Day Fifty-six (56/100)

help  me!!

Hello everyone, I’m looking for a fiction that I read on Wattpad where Clarke and Lexa are forced to work together on a project for the company of Lexa’s family, Clarke at first has a relationship with Fin (musician) , later on the courtship of lexa who just wants to take her to bed ,breakup with Fin.. I remember that in this ficition Anya and raven have a daughter , lexa’s nephew who carries with her a tin for bad words. I remember that fiction have a second part of a fiction, where Clarke e Lexa are in a relationship and live together, and for a mistake Clarke was pregnant with the real son of Lexa. Please please help me

Day 34 of @the-wip-project ‘s 100 days of writing challenge.

Q. Do you prefer to write fluff or angst?

A. Angst. I have more personal experience with angst and, therefore, the writing comes easier for me.

“Show, Don’t Tell!”: Using the Five Senses in Writing

This is an extended piece to my ‘Show, Don’t tell’ post. When writing the senses, I like to imagine the scene as if I were watching a movie. It’s the simplest way for me to picture and write when it comes to descriptions. You don’t want to overload the reader, but you do want to paint the picture instead of telling them. Staying aware of the five senses in your writing will dramatically improve your skill. It not only helps the reader be a part of the story but helps the writer set important scenes, without having to outright state what is happening. In this post, I will explain how I use the five senses in my writing. As always, my advice is subjective and only to show what I personally do. Whether you keep the senses in mind as you write, or you edit them in later, making sure you pay attention to keywords will help eliminate the stress of going back later to figure out what (maybe!) went wrong. 

SEE: On Sight

One of the easiest ways to go about elaborating sight is to eliminate words related to vision (look, saw, gazed, peek, etc). It also helps to stay aware of items, colors, sizes, etc. Do the same thing you’d do with words related to sight, eliminate them. Of course, don’t erase every word or phrase, but being proactive, keeping them in mind, and avoiding them will help you avoid overloading your reader with too much purple prose. (Granted, I would die for purple prose, but I understand that’s not everyone’s thing). 

Examples:

Jill saw Jack running. He carried a silver pail. He tripped and fell down the hill. 

 There are a lot of sight-words in this example. As the writer, it is your decision to choose what you want to elaborate on, whether it is one thing, or all of them. How much of the story you want to paint is up to you—

Jack’s feet blurred against the green grass as his toe caught his ankle. He rolled on his side, his silver pail flying into the air and reaching Jill first.

Jill craned her neck to find Jack staggering down the hill. Water sloshed from the sides of the bucket, swinging and glistening in the sunlight. He stumbled and grabbed for the handle with his second hand as the pail threatened to leave his grasp, and then he slipped, toppling down the hill.

In both of these scenarios, the reader can “see” that Jack is running and tripped without specifically stating that Jill saw it. They also “see” he had a silver pail and dropped it. 

Being more visually descriptive is also very important for facial expressions. It takes a simple mood and elevates it. Describing the expression also gives the reader the chance to “feel” that way too, almost like a mimic, which helps them visualize and empathize with the character.

Example:

Maxine made a disgusted face.

Think of what a disgusted reaction looks like; usually, it involves frowning, pinching your nose, sticking out your tongue, etc. Sometimes, it can help to look in a mirror and write what you’re seeing, too.

Maxine flared her nostrils and stuck out her tongue.

In the latter example, the reader is able to infer that Maxine is disgusted by how the writer described her reaction.

HEAR: On Sound

Describing sound can be tricky. It’s also hard to remember when to use it. We tend to think of sound in terms of music or voices—okay, okay, sometimes we sprinkle in animals howling or the wind blowing, too!—but sound can be incredibly important in setting a scene and is often under-utilized. Sounds let the reader know their surroundings without pulling from what is going on and adds intensity!

Examples:

Manuel sat nervously at the coffee table.

