STAR WARS: THE BAD BATCH 2.02 "Ruins Of War" & 2.09 "The Crossing" | 3.07 "Extraction"

STAR WARS: THE BAD BATCH 2.02 "Ruins Of War" & 2.09 "The Crossing" | 3.07 "Extraction"
STAR WARS: THE BAD BATCH 2.02 "Ruins Of War" & 2.09 "The Crossing" | 3.07 "Extraction"
STAR WARS: THE BAD BATCH 2.02 "Ruins Of War" & 2.09 "The Crossing" | 3.07 "Extraction"
STAR WARS: THE BAD BATCH 2.02 "Ruins Of War" & 2.09 "The Crossing" | 3.07 "Extraction"

STAR WARS: THE BAD BATCH 2.02 "Ruins of War" & 2.09 "The Crossing" | 3.07 "Extraction"

More Posts from Unstuck-has-been-done and Others

9 months ago

my favorite horror movies + the cure playing on the background (on youtube)


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So, THAT Clone X trooper...

is 100% definitely, undoubtedly Tech, yeah?

I mean, physically/literally:

His accent is different under the voice modulation

I stg those pained grunts as he lifted the stones were pure Tech

He runs in Creature Posture

The pocketses

He still doesn't give a fuck about following orders

But also narratively:

The lingering closeups whenever he's about to act in regard to the Batch. Is it consideration? Hesitation? They sure want us to wonder.

The story's repeated emphasis on Crosshair being able to anticipate his moves, and the way they match each other beat for beat the whole way down.

The fucking intimacy of the way he almost kills Crosshair. I mean the whole physicality of the fight, but especially the way Clone X had to stare into his eyes while he drowned him.

Why, as a writer, would you waste those story beats on someone who had no personal significance to the Batch? You just wouldn't.

11 months ago
And I Wake Every Night
And I Wake Every Night
And I Wake Every Night
And I Wake Every Night

and i wake every night

crying, “set me free”

Abbey by Mitski

happy may the fourth!!!

Tips for writing those gala scenes, from someone who goes to them occasionally:

Generally you unbutton and re-button a suit coat when you sit down and stand up.

You’re supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.

When rich/important people forget your name and they’re drunk, they usually just tell you that they don’t remember or completely skip over any opportunity to use your name so they don’t look silly.

A good way to indicate you don’t want to shake someone’s hand at an event is to hold a drink in your right hand (and if you’re a woman, a purse in the other so you definitely can’t shift the glass to another hand and then shake)

Americans who still kiss cheeks as a welcome generally don’t press lips to cheeks, it’s more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a woman’s makeup)

The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of men’s clothing.

Open bars / cash bars at events usually carry limited options. They’re meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.

Members of the press generally aren’t allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.

10 months ago
Siouxsie, 1981

Siouxsie, 1981

11 months ago

Friends, as a massive new wave fan, I have developed a theory: Every new wave song is somewhere between punk, goth, and disco.

My proof:

Friends, As A Massive New Wave Fan, I Have Developed A Theory: Every New Wave Song Is Somewhere Between

Big thanks to @dartheritis for their help

1 month ago
"The Empire Cannot Win. You'll Never Feel Right Unless You're Doing What You Can To Stop Them. You're
"The Empire Cannot Win. You'll Never Feel Right Unless You're Doing What You Can To Stop Them. You're
"The Empire Cannot Win. You'll Never Feel Right Unless You're Doing What You Can To Stop Them. You're
"The Empire Cannot Win. You'll Never Feel Right Unless You're Doing What You Can To Stop Them. You're
"The Empire Cannot Win. You'll Never Feel Right Unless You're Doing What You Can To Stop Them. You're
"The Empire Cannot Win. You'll Never Feel Right Unless You're Doing What You Can To Stop Them. You're

"The Empire cannot win. You'll never feel right unless you're doing what you can to stop them. You're coming home to yourself. You've become more than your fear. Let that protect you."

DIEGO LUNA as CASSIAN ANDOR in Andor, Season 2 [1/4] 2x01 — "One Year Later" 2x02 — "Sagrona Teema" 2x03 — "Harvest"

11 months ago
Johnny Marr On The Tube, 1984
Johnny Marr On The Tube, 1984
Johnny Marr On The Tube, 1984

Johnny Marr on The Tube, 1984

9 months ago
No Comment.

no comment.

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unstuck-has-been-done - rebel rebel
rebel rebel

she/her | 80s post-punk fiend | spirk brainrot | 🎸

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