They Regret Getting Office Jobs

Harry Fonseca — In the Silence of Dusk They Began to Shed Their Skin  (mixed media on canvas, 1995)

WELCOME TO THE WANTING. IT IS HEAVY HERE. (cc: @jonismitchell)

caption: The Wanting, @jonismitchell // Água Viva, Clarice Inspector // Sense and Sensibility, Jane Austen // x // Imitation of Life (1959) // South London Forever, Florence and the Machine // Plainwater: Essays and Poetry, Anne Carson // All Too Well, Taylor Swift // New York Movie, Edward Hopper // Reading too much into a Tongue bite by Me // I want you to Love Me, Fiona Apple // IWYTLM genius annotation // Ada Limón on Preparing the Body for a Reopened World // The Unabridged journals of Sylvia Plath // He Held Radical Light: the Art of Faith, the Faith of Art, Christian Wiman // x // Hunger, Florence and the Machine // Eye Level: Poems, Jenny Xie // Big God, Florence and the Machine // Ada Limón // Emily Dickinson correspondences with Sue // Sharks in the River, Ada Limón // x // Nobody, Mitski // I will name this tragedy after you by Me // Litany in which certain things are crossed out, Richard Siken //

caption: The Wanting, @jonismitchell // Água Viva, Clarice Inspector // Sense and Sensibility, Jane Austen // x // Imitation of Life (1959) // South London Forever, Florence and the Machine // Plainwater: Essays and Poetry, Anne Carson // All Too Well, Taylor Swift // New York Movie, Edward Hopper // Reading too much into a Tongue bite by Me // I want you to Love Me, Fiona Apple // IWYTLM genius annotation // Ada Limón on Preparing the Body for a Reopened World // The Unabridged journals of Sylvia Plath // He Held Radical Light: the Art of Faith, the Faith of Art, Christian Wiman // x // Hunger, Florence and the Machine // Eye Level: Poems, Jenny Xie // Big God, Florence and the Machine // Ada Limón // Emily Dickinson correspondences with Sue // Sharks in the River, Ada Limón // x // Nobody, Mitski // I will name this tragedy after you by Me // Litany in which certain things are crossed out, Richard Siken //

Arent u

Photos from the book ‘My People Shall Live’, London, 1973

some recent mentions of love from my journal

Tetsuo Aoki

Two People

Woodcut

Davidson Galleries

Doves No. 2, Hilma af Klint, 1915

oil on canvas

le roi de la lune, yoshitaka amano, 1992

Character, Remedios Varo

Lawyer’s Wig Coprinus comatus