A couple of years ago I had a coworker who asked why I collected vinyl because I had just got done telling him that I didn't really care about the "sound quality" thing that most people talk about when they talk about vinyl. (I like the tone of records but it's not why I like records)
My response was almost exactly this. Vinyl almost forces you to listen to an album as a whole. You can skip around on cd's, you don't even have to buy entire mp3 albums and can opt instead for single song purchases. And streaming services? You don't even have to pay for the music. Records are bulky, they're a commitment.
There's a physicality, a ritual, a performance that needs to take place when you listen to records. At least once an album you have to flip the record over and place the needle to the groove.
The album flows as the artist intends it to. The thought they put into which track goes where is evident.
If you're in to music I highly recommend listening to albums as a whole.
please listen to albums someitmes youll be amazed at what an artists songs do when theyree in an order they made. for you to listen to. etc
hate being the generation that remembers no ads on YouTube & the annoyance when we first saw 1 ad every 10 videos, then 1 every 5 videos, then on every video, then multiple ads within a single video, only for YouTube to market paying for Premium™️ to ‘get rid of ads!’ which weren’t even there at the start
why am i dressed slutty you ask? to read classic literature alone in my room. mind your own business.
This whole obsession with wheelchair users struggling on foot down the aisle at their wedding or across the stage for graduation is 100% powered by ableism.
Little old Italian lady: Do you have zucchini?
Me: Yes, right here.
Lady: Is how much?
Me: $2.99 a pound.
Lady: It's usually $1.49.
Me: Yes, in the summer.
Lady, pauses, then grabs two: I put it in a soup.
Me: Oh nice, what kind are you making?
Lady: You will not fantasize about my soup.
And then she walked away. "You will not fantasize about my soup" will be in my head forever. I love you, little old Italian lady.
Lilith, (detail, 1887) John Maler Collier
New Penguin Shakespeare book covers by Paul Hogarth, 1984. Part 2/1
kevin hense
just write a shitty poem, what do you have to lose
A combination of barrier mesh animation and anamorphic projection on elegant porcelain.
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