What Do You Suppose An Affini Hab Unit Actually Looks Like? I've Been Reading HDG For Years Now And Off

Maya in Professor Layton vs Phoenix Wright doodles

feat my crappy handwriting :)

playing diabolical box knowing the secret of folsense the whole time is harrowing honestly because villagers will say offhand shit that sounded innocuous or mysterious the first time but now it makes you

Time to beat up the King.

—

Theory that Rouxls Kaard is actually kinda OP (and that he talks in butchered English because whatever he says in normal speech can automatically become a rule)

Concept: individual gets "rescued" from hive mind, their body and identity warped and unrecognizable. They struggle to reintigrate into society, to conform to the expectations of their friends/family/colleagues. Everything feels wrong and they can't figure out why they want to go back.

H*ndh*lding

I found her hiding deep in the belly of the Radiant Wing, pressed up against a bulkhead and trying not to move a single muscle. She was a slight little thing, as the cycles of malnutrition and overwork has reduced her down to skin and bone. My antennae chirped in distress at the bags under her eyes, at the way her body shook with stress, at the quivering of her lip.

I knelt down low, until I was a mere foot or two higher than her eye level. "Hello, Abigail. Are you hurt?"

She didn't answer me with vocalizations, which was worrying. Was some part of her still attempting to hide? The furry lines above her eyes scrunched together, and she kept her gaze pointedly fixed on the floor a few feet in front of me.

"Abbi- may I call you Abbi?" Her eyes flickered slightly, and she gave the smallest and most hesitant of head movements up and down. I continued, "Abbi, my name is Cherry Berry, Third Bloom, pronouns of She and Her."

The girl's diaphragm twitched spasmodically as she exhaled, a strange and involuntary reaction to my name I've found many Terrans do. It is admittedly very adorable how they are unable to control themselves, similar to how they cannot control their heartbeat.

I kept my body perfectly still as I continued, "Now as you may be aware, my presence here means that this ship has been boarded. As of this moment, all but eight of your fellow crewmates have been sedated, and are being escorted off of this ship, and onto the Illastria. You are to join them. Do you understand?"

The girl shook her head wildly, her ocular organs wide as her heartbeat sharply increased. Many creatures had a fear response, of course; evolution's clumsy attempts at protecting them. I would be much more thorough, once my implant rested within her.

I carefully extended one of the four groupings of vines I had shaped into arms, holding the 'hand' palm-up towards her. Culturally, she would recognize it as an offering.

"Come here, petal. Take my hand."

She need not know the topical xenodrugs I excreted through my vines until later, of course.

The girl pulled her bottom lip into her mouth and nibbled on it as she thought things through. I waited, calmly. She was smart, I knew. Smart enough to have recieved an education at the collegiate level for nearly free, before it was shut down and she was shunted into this accursed coffin of a ship.

Finally...slowly...and ever so shakily, the girl's limb extended out towards mine. I resisted my instinct to close the gap in less than a single of her eye blinks, to slip my injectors under her dermis and make her mine.

That would come later.

Instead, I began to slowly sway my body back and forth. Not enough to be noticeable on its own, but enough that the natural rhythm of my flora to more prominently draw her attention. Like many species, it was difficult for her kind to focus on multiple tasks at once. All I had to do was utilize this trait to my advantage.

Her fingertips touched first, like soft wingbeats of an Al'yssrian upon the surface. They hovered over my own facsimile of her phalanges, and finally came to a rest in the center of my palm, with my own fingertips nestled on her radius and ulna. I allowed myself a full 0.3 seconds to enjoy the feeling of her body. All those complicated systems, each working so inefficiently to maintain that spark called life. The soft tiny hairs on her arm had raised, hundreds of little bumps coating her arm. Another automatic system, most likely. She reacted to me.

...But even so, she was far from ready for me to move, just yet. The sternocleidomastoid muscle was tensed to near-taut, and her ocular organs refused to stay fixed for long. Now that I was touching her directly, I was able to get a much more accurate pulse reading. It was far above resting, and the speed only hastened the effects of the adrenaline coursing through her systems.