Again, as the writer, you can decide where to incorporate the use of sound. Here are a couple of suggestions, based on the above example:

Manuel’s fingers drummed against the table and drowned out the low whistle escaping from between his teeth as he exhaled. All around him, there was cheerful chatter, through which the barista’s loud voice occasionally sliced.

Manuel’s thoughts whirred and hummed, a dull grinding and the clinking of glass broke through the constant thump of his knee against the underside of the table.

In both of these examples, the reader was able to gather that Manuel was nervous (tapping knee, drumming fingers, low whistle). They are also able to gather he is in a coffee shop (or a restaurant of sorts) without explicitly saying so.

TOUCH: On Sensation

The best way to handle touch is by imagining whatever it is you are describing and what it feels like. If you don’t know how something feels, google it. Don’t describe a snake as slimy just because its scales are shiny and gives it a slime-like effect. That said, touch doesn’t just deal with what your character is physically touching. It can also deal with emotions and help to express them without saying outright how your character feels. 

Example:

Opal touched the silk blanket. She felt sleepy and closed her eyes.

Here we can elaborate on what the blanket feels like when Opal touches it and how she feels to indicate she is tired: 

The supple fabric slid between Opal’s fingers like water. Her tired muscles sagged and sharp, tiny pinpricks pressed against her heavy eyelids as she lay back.

The reader knows the blanket was very soft and also that she is tired without specifically stating she was sleepy. 

TASTE: On Flavor

Taste is a fun sense to mess with. It can show the reader so much more than how delicious the bread is (or how gross dirt is). I like to play around with taste in the weather/air, the taste of fear, the taste of cat hair in your mouth because there is always cat hair in your mouth… all right, maybe that’s a personal thing.

Example: 

The sun rose over the city.

What do you use for taste here? A city can’t taste, the sun doesn’t taste, but your character does!

Yellow light spilled over the streets, soaking the grit from the rainbow puddles into the air. The bitter grease lingered and settled in his mouth, strengthening every time he scraped his teeth against his tongue. 

Experiment with taste in your writing. Describe things you wouldn’t normally think to taste, like crude oil*. The internet is a good resource when it’s something you don’t want to try yourself, like crude oil**. Chances are, someone out there has already tried it and explained what it tastes like online.

SCENT: On Smell

Ahhh, smell. Smell lets the reader know so much: they can figure out where a character is, what they’re doing, where they are, etc., just from a few scent-related descriptors thrown around. Smell is also useful in triggering memories or past events.

Danny walked through the forest.

You can use so many of the five senses here! But since we’re focusing on scent, let’s zero in on that:

A crisp hint of pine lingered in the air and blended with the pungent decay of the brown needles underfoot.

Without stating anything about a forest, the reader has an idea of where Danny is. You can also use smell to show emotion! 

Danny was in love.

How do you smell love, K? Well, you’ve got me there: you can’t. But as a writer, you can think of what love means to you and of things you associate with love, and work from there. Personally, I imagine it would have a sweet smell, maybe too sweet.

A rush of flowery sweetness filled his nostrils as the handsome young man walked by.

There you have it. Of course, there’s a lot more to writing the five senses, as there is with anything, but this is to give you a basic idea of what I do when I’m writing. Being proactive and keeping the senses in mind while writing can be tough and exhausting, but the more you do it, the easier it becomes. And you don’t leave it all for editing! Remember: the most important thing is to keep practicing. 

Happy writing!

* Please do not taste crude oil. I can’t believe I have to type this, but some people want to eat Tide Pods, so here I am.

** Do not taste crude oil. You will die.

author: sorry I’m jumping on this bandwagon and writing a fic with the same premise as all these other fics

me, has read 500 fics like this one and is prepared to read 500 more: please never apologize for giving the people (me) what they (also me) want

Make the most of the next two months

Get all your vaccines

Travel while we have a functioning DOT

Read and buy books on feminism, anti-racism, pro-lgbt

Attend drag shows

Don't skip any of your classes

Read and buy history books

Find your out-of-state networks

Learn to carry cash

Get birth control solutions

Support the Biden/Harris administration

Postpone large purchases and save money

Be careful of what you say online, like un-ambiguous attacks against the incoming administration, especially in spaces that contain your full name or personal information

Feel free to add on.

sigh. I miss them

the kiss- from script to screen

(insp.)

