I Think Both Eren And The 104th(Alliance) Act In Reaction To 1). The Only Difference Is In Their Approach.

This was great! It was really well written and it really makes me appreciate both relationships more, so thanks. One thing I'd like to add concerning your point on cause and effect is how in chapter 122, Eren eventually sees himself and probably Historia as wellin Ymir and uses that same dialectic to free her. It's really cool how it all comes full circle, Freckles Ymir is guven her name through the legacy of OG Ymir and through the overcoming of her weakness she frees Historia who frees Eren who eventually frees the OG.

Yumihisu and Erehisu - how do these ships compliment each other?

It’s been a hot minute since I’ve written a longer post. Recently, I’ve been feeling a bit more inspired, though - and, once again, my thoughts are occupied by my two favorite ships from SnK. Unfortunately, a lot of people seem to think that shipping both is impossible, or that shipping one of them authomatically means that you’re against the other. I think it’s ridiculous - even more, I think that shipping both is quite logical.

Today, I’m going to write about how Yumihisu and Erehisu are, in my opinion, tied to each other. (As always, a short disclaimer: there will be spoilers, and the pictures/gifs used in this post don’t belong to me. Have fun reading!)

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Thank you! I'm glad I was able to help. What you've said about never seeing Eren as a bad person really resonated with me, the best way I can describe him and his story is that of a boy born a monster. I really like how you talked about those ideas, it felt like you were expressing something I struggled to, so thanks for that as well!

“They were just there wherever I looked from the day I was born. Those miserable walls.”

I think this is the most important line we need for understanding Eren. From the moment he was born Eren felt caged no matter what he did and he longed for release.

This desire was unconscious at first, but seeing Armin dream so passionately brought about the realization that Armin was seeing and believing in something that Eren couldn’t, and this brings about the realization in him that he’s restrained/caged from doing something.

He initially believes that this indignation from a sense of being caged is because of the Titans or oppressors but as time goes on and the circumstances change, Eren realises that this is something internal and the fact that it’s something that no one else experiences is one of the sources of his tragedy: he can’t communicate/share this desire.

(There’s probably some symbolism in the fact that Eren confessed his truest desires to a child that didn’t speak the same language)

At first, Eren associated release with the “sight” of the things in Armin’s book. He believed that seeing those things will give him the release and liberty he’s been longing for, though it should be noted that Eren says he doesn’t care what the particular sights *are* just that he sees them so I think he cares much more about the feeling of liberation that those things stand for than the sights themselves.

So I think that even though Eren might say that he’s disappointed that the world wasn’t what was in Armin’s book I think what he’s really sad about is that he didn’t feel liberated by the world beyond the walls, but because he associated those feelings with the sights in Armin’s book he uses them interchangeably(I think this is supported by the fact that Eren still feels caged and empty when actually seeing those sights in 139).

The reason Eren slaughters humanity beyond the walls is because from his perspective, *they* are walls/barriers obstructing his freedom. “That Scenery” is one of the most important motifs with Eren, it’s the liberty that comes with transcending or breaking a wall, but one of the ironies in 131 is that Eren is deluding himself to think that it’s freedom. Eren’s very nature demands that he cannot see beyond the “walls” and this is testified to by Eren looking unfulfilled immediately after the freedom panel and the fact that he still needs Armin’s approval. Besides Isayama deliberately contrasts Eren and Armin by saying that Armin still believes in a world beyond the walls, with a panel of Eren’s eyes closed.

Eren’s tragedy is that of a man born with the inability to look past the repression of life(or you could say he was born with the ability to see restraints everywhere). I think this solves all the contradictions I thought I saw in Eren’s character and addresses the “Problem of being a Slave” that Isayama once brought up.

Before I go there’s one last thing I have to say about the final chapter and this motif, Eren can’t see the dream Armin enjoys and he can’t see the future that lies ahead, but his love for his friend(s) let’s him transcend that nature by putting his hopes in them at the end. He won’t ever be able to see beyond the walls, that’s just how he is, but he can be at peace with the fact that his friends will.

Edit: I made this post mainly because I was tired of people rooting Eren’s actions in trauma or an ideological mistake or lack of development. Eren has developed enough as a protagonist, especially by chapter 100, his “mistakes” in the Final Arc are a result of his nature, I think that’s what Isayama wanted to convey.

Why Mikasa and Armin are stagnant

Letting go of the past is something a lot of the characters in SnK struggle with. At a larger level, the royal family, Mare and the rest of the world do as well. You could actually sum up the whole conflict of this manga with that idea.

