Some Wicked Realism Portrait Studies Of The Gals

Some Wicked Realism Portrait Studies Of The Gals
Some Wicked Realism Portrait Studies Of The Gals

some Wicked realism portrait studies of the gals

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Some Wicked Realism Portrait Studies Of The Gals
Some Wicked Realism Portrait Studies Of The Gals

More Posts from Totallynotobsessedspades and Others

I’m sorry friends, but “just google it” is no longer viable advice. What are we even telling people to do anymore, go try to google useful info and the first three pages are just ads for products that might be the exact opposite of what the person is trying to find but The Algorithm thinks the words are related enough? And if it’s not ads it’s just sponsored websites filled with listicles, just pages and pages of “TOP FIFTEEN [thing you googled] IMAGINED AS DISNEY PRINCESSES” like… what are we even doing anymore, google? I can no longer use you as shorthand for people doing real and actual helpful research on their own.


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Walking/Running

Amble - walk leisurely

Careen - move swiftly in one direction

Falter - move hesitatingly; start to lose strength and momentum

Flounder - walk with great difficulty

Limp - walk with difficulty, normally due to injury

Lumber - move heavily or clumsily

Lurch - walk as if unable to control one’s movements; an unsteady tilt or roll

Meander - walk aimlessly or with little purpose

Parade - march in a procession

Prowl - move about in or as if in a predatory manner

Ramble - move about aimlessly or without any destination

Saunter - walk in a slow, or relaxed manner, without hurry or effort

Skulk - move stealthily; keep out of sight

Stagger - walk or move unsteadily, as if to fall

Stalk - walk stiffly

Stride - walk with long steps

Stroll - walk leisurely and with no apparent aim

Strut - to walk with a lofty proud gait

Stumble - miss a step and fall or nearly fall

Swagger - walk with confidence, arrogance or aggressiveness

Totter - move in a feeble, unsteady way

Waddle - walk with short steps and a clumsily swaying motion

Wade - walk through shallow water


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11 months ago

20 Emotional Wounds in Fiction That Make Readers Root for the Character

Abandonment: Characters who have been abandoned by loved ones or caregivers can evoke sympathy from readers.

Betrayal: Being betrayed by someone close can create deep emotional wounds that make readers empathize with the character.

Loss of a Loved One: Whether through death or separation, the loss of a loved one can be a powerful emotional wound.

Rejection: Characters who experience rejection, whether in relationships or by society, can be relatable and evoke empathy.

Abuse: Physical, emotional, or psychological abuse can create complex wounds that shape a character's personality and behavior.

Neglect: Characters who have been neglected, especially in childhood, can evoke sympathy from readers.

Failure: Experiencing a significant failure or loss can create emotional wounds that make characters more relatable.

Guilt: Characters who carry guilt for past actions or decisions can be compelling and evoke empathy from readers.

Shame: Feelings of shame can create internal conflict and make characters more relatable and sympathetic.

Injustice: Characters who have experienced injustice or unfair treatment can evoke strong emotions from readers.

Trauma: Characters who have experienced traumatic events, such as war or natural disasters, can be sympathetic and relatable.

Loneliness: Characters who feel lonely or isolated can evoke empathy from readers who have experienced similar feelings.

Fear: Characters who face their fears or struggle with phobias can be relatable and evoke empathy from readers.

Self-doubt: Characters who struggle with self-doubt or low self-esteem can be relatable and evoke sympathy.

Identity Crisis: Characters who are grappling with questions of identity or struggling to find their place in the world can be sympathetic.

Addiction: Characters who struggle with addiction can be complex and evoke empathy from readers.

Betrayal of Trust: Characters who have had their trust betrayed can be sympathetic and relatable.

Unrequited Love: Characters who experience unrequited love can be sympathetic and evoke empathy from readers.

Isolation: Characters who feel isolated or disconnected from others can be relatable and evoke sympathy.

Fear of Failure: Characters who struggle with a fear of failure can be relatable and evoke empathy from readers.


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Rainbow Crates tsats cover!

Rainbow Crates Tsats Cover!
Rainbow Crates Tsats Cover!
Rainbow Crates Tsats Cover!

sleeve was done by @alessiajontrunfio !

Rainbow Crates Tsats Cover!

card was drawn by @velinxi !


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free resources to write a novel in 2024

hello hello! it's me, rach!

as the new year approaches, many of us set goals and resolutions - myself included. one of my goals for 2024 is to write a novel (I've been procrastinating on this for quite a long time now). i assume that some of you might have the same goal, that's why I'm writing this post today.

over 2023 i've been releasing some freebies for authors just like me, so I thought I could compile my favorites in this post. hope you find this useful :)

1) the writer's workbook

Free Resources To Write A Novel In 2024

this workbook has over 60 exercises to help you develop characters, scenarios, etc. if you're ever stuck, I'm pretty sure this workbook will be your best friend.

2) author's corner (notion template)

Free Resources To Write A Novel In 2024

this is the most downloaded freebie in my shop! it is a notion dashboard with everything you need to organize your writing and has some templates included (like scrivener)!!