This one is so beautiful :’-(

it matters how this ends

‘cause what if i never love again?

Avengers: Infinity War aka The Bachelor: Tony Stark Edition

Amazing!

we know they wont do it or they wont do it right. so if you were doing it this year how would you bring lexa back permanently alive?

A complete do-over of this season utilizing what they’ve brought? Same opening, introductions, up to Octavia being abandoned by BeIIamy. And we break from there.

(This is looong)

1. I would have presented the original Sanctumites as having arrived on the planet in nothing but their “mind drives.”

 2. I would have had a pre-ALIE AI running their ship while they “slept” and being in charge of 3-D printing them bodies from existing DNA kept in frozen storage for when they arrived on a viable planet. 

 3. I would have had Gabriel and the AI sabotage the DNA printers so no new bodies could be printed up. He learns what kind of eugenic-fueled monsters the Lightbourne’s are and their “ultimate plans” for Sanctum.

 4. This led to his banishment and to Josephine coming up with the extreme and horrifying idea of using other people’s bodies. All the extra “embryos” on board were for colonization purposes, but wound up being the Primes source of extra bodies. 

 5. Gabriel’s revolutionaries despise him somewhat because they know he has the tech to stop the Primes from using other bodies. He just wanted them all dead. No 3-d printed bodies, nothing. But they’ve never seen him, just interacted with the AI.  

 See where this is going?  

 6. No Dark Commander storyline, just Madi not wanting to be Commander. What’s the point? But she does feel responsible for giving those who live on the Flame a voice. She knows they suffer in their digital existence, but doesn’t know how to help them, beyond destroying the Flame itself. She becomes convinced this might be the best idea.  She doesn’t tell Clarke or Gaia about her “plan.” 

 7.  Russell does not discover Clarke is a nightblood, he learns Madi is and plans on using her to bring Josephine back.

 8. After Delilah is taken, Jordan recruits Clarke to investigate what happened to her. They discover Sanctum’s horrific past and speculate that Madi is in danger since everyone has seen her black blood (playground accident, whatever).

 9. Clarke plays Russell by warning him if he takes Madi, he won’t have access to the other nightbloods on the E4 (big lie). She tells him they are just prisoners of no value to them and they can have the bodies once they help them build their own community away from Sanctum. 

 10. Octavia and Diyoza meet old Gabriel, his life extended thanks to the temporal anomaly.  Diyoza recognizes some of the tech he has, including the DNA printer. So many lives taken because he stole the tech, but he points out if he hadn’t, the Lightbournes were planning on enslaving all the “embryos” anyway and building their own “master race” that, once fully developed, would return to Earth to take over. But Gabriel screwed them a second time: he crashed the E3 and the remains are mostly underground (and still active, along with the pre-ALIE AI. They would never get home).

 11. Russell and the other Primes plot against Clarke’s offer, they want the “nightbloods” as well as the ship. Their initial attempt at takeover (by the Lees) didn’t work out so well.  Russell wants Josephine back very badly: she was the brains of the operation and they need her.  He and Simone contemplate taking “Delilah” and removing Priya’s mind drive so Josephine can have her body, even if it angers the other Primes. Priya actually agrees to be put on ice again…for the greater good.

 12. Madi’s nightmares and headaches are growing worse. She tells Gaia that the Commanders do not “sleep” and they “fed” her dreams while she slept on the E4. One of the worst nightmares she has is over Costia, something Echo is suspiciously guilty about.  She admits to Gaia she wants to remove the Flame. Maybe it’s time to set the Commanders free. She describes some of them as totally insane and doesn’t want to go mad herself. Gaia reminds her of the responsibility, of what the Flame can do. Madi says there is only one Commander who “protects” her in her sleep, but she is losing her sanity, too.  