As the story approaches it’s conclusion, the people are starting to realize that this impending doom that is the rumbling is a consequence of them relying on an old hatred that should’ve stayed in the past, and begin feeling regret.

But where do Mikasa and Armin come into this? As I said, they can’t let go of their past, which is largely defined by Eren’s presence, so they struggle to go against him because they’re too used to fight for and rely on him to act, which in part made things turn out this way by not confronting Eren’s dark side, leading to their regrets.

Let’s start with Armin as people often don’t notice how as dependent as Mikasa he is to Eren. That’s not to minimize his bond with Mikasa, the whole point of him becoming a soldier is so that he can be with Eren and Mikasa, but his connection with Eren is deeper because they shared the same dream of seeing the outside world, as is Mikasa’s connection with Eren deeper as he was the one to show her beauty in a cruel world.

So, until recently, Armin’s reason for fighting was to live alongside Eren and Mikasa and fulfill his dream of exploring the world with his best friend. He had to grow up to be able to accomplish this, he would have to overcome his fears, to understand that he is also important and reliable to EM, that he has to make sacrifices, that this isn’t a world of good vs bad guys. 

In the final arc, many people complain about how useless Armin got, including Eren. While I agree that he’s far less efficient in the final arc, this is obviously purposeful. Our main characters see themselves in a situation where they don’t know if Eren is exactly on their side any longer. Eren keeps them in the dark, so they don’t know how to react or what to expect. It’s much more noticeable in Armin’s case, who’s not the fighter type, and to further emphasize his passiveness, hasn’t even used his titan in the final arc yet. 

Eren is part of his dream and reason for fighting, so when this person is possibly against you and the enemy is mostly innocent brainwashed civilians, Armin is stuck, and when shit hits the fan he blames himself for things even Erwin would possibly fail to deal with as well and reverts to his insecure state. He can only draw his full potential with Eren as a friend. He may be able to sacrifice others and most preferably himself, but sacrificing Eren’s a different story.

Mikasa is the most obviously stuck by her bond with Eren. She did grew considerably, from forming other bonds, keeping her emotions in check to an extent, relying on others, being less of a 2nd mom to Eren and giving more importance to the bigger picture. Still, her powerful connection to him makes her hesitate, ignoring the problem, clinging to idealistic solutions and leaving her decision to the very last moment (curiously similar to how she didn’t act on her feelings for him) because she’s cornered to a point where she has to choose between Eren against humanity and her friends. It’s too difficult a choice to make. She has to choose between two parts of her life she grew to love, one beauty for the other. This is her ultimate serumbowl.

Clearly, EMA still have more room to grow, and what’s in their earlier lives and  personalities that hold them back. For Eren, ironically, it’s his need to break free, to not being held back by anything, for Mikasa it’s her comfort in having a family and for Armin it’s his dream, which is inseparable from Eren. 

MA are growing in the direction of altruism and becoming their own people, independent from Eren, they shouldn’t need their lives to revolve entirely around him, while the latter is going in the opposite direction by succumbing to his flaws and not letting go of the past, although I’m hesitant to call Eren immature for that due to the sheer unfairness of the situation and lack of context from his side.

It’s very fascinating how both Mikasa and Armin have almost been there in the Trost arc, even before their developments in other areas in later arcs. The fact that they could live independently from Eren was always right at their faces and ours. 

After they thought Eren was dead in the Trost Arc, they broke down, succumbed to their weaknesses, that weakness for Mikasa being not having a home to go back to and for Armin, to feel like a burden resulting in them almost giving up their lives. What kept them going was realizing they still have their comrades, that life’s not just about their connection with Eren (Mikasa to a smaller extent, given how Eren’s message was the main reason, but still). 

But Eren came back, and so MA went back to their old ways. Mikasa would still be overprotective and putting him above the world later on, Armin would still fight fueled by his dream, panic and loathe himself for his shortcomings. I can’t blame them, they were still not mature enough in the other aspects. Eren is like a wall or a comfort zone stopping them from seeing or acknowledging the bigger picture. 

Eren’s writing in the Trost arc was kinda the opposite. When he’s swallowed by Santa Titan, he didn’t succumb, he lashed out irrationally, he didn’t even question his existence as a Titan either, if it’s something that helps him fight, so much the better. He didn’t want to deal with his weakness.

