Alchemy:
You love your colleagues. Every morning, at least one of them makes the same stupid joke “Oh sorry, the alchemy lab is THAT way”, and point you in the direction of kitchen. You really, really love this joke. You have laughed at it 5,347 times, and you will laugh at it 5,348 times tomorrow. The worst part is you really are a fantastic chef, you’ve enjoyed mixing things together for as long as you can remember, and now the most complicated dish you’ve made for yourself in the last few years is a piece of sliced bread. You were once reprimanded publicly for being three minutes late for work, as a dozen of your co-workers walked in even later than you did the same day without a word. You know you are going to be pushed too far one of these days, and they really should have seen the consequences of harassing an alchemist coming.
Alteration:
The most well adjusted of the magical fields. You have to be, you wake up one morning after a miscast and your vision is reversed so everything looks upside down, or you weigh less than a single Septim, or everything you see has an unhealthy shade of blue to it. You are adaptable, just like your school. People confuse you with Illusion a lot, but at your core you couldn’t be anymore different. You keep seeing something out of the corner of your eye, but when you look it’s gone. You tend to respond to that issue by slipping just a small spike of liquid courage into your morning coffee.
Conjuration:
You are the most popular with the younger mages, the most disrespected by senior staff, and absolutely hated by everyone else. It’s obvious to you why, when you really boil it down, your job is to COMMUNICATE with other people, and the entrenched magical bureaucracy cannot accept the idea of a mage with social skills. That’s what you tell yourself, at least. You don’t hate your job, but you thought you’d be farther along by now. Most Conjuration experts such as yourself would have run into some desolate locale by now to join a cult, but that’s not what you want. You want to be more than the stereotypes say you are going to be, but facing the stigmatization of your field, you don’t see a way out. Then you start to spiral, you’ve spoken to beings from a hundred different planes of existence, but half of them want nothing more to outsmart you so they can break their binding and inflict a cruel fate onto you. That’s your “coworkers”. Meanwhile, the other conjurers are getting ready to bolt into the night. The archmages know where your path leads, and they push you away due to it. At least you can make that one Alchemist laugh with that kitchen joke.
Destruction:
IT IS A GREAT DAY. Everyday is great when you are the BEST school of magic. A surprising number of your colleagues scowl at your chipper mood, but it doesn’t weigh on you AT ALL. Because you are the BEST. And you know they know it. After all, they aren’t Destruction mages. They can’t be the BEST without the BEST school of magic. Why? It’s quite simple. You have never had a cold cup of coffee in your life, nor have you ever burned your mouth on it. Your ice cream has never melted on you, and it’s never given you brain freeze. Today is a great day, and you are living your best life.
Enchanting:
Fear is the best motivator. Your underlings have learned this well.
Illusion:
You had the same dream last night, as you had yesterday, the day before, and for as long as you can remember. You are sure it will be the same one tomorrow. The oppression of the dream has made the days blend together, but you still put on your robe and wizard hat and head into work for the day. You are usually a bit late, but thanks to Illusion magic no one notices, or you make them not care. Your colleagues offer you a weird sense of respect, and you usually end up grouped with the Alteration magisters. Not that you’re complaining, but they should really know the fundamental differences between the two schools. Outwardly, you are charming (it’s literally a spell you know after all), out of sight when there’s trouble (another spell of yours), and whenever a coworker loses something you can retrieve it quickly. You are doing well, but you can’t shake the feeling of falseness to everything in the waking world. Not like the dream, nothing feels realer…
Mysticism:
You were technically supposed to be fired 200 years ago, but no one in the faculty has the nerve to inform you of this. You cut off the only person who tried by telling him “I have an important meeting with Magnus about the current flow rate of your Magicka” before vanishing in a flash of light. Then you just had to quietly slip a cursed item to stunt their magic on them, and no one tried again. You are actually an amazing magister, but you have learned the best magical abilities are the ones that don’t require you to cast anything.
Restoration:
You didn’t think Restoration would be like this. Restoration is supposed to be the most noble, honorable school of magic possible. Instead, it is the most profitable. People are expected to tithe small fortunes to have the simplest healing spells cast on them. You’ve seen the desperate and downtrodden turned away because they weren’t born wealthy enough to have someone cast a very low effort spell onto them to cure all their ailments. You’ve seen the middle class become destitute to afford your services. The wealthy need not worry though, they either have the coin necessary or the reputation to get treated for free. You regularly get reprimanded for “forgetting” to collect the gold for your services, but they can’t get rid of you with the increasing shortage of healers.
Thaumaturgy:
You collected a paycheck for about thirty years before people realized that Thaumaturgy wasn’t really a thing. You are now retired.
“Louvre Come Back To Me”, directed by Chuck Jones, 1962. Top two drawings: character layouts by Chuck Jones; bottom two drawings: background layouts by Maurice Noble (who received Co-Director credit for this film.)
“Ojos míos por qué están tristes a pesar de que me siento alegre palabras mías por qué son tan ásperas a pesar de que soy tierna actos míos por qué son tan estúpidos a pesar de que soy inteligente amigos míos por qué están agotados a pesar de que soy fuerte”
— Vera Pavlova
Obra: “Ofelia” John Everett Millais, 1852. Libro: “Hamlet” William Shakespeare, 1609. “Hamlet” es una obra teatral, dramática y notable del escritor William Shakespeare.