 13. Clarke needs to get a message to the E4, to have Niylah wake wonkru and get them ready to defend themselves just in case. In order to do that, she has to go outside the radiation shield to find an area that isn’t being blocked. Madi refuses to leave her side and along with Gaia and Echo, goes with her. 

 14. They are confronted by CoGs who know Madi is a nightblood. Madi’s Flame tells her to trust them a little and to not fight. They surrender and are taken to Gabriel.

 15. Down in Gabriel’s “sanctuary” in the remains of the Eligius III, Clarke and the others learn more of Sanctum’s horrible past, and how the Sanctumites really don’t know how to “live” on the planet, they just know how to hide and have isolated themselves (with the early help of the AI, before Gabriel took it).  They are a dying culture and Gabriel intends to live to see it…but his plans also seem to revolve around something unique to the planet itself. Clarke isn’t interested in their horrible history, though, they’ve got their own, but Gabriel or the AI will likely know more about the other planets that the other Eligius ships were supposed to visit and colonize. Did any of them make it? Have they heard from them? Were they all part of Lightbourne’s plan?  Gabriel allows them to talk to the AI.

 16. In Sanctum, Jordan is disgusted that Delilah’s body has been abused again, now inhabited by the unapologetically evil Josephine. Josephine decides they’re not messing around with Clarke’s offer, they’ll just take everything, even though Russell disagrees. All the Earthers in Sanctum are rounded up and they learn Clarke and the others, including Madi, are gone, but they still have the drop ship to take the E4.  They prepare. 

 17. Clarke is suspicious of the E3 AI, she is much like ALIE, but more restricted. She helps them communicate with the E4 so Niylah can wake everyone. Gabriel and the AI explain how the colony was supposed to work, about the DNA printer, the embryos…and Madi (and the Commanders in her head) are particularly intrigued. The AI registers an unknown tech (the Flame) and Madi feels but doesn’t know what it is.

 18. The Sanctumites foolishly believe they won’t need large numbers to take the E4; they have Jordan and Raven to take them back to the ship where they follow through on the rest of Clarke’s plan: Wonkru and the surviving prisoners are awake and led by Indra and they easily overpower the Sanctumites.  Indra is pissed no one woke her up sooner. They return to the surface.

 19. Some tension whether this AI is influencing Madi (via wifi ofc), as Madi has become morose and distant.  Gaia is worried. Clarke and the others are busy making new arrangements with the CoGs who will show them how to survive the planet and free the Sanctumites from their servitude. 

 20. With Indra and the others now basically in charge of Sanctum, Russell bargains for their lives by telling them that the CoGs are no better, they’re a death cult ready to sacrifice everyone to the planet they worship.  And they have more people than Wonkru does.  Russell will give them all the help they need if they leave them alone and do not let the CoGs past their barrier.

 21. Madi wants to talk to Clarke about the new deal with the CoGs, but there’s no time: Clarke wants to get back to Sanctum with the others and sort out the rest later.  Madi keeps Gaia and Diyoza behind, tells them she needs their help.  

 22. Russell is desperate, now that Sanctum has “fallen.” He says Clarke is leading the CoGs there and they will kill them all. Indra is like, shut up Jason we can handle this and Clarke won’t betray us. Sideeyes everyone in the room.  

23. Clarke gets Gabriel and his group through the barrier and the attack happens: more CoGs appear and charge through the barrier with Clarke and the others being captured. Gabriel confirms they are going to raze Sanctum and sacrifice everyone to the planet…so they can be reborn within the planet’s “spirit.”

 24. In the E3, Madi tells Gaia and Diyoza she and the AI agree she has to remove the Flame before it degrades further and takes Madi with it. But some data on the Flame is still intact: the most recent Commander, Lexa…but they need a DNA sample to help print a new body. Gaia reveals she helped prepare Lexa’s body for her funeral…and kept a lock of her hair that she carries with her always. Diyoza is like, Cool, let’s print this chick and get out of here. The AI lets them know that the Flame’s “AI” is so thoroughly integrated with the Commander-data that it cannot be separated. Once Lexa is “uploaded” to her new body, she will basically be “Lexa+AI.”  Madi removes the Flame for it to sync with the DNA printer.

