"I Want To Live In A World In Which Teenagers Can Fulfil Their Natural Purpose Of Being Annoying" And

This is definitely not a google drive full of the sleep stuff from the Headspace app, including sleepcasts, music, and wind down meditation, that normally costs 17.99 a month, no siree and you definitely shouldnt share this with people

Happy Monday!!!!

Catch my breath part 3: bloom pages 32 & 33

Montage time!

I’m gonna cry! There are only the final pages after this! It’s finally finishing! The year long project that was meant to be 20 pages is coming to an end at a total of 80 with a whole fake medical pamphlet and a planned epilogue to come of another few pages. Ahhhh ok no sap just yet I’ll hold it off one more week.

Tumblr posts here

Kofi with each part in a labeled gallery here for free but tips are always greatly appreciated 🥰💕

Ahhhhh guess I’ll see you all again next week for the fine conclusion of Catch my Breath!

🌸🌸🌸

Body Language: Eyes

So I stumbled across this really useful thing which I use for writing and wanted to share it with you all.

(source: changingminds.org)

The eyes are often called, with some justification, ‘the windows of the soul’ as they can send many different non-verbal signals. For reading body language this is quite useful as looking at people’s eyes are a normal part of communication (whilst gazing at other parts of the body can be seen as rather rude). When a person wears dark glasses, especially indoors, this prevents others from reading their eye signals. It is consequently rather disconcerting, which is why ‘gangsters’ and those seeking to appear powerful sometimes wear them.

Looking Up

When a person looks upwards they are often thinking. In particular they are probably making pictures in their head and thus may well be an indicator of a visual thinker.

When they are delivering a speech or presentation, looking up may be their recalling their prepared words.

Looking upwards and to the left can indicate recalling a memory. Looking upwards and the right can indicate imaginative construction of a picture (which can hence betray a liar). Be careful with this: sometimes the directions are reversed — if in doubt, test the person by asking them to recall known facts or imagine something.

Looking up may also be a signal of boredom as the person examines the surroundings in search of something more interesting.

Head lowered and eyes looking back up at the other person is a coy and suggestive action as it combines the head down of submission with eye contact of attraction. It can also be judgemental, especially when combined with a frown.

Looking Down

Looking at a person can be an act of power and domination. Looking down involves not looking at the other person, which hence may be a sign of submission (‘I am not a threat, really; please do not hurt me. You are so glorious I would be dazzled if I looked at you.’)

Looking down can thus be a signal of submission. It can also indicate that the person is feeling guilty.

A notable way that a lower person looks down at a higher person is by tilting their head back. Even taller people may do this.

Looking down and to the left can indicate that they are talking to themselves (look for slight movement of the lips). Looking down and to the right can indicate that they are attending to internal emotions.

In many cultures where eye contact is a rude or dominant signal, people will look down when talking with others in order to show respect.

Looking Sideways

Much of our field of vision is in the horizontal plane, so when a person looks sideways, they are either looking away from what is in front of them or looking towards something that has taken their interest.

A quick glance sideways can just be checking the source of a distraction to assess for threat or interest. It can also be done to show irritation (‘I didn’t appreciate that comment!’).

Looking to the left can indicate a person recalling a sound. Looking to the right can indicate that they are imagining the sound. As with visual and other movements, this can be reversed and may need checking against known truth and fabrication.

Lateral movement

Eyes moving from side-to-side can indicate shiftiness and lying, as if the person is looking for an escape route in case they are found out.

Lateral movement can also happen when the person is being conspiratorial, as if they are checking that nobody else is listening.

Eyes may also move back and forth sideways (and sometimes up and down) when the person is visualizing a big picture and is literally looking it over.

Gazing

Looking at something shows an interest in it, whether it is a painting, a table or a person. When you look at something, then others who look at your eyes will feel compelled to follow your gaze to see what you are looking at. This is a remarkable skill as we are able to follow a gaze very accurately.

When looking at a person normally, the gaze is usually at eye level or above (see eye contact, below). The gaze can also be a defocused looking at the general person.

Looking at a person’s mouth can indicate that you would like to kiss them. Looking at sexual regions indicates a desire to have sexual relations with them.

Looking up and down at a whole person is usually sizing them up, either as a potential threat or as a sexual partner (notice where the gaze lingers). This can be quite insulting and hence indicate a position of presumed dominance, as the person effectively says ‘I am more powerful than you, your feelings are unimportant to me and you will submit to my gaze’.