Personajes: Príncipe Hamlet: Protagonista. Príncipe de Dinamarca, como hijo del rey Hamlet y la reina Gertrudis, sobrino de Claudio. Gertrudis: Reina de Dinamarca y madre de Hamlet. Claudio: Tío del príncipe Hamlet. Hermano del rey Hamlet. Rey Hamlet: Rey de Dinamarca y padre del príncipe Hamlet. Muere asesinado. Polonio: Noble que acompaña y sirve al rey. Padre de Laertes y Ofelia. Muere asesinado por error. Laertes: Hijo de Polonio y hermano de Ofelia. Hace un pacto con Claudio y se enfrenta a el príncipe Hamlet desatando un trágico final. Ofelia: Hija de Polonio y hermana de Laertes. Tiene una relación amorosa con Hamlet. Enloquece al morir su padre. Horacio: Fiel amigo y compañero de estudios de Hamlet en Wittenberg.
Ambientada en Elsinor y Dinamarca.
La historia relata la trágica vida del príncipe Hamlet hijo del rey Hamlet y la reina Gertrudis, sobrino de Claudio quien sería el hermano del rey Hamlet. Un día Hamlet pierde a su padre que muere en circunstancias sospechosas, no pasa ni un mes que su tío Claudio se queda la corona y se casa con Gertrudis. Al hijo de la reina esto no le gusta para nada hasta que en un momento Horacio amigo y compañero de Hamlet le cuenta que haciendo guardia ha reconocido un fantasma parecido a su padre. Hamlet no duda y va al mismo horario que se le indico que lo había visto en la muralla del castillo. De esta manera Hamlet se encuentra con su padre quien le relata los sucesos y le dice que tiene que vengarlo porque el culpable de su muerte es su tío quien ahora se ha apoderado de la corona.
Mientas crea un plan para vengar a su padre finge estar loco para que no sospechen de sus intenciones. Esto llama la atención de Gertrudis, Claudio y Polonio (noble que acompaña al rey) que dice que debe ser por el amor que siente por su hija Ofelia.
Por otro lado Ofelia recibe consejos de su padre y su hermano Laertes antes de irse a Francia de que se aleje de Hamlet, que no se deje llevar por los “pecados”, que cuide su “pureza” e “inocencia” refiriéndose a su virginidad, que la hace una “doncella”, esta los ignora y decide perseguir su corazón. En el libro no detalla, ni es explicito pero entendemos que algo ocurre entre los enamorados. Acto seguido Hamlet trata mal a Ofelia diciéndole que no la ama y que se vaya a un convento actuando de una forma extraña. Ella no lo entiende y sufre.
Hamlet entre dudas, entre el bien el mal, entre ser y no ser, entre vengarse y no hacerlo decide hacer una obra de teatro para todes reafirmando su certezas. En la obra muestra como un rey ha sido asesinado, su tío al ver la obra se levanta indignado y esto es una increible prueba para confirmar sus sospechas de que no es ningún inocente, todo esto llevara a un trágico desenlace para todos los personajes e incluso mismo para Dinamarca que estaba en una guerra con Noruega.
No quiero detallar más nada por el hecho de que quiero que disfruten la obra sin saber demasiado de ella sólo con lo justo y necesario como lo disfrute yo sin ver ninguna película, ninguna reseña, ningún resumen sabiendo poco y nada. Sin dudas leerlo es apasionante, en un punto gracioso y triste con un toque de locura e irracionalidad. Espero disfruten de la obra como yo lo he hecho.
Grupo alega que ‘base alienígena’ está protegendo o México
Um grupo no nordeste do México acredita que os alienígenas estão ajudando a proteger as cidades locais dos furacões.
Para as cidades ao longo da costa do Golfo do México, a temporada de furacões traz consigo uma sensação compreensível de maior apreensão; no entanto, para a Associação de Pesquisa Científica em OVNIs de Tamaulipas, a ameaça de um evento climático destrutivo é um pouco atenuada…
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“No conozco mejor lugar para esconderme del mundo que entre tus brazos.”
— Recovecos de mi alma
Tarocchi Visconti di Modrone, 15th century Italian tarot cards. One of the oldest tarot decks existing in collections today.
RAFAEL MARQUEZ LUGO - FUTBOL
Este futbolista nació en la Ciudad de México. Debutó en la primera división del fútbol mexicano con Pumas en la jornada 7 del Invierno 2000 en un partido ante Monterrey. Pasó por Chiapas, Monarcas (en dos ocasiones) Pachuca, Tecos, América, Atlante hasta llegar a Chivas, su club actual.
Con el Atlante, ganó la Liga de Campeones de la CONCACAF con lo que consiguió el pase al Mundial de Clubes de la FIFA de 2009, certamen en el que quedó en el cuarto puesto.
Con la selección mexicana ha disputado los olímpicos de Atenas en 2004 en donde sólo llegó a la fase de grupos, en la Confederaciones de 2005 quedando en 4to lugar, dos Copa Oro y en la Copa América de 2011.