 25. Sentries watching out for Clarke and the CoGs rush back to Sanctum and tell them a huge army is on its way. Russell wasn’t lying. They’re setting fire to the crops as they go along. Russell tells them about their secret cave they need to hide in. Indra isn’t happy with this, but they need another plan and to protect the children (she’s not leaving till they get all their people, including Madi, back). They follow him.

 26. Printing Lexa’s new body doesn’t take that long, thankfully Dioyza is familiar with the equipment and the AI helps, of course. Lexa isn’t quite herself once the upload is complete, but the AI informs them it has been “monitoring” the situation in Sanctum and the CoGs are on their way to “sacrifice” everyone to the planet. Diyoza wants to know more about what that means, but there is no time. The AI shows them a secret route that leads to Sanctum’s underground caves. Gaia and Madi speak trig to Lexa, who does not appear to understand English.

 27. Finally reaching Sanctum, Clarke begs Gabriel not to go through with his plan, it’s insane. He tells her the planet is special, they will all be reborn in a better, higher form, there is nothing to be afraid of. Death is not the end. Clarke realizes Madi is not with them. Clarke warns Gabriel she’s the Commander of Death and if she makes it so, they’ll never come back as anything but dust. Gabriel orders his people to find the Sanctumites. 

 28. Diyoza, Gaia, Madi and Lexa reach the Sanctum caves, but Lexa has been silent the entire time, processing what is going on around her. Before they approach the caves, Gaia is concerned Lexa’s appearance will cause chaos for their people. Madi is still the Commander. Diyoza argues that Lexa “rising from the grave” might be what they need in lieu of greater numbers.  Gaia isn’t so sure. She’s worried about Lexa’s state of mind, that she really has no idea what is going on.  While they argue, Lexa takes Madi aside.

 29. Clarke, with Octavia and Echo (and a few of the less faithful CoGs) escape their captors and head toward the dropship, even though none of them are pilots. They are surprised to find Raven there; she gets the up to speed about Indra/Sanctum. Clarke tells her that they have to go to the E3 to get Madi and makes Raven fly the ship there.  Once they arrive, though, all but the AI are gone; she tells them where they went and how to follow; because the location is underground, they can’t use the ship and Raven decides to stay at the E3 to investigate the tech and be on standby. Octavia stays to protect her while Clarke and Echo take off for the Sanctum caves.

 30. Scouring above and through the elaborate cave systems, CoGs have set fire to one of Sanctum’s settlements and are heading on to the others. Gabriel finds Josephine’s “lab” and burns it down.

 31. In the caves, the Sanctumites are terrified, they can hear explosions above and they know their homes are being burned. There is a lot of anger directed at Russell for not protecting them, but Indra doesn’t allow him to be harmed. Most of the Sanctumites do not know that “Delilah” is no longer Priya, but Josephine, and she is in no rush to disrupt that belief. Simone and Russell confer that if they give Josephine to Gabriel, he might let everyone live. His real anger is for her and what she made him do. Russell is torn. Then Josephine approaches and tells them they will be fine and they’ll get the 3d tech back and not to worry. Russell and Simone are confused. One of Indra’s people comes back that the Commander has returned.

 32. At the E3, Raven and the AI talk about the history of the colony and the other colonies that were setup, but they lost contact with them a long time ago. Raven wants to know if this AI knew about ALIE (and if they share any values). They discuss the temporal anomaly and how did it give Gabriel extended life. The AI tells her it didn’t. It killed him.

 33. Indra goes to greet Madi and Gaia and is shocked by who they have with them. Lexa greets her in trig and tells her the planet is unstable and they must leave. Madi is all, how do you know that?  Lexa tells her the Flame interacted with the E3 AI and she basically knows everything going on. Then she asks where Clarke is. No one knows.  

