Today’s Art:

jacket/fabric study that i did at the very start of the year turned into a gif bc the material is there already 🙂‍↕️✌️

trying to actually dissect tension points and movement so i can apply it to jackets from imagination in the future 🥹🥹

9.36 20th jan (understanding + observation)

— I think what’s important with art + automaty really is the understanding. right now: getting that hands like when they bend from the palm side, yes while the knuckles part is covered my skin: what I got wrong is that it doesn’t completely disappear under the fingers but rather it folds over as they bend… also I noticed that on the back side that it’s more angular when it bends…

also observations is really super important, whether it’s just seeing how things work while you’re not writing: observation in life or through videos/picgures/comics whatever how art is done then: how how posing/anatomy works but I guess for that stuff is impotent to know what to look for like the spacing or the general angle of things. angle is a really important part.

wow… jan25 end…… can’t believe it. already! but also…. it did feel a bit slow but also feels like wow… already end..

anyways! I really did manage to draw something for all of Jan except for one day 😂😂😂 some days more productive than others. but hmm. towards the end… definitely was on slower end.

WHY IS DRAWING HANDS SO FUCKING HARD

ahhhh came across other peoples figure practices and im so jealous…. It looks so good….

but at the same time i know that my practice now isn’t like an effective method. if o wanted to get better… i should study forms of ribcage n pelvis and how they interaction in diff poses/angles and the forms of the muscles on them….. but at the same I really can’t be bothered with stuff like that so my skill level makes sense but ahhhhh its gets to me some times fjfjjfkdkdk. I feel like best way to motive me is to just draw character shit and be like fckkkk if I want to draw this I have to be able to learn how to…… but also drawing character shit is takes Effort and I can’t be bothered either right now…. But to give myself credit I did a lot of character drawings (okay it was two recently but i also did a lot of stuff last month!!! so!!!!) im actually doing a lot 😌

and I DID get better!!!!!!!!!! like two months ago…. I couldn’t do shit…. as I can now 😌

just stuff I have to consistently remind myself when I get depressed about this stuff ahahaha

The big post of things about hands!!! I don’t consider myself qualified to teach art at this point in my life, but I don’t see any harm in sharing observations I have made. In learning to draw hands over the past few months I’ve tried to take a lot of notes, with the end goal of hopefully creating a video tutorial one day. I personally learn better from videos than written or illustrated instructions, but I’ve never found any one video that really demystifies drawing hands. I believe that in order to tackle such a difficult subject it is important to understand what makes it difficult, and this is not often addressed. If you understand the problems you can systematically solve them…

Drawing the hand is almost like drawing a whole person. Similar number of “major masses” and a big range of motion.

Because the hand is so versatile, it’s hard to pick a pose when practicing. Most individual body parts are drawn from different angles, whereas the hand must be drawn from different angles and in different poses.

Hands have a lot of moving parts and from any given angle many of these will be partially or wholly obscured by other parts. Drawing “through the form” results in confusing construction lines that are difficult to interpret.

Hands are expressive and give big clues as to what a character is doing. Odd or unnatural hand poses detract heavily from your overall piece. Most people avoid drawing hands because of this.

The thumb flexes along a different plane than the four fingers and sits on its own deviant metacarpal. Drawing the hand in perspective is hard enough, but adding the thumb in relation to the rest of the hand at a convincing angle? Forget about it!

Hands are typically simplified into box and cylinder forms, but almost every part of the hand is a combination of angles and curves. No one simplified form really describes these parts.

Hands interact with other objects, like all the time. They’re tricky enough to draw on their own… this isn’t helping anyone.

Hands have a lot of bony landmarks, veins, and tendons, all visible at the surface level. These are obstacles when trying to render them realistically.

Hands are asymmetrical from every angle. Every part, every time.

I think that about covers the major issues we face when trying to draw hands. Now here are some observations and facts that you can use to fight back!

The width of the first three fingers (index, middle and ring) is the same as the width of the wrist. The pinky and thumb both emanate from the parts of the palm that overhang this line.

The palm of the hand is more of a pentagon than a rectangle (Thanks, Jim Lee!).

The length of the middle finger is approximately the same as the length and width of the palm.

The length of the phalanxes (finger bones in this case) diminishes in size as they get further from the palm. The second (middle) phalanx is 2/3 the length of the first (proximal), and the third (distal) is 2/3 the length of the second. You don’t really notice this since the first knuckle is “inside” the palm and we tend to think of the fingers as starting at the “finger crotch”.

The thumb has no middle phalanx, only a proximal and a distal one.

The thumb is rotated 90 degrees from the angle of the four fingers. So the fingernails point “up” and the thumbnail points “to the side”. This obviously changes depending on the pose, but the thumbnail never really points “up” with the other fingernails unless it is bent backwards, as in poses when all five fingers are pressed against a flat surface. It never really points “down” unless the hand is clamping or pinching… or operating a sock puppet.

The thumb has to sit lower than the palm so that it can flex underneath the hand. The first knuckle of the thumb is almost as far below the index finger as the pinky is far away from the index finger.

The “webbing” of the thumb connects exactly half way up the palm.

Hands are asymmetrical from every angle. Every part, every time.

That is all the knowledge I have so far, and now you have it too! I don’t think any tutorial, video or otherwise, can ever teach you as much as the thousand observations you will make from drawing a thousand hands. There is no substitute for practice. So practice by looking at your hand from the normal vantage point, and from a mirror. Practice from 3D reference like the Handy Art Tool. Practice by copying other artists and animators whose hands appeal to you. Most of all, practice from imagination. PRACTICE! Below is every reference that I can remember that I’ve personally used while practicing hands:

http://www.handyarttool.com/

http://youtu.be/BAQb-5VKxmg

http://nk-chan.deviantart.com/art/mini-hand-tutorial-68320552

http://kibbitzer.deviantart.com/art/Hands-Reference-321600866

http://kibbitzer.deviantart.com/art/Hands-Reference-2-322546252

http://kibbitzer.deviantart.com/art/Hands-Reference-3-330102275

http://kibbitzer.deviantart.com/art/Hands-reference-4-428109721

http://characterdesignnotes.blogspot.com/2010/09/hand-reference.html

http://characterdesignnotes.blogspot.com/2010/09/hand-reference-part-two.html

http://characterdesignnotes.blogspot.com/2010/11/hand-reference-part-three.html

Do me a favor and share this around, will you? We could all use more light shed on this subject. -Aaron

i actually really love drawing hands and only recently have I enjoyed it haha

I’m still not very good at it nor do I understand a single thing about anatomy but here’s some small tips I hope help!!!

tbh ive been waiting for someone to ask for a hand tutorial

think I’ll take a break now from art’ing and brush up on my knowledge of how things work and connect… specially arms… urgh…..

chomp