is astonishing.
Conservatives are so mad because it's INCREDIBLY hard to just put this kind of inclusion back away. Once something is normal, and clearly not causing anything bad to happen, it's hard to convince people to be scared of it.
Please reblog for a larger sample size.