 34. On board the E4, Jordan is surprised by communication from Raven and a huge data dump being uploaded to their system. She tells him to make sure everything is ready to depart because the planet is about to have a temporal hole ripped through it within the next 12 hours and they need to get the hell out of there.  Jordan tells her the drop ship will only carry so many, so it’s going to take more than one trip.

 35. Clarke and Echo are narrowly avoiding capture and fighting off CoGs scouring the cave system; there are also numerous tremors that knock them around. Earthquakes? A cavern collapses dropping heavy rocks and Echo is hurt, tells Clarke to leave her and find the others. In spite of everything, and worried sick about Madi, Clarke won’t leave her behind and struggles to free her from the rubble.

 36. Wonkru (and the prisoners) are restless and nervous with all the tremors and are ready to fight and want to hear from The Commander. They look to Madi who tells them she is not their Commander. Lexa reveals herself to everyone’s shock; she tells them they must leave this place and will they follow her? Wonkru are ecstatic (while Abby, Murphy, Emori, Bellamy et al are just in shock), and Diyoza convinces her people to follow as well.

 37. Josephine tells Russell and Simone and the other Primes to stay, that this is their home and she has a plan. Not to worry. Just let the others go, she says. They’ll die anyway.

 38. The AI gives Raven coordinates for a pickup spot that she says she is also sending to the Commander. Raven thinks the AI can communicate with Madi. Octavia and Raven return to the dropship with something from the E3, and take off to coordinates to start picking everyone up.  

 39. Lexa and Indra lead Wonkru and the prisoners into the fight as cover for Diyoza, Abby et al to help escort the families of Sanctum to the rescue coordinates. There is still no sign of Clarke or Echo.  

 40. After everyone else has left, Josephine takes the other Primes though another cavern where they encounter Gabriel and some of his minions. Gabriel threatens to kill her, but Josephine tells him he won’t. She’s the last one. There are no more Josephines. She says they’ll take their people together through the anomaly and start over, like they always have.  The tremors are getting worse.

 41. Outside the caves, the fighting is a fierce clash of guns and swords and many from both sides fall. Bellamy, Murphy and Emori are on their own mission to find Echo and Clarke and they do, freeing Echo and leading them out toward the rescue spot while the others are fighting back. Murphy warns Bellamy not to tell Clarke about Lexa: what if she dies again? Clarke doesn’t need that a third time. They agree to tell her when they’re all safely back on the ship.

 42. Raven and Octavia arrive at the pickup spot and start herding everyone onboard, though Raven asks where the Primes are…making sure they aren’t taking any with them. The ship is full so they have to take them to the E4 and return. It will be two hours at least and a nerve-wracking wait as the planet is clearly starting to fall apart with storms and earthquakes every few minutes. Abby insists that Gaia take Madi back to the ship. Without the Flame, Madi seems more unsure, but doesn’t want to leave without Clarke. Abby promises they won’t leave without her. Madi goes with the others back to the E4.

 43. The planet makes fighting even more difficult, and it’s clear the CoGs are completely programmed to go down fighting, no mercy, and no surrender. Lexa and the others see the dropship returning to the E4, relieved at least some are getting away. Bursts of temporal lightning are striking randomly and one nearly catches Indra and Lexa.

 44. Clarke and the others are reunited at the rescue site and told they will have to wait for the ship to return. Bellamy and Octavia are reunited and he apologizes for being so small-minded while she decks him good for not only abandoning her, but thinking he could be her judge (especially after all the shit he’s done). Abby admits her role in influencing Octavia, that it was the only way for the majority to survive. Clarke is surprised at the confession, but not shocked, that’s how her mother is and she tells Bellamy everyone has had to pay for their mistakes but him and he needs to start by earning Octavia’s forgiveness. A massive tremor hits and they realize their rescue site is comprised. There is no way for the dropship to land there. They will have to find a clear area and the best idea is to head back to Sanctum so Raven doesn’t have to go hunting them down, but they can still send a signal.