Looking at their forehead or not at them indicates disinterest. This may also be shown by defocused eyes where the person is ‘inside their head’ thinking about other things.

The power gaze is a short but intense gaze that is used to impose one’s will on another, showing power without aggression.

It is difficult to conceal a gaze as we are particularly adept at identifying exactly where other people are looking. This is one reason why we have larger eye whites than animals, as it aids complex communication.

People who are lying may look away more often as they feel guilty when looking at others. However, when they know this, they may over-compensate by looking at you for longer than usual. This also helps them watch your body language for signs of detection.

The acceptable duration of a gaze varies with culture and sometimes even a slight glance is unacceptable, such as between genders or by a lower status person.

Non-visual gaze patterns (NVGPs) involve rapid movements (saccades) and fixations while we are ‘inside our heads’, thinking. Rapid movements happen more when we are accessing long-term memory and fixations more when we are accessing working memory. This is useful to detect whether people are thinking about older events or recent events (or old events that are already brought to working memory).

Glancing

Glancing at something can betray a desire for that thing, for example glancing at the door can indicate a desire to leave.

Glancing at a person can indicate a desire to talk with them. It can also indicate a concern for that person’s feeling when something is said that might upset them.

Glancing may indicate a desire to gaze at something or someone where it is forbidden to look for a prolonged period.

Glancing sideways at a person with raised eyebrows can be a sign of attraction. Without the raised eyebrow it is more likely to be disapproval.

Eye Contact

Eye contact between two people is a powerful act of communication and may show interest, affection or dominance.

Doe Eyes

A softening of the eyes, with relaxing of muscles around the eye and a slight defocusing as the person tries to take in the whole person is sometimes called doe eyes, as it often indicates sexual desire, particularly if the gaze is prolonged and the pupils are dilated (see below). The eyes may also appear shiny.

Making Eye Contact

Looking at a person acknowledges them and shows that you are interested in them, particularly if you look in their eyes.

Looking at a person’s eyes also lets you know where they are looking. We are amazingly good at detecting what they are looking at and can detect even a brief glance at parts of our body, for example.

If a person says something when you are looking away and then you make eye contact, then this indicates they have grabbed your attention.

Breaking eye contact

Prolonged eye contact can be threatening, so in conversation we frequently look away and back again.

Breaking eye contact can indicate that something that has just been said that makes the person not want to sustain eye contact, for example that they are insulted, they have been found out, they feel threatened, etc. This can also happen when the person thinks something that causes the same internal discomfort. Of course, a break in eye contact can also be caused by something as simple as dried out contacts or any new stimulus in one’s immediate area, so it’s important to watch for other signals.

Looking at a person, breaking eye contact and then looking immediately back at them is a classic flirting action, particularly with the head held coyly low in suggested submission.

Long eye contact

Eye contact longer than normal can have several different meanings.

Eye contact often increases significantly when we are listening, and especially when we are paying close attention to what the other person is saying. Less eye contact is used when talking, particularly by people who are visual thinkers as they stare into the distance or upwards as they ‘see’ what they are talking about.

We also look more at people we like and like people who look at us more. When done with doe eyes and smiles, it is a sign of attraction. Lovers will stare into each others eyes for a long period. Attraction is also indicated by looking back and forth between the two eyes, as if we are desperately trying to determine if they are interested in us too.

An attraction signal that is more commonly used by women is to hold the other person’s gaze for about three seconds, Then look down for a second or two and then look back up again (to see if they have taken the bait). If the other person is still looking at them, they are rewarded with a coy smile or a slight widening of the eyes (‘Yes, this message is for you!’).

When done without blinking, contracted pupils and an immobile face, this can indicate domination, aggression and use of power. In such circumstances a staring competition can ensue, with the first person to look away admitting defeat.

Prolonged eye contact can be disconcerting. A trick to reduce stress from this is to look at the bridge of their nose. They will think you are still looking in their eyes.

Sometimes liars, knowing that low eye contact is a sign of lying, will over-compensate and look at you for a longer than usual period. Often this is done without blinking as they force themselves into this act. They may smile with the mouth, but not with the eyes as this is more difficult.

Limited eye contact

When a person makes very little eye contact, they may be feeling insecure. They may also be lying and not want to be detected.

In persuasion

Eye contact is very important for persuasion. If you look at the other person and they do not look back at you, then their attention is likely elsewhere. Even if they hear you, the lack of eye contact reduces the personal connection.