His big defining moment in the Trost arc explicit that his main driver was freedom, not hate, but it didn’t present a right path for him to choose later on. It was the path he would keep walking from the beginning until the end, and it’s reflected on him coming to understand his enemies and not hating them any longer, but still choosing war all the same. 

MA hit their growth limit with Eren at the center of their lives in the Return to Shiganshina arc. Armin was able to sacrifice his life and his enjoyment from his dream, but entrusts this dream to Eren, who gives meaning to it. Mikasa lets go of her second most precious family member and puts humanity before him. While still trying not to abandon Eren until the very end, the final arc forces MA to actively choose to let go of him, unlike Trost arc that took him away from them, while Eren doubles down and refuses to let go of his past, his family and his freedom.

the most beautiful scene… their smiles made my heart skip a beat

Ah yes, my favorite genre...

Usurper

SnK Interviews: Isayama Hajime’s Q&A from Febri Vol. 42 (July 2017 Issue)

Translations by @suniuz & @fuku-shuu - Please give credit/link back if used!

- What is your most essential drawing tool? 9mm 2B pencil lead. As it’s both thick yet soft, it’s easy to erase cleanly, so I enjoy using it the most. I don’t really understand the differences between all the manufacturers, so as long as the lead is this exact type, I’m fine with whichever.

- What do you do when you’re not working? I play video games. My nephews have been visiting me recently, so I have them bring their controllers and play Splatoon with them.

- Who is your favorite character in Shingeki no Kyojin? Reiner. As time progresses, my favorite character keeps shifting. My favorite is Reiner at the moment - I want to draw more and more of Reiner.

- Favorite music as of late? Kiyoshi Ryuuji. Even though my all-time favorite is Shinsei Kamattechan, who sang the SnK S2 ED, my favorites as of late are Creepy Nuts and Kiyoshi Ryuuji. For Kiyoshi, every single one of his songs has been a hit - even those he produced for others - which is an incredible success rate. I feel like he’s like Hyadain-san (T/N: Famous Japanese composer and lyricist), only he can also sing and dance.

- Favorite manga as of late? Boku-tachi ga Yarimashita (T/N: We Did It). The author, Kaneshiro Muneyuki (T/N: The artist for the title is Araki Hikaru), is my contemporary at Bessatsu Shonen. It’s just such an incredible piece of work. Initially I already had good feelings toward him because we started out together, and when I reached the middle of the story I suddenly went, “Eh? This manga is a masterpiece…?” I even got goosebumps. He created an unbelievable story, so I’m thrilled as his contemporary.

- Favorite video game as of late? Wii U’s Splatoon. Even though the game has been on sale for two years already, I’m still playing it consistently. It has been a long while since I started, but I still feel like I’m terrible at the game. Nonetheless, through my personal efforts, I experienced what it means to “achieve” different degrees of success for the first time. I can’t get enough of it!

- When did you start drawing manga? 2nd year of high school (T/N: That’s equivalent to junior year). But if you count just single illustrations, I already started when I was in daycare. But I remember that it wasn’t until 2nd year of high school when I actually organized drafts and began to create manga.

- How much do you sleep on average? About 8 hours. When I first started serialization, I had a little less sleep. But lately if I don’t get enough sleep I can’t do anything else.

- Recent interests? Watching foreign drama series. I’m currently anticipating the 7th season of Game of Thrones, which will start in July. Other than that, I’m hesitating on whether or not I should watch House of Cards (T/N: YES YOU SHOULD). When I watch something exciting, the amount of energy I use up is similar to if I read all of One Piece in just a week. Hence, I’m actually becoming a little scared about doing this (T/N: Committing to another show) [Laughs].

- If you lived within the Walls? I would be a farmer. Because I want to avoid all responsibilities [Laughs], so I want to live on the border and just plant crops. Though I can imagine that this kind of lifestyle has its own hardships, I would never be a soldier.

- What’s the best thing about being a mangaka? Everything. If I didn’t become a mangaka, I feel like I would’ve descended into poor health - to the extent where I couldn’t even go to the convenience store. I am totally serious [Laughs].

- Favorite movie as of late? It Follows. It was probably my first time watching such a scary film. Of course, the storyline is exciting, but on top of that, the actual elements of horror were fantastic. Because this movie describes something that happens at your own household, I felt jumpy and scared in my apartment for two weeks after I watched it.