I pulled a single vine from the 'back' of my hand, curling it slowly around the side until it hovered over her own. She watched it nervously, and I felt her limb tense in case she needed to pull it back.

"Have you ever seen one of my kind before, Abi?"

The girl paused, then another up-and-down bob of her head.

"...I mean like this. Not on a digital broadcast."

A left-to-right this time. Negative.

"I'm sure you have heard quite a bit about my kind, though. I will say that in turn, I have learned much about you." I was rather disappointed in the meager intelligence gathered for her, a mere twelve Petabytes of shopping habits, familial history, hobbies, disinterests, relationships, and every message sent from a device she has ever so much as looked at. Still, it was enough for me to develop an interest in the Sophont.

The corners of the girl's lips sank down, and the hair strips above her ocular organs scrunched up again. It would be adorable, if it wasn't meant to signal negative emotions.

"The point I am attempting to make is this: that information is useful, but ultimately direct knowledge is the highest priority. As an example..."

The vine dipped down and began to stroke along her metacarpals, a careful pleasing rhythm modeled after my own. The effects, though minor, were immediate: her heart rate shifted down and her eyes locked into the movement, and the scent of her perspiration indicated a reduction in chemicals released from stress. I continued to gently pet her, noting with mild amusement how she used the muscles in her throat she could control to contain any vocalizations. That would have to change, of course. The easiest way would be to remove her ability to notice them via hypnosis, but I enjoyed the way the hue of her face dyed red as she grew more embarassed.

I adopted a softer and quieter tone, causing the girl to lean forward slightly to hear me better. "You see? Nothing to be afraid of, is there? All I offer is comfort and pleasure, petal."

She continued to think while I directed more vines to join the first, carefully running them down and up the length of my grip on her. The topical xenodrugs began to take hold by then, causing her pupils to dilate by thirty...thirty-two percent. I checked my tablet from its place next to my core, and noted that I was one of only three affini left. Still, this could not be rushed.

"Abbi, I am very pleased with you. You are responding wonderfully to me, and I wish to reward you. May I do so?" Needing to ask was ridiculous, of course, but I wasn't quite ready to take...yet. The trap was laid. Now, all that was left was to see if she took the bait. The curiosity. Her kind had to know things. Especially if it is a mysterious 'reward'.

Abbi thought for a full five seconds, then her head bobbed up-and-down.

"Thank you, dear." The vines of my hand wrapped around hers fully while I began to tug, pulling her into the air as I prepared my other arms to cradle her now-prone body. The girl couldn't help but vocalize a squeal, but otherwise she did not struggle. Oh yes, she was absolutely mine in all but name.

I began to drag the clawed tips of my upper right arm across her radius, while the hand holding hers began to massage and squeeze in earnest. Hundreds of different points of contact, varying in intensity, texture, movement.

The girl's nervous system could scarely keep up with the combined input, and I couldn't help but shift the hue of my eyes to a higher frequency as a result. The dazed and unfocused ocular organs...the desperate panting as her chest rose and fell...the way her vocalizations continued to build....

Exquisite.

"Why don't we continue this somewhere more...palatable, little one? I would love to show you my garden."

No response. The drugs had likely reduced her to a mewling mess, and her auditory processing was a consequence. No matter.

I began to walk back towards the Capture vine I came from, continuing to caress and play with her soft skin. "You know, I think you would be much happier with a different name. Specifically, your familial one..."

necromancer

All You Need by ObliviaWrites

Released: January 2025

16k words; 3 chapters

Notable Tags: Class-C, Bimbofication, Vampirism

Status: Complete

A tribute to the incredible horny potential of Class Cs, featuring a bitter terran lapsed academic and the deadbeat affini neighbor whose attention she just can't seem to shake. Catamina Prince knows that something in her life needs to change. Since the affini arrived, her academic career has been in a downward spiral, her frustrations with the new status quo grow by the day, and she's never been more alone. Her annoying neighbor, Gracie, will not stop telling her to take it easy and sample her hospitality, but what does Gracie know? Catamina knows herself and she knows what she needs. Right?