 45. The dropship docks with the E4 and the Sanctumites are in awe of the ship and the children are excited to be “going home.”  Niylah takes charge of shepherding everyone to the mess hall to wait. Jordan informs Raven that the storms across the planet are getting worse; she has to get back down there.

 46. With most or all of the CoGs dead or no longer able to fight, Lexa and Indra round up the remains of their forces to return to the others, but the storms are so bad they know they can’t make it. The ground is collapsing, trees are falling, fires, etc. They see Abby’s group heading toward them and know their escape site has to be gone. Lexa has noticed that the area nearest the lake isn’t as badly affected and orders Indra and some of the others to gather Abby’s group and lead them there while Lexa and her people make a path for them.

 47. Raven circles Sanctum seeing the devastation, then sees the “path” that has been made and Abby’s group heading toward it. She flies to the lake and sets down to wait.  

 48. Abby, Clarke et al arrive at the lake and everyone starts boarding the dropship. Lexa is far behind with the last group and they are not to be seen. Clarke says they could be lost; they can’t wait much longer. Indra tells her they are not leaving without the Commander. Clarke is angry that Madi is out there and wants to go find her when Lexa’s group appears with Lexa taking up the rear. Clarke does not recognize, since she is wearing clothes from the E3 and her hair has not fully grown (and she’s dirty to boot). She looks around for Madi, demanding to know where she is. Abby tells her she’s already on the E4. Then Clarke sees her. A familiar voice: “Hello, Clarke.” The exhaustion and shock finally get to her and Clarke collapses.

 49. Clarke wakes in the medbay of the E4, her mother looking relieved. She tells her that they have broke orbit from Alpha and are en route to the next colony. Raven took some tech from the E3 that has helped their engines and with all the losses on Sanctum, they still have enough cryobeds for everyone. Diyoza’s baby is going to have to wait a few more years to be born. Madi comes in and hugs her, telling her all about what the AI knew of the other colonies and the next one is a much better bet, but Clarke is distracted. There is someone in the doorway. “Lexa?”  

 50. Later, in the mess, Raven and Jordan are laying out all the information on the next leg of their journey. Some of the Sanctumites are still in shock; this is a new life for them, free of being slaves to the Primes. They’re unsure of being “put to sleep” for this journey, but Jordan assures them they will be fine. With the assist for the engines, this trip should only take 50 – 60 years. Diyoza is resigned to being pregnant in perpetuity. Madi is annoyed that she hasn’t seen Clarke (or Lexa) for the entire day. Abby tells her to try and understand a little: Lexa had been “dead” for 136 years and she and Clarke had been very much in love. They need a little time together before everyone goes for a long nap. She goes to check on Kane. Jordan listens, sad over Delilah’s loss. Raven touches his shoulder. She knows.

 51. In one of the private cabins, Clarke and Lexa are in bed, gazing at one another, in quiet joy and wonder. Lexa asks her if she thinks they still owe something to their people. Clarke shakes her head. “This is our time.”  

 52. Inside the Eligius 3, the AI is still online, watching a screen.  “Temporal corridor 3,437. Collapse complete.  Temporal corridor 3,438…open.”  

  53. Everyone is getting ready for bed; Clarke and Lexa put Madi in her cryobed, but she’s upset she can’t stay up with them. They tell her it is only a year and then they will join everyone else. When she wakes up, it will only seem like a day later. She makes them promise that they will wake her, no one else. With the ship fully programmed for the next journey, and Monty’s algae recipe on tap, everyone but Clarke and Lexa go to sleep. Before she goes, Abby asks them if they’ll be able to stand being alone together for a year. Raven rolls her eyes so hard they almost fall out.

 54. Later, in their cabin, Clarke puts on some music she has found and wants Lexa to dance with her. They are awkward at first, but the music is slow and they easily fall in sync. Clarke asks her if “melding” with the AI has made a big difference for her. Lexa tells her she can see the future. Clarke asks what it is.  “Us.”  

 End