If you want to persuade or change minds, then the first step is to gain eye contact and then sustain it with regular reconnection.

Staring

Staring is generally done with eyes wider than usual, prolonged attention to something and with reduced blinking. It generally indicates particular interest in something or someone.

Staring at a person can indicate shock and disbelief, particularly after hearing unexpected news.

When the eyes are defocused, the person’s attention may be inside their head and what they are staring at may be of no significance. (Without care, this can become quite embarrassing for them).

Prolonged eye contact can be aggressive, affectionate or deceptive and is discussed further above. Staring at another’s eyes is usually more associated with aggressive action.

A short stare, with eyes wide open and then back to normal indicates surprise. The correction back to normal implies that the person would like to stare more, but knows it is impolite (this may be accompanied with some apologetic text).

When a person stares at another, then the second person may be embarrassed and look away. If they decide to stare back, then the people ‘lock eyes’ and this may become a competition with the loser being the person who looks away first.

The length of an acceptable stare varies across cultures, as does who is allowed to stare, and at what. Babies and young children stare more, until they have learned the cultural rules.

Following

The eyes will naturally follow movement of any kind. If the person is looking at something of interest then they will naturally keep looking at this. They also follow neutral or feared things in case the movement turns into a threat.

This is used when sales people move something like a pen or finger up and down, guiding where the customer looks, including to eye contact and to parts of the product being sold.

Squinting

Narrowing of a person’s eyes can indicate evaluation, perhaps considering that something told to them is not true (or at least not fully so).

Squinting can also indicate uncertainty (‘I cannot quite see what is meant here.’)

Narrowing eyes has a similar effect to constricted pupils in creating a greater depth of field so you can see more detail. This is used by animals when determining distance to their prey and can have a similar aggressive purpose.

Squinting can be used by liars who do not want the other person to detect their deception.

When a person thinks about something and does not want to look at the internal image, they may involuntarily squint.

Squinting can also happen when lights or the sun are bright.

Lowering of eyelids is not really a squint but can have a similar meaning. It can also indicate tiredness.

Lowering eyelids whilst still looking at the other person can be a part of a romantic and suggestive cluster, and may be accompanied with tossing back the head and slightly puckering the lips in a kiss.

Blinking

Blinking is a neat natural process whereby the eyelids wipe the eyes clean, much as a windscreen wiper on a car.

Blink rate tends to increase when people are thinking more or are feeling stressed. This can be an indication of lying as the liar has to keep thinking about what they are saying. Realizing this, they may also force their eyes open and appear to stare.

Blinking can also indicate rapport, and people who are connected may blink at the same rate. Someone who is listening carefully to you is more likely to blink when you pause (keeping eyes open to watch everything you say).

Beyond natural random blinking, a single blink can signal surprise that the person does not quite believe what they see (‘I’ll wipe my eyes clean to better see’).

Rapid blinking blocks vision and can be an arrogant signal, saying ‘I am so important, I do not need to see you’.

Rapid blinking also flutters the eyelashes and can be a coy romantic invitation.

Reduced blinking increases the power of a stare, whether it is romantic or dominant in purpose.

Winking

Closing one eye in a wink is a deliberate gesture that often suggests conspiratorial (‘You and I both understand, though others do not’).

Winking can also be a slightly suggestive greeting and is reminiscent of a small wave of the hand (‘Hello there, gorgeous!’).

Closing

Closing the eyes shuts out the world. This can mean ‘I do not want to see what is in front of me, it is so terrible’.

Sometimes when people are talking they close their eyes. This is an equivalent to turning away so eye contact can be avoided and any implied request for the other person to speak is effectively ignored.

Visual thinkers may also close their eyes, sometimes when talking, so they can better see the internal images without external distraction.

Damp

The tear ducts provide moisture to the eyes, both for washing them and for tears.

Damp eyes can be suppressed weeping, indicating anxiety, fear or sadness. It can also indicate that the person has been crying recently.

Dampness can also occur when the person is tired (this may be accompanied by redness of the eyes.

Tears

Actual tears that roll down the cheeks are often a symptom of extreme fear or sadness, although paradoxically you can also weep tears of joy.

Weeping can be silent, with little expression other than the tears (indicating a certain amount of control). It also typically involves screwing up of the face and, when emotions are extreme, can be accompanied by uncontrollable, convulsive sobs.

Men in many culture are not expected to cry and learn to suppress this response, not even being able to cry when alone. Even if their eyes feel damp they may turn away.