...January's been a good month.

Class-Cs, or "bonding enhancers", are very hot. Citation: this fic. This is a beautiful corruption fic, about a Terran who really needs to chill out at least a little bit, and so gets an implant that dispenses class-Cs to help with it. Against her will, naturally. It is an extremely hot story, running that delightful border between dubcon and noncon, with a heaping helping of love potion.

Also, if I may offer a bit of paratext: Oblivia also made art of Gracie, reposted here with permission. Gracie looks like she stinks good.

LIke. Damn. Girl can get it.

The last part really resonates with me because recently I've disconnected almost entirely from franchise movies, current releases, anything in "the industry". At this point, the wells of Hollywood and big-budget videogames have been irreversibly poisoned for me and the only way I can connect with art anymore is either when it's something created by individuals, small teams, anything independent, or it's something I've created myself (and I am an individual). I think once you take that step back you really see how bad it's gotten. I feel like corporations have taken such insane steps to commodify and reduce what is, at its core, the very medium of human expression. All the talk of "IP" and "content" and "canon" and "consuming", is so sterile and lifeless, and I feel like the normalization of this kind of language is seriously affecting how people relate to anything creative. Someone else said it better than I ever could- "why on earth do you let a company buy the right to determine what you think and feel? Make them "the legal owners of what happens in your mind?""

I love the practice of requisitioning, remixing and reworking books, comics, movies etc. through any means you like, but I hate hate hate the way so much vocabulary that used to be rooted in individual creativity has been taken over by this kind of fucked up deference to mainstream publishing and ip.

easy example: everyone calls the characters they work up for their projects 'OCs' now. that genie is out of the bottle, I'm not even going to try and cram it back in. it's universal terminology. but I do want to reflect - why is the default position to assume that when someone says 'my characters' they mean something derivative, unless they specify 'my Original characters'?

similarly, all character relationships are 'ships'. but what's wrong with that? you say, it's just short for 'relationship'. and you would be right, by merit of completely ignoring the fandom ancestry and common understanding of that term in order to win an argument. because you know as well as I do that 'ships' aren't 'relationships', they're hypothetical romances that the speaker is rooting for. so why do I keep seeing people talk about shipping their OCs? why is a hypothetical relationship entertained and enjoyed by the creator of the work described using fan terminology?

I have for real no joke seen people talk about their 'headcanons' for their own characters, in their own stories. that's not a headcanon babe, that's canon!!! that's YOUR WORK. moreover, why are we even talking about the canonicity of your personal original writing? this isn't the star wars extended universe, why are international franchise IPs setting the baseline for the relationship you have with your writing and the terminology you use to conceptualise it?

tbc this is not a 'fandom brainrot' post. because I don't think it's fanwork that's the root of the problem. I think it's the insidious creep of capitalism and the ever more draconian weaponisation of copyright law that has rewritten our capacity for talking about creative work so that it revolves at all times around ownership and precedent. there is a deep learned anxiety about describing fictional works as fictional properties, that echoes in our vocabulary as we constantly make clear what is owned and what is not, what has been established on the record and what exists in the realm of speculation.

the reason 'fandom brainrot' is such a compeling stand-in for this issue is that it's really just one step downstream from all that voracious rent-seeking behaviour by publishers. if the only things you ever read or watch are in the milieu of those franchise copyright lawyers, that is the understanding of fiction-as-property you develop. if you're not exposed to a broader spectrum of art and artists, living and dead, who talk about their work as work - as expression, as experimentation, as a personal process and as a shared space with their audience - you will quickly be alienated from your own creative practice by design.

the point i want to make is this: going off the beaten track, exploring outside the franchises and bestsellers and box office babies, is not just a matter of good taste. imo it is a necessary act of solidarity with artists who still live, work and speak as individuals. it's a healthier environment for you as an artist. you deserve a relationship with your own work, not a ship.

I send myself a Letter

🕳️

There's something down this hole. Take a look while stand directly behind you. Don't pay attention to my kicking people down holes boots

There’s a jar of raisins down here. Gotta be at least …. 200 of them. Let’s play Raisins