It Feels Like Their Friend Got Back Together With His Ex

P R E T T Y

Saw a post about a female Bruce looking like this once and it rearranged my atoms a little

Comms open

You are loved.

Reference here

“BigB treated me right” what if I lost my mind

Spock’s bar mitzvah. He did not have fun

Okay so I saw atsv recently and while I love reading everyone’s takes on the art styles, I have to bring up the music

I’m a pretty basic music nerd with minimal theory study, but I’ve taken to just playing the soundtrack. (I’m referencing specifically the Metro soundtrack, I prefer songs with lyrics, but I’m positive this will apply to the other soundtrack too, the crew of spider verse are that amazing) And in doing so, I just need to bring up how carefully these songs are constructed??

See, backing track songs need to be subtle. That’s what (in my experience) can make them boring or difficult to compose - how do you make something interesting but able to blend in? But these people, they’ve just - pulled back layers?? And spread them out???? Rarely is there more than about 3 things happening at any one point in the songs, and it means they can pack so much into them. And more than that, it gives them room to give every song a style, a reference and a character to link them to!

Take ‘Hummingbird’, for example: it’s the song that plays when Gwen opens the portal above Miles’ bed. Then compare it to ‘Sunflower’, from the original movie. The artists are completely different, the tone of the movie has changed entirely, but the songs mirror each other!! The way the vocals have a little flick (flick? Reach??) at the end, the bass and trap in the background, heck, even the emotions they convey! Miles, in each instance, is at a turning point, whether he is aware of it or not.

But the composers haven’t just decided to mimic Miles’ song from the original song - they’ve dampened it to fit the tone of the movie. The trap beat and pulses are muted, and the vocals are slightly subdued. And of course, the lyrics are very different. They are both about love, but one is optimistic, and one is resigned. GOD these people!!

And it’s like this with basically every song I’ve come across! While a lot of the characters have less (or nothing) to compare to, the composers have put bits and pieces in to make the characterisations and emotions peak through. Just look at the percussion in ‘Link Up’ (a mixture of the clicking from ‘Self-Love, which kinda was Gwen’s theme in the album, and the percussion from ‘Silk & Cologne’, which I think is supposed to be Miles’ family and their party (?)) which I took as showing Miles’ split between Gwen and the Spiders, and his family.

Just, this soundtrack has som much care and love stuffed into it. I don’t know how much this makes sense (It’s 3 AM), but I didn’t see anyone talking about it and that is a CRIME

What about Bones?

So sometimes I think about AOS vs TOS, and the biggest thing is that in TOS, Mcspirk is basically cannon. You cannot tell me those boys don’t love each other, it makes me crazy.

But in AOS, it’s just Spirk. Don’t get me wrong, I was a Spirk fan waaaaaay before I noticed Mcspirk in TOS, but I try to see the tension between anyone in shows I watch, I Jim and Bones just seemed like brothers. On the surface, this is just interesting, but what about Prime!Spock? (I’m gonna call him Selek)

Because he knew Jim and Leonard since his 30s. In this scenario, he dated them, basically married them. Hell, he’s t’hy’la with one and shared his katra with the other. He knows them. It’s the three of them.

So do you think he gets whiplash sometimes?

I bet he visits Jim and Spock, sometimes, especially after they start dating. And I wonder if one time they’re talking, and Bones walks in, and he’s expecting him to join in. To meld into the pair like his Leonard did. But instead he stands apart, like the friend that he is. I bet it’s heartbreaking, another reminder of what Selek’s lost.

Not only that, but what about Bones?

There’s an animatic somewhere on YouTube of Everything Stays where it compared AOS and TOS, and it pointed out to me that in the Kelvin timeline, there’s no nurse Chapel, and it got me thinking.

Not only do we not see Nurse Chapel, but I don’t remember there being a Doctor M’Benga either. So he has none of his original work friends in the sickbay. Well, he still has Jim and Spock, to an extent.

But what about Joanna?

We hear about Jocelyn in the shuttle, how his wife took the whole damned planet in the divorce, but does that include his daughter? The crew are significantly younger in AOS, does he even have her? Just how lonely is Bones?

I think about Leonard McCoy a lot.

Intrusive thoughts about how the Apollo cabin would totally perform Epic the Musical for camp

I feel personally attacked.

The amount of autistic/adhd people with a profile picture of spock is truly astonishing /pos

when god closes a door (gothcicle) he opens a window (faggy clubcicle)