Tears and sadness may be transformed into anger, which may be direct at whoever is available.

Pupil Size

A subtle signal that is sometimes detected only subconsciously and is seldom realized by the sender is where the pupil gets larger (dilates) or contracts.

Sexual desire is a common cause of pupil dilation, and is sometimes called ‘doe eyes’ or ‘bedroom eyes’ (magazine pictures sometimes have deliberately doctored eyes to make a model look more attractive). When another person’s eyes dilate we may be attracted further to them and our eyes dilate in return. Likewise, when their pupils are small, ours may well contract also.

A fundamental cause of eye dilation is cognitive effort. When we are thinking more, our eyes dilate. This helps explain ‘doe eyes’ as when we like others people, looking at them leads to significant thinking about how we may gain and sustain their attention.

Pupils dilate also when it is darker to let in more light. Perhaps this is why clubs, bars, restaurants and other romantic venues are so dingy.

People with dark irises (the colored circle around the pupil) can look attractive because it is difficult to distinguish the iris from the pupil, with the effect is that their dark pupils look larger than they are. People with light irises make the pupils easier to see, so when their pupils actually do dilate then the signal is clearer to detect, making them more attractive ‘at the right time’.

The reverse of this is that pupils contract when we do not like the other person, perhaps in an echo of squint-like narrowing of the eyes. People with small pupils can hence appear threatening or just unpleasant.

Rubbing

When a person is feeling uncomfortable, the eyes may water a little. To cover this and try to restore an appropriate dryness, they person may rub their eye and maybe even feign tiredness or having something in the eye. This also gives the opportunity to turn the head away.

The rubbing may be with one finger, with a finger and thumb (for two eyes) or with both hands. The more the coverage, the more the person is trying to hide behind the hands.

guys I'm looking for this mini fic thing on here where reader wears lingerie under their clothes and is really shy about showing them to gojo but he uses his six eyes to see the lingerie and he has ti hols himself back

I can't remember who wrote it and where it went but if anyone knows what it is it'd be greatly appreciated

Update From North Gaza: Third Proof of Purchase!

This is Mahmoud Abusalama from North Gaza in the beginning, explaining the process of buying flour while at the same time distributing food packaged to families. The 2nd portion of the video is what he managed to buy at the end of his scavenge hunt for food and supplies. This will conclude our first North Gaza drive, which was held between March 4th-10th with $25k.

Mahmoud can't thank you enough for all your donations and efforts in this quick drive and wants you to know that so many people are sending tumblers their sincere and warm prayers 🙏

Don't forget, Hussam's campaign in South Gaza (Rafah) is ongoing and very much needed, especially during the month of Ramadan. Let's make sure the refugees have a nice iftar meal after 14hour fasting.

HelpGazaChildren Notion Site || #helpgazachildren tag

Paypal Link || GoFundMe Link

✨ dinosaurifies ur kawoshin ✨

Shinji as Dromaeosaurs

Kaworu as Saurornithoides

The Last Steve Harrington

The apocalypse sucked.

The sky was always the same depressing shade of Vecna Scarlet and Steve hadn’t seen the sun in 432 days. Or what he thought had been 432 days. It was hard to tell sometimes without anything to mark the passage of time. He tried to sleep when he was tired but couldn’t let his guard down with Demodogs and Demobats roaming around. Vecna had left Hawkins, but the open portals still spit out the occasional Upside Down monster. Sleeping also meant dreaming and nightmares. Steve didn’t know which were worse; the dreams where everyone was alive and he had to wake up or the nightmares where he watched them die over and over again. He didn’t sleep much.

He had slowly made his way through every house in the area looking for food and supplies, but there was only one left. Which meant it was time to leave Hawkins. He would scavenge the last house and then head out. He didn’t really have a plan but figured he would just start walking in the opposite direction to the one Vecna had taken. He went up to the house and broke the glass above the door. Sticking his hand in carefully to avoid the shards, he unlocked it from the inside. He opened the door and listened carefully for any movement before heading to the kitchen.

He checked the cupboards first, knowing not to touch the fridge. The power had turned off in the first few months of Vecna’s invasion and never came back on. The first few cupboards had plates and dishware so he kept looking until he came across the canned goods. The first cans were baked beans.

“Why is there always beans?” Steve asked himself. He fucking hated beans. Moving them to the side, he spotted canned peaches and Campbell’s soup.

“Jackpot.”

