System of a Down - Chop Suey translated into way too many languages on Google translate.
Hurry up Brushes and tastes Horse and space Final (court) To fill Why do you put a table on the table? This is another description of the story. for Brushes and tastes for Fire fighting for Why do you put a table on the table? for I do not think so I committed suicide Angels die and cry and cry. Hurry up Brushes and tastes Horse and space Final (court) To fill Why do you put a table on the table? This is another description of the story. for Brushes and tastes Here ......
Every time I see an ace headcanon/canon confirmation post and someone in the notes is saying “but but but they had kids! They had sex! Oh by golly gee that just isn’t possible!” I lose ten years of my life
my heart goes out to anyone who was made to feel stupid for caring too much. anyone who was laughed at or "cringed" at for being themselves. anyone who cried silently so they don't be a burden. anyone whose love was taken for granted. anyone who feels unsafe in their own bodies. to anyone who felt devastated because others failed to be humane enough. it's not you, it's them. i hope you find a way to love yourself again. you're not alone. you're important.
Don't mind me, just saving this for later
Writing fight scenes
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@bluebxlle_writer on Instagram
A fight scene should be fast-paced and intense. Unless it's a final battle with numerous parties, a fight scene that's too long tends to take away suspense. To speed up your pacing, use active voice to describe movement and don't overdescribe your characters' thoughts. Excessive inner monologue will be unrealistic, as people usually have no room to think during intense combats.
Here's a point that people often overlook, but is actually super important. Through fight scenes, you should be able to reveal your characters' contrasting mannerisms and personality. A cunning character would play dirty - fighting less and making use of their opponent's weakness more. A violent character would aim to kill. A softer one would only target to disarm their enemies, using weakened attacks. A short-minded character would only rely on force and attack without thinking. This will help readers understand your characters more and decide who to root for.
Not only the characters, you also need to consider the setting of your fight scene and use it to your advantage. Is it suitable for fighting, or are there dangerous slopes that make it risky? Are there scattered items that can help your characters fight (e.g. nails, shards of glass, ropes, wooden boards, or cutlery)? Is it a public place where people can easily spot the fight and call the authorities, or is it a private spot where they can fight to the death?
The main things that you need to describe in a fight scene are :
• Characters involved in the fight
• How they initiate and dodge attacks
• Fighting styles and any weapons used
• The injuries caused
Be careful to not drag out the description for too long, because it slows down the pace.
By raising the stakes of the fight, your readers will be more invested in it. Just when they think it's over, introduce another worse conflict that will keep the scene going. Think of your characters' goals and motivations as well. Maybe if the MC didn't win, the world would end! Or maybe, one person in the fight is going all-out, while the other is going easy because they used to be close :"D
Fights are bound to be dirty and resulting in injuries, so don't let your character walk away unscathed - show the effect of their injuries. For example, someone who had been punched in the jaw has a good chance of passing out, and someone who had been stabbed won't just remove the knife and walk away without any problem. To portray realistic injuries, research well.
You don't write fight scenes only to make your characters look cool - every fight needs to have a purpose and drive the plot forward. Maybe they have to fight to improve their fighting skills or escape from somewhere alive. Maybe they need to defeat the enemy in order to obtain an object or retrieve someone who had been kidnapped. The point is, every single fight scene should bring the characters one step closer (or further :D) to the climax.
• Hand to hand combat :
Crush, smash, lunge, beat, punch, leap, slap, scratch, batter, pummel, whack, slam, dodge, clobber, box, shove, bruise, knock, flick, push, choke, charge, impact
• With weapon :
Swing, slice, brandish, stab, shoot, whip, parry, cut, bump, poke, drive, shock, strap, pelt, plunge, impale, lash, bleed, sting, penetrate
(Chase POV)
“Hey guys! My name is Chase Brody and this is Bro Average! Today, since it’s so close to Halloween, we’re going to do something spooky. Human Ouija board. Today my bros Henrik and Marvin are going to help me.” In all honesty, this was Marv’s idea. Henrik said he would’nt let us do this unless he was here. He’s just paranoid. It’s not like Anti will show or anything. I’m a big boy. I can take care of myself. Maybe... maybe I can talk to Jack. I.. no. “Okay bros, let’s do this!” So Marv paints the letters on me as Henrik watches. I try to smile and laugh, but what if...what if we can reach Jack this way? Maybe we can wake him up. What if we can? Noone notices that I’m faking a smile. Marv finishes, and I’m honestly nervous. Okay...breathe. I have to ask the questions. I just have to breathe. “Okay... is anybody here?” Nothing. But then the thing moves to yes. I feel warmth. This is...”Tell me your name.” If this is.. J-A-C-K. My heart catches in my throat. “Are you really...” YES. “Do you know my name?” C-H-A-S-E. Henrik and Marv look on with wide eyes. We keep at it like this for a while. Then my head starts to hurt...something’s off. Henrik and Marv don’t notice. The whole world slows down. Really. Like time almost stops. I feel sick. C-H-A-SE. “Jack?” No this... this isn’t...something warm drips down my face. I put my hand up to my temple. Blood? Scars are not supposed to bleed. This isn’t Jack. My neck hurts, like someone is dragging something sharp across it. A thin line of blood seeps from the cut. No..No No no! “Anti.” B-I-N-G-O P-U-P-P-E-T. I can’t move. Statik flickers before my eyes. I can’t close them. M-Y P-U-P-P-E-T. I shouldn’t have done this. T-O-O L-A-T-E. I shouldn’t have tried to talk to Jack. The static buzzes in my brain. Blood pours from my temple. It’s too late. “Anti...” “Ģ̶̦̟̺͓͕̲̈́̆̅̓͐̇͛̕̚͝ͅo̷̡̺͋ǫ̴̤͓͙̹̙͙̱̺̯̠̈́̉̋͊͝ͅd̸̜͕̗̹͐̉̔̆͑̐̉̌̌̕͠͝ ̵̱͎̜́̐̈̀p̵̢̗̲̳̫͍͇͍͑̇͐̓̈̒̍̇͆̾̃̌̍́͝u̴͔͍̙͛͐̓̒̓̎̌͐̉͗͝p̵̫̯͇̺̝͓͈͇̋͒p̵̨̨̞̻̟̭̻̠̥̬͍͗̀̉̍̇͒͊̅̓͝ͅē̶̢̢̲̣̹̻̘̞̰̪̦̎̇͆̂͌̚͜͠t̶̨̧͇̳̺͎̞͎̦͋̑̍ͅ
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Lately I’ve been thinking about how powerful Charles Xavier really is. If he had an entity like the Phoenix, yikes.
I’m curious reblog and tag this with your comfort videogames that feel like home to you
I think we don't see enough Plagas!Leon content lol. Maybe the remake will focus more on it bc I love this sm.
Sheet done!!
Project Scorpion! Leon Design!
YK WHO THIS MF LOOK LIKE LOWKEY???????
LOOOOOOK.