3) another notion template

Free Resources To Write A Novel In 2024

this one has two themes you can choose from: cottage-core and dark academia. they're very similar to the previous template, but this one is more recent and I added some new features. feel free to explore both and pick the one you like the most.

4) the author's journal

Free Resources To Write A Novel In 2024

this is a cute printable with 20 pages that will help you stay on track and manage your social media accounts as a writer who shares their work online. you can also register what you're currently writing and your personal research and resources.

5) plan your book printable

Free Resources To Write A Novel In 2024

this is a 6-page printable for you to fill out and plan your book easily and effectively.

6) excel sheet to organize tasks & word-count

Free Resources To Write A Novel In 2024

this is a simple excel sheet, but it is very effective for keeping track of your tasks & word-count of your novels. also, it is 100% customizable to your liking!

that's all for now! feel free to explore my gumroad shop where I have plenty of freebies to grab! also, don't forget to subscribe so that you never miss any opportunity to get a goodie for free :)

hope this post was useful!

have a nice day,

rach


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How to Make Readers Care About Your Plot

It's a funny little trick, really. Because the truth is readers don’t care about your plot.

They care about how your plot affects your characters. (Ah ha!)

You can have as many betrayals, breakups, fights, CIA conspiracies, evil warlords, double-crossings, sudden bouts of amnesia, comas, and flaming meteors racing directly toward Manhattan as you want.

But if readers don’t understand how those events will impact:

A character they care about

That character’s goal

The consequences of the event, whether positive or devastating

…then you may as well be shooting off firecrackers in an empty gymnasium.

Why Plot Without Character Falls Flat

Here’s an example:

A school burns down. Oh my god, the flames! The carnage! The dead and injured children! There are police everywhere—total chaos!

And your main character? Standing on the sidewalk, watching and crying.

Dramatic? Sure. But does the reader care? Not really. There’s no emotional connection, so it's basically a meaningless plot point.

Plot + Character Impact = Reader Investment

Now, let’s take the same event but give it stakes.

Meet Mary Ann. Mary Ann has been a middle school teacher for 25 years. This year, she gets a new student—Indigo. An unusual girl with clear troubles at home and a habit of burning things.

Mary Ann defends Indigo when the school administration wants to expel her, citing safety concerns. Mary Ann sees something familiar in Indigo—something that reminds her of her own sister, who was institutionalized as a child.

One day, Indigo explodes in rage, screaming, “Burn it down! I’ll burn this whole place down!”

Mary Ann is shaken. This isn’t just defiance—this is a real threat. She nearly sides with the administration but, haunted by her sister’s fate, fights for Indigo’s second chance.

Indigo is placed in counseling. A compromise that will hopefully solve the problem.

That night, Mary Ann sleeps soundly. She did the right thing. Didn’t she? But the next morning, on her drive to school, the radio blares an emergency bulletin. There's a fire at the school.

Mary Ann speeds through red lights. Her stomach twists. When she arrives… it’s too late.

Oh my god, the flames! The carnage! The dead and injured children!

The exact same plot point—but now it matters.

How to Make Your Plot Matter to Readers

The secret? Before you set something on fire (literally or figuratively), give your character—and thus your reader—a stake in the outcome.

1. Tie Events to Character Desires and Fears.

Why does this event matter to this character?

How does it challenge their values, beliefs, or personal history?

2. Make the Conflict Personal.

The fire isn’t just a disaster—it’s a gut-punch because Mary Ann fought for Indigo.

The outcome isn’t just tragic—it’s haunted by Mary Ann’s past regrets.

3. Show Consequences.

Readers need to feel what’s at stake before, during, and after the event.

The weight of the aftermath makes the plot stick in the reader’s mind.

The result? Higher engagement, deeper emotional connection, and a plot that actually matters.

Summary: It’s Not About the Events—It’s About the Impact on Your Characters

I used a fire in this example, but this applies to any plot development.

Even something subtle—a whispered secret, an unread letter, a missed train—can have devastating emotional weight if it affects your character in a meaningful way.

Make your readers care about your plot by making your character care about it first.

Hope this helps!

/ / / / /

@theliteraryarchitect is a writing advice blog run by me, Bucket Siler, a writer and developmental editor. For more writing help, download my Free Resource Library for Fiction Writers, join my email list, or check out my book The Complete Guide to Self-Editing for Fiction Writers.


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List of symptoms

I hate having whump fantasies that involve some vague fever that doesn’t have consistent symptoms to make it feel real. Here’s a handy list to flesh out the nature of your whumpee’s illness.