He grabbed them, put them on the counter, and went searching for water. Food had never been a problem but water was getting harder to find. The grocery store and super-market had been cleaned out of bottled water after the ‘earthquake,’ and the taps weren’t working anymore. There also hadn’t been any rain since Vecna fucked up the sky so no way to get fresh water. Luckily, he found some bottles in the pantry, along with stale cookies. Delicious. He grabbed his backpack off his shoulder and dumped everything out onto the counter.

The backpack had all his worldly possessions. The peaches and soup went to the bottom of the bag with the rest of his canned goods. He ate the cookies as he repacked. He used to have more clothes but they were a waste of space. Underwear and socks were the only spare clothes he kept anymore. He also had a blanket, flashlight, lighter, cigarettes, ammunition, spare batteries for his Walkman, some tapes, and Dustin’s copy of The Hobbit. He shoved his bat back down the side and zipped it up to keep everything in place. Unclipping his canteen from the side, he refilled it with the bottled water.

He hefted the bag, pleased that the new cans didn’t add too much weight and threw it back over his shoulder. Steve looked down for a moment, taking stock of himself. Boots from War Zone were laced up to his ankles. A machete was strapped to his left leg with the holster for his handgun right above it. His jeans were filthy but he couldn’t find it in himself to care. Every bit of him was covered in grime, water too precious to use for washing. He had a thick grey sweater on with Eddie’s jacket layered over top. He nodded. Time to go.

After leaving the house, Steve looked around. When he had started scavenging, he had worked his way from the heart of Hawkins and moved outwards. He had saved this house for last because it was on the very outskirts of the city. Walking to the road he looked right then left. Left led back to Hawkins and right led out of the city.

“Good-bye,” he said to the only home he had ever known and turned right down the road.

The only good thing about the sky being fucked was he didn’t have to worry about the weather anymore. The bad thing about the sky being fucked was no plants could grow anymore and all the trees were either dead or dying, leaving very little cover on the open road. Steve hated feeling so exposed, but at least he could also see anything coming towards him. Stopping for a moment, he took his Walkman out of the bag and popped in his Bruce Springsteen tape. He put the headphones around his neck and turned the volume all the way up. He needed to be able to hear so he never put the headphones over his ears.

He had a few tapes in his bag but Springsteen was his favourite. He had listened through it twice when a distortion appeared in front of him. It looked like a portal, the edges of reality bending into a focal point. It shimmered and cracked with electricity. Jesus Christ, Steve could not handle Demodogs or Demobats in the middle of nowhere without any cover or defensible position. He could handle one dog, maybe a couple of bats. But what were the odds that only a manageable few would come out of a portal? Slim to none. Steve was fucked.

Maybe that’s a good thing.

Steve had promised Dustin before he died that he would fight. That he would never give up. And over the past year, he had wanted to give up over and over and over. But he kept going. Because that promise was all he had left. But the portal was opening, and he was tired. There was nowhere for him to run. This was the end. Steve was… relieved. It was finally going to be over. He dropped his bag and took his bat out. He wouldn’t go down without a fight…he had promised after all.

The distortion pulsed once before breaking open into a doorway, Steve took a step back but stopped and stared in bewilderment when it wasn’t The Upside Down on the other side. The sky was blue and sunlight leaked out, close enough that Steve could feel its warmth. The grass was green and a sweet-smelling wind swept over him. His bat slipped from his fingers. Standing in front of him were his kids.

He was dead.

He didn’t know how it happened and he didn’t care.

He sobbed and ran to them.

Dustin. Max. Will. Eleven. Lucas. Mike.

“I’m sorry. I’m so sorry.” He cried as he got closer. He reached Dustin first and crushed the younger man into his chest. The rest of them crowded in around him, hugging him. He opened his arms to gather them all close. Tears were streaming down his face as he laughed and cried and held them. He closed his eyes and turned his face up to the sun, feeling the warmth on his face. This was heaven. It must be. He had missed them so much. His kids.

“Where’s everyone else? Where’s Eddie?” he asked, looking around. He needed to see him. If Steve was dead, then he should be here, too. Everyone should be here.

“We didn’t tell them we were looking for you,” Dustin replied. “We didn’t want them to get their hopes up in case we couldn’t find you.”

That…made no sense. Steve dropped his arms and stepped back from them. Max and Eleven stuck close to his sides, holding on to the sleeves of his sweater like they were afraid he was going to float away.

“What?”