- If you weren’t drawing manga? I would become an average member of society. But if possible, I would probably become a craftsman. Before when I worked at an internet cafe, no matter how dirty the cubicles became, I always bet my entire life on making it spotless again. It was almost like Nietzsche’s “Sublimation” psychology [Laughs]. Thinking back, I guess that could just be part of an artisan’s personality, too.

- What do you do when you experience writer’s block? I dive into other creative works. Basically other films, drama series, and manga - and I search for elements I enjoy. But because this world is filled with so many incredible works that I’ll never fully experience - even if I spend my entire life trying - as long as I commit to the ones I enjoy the most, my life can progress with inspiration. Sometimes, I almost feel like there is no actual need for me to draw manga [Laughs].

- The best thing about your hometown (Oita prefecture)? Delicious plum wine. When I think of what’s most appealing about my hometown, plum wine immediately comes to mind. My family back home are plum farmers, so even though I sound like I’m self-promoting my relatives’ business, please do give our Yumehibiki plum wine a taste! [Laughs]

- Your first impression of Tokyo? Surprisingly warm/familiar. At the railroad crossing of Egota, my head somehow got knocked by the crossing gate there, and I thought, “So Tokyo isn’t just all about tall buildings…” My memory contains moments of calm like this [Laughs].

We’re working on the highlights/new information from the main interview between Isayama and editor Kawakubo as well - stay tuned!

SNK 137: To see the world in a grain of sand

A story that traverses 2000 years of history, across the vast expanse of time and space, war and empire, great despair and fragmented hope, legends of gods and devils.

SNK features immense scales that can evoke sheer awe, from its temporal and thematic scope to its pure visual spectacle, all the way to the world’s destruction.

And yet in the midst of the breathtaking, terrifying magnitude of the end of the world, it has culminated here, in the memory contained within a single leaf minuscule as a grain of sand against the death marching across seas and continents.

A leaf that contains a childhood memory utterly insignificant, utterly meaningless in the futile battle against geopolitical conflict, human nature, the curse of Ymir that becomes fate itself.

Yet it is also a memory that means everything. 

The fate of the entire world, contained within a single leaf half-buried in the eternal sands transcending time and death.

“The reason I was born…” was not to save the world, or to be a hero; the reason was to simply exist in these moments when one can feels distinctly, ‘I’m here, and I’m glad to be alive.’ Approaching the end of this two thousand year story, Armin’s quiet affirmation captures fundamentally what freedom is, and what it is to want to live in the world.

Arguably without exception, everyone experiences at least once in their life such moments. Even when in the depths of despair, depression, or apathy, still suddenly, if only for one fleeting instant, we feel intensely that maybe it’s okay to be alive when experiencing such trivial things as the sunlight through the trees, a glimpse of the achingly blue sky, or the certainty that we have made a connection with someone through a word, a touch, or a smile. These distinct moments are interspersed as small, flickering lights strung together through the darkness of life’s struggles.

This is Armin’s answer to Zeke’s questions: “You know that to live… means to one day die, does it not?” Where is the freedom in the endless struggle to avoid the punishment of fear and suffering we confront when life’s empty, frantic quest to multiply is threatened? What is the purpose of perpetuating one’s days of suffering without ever knowing if it means anything at all?

Armin’s answer is not convincing or changing Zeke’s mind as such, rather he is merely reminding Zeke of what he has already experienced, of what he already knows, unconsciously: that somehow, there is meaning in feeling the wind against your skin, in the repetition of throwing and catching a baseball back and forth with someone you call family.

Or to be more precise, perhaps there is no logical meaning in these moments at all, but that doesn’t stop these moments from being meaningful. 

“in our bewilderment we see no rule by which to guide our steps day by day; and yet every day we must step somewhere.”

It’s not a perfect answer; perhaps it’s not an answer at all. Yet it is enough to convince us to take another step forward, because unlike logical reasoning or Zeke’s scientific rationalizations, the feeling of life in such trivial moments carries an irrefutable personal certainty of gratitude for being alive.

SNK generally prioritizes the grand over the trivial or strictly ‘relatable’, but we get here something so purely and immediately human, grounded in an intimate, even mundane way that is interwoven with the cosmic realm in which they are having this conversation.

It feels indeed that put upon a simple leaf, of a baseball, is a uniquely cosmic weight, as the weight of everything, all this history and eternity, is resting on this quiet reflection.

To see a World in a Grain of Sand And a Heaven in a Wild Flower Hold Infinity in the palm of your hand And Eternity in an hour

- William Blake, “Auguries of Innocence”

I don’t care what others says, I love this two girls OwO