Let’s go:

Dizziness/faintness

Congestion

Sneezing

Coughing

Headache

Muscle aches

Joint aches

Cramping

Exhaustion/lethargy

Shivering

Wheezing/trouble breathing

Sore throat (trouble speaking and swallowing)

Sweating (leads to dehydration)

Flushed and/or pale skin

Delirium (delusions, nightmares, lack of filter, inability to regulate emotions, hallucinations, incoherent speech, confusion)

Nausea/vomiting

Abdominal pain (burning, stabbing, soreness)

Chest pain (burning, stabbing, soreness, tightness)

Pain/pressure behind the eyes

Feeling too hot or too cold

Weakness

Blurred vision

Weight loss (loss of appetite)

Rapid heartbeat

Abnormal breathing (rapid, shallow, panting)

Sensory sensitivity (light, sound, touch, smell, taste)

Tell me more……


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Digital drawing of characters Kendal and Erin from the webcomic Aurora, standing back to back in a fight

tipping point kendal and erin are from @comicaurora


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Dive in Deeper: Humor

Hello, hello! Today’s post will be about humor!

“What? Humor? But I’m naturally funny!”

Ha, ha! Maybe you are but that doesn’t mean you don’t need advise on how to transfer your unique sense of humor into the pages of your amazing new book!

As a quick refresher let me remind everyone that this post is one of the rest that belong in the series 22 Essential Literary Devices.

Let’s dive in, shall we?

What Is Humor Writing?

Humor writing is a piece of fiction or nonfiction written with the express purpose of being funny.

How it strikes a humorous chord and the resulting laughs (or groans) it produces depends on the piece.

Three Types of Humor Writing

Humor novels. Humor novels are their own genre. These can be both fiction and nonfiction. In fiction, satirical novels fall in this category. Satire fiction uses humor, irony, and exaggeration to critique or expose a corrupt aspect of society. Two of literature’s most popular satire novels are George Orwell’s Animal Farm (1945) and Joseph Heller’s Catch-22 (1961).

Short form. Short humor pieces usually take the form of a short story or piece of humor fiction. A short humor piece is usually a piece of writing under 1,000 words whose main purpose is to amuse.

Humor essay. Humor essays are usually a personal essay whose primary aim is to amuse rather than inform or persuade. Sometimes, writers mix fiction with nonfiction in humor essays for comedic effect.

Four Golden Rules for Writing Humor

Identify your style of humor. Everyone has a different sense of humor. We all find different things funny for different reasons. This is why it’s important that before you sit down and try to write funny things, you think about your own personal sense of humor and how you want to mine that to produce a piece of humor writing. Trying to mimic other people’s styles in creative writing won’t work. If you try and write in a style that is not your own, or if you try and force yourself to be funny in a way that you are not, the effort behind your writing will show. There are many kinds of humor. Look at this list of some popular types of humor and try and analyze where your individual strengths are and what you feel most comfortable with.

Observational/situational humor. This involves finding humor in mundane, everyday situations.

Anecdotal humor. This involves mining personal stories for humor.

Dark (or gallows) humor. Finding humor in darker, more unpleasant circumstances or aspects of life, like death, suffering, and unhappiness.

Self-deprecating humor. This involves you, the writer, making fun of yourself for comedic effect. Having a sense of humor about yourself endears you to others.

Satirical humor. Looking to the various faults of individuals, organizations, or society and mining them for comedic purposes.

Use the rule of three. The rule of three is a common rule in humor writing and one of the most common comedy writing secrets. It involves establishing a set pattern with two ideas and then subverting that pattern with a third, incompatible idea. For example: “Can I get you anything? Coffee? Doughnut? A better attitude?”

Mine humorous anecdotes from your real life. This is especially pertinent for humor essays. If you think about it, most of the funny things in your own life are things that our friends and family also find funny. These are the stories we tell over and over. These are the stories we use to bond or connect with others. Sometimes, we mine these stories for a more humorous effect. This is exactly what a humor essay does. Before you start writing, make sure you identify why a particular story or anecdote is funny. Is it funny to you because of your unique circumstances or understanding of a wider context? If so, it’s unlikely to be funny to your readers without that prior context.

Leverage cliches. While clichés are something most writers try to avoid, it’s important to recognize them. Humor relies in part on twisting a cliché—transforming or undermining it. You do this by setting up an expectation based on the cliché and then providing a surprise outcome. For example: “What doesn’t kill you makes you stranger.” In humor writing, this process is called reforming.

Quick Tips For Writing Humor

Surprise the reader. Twist a cliché or undermine any expectation you’ve set up.

Put your funny expressions at the end of a sentence. Humor is often a release of tension, so the sentence builds that tension, and the pay-off happens most naturally at the end.

Use contrast. Are your characters in a terrifying situation? Add something light, like a man obsessing about his briefcase instead of the T-Rex looming behind him.

Find funny words. Some words are just funnier than others, so make a list of those that amuse you the most.

Try a “figgin” —a story element that promises to be something horrible or disgusting but which turns out to be humorous, and yet later has a pay-off, or a moment where the item becomes important to the plot.

Give them “sherbet lemon” —minor details you put in a text to make the reader smile. These small pulses are in the text just for humor; they don’t necessarily have a pay-off later.

There ya have it folks! Humor! Now you too can be even more funny and write it down through your writing!

If you find this helpful please follow, comment and reblog!

Follow me for me for more writing and grammar tips!


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totallynotobsessedspades - i will fall in love with you over and over again
i will fall in love with you over and over again

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