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mmmm, writer juice

One of the best writing advice I have gotten in all the months I have been writing is "if you can't go anywhere from a sentence, the problem isn't in you, it's in the last sentence." and I'm mad because it works so well and barely anyone talks about it. If you're stuck at a line, go back. Backspace those last two lines and write it from another angle or take it to some other route. You're stuck because you thought up to that exact sentence and nothing after that. Well, delete that sentence, make your brain think because the dead end is gone. It has worked wonders for me for so long it's unreal

Percy: Yeah, I'm arguably one of, if not THE, strongest demigo-

Some random fucking Hermes kid from 2,000 years ago:

Ok, so I saw @yesthefandomfreakblr's post about Gregor not returning to the Underland, and it got me thinking about a potential fic idea.

I know this is going to sound very weird, and I've probably only been thinking about it because I've been watching the show recently, but hear me out here:

Gregor's Bizarre Adventure.

Like JoJo's Bizarre Adventure, but the protagonist is Gregor. He gets his own stand, goes on a crazy adventure across America battling other stand users and making friends, with the whole story it's more or less removed from the Underland, focusing more on how that trauma affected him, and possibly maybe Vampire Solovet as an antagonist.

he cooked him like a caesar salad

funny skeletons are the peak of internet humor

October can’t come soon enough

Announcing the COMPLETION of AHS 1 & 2 [3rd Edition]

It's a new year ... and new AHS!

I would like to formally announce the COMPLETION of the "A Henry Story 2" edit!! Book 1 has been done for a while, nonetheless ... this is a grand moment.

Please download the professionally formatted PDFs here if you like. Otherwise, I have updated Book 1 on all platforms, Book 2 on every platform except FF.net (that one will follow soon, but the UI is a pain so it's a bit of a hassle.)

BOOK 1: Memories of the Fallen Prince

BOOK 2: Trials of the Fallen Prince

I am incredibly proud of this third edition; the story is truly coming together now. I HIGHLY recommend all of you who have read it in the past to reread it :) This is now the fully realized vision I had for this book. I assure you, it's worth another read. Also in preparation for the continuation of book 3! And of course, if you have been waiting to start AHS as a whole, GO FOR IT NOW! Believe me, you don't need to like Henry to read this series. Come for more Underland and get attached to him somewhere along the way (it will happen, believe me.)

PLEASE LEAVE ME SOME THOUGHTS AND/OR COMMENTS IF YOU DO CHECK IT OUT :) I cannot be held responsible for any soul-crushing or tears, btw. You read at your own risk :)

... MEANWHILE, I'LL BE OVER IN AHS 3 ... The plan now is to edit everything that exists of that book so far, and then finish the bit of the ending I have left. WISH ME LUCK AND ENJOY!

I don't actually live near a library, as I live in a pretty rural village. But damn, I wish I do. Something about them just sounds so enchanting, rows upon rows of weathered and worn books, passed down from holder to holder. Even to someone who's unfortunately lost their spark for reading, it sounds like paradise.

...um, could you explain a little bit? Please?

If Hamnet has 100 haters, im one of them

If Hamnet has 10 haters, im one of them

If Hamnet has 1 hater, its me

If the entire world is with Hamnet, im against the whole world

If Hamnet has no haters, i am dead

Cutting through the pain? *Begins to cry tears of laughter that turn into tears of sadness*

To anyone in the TUC fandom who has looked at AHS and skipped it because they heard the ending is happy...

... and then assumed that it's just a wish fulfillment "ideal reality" kind of outcome of the TUC story that cuts all of the depth, pain, and realism ... Go back and read it right now.

Because that is not what AHS is. Not even close.

AHS is not "my version" of TUC where I just change whatever I dislike without regard for themes or characters in the original. Far from it. One of the main goals I had was actually to give more of the Underland. More characterization (that aligns with canon, although some characters develop in a different direction because of shifts in circumstances), more worldbuilding (that coincides with canon, adding onto it), ... just more, period.

The best way I can describe what it actually is is honestly saying that AHS is to TUC like Marvel's "What if ...?" is to the MCU. It is quite literally a "What if Henry had survived his fall at the end of "Gregor the Overlander"?" And I kid you not, 95% of the changes in the story, compared to TUC, are simply a result of exactly this change.

But the entire plot of the final book is different, right? Well, I didn't say that the consequences of that one change weren't substantial. They are. Without spoiling too much I can only say that Henry happens to be an optimist, and it also happens that an optimist was exactly what the TUC story needed to achieve a happier outcome.

Anyone who has actually read my version of the CoC plot will tell you that it is far from ideal, perfect, or pain-free. A lot more happens in the actual plot, but most of those new events are there to serve the dark, violent nature of war. There's so much talk about loss, and sacrifice, exploration of (also the dark side of) heroism, and whether "for the greater good" is worth it. There's corruption and death, injustice, and grappling with unkind fates and alienation/rejection.

Now, I will admit that I did put less emphasis on the societal pressure aspect of CoC, but mainly because that theme is a huge part of AHS 2 already, and it did not really fit this part of the story anymore. Instead, "Gregor against society" becomes "Questers against society" (quite literally, since they are — small spoiler — banding together to actually overthrow Solovet and bring about change.)

BUT ... if there is corruption, death, and the violence of war, how is it happier then? How can it have a happy ending?

Very simply because it is not only corruption but also redemption. Not only death and suffering but also growth and gain. Not only violence and breaking of relationships but also companionship, hope, and mending of relationships.

... The main change that happens to be so powerful it can give this series a happy ending without disrespecting or abandoning its original gritty violent core is ... a shift in mindset toward the positive. For Gregor, but also for everyone else. One of the main themes I added is the exploration of the double-edged nature of things: Everything has good and bad consequences. What we take away from it is what we choose to focus on.

Now you might see better what I meant by "All this series needed was an optimist" earlier. If there were someone to remind people of the bright side, to remind Gregor that his rager power does not make him evil and that he is never alone or choiceless, to embody this hopeful outlook and bring it out in everything ... I promise to you that this is all it would have taken.

And this is what I'm giving you.