“It took El a long time, she traveled to-” Dustin trailed off and turned to Eleven, “how many did you go to El?”

“Thousands,” she said and nodded. “I would have gone to a thousand more.”

“I don’t understand. Thousands of what?”

“Parallel universes, Steve. Keep up!” Dustin said.

Steve blinked. Parallel what?

“You’re all dead,” Steve said slowly, “and I’m dead.”

“No!” they yelled.

“Our Steve died when we killed Vecna. El has been searching through parallel universes to find a Steve who had lost us and we finally found you,” Max chimed in for the first time.

“Why did it take so many?”

Eleven looked uncomfortable. “The circumstances had to be right. I could not take a Steve away from his family.” There was something they weren’t telling him. Eleven didn’t lie, but she was skirting the truth right now and Steve could tell.

“What were the others like? The other Steves?”

She turned away from him. Looked at Mike and then Dustin. Both of the younger boys looked back wide eyed and terrified. An awful feeling started curdling in Steve’s gut.

“Steve-” Dustin started but Eleven beat him to it.

“They all died, Steve. In every other universe Steve Harrington dies.”

“El!” Mike yelled.

“Friends do not lie.”

“Every one?” Steve asked, startled.

“Yes,” she replied. “Every one. Except for you.”

“How? How did they all die?”

“They sacrificed themselves to save us. To save the world.”

The words hung in the air around them. Steve turned back to the open portal that showed the hell-scape that was his home. He hadn’t sacrificed himself. He had lived and his world had ended. The truth smacked him hard in the face. If he had given up his life, everyone he cared about would still be alive. An easy choice to make for every single Steve Harrington in every single universe, except for him. The coward who chose himself.

He was going to be sick. He pushed the kids away and tumbled to his knees. He vomited into the grass, his body shaking from the force of it.

“I don’t belong here,” Steve whispered but Max heard him.

“Yes, you do,” she said with no hesitation.

“I’m the only one who didn’t sacrifice himself and my world ended. How the hell can I live with myself knowing that? Knowing that I doomed my whole world and everyone I loved because I was afraid?”

“I watched you die many times,” Eleven said. “Saving Dustin, or Max, or Eddie or me. Steve always put himself in front of us because he did not think he mattered as much as we did. So, I am glad that you were afraid. That in one universe you saved yourself. You deserve to live just as much as the rest of us. Don’t you think your Eleven or your Dustin would be happy you lived? That you made it back to us?”

“I don’t know! They’re dead and I’m not and I don’t know what to do with this – this new life you’re trying to give me. I don’t deserve it! I failed them! They needed me to be strong, to be their protector and instead I saved myself!” Steve stood up and pointed his finger at her. “You’re not my Eleven,” he said and then spun around to Dustin, “and you’re not my Dustin and I sure as shit am not your Steve.”

He was breathing erratically and couldn’t catch his breath properly. Steve spun and ran for the portal that would take him back to where he belonged. He would go home to the apocalypse he had created and he would let something kill him so he could be with his family. That’s all he deserved.

The world went black before he reached it.

Part 2

when you're scared/nervous of posting anime/manga canon x oc content because of the overwhelming preference of canon x reader

i love to write ocs because it's something i've been doing since elementary school (ages ago...leave me aloneeeee i'm old), but it's a solid blow to the gut when you come across posts/comments about people putting ocs down for being self-inserts or not having the description of said oc (eye/hair color, body type, etc), hence why the focus is shifting more to canon x reader instead; after all...and this is just for example's sake...what would you rather read: satoru gojo x oc OR satoru gojo x reader.

everyone is entitled to read/enjoy what they want, and it's hard when you, the writer/creator, see what preference is...well...prevalent in the writing community and you only write in one style.

whelp...thank tiktok and sometimes tumblr for making me self-conscious. maybe that's why i haven't been making progress lately on my work.

:/

OFFICIAL BOOP POST you are more than welcome to boop me as much as you want and I will boop back. RB if you want some boops!!

Reminder to boycott Stranger Things Season Five!!

Multiple people in the cast and crew have shown support for Israel whilst they commit genocide against the Palestinians living under their military occupation. It does not matter if the support is born of ignorance or Israeli propaganda; they are still supporting genocide.

Thousands of Palestinians have been murdered by Israel. They are being starved to death, bombed... and that's barely scratching the surface. The situation in Gaza is worse than you are imagining.

Do what you can to support Palestine! Boycotting season five is something so small and easy! Please, do not forget about Gaza!

Free Palestine!